Movies Books

This book is a fascinating collection of antique advertisements for entertainment acts ranging from the whimsical to the bizarre. The broadsides themselves are surprisingly readable and Jay's commentary illuminates the subject matter in a way that sheds light on multiple facets of the social context the broadsides existed within. It's an art book, an intriguing work of history, a compendium of the bizarre, a chronicle of advertising techniques, and a unique stage door view on just exactly what humans will define as "entertaining".

Ricky Jay is a national treasure. He's the head curator of a continuing collection of the curious, marginal, sometimes macabre but always compelling congregation of entertainers who have slipped through the trapdoor of time's stage. His newest masterpiece, Extraordinary Exhibitions, is a catalogue of broadsides heralding some of the strangest performers that ever graced an auditorium or a sidewalk. You'll meet Pietro Stadelmann, a seventeenth century armless dulcimer player. As well as the nameless 27 year-old Angolan "Famous African Hermaphrodite". And a South American trio whose huge excrescences extruding from their chins gave them their stage moniker "The Monstrous Craws". You can sit at the feet of Joice Heth, the 161 year-old former nursemaid of Little Georgie Washington, the marvelous showman P. T. Barnum's first client. There's singing mice, educated fleas and a Rabbi whose demonstrations of his prodigious memory were endorsed by the Pope himself. To paraphrase the immortal Charles Fort, you'll see a procession of the damned of showbiz. And thanks to the wonderful Mr. Jay, they'll walk (and bark, tumble, juggle, catch bullets, arm wrestle, rope dance and eat stones) again.

If you ever have a chance for a collector to show his collection, you run the risk of being terribly bored. Unless you yourself collect stamps, coins, thimbles, Hummel figurines, or Corvettes, you are unlikely to sympathize with the delight the collector takes in his hoard. Ricky Jay is a fascinating man; he is a master magician, a historian of show business (especially of novelty acts), and an actor in David Mamet's movies. He collects something few others do: showbills for the jugglers, magicians, animal acts, ventriloquists, and other eccentric and novelty performances through almost four centuries. Don't worry, it is far from boring. Around eighty of his specimens are on display in a large format book, _Extraordinary Exhibitions: The Wonderful Remains of an Enormous Head, the Whimsiphusicon & Death to the Savage Unitarians_ (Quantuck Lane Press). The broadsides are funny and beautiful, and Jay's learned and enthusiastic commentary about each one is on the page facing each specimen. It is all thoroughly entertaining, and like any show advertising, the posters make you wonder if the acts are really as described. There is so much verbal and graphic hyperbole on display here that a bit of incredulity is only sensible, but still: who, if confronted by an announcement for Signor Cappelli and his Learned Cats, with assurances that after he introduces his cats to the audience, they will "beat a drum, turn a spit, grind knives, strike upon an anvil, roast coffee, ring bells, set a piece of Machinery in motion to grind rice in the Italian manner with many other astonishing exercises", who, I say, would let incredulity overcome a wish to get a peek at the show?

Let me just take the three displays mentioned in the subtitle. "Wonderful Remains of an Enormous Head" were on display in London around 1840, and it was, if the description is to be believed, truly enormous, eighteen by seven feet, and weighing 1,700 pounds. What the head was, we do not know; one observer said it was likely that of a whale, and another said it was an obviously gigantic bird, fish, or lizard. The Whimsiphusicon had one of those fanciful names showmen of the 19th century enjoyed. It is advertised on a playbill for the ventriloquist Christopher Lee Sugg in 1816. Jay says, "Sugg, like a number of early magicians, was a proponent of theatrical neologism used to entice, or more likely confuse, the public." Indeed, Sugg explained on the playbill that the device was also dubbed "The Wandering Melodistical" and was a "Pill to Banish Melancholy," but it is safe to say he didn't give any secrets away until the performance. "Death to the Savage Unitarians" is on an Argentinean bill from 1842, and does not refer to the members of the religious sect, but to the country's Unitarian political group who favored a liberal rule of law and a strong central Argentinean government. They opposed the dictator Juan Manuel Rosas, and probably the phrase was included by the publicist who had drawn up the bill to ensure it would not offend the dictator. It caps an ad for "Robert and His Wife" who did magic and juggling, including "the new trick of the ceramic plates that will very much please the spectators" and "the lovely balancing act of the two dogs dressed as a Marquesa and a Marquis."

There are scores of other playbills for acts in this beautifully produced book that shows some astonishing curiosities, well annotated by the erudite collector himself. It is full of jolly whimsy, for every act depicted is shown at its best, even though it might be promising more than it could actually produce. There is a taint of regret, here, though, on every page. As the playbills frequently remind us, the like of these productions will never be seen again. Oh, how I would love to see Daniel Wildman, for instance, the first and foremost equestrian apiarist of two hundred years ago, who rode his horse standing up while five swarms of bees covered his face, swarms which would thereupon alight on specific locations the performer designated by his command.

This is a wonderful book by a truly genius author. Also, make sure you put Ricky Jay's other books on your list. He has a great mind and his books are phenomenal!
Harry Monti
Society of American Magicians
National President 1999-2000

it's very inspirational for designers to keep this handy. these posters are as good or better than the films.

This is a wonderful book in the series with wonderful reproductions of the posters of the decade. Makes a wonderful gift for someone who loves movies as well as a great coffee table book. Highly recommended

Like the other decade books in this series Film Posters of the 60's is a sensational buy. You could either keep it intact as a collection of posters in a book to show and discuss with friends, or cut the book up and actually have a vast number of posters up on your wall. This book is about a third the size of your standard film poster and most movies are full page colour. Any of them would look great up on the wall.

The 60's bought Sean Connery as James Bond to the screens. Rock stars like The Beatles also made movies. Films like Cool Hand Luke, The Graduate, Dracula, Night of the Living Dead, The Endless Summer, 2001 a Space Odyssey, Ocean?s 11 along with a heap of Westerns and World War movies like The Dirty Dozen and The Great Escape have stood the test of time. Clint Eastwood, Steve McQueen, Dustin Hoffman and others went up on walls for the first time in the 60's and you can put them up again today.

I wasn't born in the 60's but I still know most of these great movies. Buy this book.

Tony Nourmand's "Film posters of the 60's" is a wonderful and colorful coffee table style book that is a great treat to look through. There are many of the classic film poster images of the French New wave, the films of Stanley Kubrick and the classic 007 posters, just to name a few. Film poster collecting is a great adventure and this book reflects that enthusiasm. This book was lovingly organized with great detail. A superb value! Looking forward to future editions.

I received this book in better condition than expected. The shipping charges were so reasonable also{ to Canada}.

Calling all Barbra Joan Streisand fans! Now is the time to support the would be publication of a comprehensive resource guide to Barbra's extraordinary film career. If Citadel is unable to publish such a nifty volume, then we should let other publishers know that such a book would be of significant interest. I hope that it won't be long until Ms. Swenson and Mr. Nickens find a home for their work (and on a more personal note, I hope that the somewhat overlooked "On A Clear Day You Can See Forever" (1970) and the sadly neglected "Up The Sandbox" (1972) receive the glowing credit these two glorious films deserve.) I encourage other Streisand partisans to compose "reviews" of the book they'd most like to add to their library shelves.

Barbara Streisand isn't given her due for Her Films.this Book covers alot of Her Film Career! good Pictures&Reflections.

This book is an excellent insight into Barbra's film career. Lots of detail to the behind the screen stories. Many Classic picture's and hard to find shot's of Barbra. A must have for any Barbra Fan!!!

Nice book, with a lot of photos I had never seen before. The explanations on the films are quite detailed and extended, the biography is also quite complete. However, I was expecting a larger book, as I have many Citadel books from the 80's and 90's related to "The films of..." (i.e. Cary Grant, Robert Taylor, Humphrey Bogart, etc) and they were heavier, with more pages and higher quality photos.

"The Films of Randolph Scott" by Robert Nott. Excellent study on the life and films of Randolph Scott, that must be given prestige for the fans of this unforgettable actor/cowboy and who likes western movies as well. Other publications on Randy Scott that I recommend are the excellent " Last of The Cowboys Heroes" of the same author" as well as "Randolph Scott, a Film Biography" by J.B Crow and "Whatever Happened to Randolph Scott" by Chistopher Scott.

Mario Peixoto ALves

This is an exceptional and definitive reference work dealing with the West's greatest cowboy. Any fan of Western films or `Oaters' as they are affectionately called here will eventually be treated to a picture featuring a character played by Randolph Scott. This book presents a comprehensive look at his career and includes excellent quotes and much commentary on his filmography. It provides a balanced examination of his work and indicates that some film reviewers occasionally criticized Mr. Scott, indicating his acting range was "limited." While this may be a valid criticism, a more comprehensive analysis of his work clearly shows that when given a tightly written script, focused direction, and the help of good ensemble supporting characters, Randolph Scott always turned in a performance that was guaranteed to entertain. This was particularly true as Mr. Scott grew older; gradually perfecting the non-verbal communication skills (the set of his jaw and steely-eyed glare) which made him the `silent man of action' archetype which set this genre apart and made him so uniquely and classically an American hero. Excellent reading for the cowboy in all of us.

This book is a thoughtful look at Randolph Scott's films. The author offers many personal comments, as well as comments from people involved with the films. Evans interviewed people who worked with Randolph Scott and provides many interesting insights.

The bulk of Scott's film oeuvre was the Western and the author brings out the qualities that made Scott such an icon. Scott had
a certain Southern gentleman quality that imbued his roles with a dignity that many other Western actors lacked.

There are some good photographs in the book and there are cast listing for each film.

I host a small group and have for about a year, coincedentially I called it Finding God in The Movies. I had a hard time coming up with questions for the small group and this book has great questions right inside. Eventually more people started showing up and everyone has amazing insights! I couldn't have asked for more!

The book really helped me with me class that I used it for. Even though we weren't required to read it.

Can we find God in the movies? Yes! In this outstanding cultural book, Johnston leads us to find God in the popculture. He mentions the movie as a story teller in which people communicate their values and worldviews. He, also, teaches us what the christian movies are and how christians can watch the films; the christian movies are what deal with the real human stories and what show the reality afresh. And, when we watch the movies, we, as chrsitians, have to see the christian values such as humanity, friendship, forgiveness, reconciliation, etc. In addition to these strengths, the most wonderful character of this book is the excellent complete film study guide. I enthusiastically recommend this book for all people who are interested in popculture and its application to their real lives.

Catherine Barsotti and Robert Johnston --- husband and wife --- give thoughtful Christians a book full of tools to help them view select movies (33 in all; the oldest released in 1982) through a theological or philosophical lens.

FINDING GOD IN THE MOVIES starts with an informative introduction that discusses the film genre and theological approaches to film. What makes a good film? "Head, gut, and heart. The best movies will engage the whole person." How does a viewer find God in the movies? "Unpack the story.... What is more primary in the way the story is shaped? (1) Is it the plot...? (2) Is it the characters...? (3) Is it the point of view, where a story is given value by the perspective of the narrator(s)...? Or (4) is it the atmosphere...?...Concentrate your critical attention on where the filmmakers have centered their attention. By doing this, you will prove a more receptive viewer of the story and perhaps the Story."

Each of the 33 movie-chapters starts with a two- or three-page "synopsis and theological reflection" --- a review. This is followed by "dialogue texts" (relevant biblical passages), "discussion questions," "clip conversations" (more discussion questions but about specific scenes), and several pages of "bonus material," which includes interesting behind-the-scenes information about the making and makers of the film. Movies also are clearly linked to two helpful appendices: one listing (Genesis to Revelation) relevant biblical references; one listing (A to Z) topics covered in or themes of the movies (for example, Abuse; Affirming the Human Spirit; Anger; Arguing with God; Balance in Life).

The movie-chapters are presented in 13 categories, the more blatantly religious ("Living Our Faith"; "Images of the Savior"; "Renewing the Church") placed toward the end of the book. You might want to start your exploration in these later categories or simply bounce around. The second of the 13 categories, "Beauty, Imagination, and Creativity," discusses two Pacific Rim movies, Spirited Away and Crouching Tiger, Hidden Dragon, that celebrate imagination and creativity but may be hard for the neophyte to discuss theologically.

This is a book for Christians who have an understanding of common grace, "the wider work of God's Spirit throughout and within all creatures and creation," and for those who are open to dialogue with the secular world. What are some of the films discussed? Life Is Beautiful. Ulee's Gold. The Hurricane. Simon Birch. Chocolat. We Were Soldiers.

By using this guide you might get the hang of facilitating a movie-discussion group and then move on to films you wish the authors had included. We'd all have our own list. Mine? The Trip to Bountiful. Cinema Paradiso. Babette's Feast. The Quarrel. Smoke. Maybe I should check out Johnston's earlier book REEL SPIRITUALITY: Theology and Film in Dialogue (Baker, 2000).

--- Reviewed by Evelyn Bence

When is Ms Bachman going to write a sequel? I throughly enjoyed this book and would highly recommend it especially during this election year.

"The First Gentleman" is one of the best books I have ever read. I sat in my backyard and finished the book in two days. I could not put it down. The plot twists kept me hooked from the start. I have since passed the book onto my husband, mom, family, and friends...everyone loved it. I can not wait for the sequel!!

"The First Gentleman" is a book that hooks you in the first chapters, and then makes it hard to put down until you finish the last chapter. The plot twists and turns in all the right places, keeping you wondering what is going to happen next. I can't wait for the sequel.

Kristina Bachman couldn't have picked better timing for the release of her debut novel, THE FIRST GENTLEMAN, a romantic thriller about the first female President of the United States, and her scientist-husband, the First Gentleman. The characters are well-drawn, the plot timely and intriguing, the conclusion, despite knowing the outcome from the beginning, exciting. You will be left wondering when the sequel will be released, and perhaps, who will be starring in the movie version!

This book is one of those few that is so hard to put down. It was a fasinating look at the Bond movies,and the faces behind them. I had no idea that the budgets of the movies were so low.(as compared to other action films) This book took me in,and I would recommend it to any fan of film,especially James Bond films!

Director John Glen tells of his experience with the James Bond film series strait up. At the helm of five of the films as director Glen pulls no punches and offers great insight into the creative efforts of the whole Bond film team. This is a great book and even more so if you are a James Bond fan. I really like this book. There is really no gloss here. This is really about what went into making these films while Albert R. Broccoli was still alive and producing them. I highly recommend this book.

John Glen directed the five 007 films which basically span the entire decade of the 1980s: For Your Eyes Only, Octopussy, A View to a Kill, The Living Daylights, and License to Kill. He was also involved with previous 007 films such as Moonraker, The Spy Who Loved Me, and numerous other British films going back to the 60s. This book is a collection of behind the scenes stories from the making of Glen's films, but with special emphasis on the Bond films. Most Bond fans know the plot details inside and out, so what makes this book interesting is the story and script development, shooting location stories, and cast and crew details. The only downside to the book is I wish there was MORE of everything...more stories, more photos, etc. This is a highly entertaining book if you are a 007 fan, particularly from the Roger Moore - Timothy Dalton era.

This is a valuable book for the inside track on the Bond films. Director John Glen did a good job. His services will be greatly missed unless they get him back. After reading this book perhaps the producers should get John Glen back.

I bought this book after I saw Mr. Palance on the Regis & Kathie Lee program. I have read it and reread it so many times I think I have memorized it. The writing is absolutely beautiful and the emotions it elicits are exquisite. It is my hope that Mr. Palance will write again and again. It is so refreshing to read and experience the emotions he bares for the reader. Thank you, Mr. Palance. I wish he would have a web site so that we could personally write to him about his book and other endeavors. I think he is one of our treasures.

I received this book from my very special friend for my birthday. I had heard an interview with Mr. Palance and just knew I would love the poetry. It touches a part of my heart in a special way. Bravo Mr. Palance...please give us more.

The text was written beautifully, with so much emotion. It was given to me as a xmas gift from my husband of 20 years. I enjoyed it and the meaning, words just flowing so tenderly.

I had the pleasure of hearing Mr. Palance read a portion of the book on the Roseanne Show just a few minutes ago. His reading allowed me to see his thoughts something I have only experienced previously in the reading and writing by Rod McKuen.

Although this is a "coffee table book," and is mostly geared for those that are unfamiliar with the evolutionary processes, Eldredge does emphasize something many evolutionist authors haven't; extinction. Not simply the different periods and era's, but what a significant role extinction plays in the evolution of new species.

Fossils are a window into time, revealing unexpected insights into the evolution of the staggering variety of forms that life has taken on our planet. This fascinating exploration of fossils overturns the traditional view of evolution as a slow and inevitable process and shows that lifeforms gernerally do not evolve to any significant degree until massive extinction clears the way for new species. This rhythm of life--stability punctuated by burst of change--is revealed by the fossilized remains of Earth's ancient flora and fauna protrayed in 160 luminous cdolor plates and described in in a vivid style that puts the reader in touch with the most current thinking about the evolution of life and the forces that drive it.

Scientists love to write books for other scientists, and overall deplore having to explain their science to the public. Universities work overtime to close their walls to the general public, even going as far as removing their funding from the general scrutiny of the public by catagorizing themselves as "non-constitutional" and in effect keeping themselves out of the public eye. While the general rule for professors is "publish or perish" they tend to attempt to publish in a university press, which is usually a black hole that sucks out lots of money from the university, and is usually funded by grants and endowments and hardly ever from sales - unless those sales are done by making those books "required reading" for University or College students, who can hardly afford another expensive item in their life.

In the introduction to this book Steven Jay Gould laments this problem by saying "In one particularly distressing example... scholars often look down their noses at large format books filled with attractive photographs "coffee table books" in the dismissive jargon." Mr. Gould goes on to say, however "I love this book because it embodies such a fine marriage of these tow m odes of our central vision - palpable photographs of matrials things with a distinctive text of life's history."

I couldn't say it better. Frankly, most books like this aren't very good, this one is perfect for someone with my background: a high school eduction, no chance of ever going back to college, and a overbearing curiosity for all things ancient.

Since starting to collect fossils in the Nebraska road side a year ago, my curiosity of fossils has grown tremendously. Thanks to an effort by a few scientists willling to speak of these things in lay terms, I am able to learn more about the collecting and the science of fossils every day. Books like this are useful to maintain the support scholars need to keep their science alive, and I for one am very happy to see this inexpensive effort from a scientist published and available to the general pubic.

The book indeed has some splendid photographs but the text moves from general to very very specific.A poor attempt to condense all fields of paleontology into a coffee table book.Buy it for the pictures not the text.

Francis Ford Coppola was born in a great year for the movies!
In 1939 the director was born to Carmen Coppola and his wife
Italia. His parents were creative-Carmen was a musician in the
Detroit Symphony and later in the New York Philharmonic under the baton of Arturo Toscanini. Carmen would later win a musical
Oscar for the Godfather films.
Francis was a younger son to his older brother who was everything Francis wasn't: handsome and well liked at school.
His sister Talia Shire would later be a movie star in his own
films most notably the Godfather classics.
Coppola graduated from Hofstra and received a master's degree
in film from the UCLA film school. His early apprenticship in
film was under the tutelage of famed B director Roger Corman.
Coppolla emerged from nudie films and small pictures to direct
"Finigan's Rainbow" and began to emerge as a talented maverick
whose creative/artistic wings were flying in the early 1970s.
Despite arduous business and creative troubles he won fame and fortune and several Oscars for the Godfather films. His most
controversial film was "Apocalypse Now" his take on the Vietnam
conflict based on Joseph Conrad's novella "The Heart of Darkness."
Coppola's career has more ups and downs than a roller coaster
as he founded Zoetrope Films in San Francisco and went to the
mat in countless donybrook battles with studio executives.
Coppola reminds me of Orson Welles in that he achieved fame early and then had a difficult career in tinsel town. He is a
man of massive ego; intelligence; daring and creative attention
to the details/minutia of film. He was unfaithful to his wife
Ellie; grieved over a son yet emerges from this biography as a
flawed but good man. He is gregarious and honest and a good
friend. His friendship assisted George Lucas in launching his
storied career! I like Coppola's rich textured films. His screenwriting from Patton to his latest project is outstanding.
This meticulous account of Coppola's career in the Hollywood jungle will not appeal to everyone. Countless pages are devoted to business deals, legal disputes and the difficulties encountered by Coppola in making his films.
For me who loves the Godfather and FFC this is a fine book.
Anyone who seeks to explore this brilliant man's career would do
well to begin with Schumacher's fine biograpy.

I thought this biography was detailed mostly around this film. On page 262, first paragraph, I think Mr. Coppola would agree to mention the fact that "The Chief Phillips" made a life last attempt to end Willard after getting speared on the boat by Kurtz's mongrules. Overall, the book was a manificant biography of a Itailian-American film maker of our time.

...and I hope he stays that way. Francis Ford Coppola is one of the inspirations of my life. His energy and enthusiasm for what he does outshines even the projects many might deride. One thing you have to say is at LEAST he puts his all into what he does, and I'd imagine no one would doubt this. PS: WHEN is the UNCUT version of "One From the Heart" going to be issued on DVD?

I work for Francis Coppola today and know him pretty well. Michael Schumacher's book really captures the spirit and energy of this facinating and complex man. I have read most of the other Coppola books and none combines an understanding for both the human and artistic side of Francis.

This book, like no other I have read, reflects the passion, energy and chaos of the Coppola world. I can tell you from the inside there is no more exciting experience than being part of the Coppola energy. Francis loves to tackle the "impossible" and never gives up. I particularly like this book because it is clear that the author, like myself, has great respect for this whirlwind of a man.