Movies Books

Great book. Love it. Cool pictures and sketches from the production included. Quite a few awesome full page pictures from the film.

I bought this as a present for my boyfriend since he is a big fan of
this movie. Just got the book in the mail yesterday in good condition.
He'll really love it. I recommend buying it for the Gladiator fan in your life. :)

This is a fantastic 'making of' book charting the fascinating process of filmmaking from script to screen. And it doesn't skimp on the color pics either. Ridley Scott' epic GLADIATOR is given the full epic treatment here, with accolades aplenty and no shortage of impressive obstacles faced while making the film. I love all of Scott's films, from The Duelists to the recently released Kingdom of Heaven. But sometimes the accompanying books don't quite match the majestic tone of the films themselves. This is different. Walter Parkes' treatment is fair and doesn't fail to connect with the reader. Showcasing all the necessary film techniques and humorous asides along with abandoned concepts, this also contains cast and crew thoughts and praises Scott for his remarkable visionary touch. A solid read and well worth the price. Buy it now!

this book is awsome although I would have prefered more pictures of the cast on location.

this book is awsome although I would have prefered more info on the cast on the set.

There's not much more I can add to the glowing reviews, except to say that this is my favorite book about science-fiction movies. In fact this may be my favorite book about movies, period. Great insights, a wealth of data, and a keen understanding as to why these films continue to entertain and fascinate us. (I loved watching these movies on TV years ago and love to collect them on DVD today.) True, some may find certain assessments a bit nit-picky --especially for some of my personal favorites -- but the author's affection for the genre cannot be questioned.

This 1997 paperback edition is a combo reprint of the hardcover editions of volumes 1 and 2 which were originally published in 1982 and 1986, respectively. My only quibble -- and this is a minor one -- is that several movies that were not readily available for the author to view when these books were written have since been issued on home video and/or DVD. And there's at least two omissions: the sci-fi comedy GEISHA GIRL (1952) and the space adventure MOON WOLF (1959). Both of these obscure titles were later released on video. So I wish the publisher would allow the author to update the text, to incorporate new information and fresh appraisals.

Despite some outdated material, this is still the definitive book on the subject and I highly recommend it.

This is a terrifically entertaining and informative compendium of 1950's science fiction movies that, for fans of this inexplicably overlooked genre, will serve as an almost endless supply of delectable brain candy. Other reviewers have nicely captured the essence of this book; I'll simply add that this is the one volume you'll want to keep by your bedside and savor night after night.

do you ever wonder about the old days? how people thought about space and time, and oh yes, giant monster bugs? then look no further than this fine and funny volume. from 1950 to 1962, warren covers the best to the worst with a wry sense of humor and a clear love for the subject. almost everything is covered, from obscure jungle movies, to elaborate space epics. if you want to know about these old films, and have a laugh or two, then by all means pick up this book.

If you're a fan, or even a casual watcher, of science fiction movies of the 1950s and early 1960s, this exhaustively researched, 2-1/4-inch-thick tome deserves a prominent place in your library. It is, quite simply, THE definitive reference book on the subject. Period. There is none better. The conscientious reviewer MIGHT point out only one minor "problem"--but more on that later.

Mr. Warren does an unbelievably thorough job of presenting the most minute details of virtually every American science fiction film produced from 1950 through 1962. The classics are all here, of course. "Destination Moon," "The Day the Earth Stood Still," "The Thing From Another World," "Forbidden Planet," "Creature from the Black Lagoon" and "War of the Worlds" each receive 10 or so pages of treatment (in very small, closely spaced print, mind you). Mr. Warren tells you everything you could ever want to know about the script, the director, the actors, the special effects (such as they were, in those days), the budget, the editing, the musical score and the reception that each movie got on its initial release. He includes meaningful, interesting details and fascinating anecdotes, many of which I can't imagine how he managed to dig up. Lesser films such as (to pick a couple at random) "Mesa of Lost Women" and "The Rocket Man" get only a page or so, but still with full discussions of each film's production and how it fits into the genre. Well-chosen still photos, typically printed in full-page size and in many cases not the same ones seen in other books, illustrate some of the movies.

I found that the best way to use Mr. Warren's monumental work is to refer to it just after watching one of the films that it covers (which means ANY science fiction movie of the era). With the screenplay fresh in one's mind, reading the relevant chapter adds immeasurably to the viewing experience, much as a director's commentary does on a DVD. You can, of course, read "Keep Watching The Skies" through from cover-to-cover, but only at the risk of information overload. Its usefulness is sure to last for many years--as long as there are VHS tapes, DVDs or (if you're very lucky) old 35mm prints of classic science fiction movies to watch and enjoy. It adds new meaning to the term "reference book."

Now, for the one and only "problem" with "Keep Watching The Skies." The book consists of two parts. Part 1 covers the years 1950 through 1957; Part 2 covers 1958 through 1962. Both parts were apparently once issued as separate volumes. For this reissue, both volumes are bound together. Each part has a comprehensive index, but ONLY for that part. Thus, it can be a little difficult to find a specific film if you don't know its year of release, especially since many films in Part 1 are referred to--and thus indexed--in Part 2, and vice versa. A single integrated index would make Mr. Warren's magnum opus much easier to use. With that single tiny quibble aside, I give "Keep Watching The Skies" the highest possible recommendation. Five stars is not nearly enough. It deserves a galaxy of stars.

Bill Warren is obviously very knowledgeable concerning classic science fiction films, having spent a lifetime researching the subject. "Keep Watching the Skies" is not only factually accurate, it is also extremely entertaining to read.

Highly recommended for all fans of the genre.

Based on the same-titled movie released in 2001, Mel Odom's novelization of the Angelina Jolie flick is top-notch, enveloping every quality that made the archaeologist one of the most popular icons of the video game franchise.
Lara Croft observes the first third of a complete planet alignment - an event that happens once every five thousand years - through the high-tech telescope at her home, Croft Manor. Little did she know, only hours later, she would become an integral part in protecting the alignment's omnipotent power from ill-intended hands.

Through her deceased father's gift of a planetary clock, she travels from one exotic location to another to locate the pieces of the power's medium, a triangle emblazoned with the All-Seeing Eye, the Masonic symbol of omniscience. But an internal desire to see her father again brings her motives to locate the triangle halves into question. If she finds the pieces, will she use the power it contains for herself? Or will she snatch the godly control away from her foes and bury its abilities for another five thousand years?

Odom's literary portrayal is accurate and engrossing, detailing the emotional impact of each event and discovery, someting that may be lacked in the film version. Rather than drooling over Angelina Jolie, Raider fans can envision the described settings and locales in the book with relative ease, with every exotic touch in place. There are only very slight changes in the book, such as Croft enemy (or perhaps not) Alex West's naked romp from the shower to the bedroom in response to mysteriously lurking shadows (provided by Croft, of course); that differs from the movie's ending locale of the dining room and its strategically placed dining table.

But the story proceeds with the same heart-pounding action and romantic passion that's found in the box-office seller. Though short, it makes the reader feel as though they are in Croft's military-booted shoes, even as much as the video games do.

- T.C. Robson

Long ago a meteor fell onto Earth with a magical, metallic form within it. Witnessing its power, it was forged into the (thought of) holy form of a triangle and a temple was formed to protect it. A city grew around the temple, The People of the Light were there. During an invasion, the nine planets aligned and the power of the Triangle was shown. Realizing no mortal should possess such power, the High Priest ordered it cut into two smaller triangles. One stayed at the temple. The other was hidden at the end of the Earth. However, the Craftsman who cut the Triangle in half secretly made a highly advanced device. It could serve as a guide to find the hidden piece, and preserve the Triangle's powers for future generations. It was a magic clock.

Lady Lara Croft was much like her father had been. Beginning with a clock he had hidden for her to find someday and tales he had told her as a child, she must set out to save the world. The Illuminati, a secret group of powerful people, were out to find the two triangle pieces before the planets aligned (which happened only once every 5,000 years). At her side was Mr. Hillary, her butler, and Bryce, her technician. Two tombs must be entered and survived or the world would belong to Manfred Powell.

***** I made that brief as possible, but left out much to do it. Even though the movie, as of now, has not been released, I can already tell that the book gives much more insight to Lara and the adventure in which she finds herself. However, many scenes have the potential to be much more vivid and exciting on the big screens! I found it to be a wonderful book! I plan to be in the theater, with a huge group of friends, on its first night out! *****

Reviewed by Detra Fitch of Huntress Reviews.

This book is great. It is just like the movie, only with a little more dialouge. There are even parts before Lara's dad died telling how he tried to stop the evil. The deleted scenes only able to watch on the DVD are in this book, and I thought that was great! The action level seems a little less than the movie. The book seems to just speed by the action and to the point. I didn't really like that factor. If you liked the movie, read the novel, it is GREAT!

Very good in fact. It adds alot to the movie. More fleshed out characters and such. It's only 6 bucks, so what do you have to ose? Another plus is the 8 pages of pictures featuring the amazingly beautiful Angelina Jolie.

This book was just.. WOW!! It was way better then the movie, b/c the movie can only put a certain amount of scenes, but the book you get it all! i loved all the stuff between lara and alex, if you are a lara/alex fan this book is definatly for you!!

This is an extremely thorough, even-handed and well-written bio. The author's approach is intelligent and his research and references are extensive.

One learns that Brooks began as an upper middle class wildchild from the plains who determined early to be a great dancer. She had talent and determination. But Fate along with timing made it possible for her to escape Kansas for New York City at the tender age of 15 (!) to train with a premiere dance company. She seems never to have gotten past being that wildchild and was, at 17, dismissed from the troupe for unacceptable behavior. Soon she was a dancer on Broadway, including a stint with the Ziegfeld Follies. Next stop, the movies!

Being admittedly "selfish and stubborn" as well as volatile, Brooks tore through New York, Paris, London, Hollywood, Berlin and back, living it up and burning bridges all around. By age 25 she was finished in terms of ever becoming a movie star or great dancer. She eventually disappeared into a gin bottle, was reduced to dance instruction, retail sales and finally "love for sale."

This is all fascinating enough, but her late-in-life resurrection as a rediscovered silent era "icon" (based mostly on films made in Europe in the late 20's) and as a newly minted writer is the surprising twist toward the end of an otherwise bleak life story.

Her work in Pabst's "Pandora's Box" ought to provide Brooks all the immortality any actress could desire. She is spectacular as Lulu and deserves every accolade. She was a beauty, but there were other beauties of her era who achieved greater stardom - Joan Crawford, Marlene Dietrich, Greta Garbo, Jean Harlow. Her "black helmet" hairstyle was well suited to her looks, but it's more likely that Colleen Moore actually popularized the look, having been a superstar of the 20's (which Brooks wasn't)and the iconic "flapper." As for her skill as a writer (with reference to "Lulu in Hollywood"), I find Brooks interesting, insightful and even poetic, but there is an underlying note of bitterness that undermines any claim of objectivity. And, considering her decades of gin guzzling, I question her ability to be very accurate 40-50 years after the fact. For me, the mystique and power of Louise Brooks comes down to her performance in "Pandora's Box," her primary and glorious claim to fame.

Read "Louise Brooks" by Barry Paris and form your own conclusions. Don't miss "Pandora's Box." The Criterion Collection DVD boxed set includes Kenneth Tynan's 1979 profile, the TCM production, "Looking for Lulu," a 1970's interview with Brooks and other extras.

This book is an expansive overview of the life of Louise Brooks and also of the early days of the movie industry. Very throughly researched, it gives a nuanced look and the beautiful, brilliant and maddeningly self-destructive icon. It also is a wonderful history of the entertainment world in the 1920's and the personalities who populated that world. A must-read from fans of Louise Brooks.

Several books have been written about Louise Brooks, but this book is probably the most concise and most thorough of them all. The book starts off with Louise's birth and it describes all the people that helped to make Louise so interesting and famous. There are many black-and-white photos of Louise, from the time she started in show-biz (at age 4) to Louise in her later years, just before her death.

Since Louise Brooks had such a fascinating life, it is not a surprise that this book is so long. Each Chapter basically covers a chunk of her life, and each Chapter describes (in detail) the characters that encountered & shaped Louise, and also all the Theatre and Movie productions that Louise was involved in.

I have not yet read this entire book, but just glancing through it when it arrived I would find that I have just read twenty pages or so whenever I openned it up. I can't wait until I read it cover to cover.

This is what a biography should be: insightful, understanding, offering a measured & complex view of its beloved subject. And what a subject Barry Paris has in Louise Brooks! Her beauty, her intelligence, her compelling charisma all shine in these pages, giving us a multi-faceted view of this ravishing star. For someone who had never heard of Louise Brooks, this biography will send him or her in eager pursuit of her all-too-few films & her own writing -- and both are of the very highest standard.

It's clear that Brooks never did anything without wanting to give her all, to make true art out of it, a work of beauty & meaning that would stand the test of time. And the same could be said of this superb biography. While Paris clearly adores Brooks (and with good reason), he never succumbs to blind hagiography. Nor does he stumble in the opposite direction of pathography. His purpose is to explore the life of a fascinating woman, and to present it to the reader as thoroughly & lucidly as possible. He succeeds on every level. Louise Brooks emerges from these pages as both a flesh & blood woman, and as the dazzling, mysterious icon she became to countless admirers.

In short, the best book on Louise Brooks you'll ever find, most highly recommended!

One of my all time favorite films. The screenplay does a great job of highlighting what exactly made this film so great. For you writers out there, observe the subtle humor and motions toward emotion in the simplest of phrases. An instant classic, and great companion to the Criterion Collection DVD.

Happily, this is an original script/shooting script, not the final filmed version so there are plenty of scenes and lines included here that did not appear in the movie. After reading I have a new appreciation for the subtle, nearly flawless directing and acting in this amazing film. Buy it!

I dare use the word "quirky," because that usually means "esoteric and/or pedantic." But "Rushmore" manages to be quirky while still being entertaining and heartful. There is real emotional impact in this film, as sharp and hurtful as first love lost. Yet, it remains a brilliant comedy with enough "moments" to make repeated viewings worthwhile. The book only serves as a fond memory of the film, much as the soundtrack. See the movie first, then buy the book to cherish the experience again.

Rushmore, both the script and the movie, are instant classics. The buzz generated is still modest compared to the actual impact. Very fulfilling read. Sic transit gloria.

I identified with the characters in the movie. I know one person wrote an intelligent review saying that the movie seemed too surreal, but in my opinion, though I admit the situation had a surreal feel to it, the characters were extremely realistic. I loved Margaret Yang and the way she was so caught up in success that she lied for a project that was almost bought by NASA.

If you don't like anything else, you have to at least admit that Rushmore is one of the funniest things you have seen or read.

Stephen King did a good thing by writing this book.The charcters and cast
are wonderful, This is one of my all time favorite, what goes on behind the walls of a prision.

After reading 85 novels, I finally read a Stephen King story. My friend who encouraged me to start reading had been after me to read him for awhile. I am really glad that I did. He is a great story teller and kept me in the story even when I wasn't reading it. As I have said before, a good writer is someone who can paint a vivid picture in the reader's mind's eye. This is done here in painting a picture of life in Shawshank Prison, Maine. This a great story of one man's strength to survive against all odds; we can all learn from this. It certainly should be told to all those who would think of breaking the law.

"Stand by me" - this is the most important sentence in the novel The Body written by Stephen King. The novel is about the natural and deep sense of friendship. Four boys are keen on experience an adventure, they take a long way to see a dead body in the forests of Maine. Alone on the way of excitement and fear, they are between childhood and adulthood. The story is easy to read and also to understand.

Reta hayworth and the Shawshank Redemption, was a great short story by stephen king. I enjoyed reading this book and even watching the movie. I was suprised how much the book grabed my attention and how I didn't ever put it down.

I recently watched both "The Shawshank Redemption" (with Tim Robbins and Morgan Freeman) and "Stand By Me" (with River Phoenix, Jerry O'Connell, Wil Wheaton and Corey Feldman) and this prompted me to dig out my old copy of Different Seasons. Most people are surprised when they learn that those movies were based on novellas by horror master, Stephen King, but he shows that he's not just into scaring the heck out of you.

The story cycle bases one novella per season, and each follows characters on a journey, whether it's one of hope, descent into corruption, coming of age, or life through offspring.

"Rita Hayworth and the Shawshank Redemption" takes place over decades, as a prison inmate retains his spirit and soul, while breathing life into a dark institution, and whose patient nature finally leads him to freedom. The story is told in first person from the point of view of old Red, the guy who can get you things, about Andy Dufresne, a young banker jailed for the murder of his wife and her lover.

One of King�s great strengths is creating a believable voice for his characters, and as you read this tale, it is like Red is talking to you. Other King strengths are providing back story and creating a world in which these characters live, one with a past, present and future, and it makes them three dimensional. One of King�s flaws is going off on tangents and digressions a bit too often, but he always comes back to the story.

�The Body� (basis for �Stand By Me�) is a coming of age story about four small town boys on the cusp of entering Junior High School. On the Friday before Labor Day, they set off to find the body of a missing boy. One of the four boys, Vern Tessio, overheard his brother talking to a friend about the dead body.

The characters fall into several categories: Gordon LaChance, who narrates the story as an adult, is the dreamer/writer whose older brother died earlier that year. Chris Chambers is athletic, tough but smart. wise beyond his years and the white sheep in a family of black sheep. Teddy Duchamp is the psycho wiseguy who wears thick glasses and hearing aids as the result of his war veteran father putting his head to a stove. Vern Tessio is the least intelligent, but plays a key symbolic part as the one tells the others about the body and also is the first to spot it.

Along their journey, the boys encounter adventures, such as Milo Pressman the junkyard operator and his dog, Chopper. There is a run across a high trestle as a train bears down on them, a swim in a culvert full of leeches, and a night in the dark woods with screaming wild animals. When they eventually reach the boys, they have a run in with a group of teenage hoods from their town. A major difference from the movie, is that this story details the aftermath of the confrontation after the boys return to town.

King does a nice balancing act with his adult narrative and pre-adolescent dialogue, making each voice unique and fleshing out each boy�s character to make them multi-dimensional. All four experience growth, but Gordon and Chris take this growth with them as they get older. Don�t let people drag you down. There�s a lot more to this story than just kids looking for a dead body.
My bumps here are again that King goes off on tangents and digressions, some to fill in background and history for the characters, but sometimes really straying far from the course. At one point he takes nearly a page to say that someone is dead, where �The kid was dead. The kid wasn�t sick, the kid wasn�t sleeping.� Would probably have sufficed.

I won�t go into a lot of detail about the other two stories. �Apt Pupil� is about a boy who discovers a Nazi war criminal living in his town, and blackmails the old man into telling him stories about the war in exchange for not blowing the whistle on him. The stories the boy hears slowly lead him into senseless acts of violence. In �The Breathing Woman� a �disgraced woman is determined to triumph over death.�

These four stories combine to make an interesting cycle, and demonstrate that Stephen King has writing talents that stretch beyond his horror work.

This book starts out interesting, and just gets better and better. I love the amusing interactions between McKay and Sheppard shortly after Sheppard begins to transform. I can honestly say this book is worth reading more than once.

This book started a bit slow but then got going pretty quickly. I liked the creepy, horror-like part in the repository better than the conclusion in Atlantis though, that's why I gave it 4 stars and not 5 in the end. But it's well-written, the characters are true to their TV-selves and the story itself is pretty interesting. I'm quite happy with this book :)

This book, in my opinion, is the best in the Stargate Atlantis book series. It really captures the relationships between the characters and their own personalities. Martha Wells did an excellent job bringing the characters from the show to life in her book. I have read Reliquary... I think four or five times and I haven't gotten sick of it yet. I have read all nine SGA books published thus far (Mirror Mirror being the last one I read) and I still hold that Reliquary is the best of the nine. It has a well-written plot that feels more like an episode you would watch on TV. Parts are scary, others funny, and everything captures the feel of the show. There have been one or two SGA books that I have been not quite thrilled with, but even after reading it so many times I don't think I will ever grow bored with Reliquary.

So far, I have found the Stargate Atlantis books to be far superior to the Stargate SG-1 books. Many of the SG-1 novels are obviously written by inexperienced authors, and are little more than legitimized fan-fiction. Mind you, I have only read two Atlantis novels thus far ("Rising" and "Reliquary"), but both of them have been of higher-than-average quality, while out of the eight-or-so SG-1 novels I've read, only one or two have been of equal quality. Regarding "Reliquary", I was completely unsurprised to find out that the author (Martha Wells) is an already-established writer with many published novels. It shows in this book.

She does an excellent job of creating atmosphere. The first half of the book reads like a suspense novel, with the tension growing as the team explores an abandoned Atlantean outpost. When they find an unexpected survivor, things seem to be explained . . . until everything starts to go wrong. It isn't a very long novel, but the plot is so well-paced that you don't notice the length, or lack thereof.

The characterizations are quite good. The dialogue, the actions and interactions of the characters, all of it is true to the show. She also does a good job with descriptions (lending to the atmosphere). I thoroughly enjoyed this book. If given the chance, I will certainly read all of this author's Stargate novels, and I intend to look into her other books as well.

As a writer, it is extremely difficult to turn off my inner critic when reading a series tie-in like this. Historically, such books are an experiment in mental torture with their inaccuracies, poor style/construction, sophomoric plots, cardboard original characters, et al. Honestly, I can't even walk by the Star Trek section of any bookstore without physically cringing. Knowing the process of tie-in publication, you would think the license owners of these shows would be FAR more selective when choosing who expands their universes upon the page.

Ms. Wells, on the other hand, stands out from the pack with this work. Talk about a blast of welcomed fresh air! The characterization was scarily accurate, the plot/storyline well conceived and laid out, and the dialog had me literally guffawing out loud (John's thought of group therapy with sock puppets completely slayed me!).

Several reviewers mention the SGA episode, "Conversion," which shares a similar plot contrivance with "Reliquary," though in the latter, Shepp has the misfortune of becoming a gray-skinned werewolf creature psychically in tune with Ancient technology--as opposed to becoming a two-legged eratus bug that likes to combine kissing with stick fighting. Long story to short, considering the length of time the publication process takes (2-3 years ordinarily), Ms. Wells likely wrote her first draft while Season 1 was still on the air.

Thanks to her amazing way of bringing the SGA characters to life, such things are irrelevant.

If I had one bone to pick, it would be the POV-shifting in so many scenes. That's one of those writing Ten Commandments that should never be broken. POV-shift is annoying, even jarring to the reader, and it screams amateur. But in this case, it's a small point when the strength of the story is taken as a whole.

Looking forward to seeing what "Entanglement" has to offer!

Love this book! Now I allways know what to pick at the video store! And LOTS of great movies. Thanks.
-Torfinn-

This is far more than a simple list of films that may be aimed at a gay audience. It is 101 hysterical fan rants from someone who has a wicked sense of humor and extraordinarily evolved taste in film.

This is a book that every film student should read because Duralde has a genuine passion for movies and the understanding of them to back up his opinions.

Many of Duralde's choices surprised and delighted me; he didn't go for the easy selections. Any book that mentions "Tarnation" and "Without You, I'm Nothing" in the same breath is aces by me.

If you hate reading spoilers, don't read about any movie in this book unless you've seen it already. Duralde gives away FAR too much in his synopses, which are in my opinion completely unnecessary anyway. It is his commentaries that are the interesting element here, and motivate us to see the films. Why he chose to reveal plot turns, and thus needlessly deflate our enjoyment of the films is beyond me.

Love it, love it, love it - short, sweet, funny, smart. Or as I like to call it, "the best bathroom reading book ever."

Oh, and my copy of "Can't Stop The Music" is on its way from Netflix as we speak ;)

101 Must-See Movies for Gay Men is a seminal tome in more ways than one. Well, actually, only one. It hasn't got any of the good pictures in it. But it does have 101 movies that are essential to a broad range of the gay aesthetic. It's got movies for drama queens, diva queens, show tune queens, bears, disco queens, grunge queens and size queens. The only gay subgenre it's lacking is the queer sports movie, and I'm sure once Duralde has seen Summer Storm and Guys and Balls he'll add something appropriate to Bride of 101 Must-See Movies for Gay Men he keeps promising (unless that what he's titling the lesbian companion piece he keeps promising as well, in which case he'll have to include Bend it Like Beckham or, better yet, Personal Best).

When I came out, I was told I couldn't get my queer card until I'd seen Torch Song Trilogy and Murder by Death. Both are missing from 101. I'm not going to fight too hard for Murder by Death which is simply a very good example of camp and not particularly queerly significant beyond that, but I will say that I can't imagine a list of queer movies complete that doesn't include Torchsong.

But what is in the book is delightful and insightful. I knew Fight Club is about the slashiest thing every made, but it didn't occur to me to put it in a list of must-see movies for the queer cognoscenti. But even the obvious choices - Whatever Happened to Baby Jane, Sunset Boulevard, Valley of the Dolls, Sunday, Bloody Sunday and many more - are given new life and new perspective with plot synopsis, evaluation of what's important to the queer viewer, quotes from the movie and an interesting visual classification system.

Duralde examines these movies with wit and sensitivity. He makes you want to expand your DVD library, and in some cases your VHS library, not only with the movies he lists, but with the movies he mentions in passing discussion about other movies.

And, for the record, I've seen The Broken Hearts Club and it isn't nearly as awful as Duralde makes it out to be, but it is awful.

I cannot remember the title or anyone who was in it, but it you're looking for a movie emblematic of what bad queer cinema is, the one with the fireman who begs his girlfriend for a threesome without specifying the gender of the third participant and then is horrified when she brings some guy from the neighborhood who's been crushing on him for years into the bedroom is the one to choose.

While I'm by no means into the industry yet, this book was an easy read and it contains invaluable information for the hollywood neophyte

Trouble is, Tony Martinez is no devil. He comes across, in fact, as the ultimate boy scout in a shark-infested business. Part instructional, part ever-so-careful not to offend anyone, Martinez writes in a conversational, run-of-the-milll average-guy style that allows you to skim to the sections that may mean more to you. On the one hand, it's banal and boring and on the other, there are nut n' bolts insights that should be helpful for a rank beginner.
As someone involved in the business for many years, looking for some hidden insights or juicy info, I was disappointed. But I DID learn a little more about the way pilot season works and for that reason alone, I found this very brief tome to have some worth.

This book is a must-read for any aspiring actor or aspiring agent and an entertaining book for anyone working in the entertainment industry. It's humorous, well-informed and succinct. It's not a surprise that this quick-witted and to-the-point agent provided the entertainment community with such a well-written book. His personal stories and antedotes complete this book. Do yourself a favor, and buy it.

An Agent Tells All by Tony Martinez is an excellent book that is very easy to read and hard to put down as it flows on very well.
Specific Contents that go straight to the point and excellent for the novice to clearly gain an understanding of the industry from agents point of view. Also Highly rate the Pilot Season Chapter!
Great Read.

I did a monologue in front of Tony Martinez at TVI Actors Studio, and he was generous enough to tell me what did and didn't work. His book just as helpful, only laced with his terrific sense of humor. I would say this is a must have for any actor and would probably be helpful for managers and workers in corporate America.

If a book is really true, you'll always need it. You'll always come back to it. "Birdy" is one of those books; my copy is a yellowed and dog-earred paperback with the front cover torn off, yet I find myself year after year coming back to the novel, digging into it, nibbling on its tasty paragraphs, savoring its language and cool understanding of the world. I'm convinced that "Birdy" will rank one day as a truly original American classic, right up there with Salinger's "Catcher in the Rye" and Kesey's "One Flew Over the Cuckoo's Nest." There's so much energy and passion in the story: it literally overwhelms. You live inside the character of Birdy as you listen, all ears, to a guy named Al speaking about his friend. You begin to soar, to fly, to be free, just as Birdy is trying to be all those things himself. Truly an extraordinary work!

-Tom Maremaa, Author of the Forthcoming novel "Metal Heads" from Kunati Books in Spring 2009

"Birdy" is a novel with a shared narrative; on the one hand there is Al, and on the other there is Birdy himself. This is one of the specificities of the book. Birdy as a character is quite interesting in his weirdo/loner/genius/freak kind of personality, and because of the divided narration, you get both the outer and inner approach on his obsession, birds, and flying.

On the whole, this is a very readable book, and quite enjoyable. Not a page is a bore and one cannot get enough of Birdy's featherly obsession and how far it will go.

However, the ending left me rather unsatisfied. I thought it starkly contrasted with the rest of the novel and didn't live up to everything that came before; as if something deep was ended on a joke.

Another critic concerns the back of the book, where you find the following words: "While fighting in World War II, they find their dreams become all too real - and their lives are changed forever." Well, that gave me the idea that these two friends would end up fighting together in Europe or something and the birdness of Birdy would come into play. Contrary to those lines, there is very little concerning World War II - although there are a few pages of Al's warring, there is almost nothing of Birdy's. So do not put too many hopes there. I never really trust blurbs, but I still find it stunning that so many of them tell things that are just wrong.

This being said, and excluding the ending (of which I'm not too hot but in general, not the final lines, which aren't so bad), this is a good read. I never was all that crazy about birds, but this novel was very informative as far as canaries are concerned; and bird life in general. The psychological aspects of Birdy (whose real name I don't think ever comes up, which I like because it's as if his birdness erased his human identity) are also of interest; for instance, Birdy prefers birds to people, he even fantasises sexually about birds rather than girls. It's fantastically weird.

"Birdy" has been often compared to such novels as Heller's Catch-22, the tendency for the book to be read as a war novel was strengthened by the movie based on the novel in 1985, directed by Alan Parker, which moved the time of its action to the days of the Vietnam War. The book, however, concentrates on the issues of adolescence, growing up, and reaching maturity.
"Birdy" tells a story of two friends Al and Birdy who met in pre-war Philadelphia and who friendship survives the war when Al is invited to a mental ward where Birdy is kept after his traumatic war-time experiences which which brought about his mental-breakdown. The reader becomes gradually acquainted with their adventures in flash-backs and witnesses Birdy re-awakening.
The book rings true both a nostalgic description of the pre-war working class US which no longer exists, a chronicle of friendship and a description of mental disorder. Must read - you can follow the reading with the movie and there is Peter Gabriel's CD to accompany the novel!

The book is best described as "bird-y", like it's title. Whoever reads it will understand what I mean. In the center of the story stands an eccentric, introverted boy called Birdy, who's entire life is driven by an obsession with birds, and a dream - to fly and be free. The book opens with Birdy in a military mental hospital, traumatized by his experiences in WWII. His childhood friend, Al, has been called over to try and bring Birdy back to reality. At a loss of what to do, Al begins telling Birdy stories from their childhood, and recounting all the adventures they lived through together. Through Al's narrations and the remembrances they trigger in Birdy, the fascinating story of a most unlikely friendship unfolds. Al is a handsome, athletic Italian girl-chaser, with an abusive father and an obsessive need to prove himself. Birdy on the other hand, is a wild spirit. You can sense throughout the story how he feels caged, and reveres the birds he sees to be free. He constucts an aviary and raises canaries in his bedroom, studying them, learning their language, getting to know each one personally, and losing himself in their world. The descriptions of the canaries are so intense that the reader himself feels as though they are human, or he is a bird. Birdy is an amazing character - brave, self confident, a mechanical genius, who struggles to fit himself into human life, but who's mind works in a completely different way than anyone else's. The book tells the extraordinary story of the two friends, and is simply a pleasure to read and a refreshing change from the conventional.

I've read a lot of books in my day, but Birdy is easily one of the most memorable. A traumatized World War II veteran trapped in a VA hospital stays sane solely through his preternaturally detailed recollections of raising canaries as a teenager--and through the perfect loyalty of his closest friend.

Wharton's better known World War II novel, A Midnight Clear, comes nowhere near this one in terms of originality and emotional truth.

Birdy is a beautifully written, most unclassifiable story, unsentimental, sometimes painful, but extraordinarily life-affirming and imagination-affirming. Some day it will be recognized as a genuine classic of American fiction.