Movies Books

This is a perfect training book. The way it is writen keeps my two year old interested. She even knows the song now. It doesn't recommend rewards or any odd words that you may not want to have your child use for pee and poo. It talks about wanting to be older and do what the big kids do...use the potty. Buy it, you will enjoy this book. Recommended for girls because of Miss Piggy...it's too bad that they didn't do one with Kermit.

this book is the best potty training book available to kids. i used this book 11 years ago when i was getting potty trained. and now the child next door that i help babysit is using the book. i loved this book. and so does Lauren (the child next door). every child should get the expierence of reading this book for potty training.

My child loves this book. I must read it to her six or seven times a day. She sings along to the song with a row row row your boat melody. When my girlfriend or myself are not reading this book to her she attempts to sing the song anyways. My daughter can relate to the troubles of not being able to have her diaper changed exactly when needed and the inconvenience of having it changed so frequently. We have a toilet for her and when the book says hello potty she goes over to it and waves. It is the cutest thing ever! Without this book I think we would be miles away from potty training my beautiful baby girl.

When my youngest sister turned 3, she wanted to learn how to use the potty. I got this book at our local library and it really helped her learn to use the potty and wear underpants. This is a great book to teach your child to go potty. Get this book at your local library or bookstore and teach your child what it feels like to use the potty.

my child is now proud of wearing diapers. the first line in the book is --Do you wear diapers?-- my kid laughs and says yes and pats his diaper. He doesn't relate to her dislike of diaper rash or having to sit in it when mommy doesn't have time to change it. Also this book talks about diaper pins and tape which is outdated even for cloth diaper users. So this book has had the opposite effect by no error of the writers; I didn't expect that reaction when i bought it! Really is probably a decent book for every other child in the world

This book is filled with pictures and information about each main actor as well as notes about the film. Very entertaining and fun to read.

This soundtrack is so amazing! Harry Greggson-Williams has the remarkable ability to write music that reminds you of just what was happening at each part of the film: Caspian's escape from the castle, the children discovering their old treasure room, the incredible castle raid, and so much more. This soundtrack has it all: the music is adventurous, dreamy, wistful, powerful, awesome, inspiring! I always considered the first soundtrack to be spectacular and this one is no different. I would recommend this soundtrack to all Narnia lovers out there. Even if you weren't all that wild about the film, the music still has the ability to transport you to another place. Allow yourself to be swept away into the world of Narnia! You won't regret it :).

The Chronicles of Narnia: Prince Caspian: The Official Illustrated Movie Companion helped in preparing me for the movie. I enjoyed the first movie and couldn't wait to see how the Pevensie children had grown (I mean the young actors and actresses who played them, of coure). I'm fascinated in the behind the scene information on movies like this one and to learn more about what went on before seeing the movie made it more enjoyable after finally seeing it. Knowing that more of the same will be added to the DVD, I can't wait to buy it.

How many times have you watched a movie and then asked yourself, "How did they do it?" Filmmaking can seem like a mystical task to the average movie viewer. What flies by in two hours on the screen could have taken two years to produce. While we were raving about The Lion, the Witch, and the Wardrobe in 2005, Director Andrew Adamson, Producer Mark Johnson and their vast team were already hard at work on its sequel, Prince Caspian. And author Ernie Malike had probably already started writing this book, a look at the making of Prince Caspian.

If you read the official movie companion for the The Lion, the Witch and the Wardrobe you have an idea of the visual and textual delight awaiting you in the companion book for the latest Narnia movie. Think of it as a 4 disc DVD collector's edition, only on paper. Which is better in many ways. You can take your time reading and feasting your eyes on the behind-the-scenes and on-the-set photos. Between the leaves are the nuts and bolts of making installment #2 of perhaps the largest movie franchise ever.

Kicking things off is a Foreword written by Andrew Adamson, Douglas Gresham (step-son of C.S. Lewis), and Mark Johnson that whets your appetite for the meat to come. And then we're off! Chapter One, titled "The Journey", sets the scene and explains Adamson's approach. "This time out," Adamson says, "I wanted to do it better."

For those unfamiliar with C.S. Lewis' book Prince Caspian (first published in 1951), Malik summarizes the story and includes numerous movie stills. The "Chronicles of the Chronicles" sidebar takes on the question, "Is Prince Caspian Book Two or Book Four?" of the series, a sticky wicket for some. So far the movies have followed the "by publication" route thus far to take advantage of the natural aging of the actors playing the Pevensie children.

Next we're shown what exactly goes into a screenplay, storyboarding, and previsualization. We also tackle the schedule, editing, and much more. Then we embark on an exhaustive trip through the beautiful locations of the film. From New Zealand to Poland to the Czech Republic, we learn of the difficulties filming outdoors and of the nasty critters who haunted the crew (snakes, ticks, sand flies, etc.).

All of the sections are fascinating, but I'll bet most of us will find "The Cast" chapter the most entertaining. How have the actors who played the Pevensies grown up? What have they been doing between films? Here many of our questions are answered. William Mosley (Peter) talks about his chance to do some of his own stunts and how he particularly relates to his character in Prince Caspian. Anna Popplewell (Susan) is now a freshman at Oxford's Magdalen College, the same college at which C.S. Lewis spent much of his career. "When I picked that college, I didn't know that," Anna says.

Skandar Keynes (Edmund), now 16, has grown probably the most notably of the cast physically, though he apparently hasn't lost his youthful, daredevil ways. And twelve-year-old Georgie Henley (Lucy) comes across as inquisitive as ever, but she hasn't let fame taint her sweet spirit.

We're given an inside look into the selection of Ben Barnes as Prince Caspian, as well as the film's two dwarf stars Trumpkin (Peter Dinklage) and Nikabrik (Warwick Davis). Ironically, Davis already had ties to Narnia. He played Reepicheep and Glimfeather the Owl in the BBC productions of Prince Caspian and The Silver Chair.

Really, I could go on and on here about the cast, but it's important to note that much time is given to the building of the sets, the armor, and how the musical score was created. Not to mention the vast special effects which exceed those of the first movie. Narnia afficionados will probably wonder the most about the gallant mouse, Reepicheep. Apparently much care was taken with his character. Because he's over a foot tall, they didn't want him to look like a rat. They also had serious difficulties finding the proper person to "voice" the creature. The final product is something all seem happy with. We'll see when opening day comes around May 16th.

Profusely illustrated, this movie companion can be read either before or after watching the movie. If you read it before, you'll find yourself on the edge of your seat in anticipation. If you read it after, you'll know exactly what they're referring to when they reference scenes. I read this one before, but I read its predecessor after. Both ways have their merits.

As Ben Barnes says in the Afterword, "Every day on set uncovered fresh challenges working with our one-thousand-strong crew guided by Andrew Adamson. The talent, focus, enthusiasm, and kindness of everyone I met was truly overwhelming." After reading this companion you'll feel the same way. Further up and further in, Narnia fans! This book is a keeper.

--Reviewed by C.J. Darlington for TitleTrakk

My family loves these Illustrated Movie Companion guides. We have this, the Lion, Witch & the Wardrobe, and the guides for the entire Lord of the Rings series.

We're huge fans of the Narnia books and movie franchise, so this book is a must have in our household. It has so much to offer - pages and pages of behind the scenes information relating to the characters, actors, crew, locations, costumes, armor, creatures, and so much more!! There are also loads of beautiful, glossy pictures.

I highly recommend this book to everyone who enjoys the Narnia books/movies, fantasy films or a simply movie buffs. It is a fun and insightful read, and is appropriate for readers of all ages.

This Commentary is a very affordable way to get Martin Luther's insight on his theology of the cross. This book is really a sumation of Luther's beliefs on God and Christ.

Commentary was for a Christmas present. Receiver of the gift was very excited, and enjoys the book very much.

This review covers the Flemming H. Revell Commentary on St. Paul's Epistle to The Galations. This version is based upon Luther's lectures at the University of Wittenberg in 1531 and the translation is based upon the "Middleton" edition of 1575. This is the best version to my knowledge, but it is written in King James english. On the positive side, it reads very poetic, but on the negative, it is harder to follow. I personally like this writing as it is closer to the language of the 16th Century. This book was considered by Luther to be his favorite, and history rates it highly. To summarize, it has a number of messages, (1) Galations shows that a person who is in true faith can fall away if they are negatively influenced by false teaching - a real problem in today's world. (2) That Biblical teaching must be solely based upon Bible scripture, and anyone who teaches man's doctrines using random Bible passages to support his/her sermons is most likely not a trustworthy preacher. (3) That even faith is a gift of God, and not a decision that a person makes. (4) That "Justification" is based upon "faith alone. (5) That Mose's OT law condemns mankind, and that anything a person tries to add to God's grace in the way of works or self rightiousness, denies what Jesus Christ did for mankind on the cross - Galatians 5:4. (6) That good works result from heart felt faith, and that good works do not preceed or contribute to salvation when it comes to "Justification."
The world needs this teaching to be more prevalent; however, the world does not like to hear it; therefore, it is almost lost in today's religious teachings. This work is a masterpiece with few peers if any, and is highly recommended to a person familiar with the Bible who desires to grow in their faith and understanding.

This is, in my estimation, the greatest non-canonical book ever written. Luther expounds Paul's epistle to the Galatians with an insight, power and depth of emotion which is sorely lacking in modern commentaries. He is not concerned with the various potential interpretations of "problematic passages" that fill the pages of other commentaries. From the very first page Luther cuts to the heart of the epistle-the doctrine of justification-in the way that only he can. His bold words and plain-sense interpretations result in a work filled with much of the same force and passion that characterized the epistle itself. The grace of God and the love of Jesus Christ cling to every word like the scent of a precious perfume. I cannot recommend this work highly enough. This is the very essence of the gospel as understood by the one who "rediscovered" the doctrines of faith and grace as he teaches us from the words of the one to whom God first revealed those doctrines. If you are looking for an up-to-date critical commentary or a greek-focused exegetical work then you will not find it here, but if you would hear a plain declaration of the power and wisdom of God then you will not find a better treatise apart from the Bible.

When faced with the ineptitude of my walk with the Lord Jesus I must turn to Luther's Commentary on Galatians! It nearly always brings me to tears of joy as Luther expounds on the love of the Lord Jesus for me a sinner. If Christians of today would make this book a constant book of study, second of course to their Bible we as a church would be able to say along with the apostle Peter,"silver and gold we have none,but such as I have give thee..." Its time for revival in America. Luther's Commentary on Galatians was good enough for the Wesley's amd Bunyan as one other reviewer stated. May I say its good enough for us today. Let's reclaim the power of the Gospel of our Lord Jesus Christ and learn the old truth of being justified by faith alone through His grace alone.

This extraordinary biography by Kevin Brownlow, reflects the life and inspiration of one of the great artist in movie screen history.
Page by page, we can take a look along the David Lean?s mind and the way he was inspired by the subjects and the way a big project became alive.
From the black and white to the beautiful color, from the photography created by Frederic (Freddie)Young to his partnership with Maurice Jarr? and the insistence from Lean to
compose the exact music for Doctor Zhivago.
Every important film, such Zhivago, The bridge on the river Kwai and Lawrence of Arabia, were written through many chapters and the conception of those films as unique, the casting and the making of those titles are unforgettable.
Also, we have David Lean as a human being, with his failures
as father and husband, but the intimacy of his life is only
upgrade by his conception of his films.
Every moment in his films was special.
He directed every dialogue and moment as unique and all those
were the equivalent of the best.
This great book written by Brownlow is one of the best biographies ever written.
The heart and soul are alive along the pages and there is no moment when the book becomes slow or uninterested.
The same proportion we have in David Lean movies.

I adore this book. I have been reading it as of late, and I love the book (and David Lean) even more. I have always detested biographies of filmmakers that are far too academic in their tone; that professorial tone where they analyze the films ad nauseum, and are constantly talking about symbolism and other completely useless things. This book spares us of that. It is meticulously researched, with great antedotes and quotes from the master himself. It talks about Lean's childhood, and you realise what Lean had to overcome to become one of the greatest filmmakers ever. It's a shame this massive book is out of print. Like a reviewer said earlier, we're constantly given fluff pieces of talentless whores like Spears, Lohan, etc., but here is a real artist whose films still inspire people today. Thank you, Kevin, for writing such a great book, and, of course, to David Lean himself...

What a pity it is when "biographies" of no-talent flashes-in-the-pan like Madonna, Ashley Simpson, Brittney Spears, ad naseum, are ubiquitous, but Kevin Brownlow's fascinating and throughly-researched biography of a true genius is out of print. What does this say about our culture's priorities? Not much. Oh well . . . fortunately a few copies of this marvelous book survive. If you're interested in great movies ("Lawrence of Arabia," "Doctor Zhivago," "Summertime," "Great Expectation," etc.), great stars (O'Toole, Sharif, Katherine Hepburn, William Holden, Robert Mitchum, and a host of other great stars -- AND great actors), or, perhaps, one of the greatest film directors of the twentieth (and probably any other) century, do whatever you have to do, but grab up a copy of "David Lean: A Biography" as quickly as you can before the remaining copies disappear altogether.

A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.

Kevin Brownlow touched all bases of David Lean's life, providing insight into the films and his unconventionally fascinating life, making this one of the finest film biographies I have ever read about a cinema giant about whom I had longed to learn more about. Brownlow divides Lean's career into two distinct phases, 1) the British period in which he worked at home and captured the true essence of his people and, 2) the international phase in which the master film craftsman lived in hotels and moved from one country to another in producing a series of internationally spectacular movies such as "Lawrence of Arabia", "Doctor Zhivago" and "The Bridge on the River Kwai."

Brownlow begins with Lean's roots as a restless youngster in the London suburb of Croydon. His lack of curiosity and penchant for traditional school learning coupled with the stolen hours he spent sitting inside darkened theaters in a state of fascination revealed where his adult years would be spent.

Once that Lean began following his dream he quickly became established as Britain's foremost film editor. In that context Brownlow expunges a canard that was carried all the way to obituaries after the great director's death in 1990 that Noel Coward gave the aspiring director a leg up in teaming up with him to co-direct the brilliantly done war film about the British Navy, "In Which We Serve," in which Coward also starred along with Celia Johnson and John Mills. It turned out that Coward's move proved to his personal benefit as Lean did most of the directing and Coward was concerned mainly about his own scenes, after which he would generally leave the set, entrusting the basic direction of the film to Lean. We also learn that Lean, unlike Sir Carol Reed and other prominent British directors, turned down a chance to begin his directing career on low budget "quota quickies," deciding instead to wait for a major opportunity, which came with "In Which We Serve." Later that same year one of Lean's greatest films, the epic love story "Brief Encounter" with Trevor Howard and Celia Johnson, hit the screens and the young director's career was away in a flourish.

After achieving prominent worldwide status as a great international director, Lean's sensitivity resulted in overreacting to the criticism of tart New Yorkers at a Round Table session at the Algonquin Hotel. Lean was sharply criticized for "Ryan's Daughter," which American critics such as Richard Schickel and Pauline Kael believed was well below the high standard he established with "Brief Encounter" and continued with other films. According to Brownlow, Lean was sufficiently wounded to take a sabbatical before doing his last film, the highly acclaimed Indian epic "Passage to India" based on the E.M. Forster literary classic.

Brownlow does a superb job of depicting the period and the films from Lean's prolific career. Lean's was a mastery of style and entertainment, enriching story telling with beautiful visual imagery and word economy in the best sense, making the language all the more meaningful. This book does his career justice while enhancing our knowledge of a great man.

Anyone born between 1955 and 1970 HAS GOT TO SEE Dazed and Confused.

And this book adds to the fun. Plenty of real live Mad Magazine stuff, real live ads from the time period, with a bunch of side splittingly funny made up stuff based on the characters from DAC. Enjoyed the heck out of this book. Just wish it was longer so my trip through memory lane could go on another hour or so.

Great stuff! Where's Wooderson today, by the way?

It was in a fit of Dazed And Confused mania that I purchased Richard Linklater's tie-in book to his cult classic 70s adolescence movie several years ago. At the time I basically flipped through the book and then put it aside. Until earlier today when I was going through a stack of old college texts I was planning on getting rid of and wonder of wonders came across this one mixed in among them for some reason. So I decided to take a refresher course in 70s stoner adolescence and then offer up my take on it.

What I especially liked about Dazed And Confused the movie was the way Linklater managed to sneak in some profound truths about life amidst the nostalgia. In the book, the most profound and honest part is Linklater's introduction where he writes: "Let's face it, no matter where you live no matter at what time high school is a light prison sentence to be served. Once paroled, you don't look back".

From that point on, any social observation basically goes out the window as we are treated to a crash course in all things 70s as well as stuff related to the movie itself. All of the major characters are profiled and there are excerpts of a yearbook page from the high school they attend. Although it might seem redundant to most people, die hard fans of the film should enjoy it. Pick up a copy! Also recommended -------> The Losers Club by Richard Perez, an offbeat small press novel that you will truly dig. Like far out!

ATENTION ALL D&C FANS: IF YOU DO NOT GO OUT AND GET THIS BOOK RIGHT NOW, YOU WILL NEVER KNOW THE WHOLE STORY! This book has everything, from Clint's favorite colored muscle T-shirt to Benny's beer limit. It is definantly a must for not only Dazed fans, but to any fans of the seventies!

Dazed & Confused is a classic movie about the day in the life of high schoolers in a small Texas town on last day of school in 1976. This book that is a companion to the movie is just like the movie itself: funny. Designed as part high school yearbook, part 70's era teen magazine, it is a nostalgia filled, quick and enjoyable read. There are tons of pictures (the yearbook pictures of the cast are great) and everyone of the major cast member contributes an "article" to the book. If you are a fan of the movie, then this book is a must for your collection.

Let me just start by saying that I just bought this book no more than an hour ago. As soon as I got home I picked it up and didn't put it down forr the next hour. As a huge "Dazed and Confused" fan, I was extremely happy when I saw that there was a book to go along with the movie. But the book is not just about the movie. It starts out with a great introduction by the director and writer Richard Linklater. In this intro he explains the time period, the pros and cons of the 70's, and where the idea for the movie came from. Also in the book are synopsis's of all the basic charactar (the best is Clints, the guy who beats up the nerd). This book doesn't just follow along with the movie, it is an explanation of the 1970's, I enjoyed it considering I wasn't alive yet. So if you are a hardcore fan of "Dazed and Confused" or a collector of 70's memorobilia, than you need this book.

Our 3 y.o. daughter is obsessed with the movie 'Cars'. One night on a shopping trip I brought this book home on a whim. Not a single bedtime has gone by since without reading this book. She loves it so much that she wants desperately to learn to read it for herself. She even recognized the word 'McQueen' repeated throughout the book and reads that word on her own now. The book is already well loved and dog eared but standing up to it all.

The pictures in the book are hand-drawn and give a high-level overview of the story. It skips many of the details in the movie but my daughter doesn't seem to care very much about accuracy, detail or that it looks different than what's in the movie.

We've read hundred of books to her but none have sparked her interest quite like this. I don't know if it's timing because she's getting older or the tie-in with the movie. I don't care even if it seems over-commercialized. Whatever keeps her interested in reading is what counts. I'll surely be buying more books in the series.

Arrived ahead of time for Christmas. Purchased as a Christmas present for my grandson. He carried this book around all night. He loved it. thank you Amazon.

the step into reading books are excellent for young ones....the cars book is cute..good for new readers!!

both my children and found this book to be a delight and very
fun to read. also the pictures were very colorful.
thanks,

debbie pollitt

My four year old really enjoys this book. I wouldn't recommend it older kids though.

There is no such thing as a bad Ross MacDonald novel, but while this is good, it isn't typical of his best work. MacDonald's Lew Archer novels are correctly judged to be the great successor works to the great stories and novels of Dashiell Hammett and Raymond Chandler. Together the three writers constitute the Great Triumvirate of the American hardboiled school. While MacDonald doesn't write prose quite as brilliant or memorable as his two predecessors, he created characters of greater depth and complexity. He also wrote a larger quantity of great novels than either Hammett or Chandler.

Despite all this, THE DROWNING POOL does not stand out very far from what Hammett and Chandler had achieved and it did not really put on display MacDonald's later innovations. If there is a theme running through MacDonald's best books like THE CHILL or THE INSTANT ENEMY or THE MOVING TARGET is it this: "The sins of the fathers will be visited unto the second and third generations." In almost all of his mature novels Lew Archer starts off investigating some incident in the present that ends up having roots 20 or 30 or 40 years earlier. His novels always puts me in mind of Yeats's "Leda and the Swan," where the rape of Leda by Zeus in the form of a swan inevitably leads to the tragedy of the Trojan war: "A shudder in the loins engenders there/The broken wall, the burning roof and tower/And Agamemnon dead." There is an intricate causality in the Archer novels. Things happen not because of anything happening right here and now, but in almost foreordained fashion because of actions in a previous generation. THE DROWNING POOL has a smidgen of this, but not much. The causality developed here is the later view of causality in embryonic form.

The amazing thing is that even though this is not quite as breathtaking as later MacDonald novels, it is still absolutely first rate. Ironically, this is one of his best-known novels, even if it isn't one of his very best. The reason is easy to identify: it was made into a movie starring Paul Newman. In fact, though MacDonald is clearly one of the Big Three hardboiled writers, unlike Hammett and Chandler -- both of whose novels have been turned into several great films -- MacDonald's books simply do not lend themselves to conversion to movies. Paul Newman did play Lew Archer as Harper in two movies, but they were not of the same quality as the best films based on Hammett and Chandler books. HARPER was a film version of THE MOVING TARGET, so both the title and the main character underwent a name change. Unbelievably, MacDonald's best book -- and one of the two or three greatest hardboiled novels ever written -- THE CHILL has never been made into a movie. The film that is closest to the world of Lew Archer has no connection to any novel by MacDonald, Roman Polanski's CHINATOWN, which is much closer to MacDonald in spirit than to either Hammett or Chandler.

Still, this is must read MacDonald. His books would get better, but that isn't to say that this isn't a good, even a great, novel.

Of all the classic heroes in hard-boiled fiction (Spade, Marlowe, etc.) I've always found Lew Archer to be my favorite. Maybe it's because MacDonald does such a superlative job illustrating Archer's flaws, doubts and shortcomings. Rather than some iron-jawed superhero, he's a compellingly complex person whose battered conscience ultimately makes him more heroic. Many readers consider The Drowning Pool to be the best Archer book and it's hard to argue that contention. If pressed, I might rank The Way Some People Die just a little bit higher, but both books are so good it's stupid to quibble. I haven't read The Barbarous Coast yet, but look forward to diving in soon.. and afterward I might have to revise my opinion regarding Archer's best case once again.

A different Lew Archer here than THE BLUE HAMMER Lew Archer. The tone is in TDP is more gritty and hardboiled. Lew is less the romantic toward the ladies he meets. I like Macdonalds' writing in TDP. A less polished and more direct style has its appeal. There's less psychological development of the characters, more emphasis on plot.

I hesitate to call this a classic because some people consider "classics" as dull and out-dated. And there's nothing dull or out-dated here (well, maybe that paying $10 to be driven from Las Vegas to L. A. is a bit out of date).

Archer's hired to discover who sent his client's husband a letter accusing her of infidelity. Introduced to the family and friends at a party as a Hollywood agent, he is sensitive to the growing tension and explosive atmosphere. The reader knows of course that somebody's going to be murdered, but these early chapters are among the most skillfully written to build suspense that I've ever read.

Written in 1950, the inclusion of a homosexual couple was quite daring although there is not graphic description, and isn't significant enough a factor of the plot to either offend or attract a reader.

Read this and I'm sure you'll find it on your own list of crime classics.

In this skillfully written tale of murder and intrigue, Ross MacDonald manages to "out Chandler" Raymond Chandler. It's Southern California, circa 1950, and hardboiled detective Lew Archer finds himself traversing the same landscapes Chandler's Philip Marlowe does in The Big Sleep, High Window and The Long Goodbye.
The plot of The Drowning Pool is complex enough to be interesting without being convoluted or forced. Greed, blackmail, homosexuality and family dysfunction all play roles in advancing the nicely paced narrative. Thrown in for good measure are seductive women, a number of action scenes and a Lolita like teenager named Cathy.
MacDonald's very descriptive prose is quite effective. And there's plenty of memorable dialogue. My personal favorite: "Your reminiscences fascinate me. May I take notes?"
You'd be hard pressed to find a more satisfying example of noir crime writing. An enthusiastic 5 stars.

Almost like a brief history of the era and new insights into how those movies were made. Enjoyed the ancedotes of fellow artists.

One of the reasons Wayne was so popular was that he symbolized everything America wanted to be; strong ,brave,loyal,savvy and honest.His character was a fighter who never backed down when he knew he was right. He was a role model to millions, his screen actions were a roadmap to manhood. That was John Wayne,Icon.
But there was another side to Wayne. He was a real man,flesh and blood, and he had real thoughts and feelings,strengths and weaknesses. He was as brave as his larger-than-life screen persona in his real life,such as in the way he faced up to cancer, and very very human.This is John Wayne,the Man.
This book does an excellent job of showing both sides of the John Wayne coin,Man and Icon. It does it with stories told by people who really knew him. After reading this book you actually feel like you've had a bull session with Duke's friends and co-workers. It's got a very amiable feel to it.
The book also reminds me of Studs Terkel's books. Studs would just turn on a tape recorder and let his subjects pour their hearts out. The author here uses a similar approach. Each story is like a piece of a jigsaw puzzle and at the end of the book you can put all the pieces together to get a clear picture of the Duke.
After I finished reading, I wished I had known him too.

With John Wayne's 100th birth date coming up I started looking for books on him that I have not read. This book is very enjoyable reading. You learn alot about the man from his fellow co-workers and friends. I would recommend this one to any one.

Critics complain that he was a Johnny-One Note who played the same person over & over, & wasn't very good at it. I say this is Baloney.

The annecdotes & observations of the people who lived & worked with him that are found in this book show that he was able to do so much, physically, & emotionally with the characters he played.

You come away with a better sense of why you cheered, laughed, & cried under the spell of his performances. Whether you agreed or disagreed with the actions of his character, you still cared for him & cared about what happened to him

His friends, family, & co-workers loved & admired him & it shows very clearly in this wonderful book.

Sure, he drank, & smoked, & was a staunch anti-commie, but he was also a loyal, funny, kind & gentle family man who worked hard to perfect his craft & cared about his co-workers.

Read this book & understand.

I am a huge fan and relative of Herb's writings. He has a true gift for the written word and I have enjoyed all of his books. Herb, my prayers and thoughts are with you during these very trying times. I am thinking of you incessantly and the entire family prays for you daily. Godspeed.

If you like giant monster movies, and want to know more about how they were made, this book is for you. Not many photos of the monsters (there are other books out there for that) but there are behind the scenes photos. Learn the biographies of the men who made films you still love after all these years. Not much has been published in the West about them, but here it is! Well written and laid out. 2 page essays about certain film makers by noted Western Kaiju lovers. Worth the price, and thankful that it was printed.

This is a wonderful coffee-table size book that contains beautiful photos and interesting commentary. If you are a fan of Godzilla and/or Eiji Tsuburaya this is the book to get!

This book is a meticulous, thoughtful, well-written, and beautifully laid-out tribute to a true master of special effects. It is a fascinating look, not only into Tsuburaya's life and career, but also the way the film industry works in Japan. An interesting read for non-fans; a must-have for fans of the genre.

Phenomenal book. Great quality, design, and content. If you have any remote appreciation for this kind of film making and monster design, this book is an absolute love letter... A must have!

Tsuburaya Eiji was the Japanese special effects director who was behind so many monster movies that came out from Japan during the 1950s and 1960s. This is a pictorial biography of Tsuburaya Eiji that proves to be very well written and informative. I found the book to be rather insightful as the author included inserts written by men who worked with or worked under Tsuburaya Eiji during his career. The book also comes well illustrated with photographs and movie posters on almost every page as it traces the life and time of Tsuburaya Eiji's career. It was interesting to note that during World War II, he made a movie made from miniatures that showed the attack on Pearl Harbor. It was so realistic that during the initial post war period, Americans thought it was the real thing. Tsuburaya Eiji was also the man who made Godzilla what he was and creator of the Ultraman series that is still going on to this day.

Overall, this book is definitely worth your time and money to read over and treasure. Tsuburaya Eiji is one of the great pioneers of motion picture industry regarding special effects and his influence help shape this industry to this day. His influence in the science fiction genre will remains pretty strong as monster movies like Cloverfield still hit our theaters and on DVD to this day. The book strongly reflects the heydays of Japanese monster movie era history and it will remind many of us, the fun and wonder these movies brought us during our younger days. And it will inform otherwise misinformed that there is more to these movies then just a "guy in the monster suit" concept.

(And yes, I am writing the subject's name in Japanese style...sur name first always...Tsuburaya Eiji is the way you would address him if he was still alive today...as you would with any Japanese national.)

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.

'Niagra' is known for the movie that made Marilyn Monroe a star, and this book shows every moment of her life during the filming. As a true Monroe fan, I'm more interested in the casual candid photos of her more so than the made-up studio photography. My favorite photos of her in the book are the pictures taken of her while she was learning how to smoke a cigarette for the film. She had never smoked before and had to look like a natural within a few hours. These are photos you wouldn't see on a billboard or in a magazine. They show her true nature. They show her being a real person, vulnerable and timid.

Wonderful, oversized hardcover book with lots of black and white images of Marilyn while at Niagara Falls, shooting her first mayor movie "Niagara" in '52. I enjoy all the photographs, my favorites are where Marilyn practices smoking. There are also pictures of her with Joe Dimaggio before they were married, pictures of Marilyn without her make-up on and her face covered with vaseline as she liked to do. Reading her script while relaxing in bed. These are priceless photographs, showing Marilyn at the very brink of superstardom.

At 26, Marilyn Monroe was on the brink of stardom as she filmed her first leading role in Niagara. Canadian photojournalist Jock Carroll spent weeks with her at Niagara Falls during the on location shooting, and took almost 400 photographs. He also interviewed her throughout these weeks, and captured a lot of her activities on and off the set. He was preparing for an article called "Marilyn's Not So Menacing" that appeared in an August 1952 issue of Weekend Magazine, Canada's largest periodical at the time. You will see more candid photographs in this book than in any other source. Mr. Carroll died in 1995, and these photographs were located then. The photographs are well reproduced in this book, and bring her to life in both her glamorous and nonglamorous roles.

I was attracted to this book when I realized that it contained extensive interviews of Marilyn Monroe when she was 26, just before she reportedly drafted My Story. That autobiographical book has come in for many challenges concerning its authenticity and the strong stories contained in it. Reading the interviews in Falling for Marilyn provides a useful contrast in terms of what she says about herself and how she says it.

I was surprised to see that the stories she tells are almost identical in both books. That similarity argues for either for her being the author of My Story, or Mr. Carroll being the author. Interestingly, she tells a story here of having been recognized in school for her fiction as a child, and wanting to become an author. The most significant difference between the books was that here she claims to have needed the $50 she got for shooting the famous nude photographs to pay rent while in My Story, the money is used to retrieve her repossessed car. A minor discrepency comes in her asking Mr. Carroll a lot about Korea because she was thinking about doing a USO tour there. In My Story, she claims that this came up for the first time after she and Joe DiMaggio were in Japan on their honeymoon. There could be truth in both versions of these two stories.

There is a Zsa Zsa Gabor story here that is almost word-for-word the same as in My Story. This is true, as well, for one about being molested as a little girl by a boarder who paid her a nickel to keep quiet.

To me, the most telling comparison was in what Mr. Carroll observed about her. Even though she was making a fine salary at this point, she was always short of clothes while he was with her. This is something that she talks about a lot as being a function of her poverty in My Story. She also was always studying scripts or reading intellectual books, which is consistent with My Story also. She also made self-destructive comments about sleeping pills to Mr. Carroll as she does in My Story.

What was a pleasant surprise for me was Mr. Carroll's descriptions of his reactions to her. Those are missing from most books about Ms. Monroe. He had just come back from his own honeymoon a month before. He found himself strongly attracted to her, despite this. "The effect on me was cataclysmic." " . . . [W]hen she looked directly at you, it made you feel as though . . . you were sharing some naughty secret."

The photographs themselves are certainly sexy, but not revealing in the sense that we think of revealing today. They were daring, however, for 1952 in showing a little cleavage, a loose blouse, and sometimes erect nipples through her clothes.

She consciously worked on achieving this effect for these photographs. During a tour of a silverware factory, "Marilyn brightened [these] . . . photos by loosening the straps of her blouse, leaning over . . . to give . . . a good view of her breasts . . . ."

On the other hand, she was very protective of her relationship with Joe DiMaggio who did not want any publicity. She refused an interview where the interviewer was trying to worm in questions about the Yankee slugger.

My favorite photographs in the book include:

Reading script in bed (two page spread), located in the book's very beginning

Posing in front of the falls, p. 19

Visiting the silverware factory, p. 33

Combing her hair, p. 48

Arranging her hair, pp. 52-53

Laughing, pp. 84-85

Looking at Jean Peters' suit, p. 87

Smiling, p. 102

Seeing the vibrancy of this woman makes the sadness of her life all the more poignant. Be sure to read My Story to pick up on that contrast. Regardless of who wrote it, that is how Ms. Monroe saw herself and her life.

Consider how you can lift someone's spirits every day. Look for the hurting heart behind the naughty or haughty eyes . . . or any other strongly affecting mannerisms you notice. They are just part of the cover up.

THIS IS ONE OF THE MOST BEAUTIFULLY COLLECTED PHOTOGRAPHS TAKEN OF MISS MONROE AT HER VERY EARLY CAREER. A TIME WHERE IT WAS PRIOR TO HER "HOW TO MARRY A MILLIONAIRE" AND "GENTLEMEN PREFER BLONDES" SUCCESS, WHICH LAUNCHED HER TO ETERNAL STARDOM. THIS IS A "MUST" FOR ALL MARILYN MONROE AFFICIONADOS. IT IS TRULY A BEAUTIFUL BOOK THAT I ENJOY READING AND REVIEWING MANY TIMES OVER.