Television Books

Great insight, untold stories, and unseen photographs about an extremely private man. It was quite refreshing from the self-serving tomes that celebrities have put out and continue to put out about themselves. The one thing I've always admired about McQueen (besides his obvious acting talent) was his disdain for celebrity and the fact that he remained true to himself. This book drives that home.
Excellent.

Wow, the photographs are beautiful and highly personal. It's like seeing a private photo album from this marriage. Plus the text is informative and revealing. I'm so glad this part of Steve's life is now so well documented.

It goes perfectly on my coffee table.

A fantastic book on the last years of legend Steve McQueen! Great job by Barbara McQueen and Marshall Terrill! Touching moments! Great photos!

This book takes you into the very intimate and private world of Steve McQueen between 1977 and 1980.

Consisting of approximately 150 color photos (most of which were taken by his wife Barbara McQueen) and accompanied by Barbara's recollections of their time together.

Unlike some other photobooks where you sense you are watching the star pose, this book shows you the absolutely unguarded and relaxed side of the man as he goes about his daily life, talking to friends, tinkering on his bikes, dozing in an armchair or washing down the pavement outside his airplane hanger.

These are the sort of photos you would usually never see of a movie star - Steve in the morning before he has showered, looking drowsily over a hot mug of coffee, househunting in Montana with Barbara, or lying asleep on the living room floor with his pet dog lying on top of him.

You really feel like you have stepped into Steve and Barbara's house, it is that personal.

The text accompaniment is also very entertaining and educational as Barbara shares her memories of how Steve wooed her, the initial problems he had to overcome in winning her parents approval of the relationship, his personal lessons to her on how to dismantle and rebuild a motorcycle (sadly unsuccessful) or a gun (successful), how he came to propose, and many other intimate and fun moments. Overall it takes you through their entire relationship and serves as something of an autobiography in itself.

All these photos are beautifully presented in a high gloss large coffee table book format.

Released with the first limited edition run of the book is a 45 minute audio CD of Steve verbally working through the script of the film "Tom Horn". It is fascinating to hear him talk about his vision of the film, rework the script and plan his character. You get a real sense of the epic film he wanted Tom Horn to be (but was denied due to the studio slashing the budget), and you realise just how insightful he was with film and acting. The amount of thought he puts into his role should forever dispel the notion that he just played himself on film.

Steve McQueen - The Last Mile is a very special book and no fans collection will be complete without it.

Intimate, touching, insightful, sometimes hilarious passages into the life of The King of Cool, Steve McQueen. We live in such a visual, media oriented world that we tend to get preconceived notions of who movie stars are, based on what we see. The world saw Steve McQueen as the ultimate man- handsome, macho, cool, someone they could spend their hard-earned bucks on back in the day and get their money's worth at the theater. Barbara McQueen, his widow, saw the real Steve McQueen. She got to know Steve, the family man; Steve, the man who loved the great outdoors and his morning constitutional; Steve, the great mashed potato guru, airplane and motorcycle enthusiast. "The Last Mile" shows how little we all knew of his kindness and philanthropy; how little we knew of his yearning for happiness and how he ultimately found it. The photos in this book will enchant you, leave you wanting more. One of my favorites is one where Barbara embraces Steve from behind. That photo alone is worth the book to me. Beautiful model, handsome superstar, real people worn out from what life has dealt them. You can see it in their faces. It makes me sigh everytime I see it because there's not one person I know who hasn't been to that point and had nothing left but an embrace. You will love this book and you will want more. I guarantee you.

this is my favorite book. if anyone has similar taste to me then i highly recommend them to read it. i was getting so into reading it that i never wanted it to end. to last forever. so i tried to do so by reading a limit of pages each day. i live in NYC and by reading the book i had grown a stronger love for the city and thats another reason i loved the book. the down fall of the book? well, it was and made me sad. it was kinda a depressing book. you now. like a heart-acher.

it was indeed a pleasure to read and in the future, if you do read it, i hope you injoy.

thats my review! i hope i helped!

This book was written by a very eloquent author in 1922. At 23years of age, she carefully details her struggles of growing up inpoverty on the lower east side of Manhattan. This is one of a few books that deals with the difficulties faced by immigrants of to New York around the turn of the century. Her battles are those of a poor, Jewish girl growing up without a father in tenement housing. I thouroughly recommend this book to Jews, feminists and historians.

this is my favorite book. if anyone has similar taste to me then i highly recommend them to read it.

i'm going to describe it as a story of a girl growing into a women on the streets of the lower east side of manhattan. she tells of different jobs and the boarders that her and her mother board to help pay the rent. its very hard for me to describe becuase of 2 reasons 1) you can't describe it you have to read it 2)i read it a year ago.

i was getting so into reading it that i never wanted it to end. to last forever. so i tried to do so by reading a limit of pages each day. i live in NYC and by reading the book i had grown a stronger love for the city and thats another reason i loved the book. i also loved the stories she has of her childhood. the down fall of the book? well, it was and made me sad. it was kinda a depressing book. you now. like a heart-acher.

it was indeed a pleasure to read and in the future, if you do read it, i hope you enjoy.

thats my review! i hope i helped!

Streets: Memoir Of The Lower East Side was written in 1922 and published for the first time in 1955. This remarkable memoir of a young Jewish girl's coming of age in the tenement slums of New York's Lower East Side is gritty, candid, vivid, engaging, sensitive, and streetsmart. Bella Spewack overcame obstacles of gender, background, and religious discriminations to succeed as a celebrated journalist, playwright, and screenwriter. Streets is highly recommended, articulate reading and will prove of special interest to students of American Jewish history, Women's Studies, and biographies reflecting the triumph of the human spirit over social and cultural barriers.

This is a coming of age story depicting the harrowing early life of an extraordinary talent. Told with an amazing eye for detail and a highly developed sense of humor, this is one of the most moving autobiographies I have read. Bella Spewack writes of her thirst for knowledge and determination. In later life Bella invented the Girl Scout cookie, became a noted journalist and wrote successful plays and movies. Streets tells of the difficult circumstances of her childhood.

I had the cd version of this book, and it was excelent. It gave the most in depth information I have ever seen of them. Also, it was approved by oasis so we know it's official. A MUST have for anyone who wants to know the true oasis.

This book will definitely grab your attention if you're an Oasis fan. Fanatics will love the great color photos. Even if you don't like the band, the stories (following Noel and Liam's exploits from Oasis's conception to mid-1996) will provoke astonishment, laughter, and intrigue. The background information on everything from the development of the songs to the interband relationships are highly interesting. Along Oasis's monumental rise, the brothers share their strange and expected encounters with friends like Paul McCartney, Evan Dando, John McEnroe, Ringo Starr, Micheal Hutchence, Bono, Lars Ulrich and others. My favorite part is when Liam gets into a argument with a grunge fan at Oasis's first New York show who tells Liam he'll "never amount to anything".

This highly entertaining book captures not only the spirit of one of the most influential rock bands of the 1990's, but also gives an insightful look into the emotional conflict among the band members. Intelligently written by one who has had close, personal contact with the group from their emergence on the musical scene.

This book is so trashy! I loved it! It was written by a good friend of the band, so you KNOW he's not totally honest, but it's still an exemplary biography of a wonderful band. The two Gallagher brothers are arrogant beyond belief, and their characterizations make "Take Me There" all the more fascinating. I particularly liked the stories of Evan Dando, their celebrity tag-along, as well as Noel's admissions of which songs he ripped off. Overall, this book serves as a fine introduction to a band who CLEARLY think they're better than they are (which is admittedly great anyhow!).

At last a book about Oasis where the author knows what he's talking about! Paul Mathurs has been with the band from the start and they trust him which lays the solid foundation for the best book about Oasis to date.

This book is a must for anyone interested in Oasis and highly recommended for anyone who merely has a passing interest. It charts the band from their beginning to the release of Be Here Now (the interesting years!). It is a thorough and amusing account of the band's rise to fame and the downners along the way, especially with some of the tales form America.

Mathurs writes with a knowing, chatty and humourous edge which makes this book extremely addictive and you will no doubt be shocked and amazed by some of the antics covered! The sections where Robbie Williams pops up are simply unbelievable considering recent events. The constant banter of the Gallaghers highlighted in the book is great for the comic element and the comments on the bands music (always the most important thing with Oasis) are honest and truly meant.

A great read with highlights in every chapter. Buy it.

Taxi Driver was one of the seminal films of the seventies. It broke many boundaries with its use of violence, and it was critically applauded. It was, in my opinion, one of the best films ever made. The script is fascinating, especially to read the bits which were left out of the film.

taxi driver by martin scorsese is a true masterpiece of american cinema.the screenplay written by paul schrader,is one of the best screenplays ever written.the story is about a new york city cabbie who gets tired of seeing all the criminals and scum that the city has to offer.he's a loner who is just trying to make friends and help people out.as a result of all the madness he sees on the sreets,he grows violent and courageous.recommended.

O.K. we all love the film. Martin Scorcese's portrait of a loner slowly slipping into his own obsession with the horrors of inner-city life is seminal, and is still great viewing. De Niro's performance is brilliant as are his supporting actors. However...it is not until one reads the screenplay by Paul Schrader that the film comes to life. It is written almost like a novel, with directions that give the reader new insight and appreciation into the workings of the film and Travis' state of mind. Not only is it a great compliment to the film, it is actually better than the film. When I first saw 'Taxi Driver' I was blown away (along with all those pimps and drug dealers at the end), when I read the screenplay a new appreciation of the art of screenwriting was revealed to me. If you ever want to give someone who is interesting in writing films a present, give them this. Give them the film too. Make them watch the film, then make them read the screenplay, then watch them weep.

Travis Bickle is a social pariah. He can't sleep and needs something to do, so he decides to work the night shift as a New York City cabbie. Travis ruminates (in his journal?) about his difficulties making companionships in his life as well as his dislike for all the filth on the streets. Travis's loneliness, a more concrete manifestation of his alienation problem, is a driving force for his nose dive into psychosis. He hates what he sees in the city until Betsy (Cybil Sheppard) appears as a beacon of light on the street dressed in white. His pursuit of Betsy describes his manic quest for unobtainable companionship and purity. Yet, while his behavior indicates his loneliness, Travis consistently doesn't really know why he keeps behaving badly and often sabotages his own attempts to end his loneliness. For example, his date with Betsy is made unbearable by poor choice of movie. Loneliness is the emotional manifestation of the alienation Travis experiences; it is both a source of great pain and a source of psychosis. He does not understand common social topics, such as popular music, politics or love. His failed attempt at conventional companionship with Betsy leads to his warped effort to be a knight errant for young prostitute named Iris (Jodie Foster).

Travis's descent into psychosis descent ends in a trail of destruction and blood. To save Iris from her life of prostitution, he becomes an army of one. All pimps and Mafiosos in his way die a brutal death. After an unsuccessful suicide attempt, Travis dies quietly on the couch as the authorities enter the building. Then, the strange denouement begins. The ending must be seen as a brief flash of his life. The closing scene reflects how Travis would like his life to be remembered. Director Martin Scorsese utilized a similar method in "Last Temptation of Christ" when Jesus sees his life as would be if he got down from the cross. In movie time, the scene takes about a half hour, but the scene only takes a flash to play in Jesus' head prior to his actual death on the cross. Similarly, Travis does not really become a savior or hero, but dies in a self-induced blood bath. During last scenes of Taxidriver, Travis dreams himself as a hero who makes amends with Betsy, receives a grateful letter form Iris's parents and makes friends with his fellow cabbies. The last scene is just a pre-morbid flash in his mind before his lights go out for eternity.

Taxidriver is set in the pre-Giuliani streets of New York, depicted with all its sin and psychosis. Nighttime in New York is filled with explosive violence, pervasive cynicism, and ubiquitous prostitutes. Director Martin Scorsese even indulges himself in such small details as a depiction of a street drummer, traveling gun salesman, and failed store robbery as side trips in Travis's long journey. Travis's disgust for the streets is depicted in his need to clean the semen and blood off his seats after his shift is over.

Several small events act as act harbingers to his own violent rampage. Travis is made to listen to a customer's (played by Martin Scorsese) ravings while the philandering wife's silhouette is visible from the street. The customer discloses to Travis the merits of the 357 magnum and what it will do to his wife when he shoots her. Also, while innocently shopping at a local grocery store, Travis successfully breaks up a robbery.

Awesome movie. What a cast: De Niro, Shepherd, Albert Brooks, Harvey Keitel, Peter Boyle. But the best character may be the streets of the city themselves. Scorsese gives the cold pavement of New York an actual living presence in the movie. Smoke, water, blood, grit.

This positively has to be one of the best written screenplays of all cinematic history. In this text lies a story of desperation, loneliness, and insanity. Paul Schrader has not only captured the mentaility of a sociopath, but the emotions and profound thoughts of a man, driven to insanity by not being able to understand a world unlike his own. If you love well written screenplays, Taxi Driver is a must have!

If you enjoy That Girl you will enjoy reading this book. It has the making of the show and lists all the shows in order. It is interesting to see which tv unknows were guest stars on this show. It also tells you who got to say That Girl in each show. It talks about the show came about. It is a nice companion to have along with the DVD set.

I have to say I was very impressed with this book wonderfully written and assembled by Stephen Cole. It was recommended by a friend and I was pleasantly surprised with the care that was put into what should be called the "Official" book on THAT GIRL. This is perhaps the BEST book written on a classic television sitcom! There is something here for everyone. If you are even slightly interested in reading about the series and Marlo Thomas, I suggest you pick it up. Well done Stephen!

I remember watching Marlo Thomas's entertaining sit-com in the late 60s and early 70s and thoroughly enjoying the trials and tribulations of a young struggling actress trying to make it big in the big apple. Being re-acquainted with this delightful series via cable has made it all the more enjoybale and pertinent in the themes explored and in the witty, challenging and humorous encounters an independent woman can face. Stephen Cole has added enormously to an appreciation of this ground breaking show through great research (interviews with Thomas and the writers) as well as providing an episode-by-episode guide to what made each show so special. You will find in this book references to the time, the fashion and the special chemistry between the leads in what is one of my all time favourite television shows...Thanks, Stephen for the love that shines through every page.

While many observers debate the origins of feminism on television, I believe that "That Girl" was the FIRST show of its kind; to portray a single career woman defying convention and starting out on her own. Strip away the humour from this show and you see the predecessor of many of the supposed ground breaking feminist tv shows of the 60's and 70's!

Mr Cole has done an OUTSTANDING job in assembling the history of this show and while recognising the show's clever scripting and acting, draws attention to the groundbreaking issues it tackled for its time. Selected quotes from Gloria Steinman and from Marlo Thomas herself verify the credibilty of his research.

Having said that, don't let me make you think this book is necessarily a feminist manisfesto for the new millenium. It's a funny, clever and insightful companion for anyone who ever loved the show and I found myself laughing out loud as I fondly remembered moments in a show that I grew up with but have never forgotten! Well done to the author: his love of the show and its characters comes through on every page!

Well worth a read!!!

Before Mary had bad parties, before Lucy Carmicheal and Viv had their screw-ball adventures, before Janet and Chrissy stood up to Jack. And before Blanche, Rose, Dorothy and Sophia toughed it out through old age and countless dates; there was "That Girl."

Lovable Ann Marie, her nerdy yet very strong (he always seems to be punching other guys out on a count of a misunderstanding) boy friend Donald, and her worried parents are all characters in "That Girl". Ann is a girl, living on her own in NYC for the very first time. She is a struggling actress who is smart, talented, witty and determined...yet she still manages to have the poise and serenity of Samantha Stevens (when all is well on Morning Glory circle, of course).

"That" is where "this" book comes in, it was very informative in all aspects of the history of "That Girl". It went into such detail as original names of characters and original actors..etc. Marlo Thomas really seems to be a true rolemodel, she was strong, independent, and still managed to keep her poise. The actors/producers were interviewed honestly and well. A true monument to the history of TV, and one of its most ground-breaking shows.

"The Truth about Being an Extra: How to Become a Good Background Actor" by Jo Kelly is an amazing book. Finding each and every page interesting, exciting and filled with valuable information, I read it nonstop from beginning to end. I even found valuable information in the introductory sections before the first chapter and in the information at the end of the book. I devoured this book with enthusiasm from cover to cover! Jo Kelly's writing style is friendly, informative, encouraging, and easy to understand. She provides examples of scams and problems she encountered early in her career as a background actor, and explains how she eventually received many successful jobs in background acting once she learned the ropes. She also provides lists- -including addresses and phone numbers- -of legitimate casting agencies for background actors. After reading Jo Kelly's book, I felt that becoming a background actor is a very real possibility, and that it would be tremendous fun!

In "The Truth About Being An Extra", Jo Kelly (founder of Background Actor Seminars) draws upon her years of professional experience as a veteran background actor and her personal insights as a former celebrity wife to reveal "inside secrets" to becoming a successful "background actor", that is, one of those folks you see in movie and television scenes of crowds, passers-by, restaurant diners, etc. Readers will also learn of scams and pitfalls that can happen to naive actors accepting walk-on, background roles in movies, television and commercials when they register with casting agencies. A compendium of solid film industry information, invaluable advice for newcomers, illustrative anecdotal stories of her own experiences, practical tips for securing background acting jobs, locating legitimate casting agencies, as well as becoming both comfortable and professional on the set, "The Truth To Being An Extra" should be found in every college Theatre Department's reference collection and considered "must reading" for anyone aspiring to a background acting gig.

This is a quick read that is full of interesting tidbits of information providing a rare glimpse into the world of working as a background actor in the movies. It is not a detailed guide by any means but it does give the reader an overview of many things aspiring "extra" needs to consider as they travel this career path.

Author Jo Kelly comes across as knowledgeable and very personable in her style of writing. Kelly generously shares her knowledge to help newcomers avoid some of the mistakes she made. Her numerous stories from the trenches offer insights into how the real world works and serves up helpful warnings for the neophyte.

The author offers many very specific recommendations with all the necessary contact details. Unfortunately, for readers outside California, the contacts in "The Truth About Being An Extra" seem to only apply for those in Los Angeles (Hollywood). Other interested readers could probably use these listings as a guide and seek out comparable resources in their own part of the world. For example, Canadian actors might find the book useful for its general advice but then need to go a step further. They would need to seek out the agents, agencies, and specific organizations that are relevant in Canada if that's where they plan to start their career as a background actor.

Kelly discusses both general and specific issues. She mentions child actors, parents of child actors, and actors with disabilities as examples of situations with unique considerations. The glossary of the vocabulary used in the industry adds even more clarity.

As a complete outsider to the world of movie making, I came away feeling I had a bit of insider knowledge about the day-to-day reality of a career as a movie extra. It was a bonus to also learn Kelly's fascinating personal story about how she happened to write this book. Widowed in the early 1990's, her original goal was to make a career change by breaking into the world of background acting! Once she learned to be a good movie extra, she then moved on to give presentations, run seminars, and write this book.

What makes this story within the story so interesting is that she had a major hurdle to overcome first - she had to conquer her fear of public speaking. She gladly credits Toastmasters for helping her deal with that challenge. And the rest, as they say, is history.

Author and veteran movie extra Jo Kelly candidly shares her experience in the field of background acting for films in Los Angeles, CA. Included in this handy guide is contact information for casting agencies and casting agenies, calling services, production studios, and tips for how to join the Screen Actors Guild. The business of background acting (from tracking expenses, finding the location of the shoot, and where to turn for tax preparation help) are also covered. This is an excellent gift book for any aspiring actor interested in learning the ropes of show business and finding his-or-her way around LA. Give one to your community theatre director and pass the information on to others who'd like to work as a movie extra.

A great little book for anyone interested in getting into the "extra" game. Jo Kelly gives lots of very practical advice and good "do's and don'ts" for the first-timer. I especially liked her guidance for those about to appear as a background actor for the first time--she takes away some of the fear of the unknown and tells you the most important things to be aware of BEFORE you step on the set. She also provides excellent resources for child casting, calling services, talent agencies, and scams you may encounter as you get into the field. Definitely recommended for anyone thinking about being an extra, or anyone who has done it and wants to learn more.

A fantastic book about the fastest growing area of DVD releases at the moment, TV series! With breakdowns of cast and guides to the best episodes and releases I only hope enough credit goes to the website [...] who helped TV Guide put this book together!

Fantastic resource for anyone who likes watching reruns and is interested in contemporary tv culture. There are loads of forgotten facts in this book for all the classic tv shows and new ones for current programs. This is an inheritently readable book that belongs next to everyone's tv!

The descriptions of the shows are priceless--they brought back so many memories! And the guide covers a lot of shows that are new or still running, like 24 and ER. I'm not even a serious DVD collector, but the book gives great trivia about all my favorite shows (when they aired, what the names of the original stars were, which episodes went down in TV history). This book is really a history of TV in America, and it covers so many different categories that it really does solve the gift problem for just about everyone on my Christmas list. They won't be able to read just one or two of the listings; once they start in, the trivia will have them hooked. It's organized like a reference book, but It reads like an entertainment magazine.

If you are a tv junkie like me, this book is a blast. It's a handy offline reference to all the shows now available on DVD, and it's filled with lots of trivia and lists. Be ready to shop because the book will make you want to buy even more DVDs for your home library...

This book isn't perfect (I'd rather have more pictures of DVD set covers than old TV Guide covers, for instance, and the descriptions are a bit dry in places), but it IS cool to have a handy-dandy reference like this to use when you can't get online to look up the info. Good to take to the store or keep next to the TV. And if you read the fine print, you'll see that this book was made with the help of data from TVshowsonDVD.com, which is the best place I've seen online for that sort of info. Cool 'dat, and maybe for the next edition of the book TV Guide will work more with that website's staff to talk more about what's new, what's not out (any hints as to why), and what's expected to come soon. You know, show more of the TV-DVD enthusiast in this book...there's a lot of us out here!

I came across this book through a recommendation. I'm so pleased I did.
As an admirer of Duke Ellington's work, I knew of Adelaide Hall, mainly through her connection and early recordings with Ellington, but knew little about the lady herself or her significant achievements in the world of entertainment.
In the books preface, the author, Iain Cameron Williams, claims Adelaide Hall appears in many jazz anthologies as a mere footnote, whilst others abandon her career altogether. With "Underneath a Harlem Moon" Williams attempts to set the record straight by documenting comprehensively her exact relevance and role in the History of Jazz and, in my opinion, succeeds admirably.
Williams's familiarity with his subject clearly demonstrates the amount and depth of research he made in order to unearth the facts. One gets the distinct impression that during the process he left no stone unturned, so detailed is his descriptive. Although Williams's 20-year friendship with Hall must clearly have helped him in appraising his subject's temperament, it must also have allowed him the privilege to see an intriguing side to her character that her fans would not normally have seen. This becomes apparent the deeper one delves into the text.
The book charts in rich detail the life and career of Miss Hall during the frenetic Harlem Renaissance and documents all the colourful characters to emerge from this movement, most of whom worked with Miss Hall at some point in her career. It also gives a fascinating insight into the social history of the Twenties and Thirties when Prohibition, real-life gangsters and sophisticated nightclub culture ruled the sidewalks.
Overall, a hugely enjoyable read made easy by Williams's approachable style of writing and keen interest towards the characters he portrays within the text. A must for all jazz and popular music buffs. The book also contains a sizeable gallery of superb photographs (including one, which must be of great interest to all Ellington fans, a rare previously unpublished photograph of Adelaide and Ellington together, circa 1930.)

With a glittering International career that brought her into contact with such icons as Rudolph Valentino, George Gershwin, Maurice Chevalier and Al Capone, not to mention all her renowned fellow black musicians and colleagues from the Harlem Renaissance, one wonders why the name Adelaide Hall is still relatively unknown or charted in our history books.
Her talent was pure ... untarnished by the ravages of [chemicals] and alcohol. She claimed that she was born to sing and entertain, and with an astonishing career that spanned eight decades how prophetic were those words.
To say I thoroughly enjoyed reading this book would be an understatement. The book has been written in such an appealing way that at times I actually felt as if I were part of the story as a member of the audience, so realistic were some of the events and dramas that occur within its pages.
I wholly recommend this book and can truthfully say that it's the best biography I have read this year.
5 stars for the writer.

I can only applaud the writer for the depth of research he obviously engaged upon in order to put forward Adelaide Hall's story and subsequently, I think this book is an important one.
During the 20s and 30s Hall stood alongside giants in the entertainment world yet today, for some unfathomable reason, she is almost forgotten.
Whilst reading Underneath a Harlem Moon I had an uncanny feeling of discovering hidden treasure that has lain buried for centuries. Thankfully, the writerýs intent to inform rather than lecture makes for an engaging and rewarding read. I certainly had no knowledge of the fact that it was Adelaide Hall who helped create the whole genre of jazz singing and, remarkably, that Ella, Billie and all the other jazz divaýs that are nailed inside our history books, only followed in Hallýs steps.
Williams accounts vivid stories of the glory, persecution, pain and happiness Hall encountered in order to achieve her goals and in the process brings the subject's forceful personality, talent and human nature to light. Hall's focused ambition, drive and tenacity, along with the extraordinary eventful circumstances of her life will drive anyone's interest. Her painful contact with racism, the wrath of her impresario and mentor Lew Leslie, the continual envy she experienced from her colleagues and many of her so called friends, along with the tiresome neglect she endured from her philandering and money grabbing husband all led to an isolation Hall appears to have suffered from continuously throughout her life. Her only escape was to tread the boards, for it was here she felt at home and could bask in the real warmth, love and affection she received from her audience. The stage became her drug and, from the volume of work Hall performed, one feels it was an addiction she had no intention of ever giving up.
Energetic reading with thought provoking facts and the most fascinating account of the Harlem Renaissance that I have ever come across. Williams has done a great job of packing this book with valid information without making it overly wordy which makes for an easy read that fairly flies by.
I hope I'm correct in saying that Adelaide Hallýs prospects could very easy change with the publication of this book.

By documenting Adelaide Hall's early career, which ran parallel with one of the most fascinating and culturally rich era's in American black musical history, the writer not only paints a vivid and well written account of the real first lady of Jazz, he also cleverly portrays the whole spirit and ethos of the Harlem Renaissance and all the wonderful characters that helped create this movement. "Underneath a Harlem Moon" is one of the finest books that I have read about the 20s and 30s Jazz Age and one that I thoroughly recommend.

When we are asked of jazz vocal pioneers, the names Ethel, Billie, Ella, and Dinah roll off our tongues without contemplation. However, Iain Cameron Williams, in his book Underneath a Harlem Moon, introduced me to a diva who had been omitted from the history books. This diva is Adelaide Hall.

Born on "the rough side of Brooklyn" and raised in Harlem, Adelaide Hall became one of the most famous black Broadway and cabaret stars, rivaling the legacies of Florence Mills, Ethel Waters, and the like. Williams traces her journey from an ordinary gal from New York to a famed singer, dancer, and actress, the world over.

Williams, a friend of the late Hall, has definitely done his homework. I could tell that he had sat with Adelaide many a time while she related her stories to him in great detail. While I understand that Williams was trying to set a backdrop for Adelaide's story, I felt as though too much time was spent on the histories of her surroundings and her contemporaries, such as Al Capone, Josephine Baker, and even the Duke himself.

I feel like the proverbial wool has been lifted from my eyes about where female jazz vocalists really began. I took the time to research Adelaide further, and even got a chance to listen to some of her recordings. I can now see clearly, after having read Underneath a Harlem Moon, getting to know Adelaide, and hearing her crooning voice, the profound effect she had on divas past and present.

Reviewed by CandaceK
The RAWSISTAZ Reviewers

This is an excellent addition to the often underappreciated and underwritten field of show biz history. But I've found some curious oversights that should have been corrected. For instance, Al Shean, of Gallagher of Shean, was said to have reprised the team's signature song in only one movie, Atlantic City (1944). How could the far more prominent Judy Garland vehicle, Ziegfeld Girl (MGM, 1941) be overlooked, where Al Shean reprised the number with Charles Winninger standing in for Gallagher? Also, in the Eddie Cantor entry, it's said that Cantor's film debut was a 1913 experimental film for Edison. Is this being confused with the 1922 experimental sound film Cantor did for inventor Lee De Forest (which isn't mentioned)? No reference book is perfect, but I just had to point this out. Plus, with the current popularity of the Jazz Singer DVD with all the Vitaphone shorts, I'm surprised that a consummate vaudeville performer like Adele Rowland isn't listed. But that's minor quibbling; I'm just glad a set of volumes as this is available, and I wish there was another set planned to include more of the alleged 50,000 performers who made up the world of vaudeville!

This is from my review published in "In The Groove" Magazine - April 2007
Frank Cullen LOVES Vaudeville in all it's forms, whether it's the baggy pants comics of burlesque, the "specialty acts" like strongman or eccentric dancers who graced the stages of New York and around the circuits in the 1920s, or the singers who went on to make some of the most popular records of their day. This passion is obvious in the recent publication of the huge two-volume 1300-page compilation Vaudeville Old & New: An Encyclopedia of Variety Performers in America (Routledge). Now in his 70s, Cullen saw his first Laurel & Hardy film at the age of nine and was hooked. (Yes, Laurel and Hardy both appeared on the vaudeville stage early in their careers and Cullen devotes six pages to them.). He started reading and watching and listening in his high school years and had a brief acting career as well. In the mid-1980s he formed the American Vaudeville Museum in CT and began publishing the quarterly Vaudeville Times (which I mentioned here last year). Now relocated to New Mexico, Cullen has put his energies into this fascinating book. The peak years for "Vaudeville" were 1905-1925, with over 2,000 theaters around the US. As many as 50,000 performers were in the business during that period. Obviously, not all are in the book but a good mix of the known and the "lesser known" are here. Record collectors will recognize many of them. There are the recording Bakers (Belle, Josephine and Phil) as well as the Smiths (Mamie, Bessie and Kate). Other recording artists covered in much detail include, Eddie Cantor, Sissle & Blake and Moran & Mack. The performers are listed alphabetical from A (Abbott a& Costello) to Z (Zetts Weekly, a rival to Variety, published in 1921). There are sections devoted to each of the "circuits" and the impresarios as well. Photos of the performers and sheet music covers are on many pages. In fact, you'll find a lot of performers who you've only known from sheet music covers. The very handy Bibliography and a 30-page Index, make the book even more useful. Whether you start from the beginning and read it straight through, or use to look up an artist you found on a recording, you'll find this book a great resource. It's a tribute to the hard work and passion of the author. Highly recommended!

Steve Ramm "Anything Phonographic"

A monumental and definitive encyclopadia by an outstanding theater historian. This tome is everything you wanted to know about vaudeville and its performers. It is destined to become the bible for historians and researchers of early American popular theater.

Frank Cullen's knowledge and articulation of the facts of vaudeville, old and new, is a welcome and needed addition to a genre sadly overlooked by the public. Vaudeville was America's first national pasttime and laid the foundation for the world of entertainment in our contenporary culture.

Nicely laid out, easy to read, ample photographs and humor make the two-volume set a must for libraries, archives and theater buffs, or anyone who has an interest in American social history.

Frank Cullen, longtime publisher and head writer of the Vaudeville Times magazine, has finally published his 2 volume biographical encyclopedia of vaudeville. For those who don't know, vaudeville was the main form of live entertainment in America from 1880 to 1930 and it continued even as late at the 1960s. This book carefully catalogues who was who in vaudeville, tells the major reason they became famous or were important, and offers biographies and descriptions of everything connected with the subject.
Along with the work of Professor Anthony Slide, these tomes by Frank Cullen constitute the most important documentation of this major form of American popular culture. Vaudeville is rapidly being forgotten today as its participants die off and younger audiences cannot even recognize the term. Cullen's work honors the performers and offers invaluable insights into what the experience was like.
The book is well written and, like vaudeville itself, immensely entertaining, whether you are reading about familiar stars such as Al Jolson or the completely forgotten ones such as the great Eddie Leonard. There is nothing to complain about in this effort-- if you want to know all about vaudeville, this is the magnum opus. It is lavishly illustrated and has about it that aura of love and care that comes when a writer is totally engrossed in his subject matter and approaches it with honesty, integrity and admiration.
Of course I have to tell you that I am biased because I'm in the book. I once was in "the show business" in vaudeville and there are only a few of us still alive who made it into the Cullen opus. But those of us who are left can assure you, dear reader, that all those vaudevillians who are encapsulated within would be proud of this book. It costs a good bit but it's got everything you need to know about a subject that once was close to the hearts of so many Americans. What's really fun is watching old movies on Turner, admiring the work of stars such as Eddie Cantor, Ruth Etting, or Trixie Friganza, and then keeping these volumes by your bed to look up the bios! Of course at my age that passes for high adventure! So, thanks, Frank, and good night Mrs. Calabash, wherever you are. If you know the meaning of that last phrase you'll love this book. If you don't you should read it anyway.

All that you could ever want to know about vaudeville is contained in a monumental two-volume work, Vaudeville Old and New: an Encyclopedia of Variety Performers. It surpasses anything previously written about the American equivalent of British music hall and will stand as the major reference work on the subject for many years to come.

Given its scope, there are entries about entertainers whose names will mean nothing to the average British reader. But that is more than offset by the comprehensiveness the authors bring to all they touch. It is fascinating, for instance, to get an American take on British artistes who became big stars in the U.S., the likes of Vesta Victoria and Alice Lloyd. We learn more about such top-liners as Al Jolson and Danny Kaye and find the answers to all manner of questions. What was so special about Fanny Brice? What brought Sid Caesar's career to a halt? And who knew that the distinguished commentator, Walter Winchell, started out in vaudeville?

The books' essays about burlesque and music hall are as good as you'll likely to get and the fine writing evinces some deft and delicate touches: a description of Beatrice Lillie, for instance, is as "a treasured English tea-rose with thorns" is spot on. The "new" in the title is no false promise. The encyclopedia is bang up-to-date with entries on Britain's Chris Simmons, for example.

The extensive knowledge and deep love of vaudeville by the author, Frank Cullen [working with Florence Hackman and Donald McNeilly], shine through in each of these tomes' 1,300 magnificent pages.

Richard Anthony Baker

When I first saw Visions of Armageddon on sale at the bookstore, I often found myself looking at it more and more. So, finally, I bought it.

This has to be a great book on the 1998 blockbuster film. It contains information on all subjects from the film's genesis to final production. Hundreds of lavish photographs and drawing make it even better. It includes interviews with the cast and crew.

However, for people looking for a good book to read, ignore this. The information skips back and forth. One moment they are telling you about how the film began. Then they are telling you about how the special effects were made. Then they are telling about the genesis and so forth. But the lack of definite timeline does not at all hurt the story of the most overcritized film of all time. As Michael Bay said "There is nothing wrong with entertaining people."

If you love the movie, you might want to have it as one of your book collections. It shows the making of the movie & its illustrations. There are also some nice pictures of the cast for those fans who love Bruce, Ben & Liv. Don't miss it!!!

i love this book. it is printed on wonderful paper. it
will last & the fotos are GORGEOUSE! it explains a lot
the stuff behind the scenes & how it was done. more than
just a quickie movie-tie-in. it is worth having on it's
own!

One word on the movie: bad. Still even though the movie sucked, I found myself just peeking at the book while at bookstores. Needless to say I bought the book, and I enjoyed it ten times more then I did the movie. So if you have a choice between the book and the movie, buy the book. You won't regret it.

If you saw the movie, and loved it, go get Visions of Armageddon because it was so good and shows Dreamquest and Vfx how they did those spectacular Special FX. Great pictures from the movie. Jerry Bruckheimer and Michael Bay makes a great team for a fun, high-paced, action-packed movie for the summer! One of my favorite movies of the summer, IF YOU HAVEN'T SEEN ARMAGEDDON GO SEE IT AND YOU'LL BE FEELIN' LIKED YOU GOT OUT OF AN KICK ASS ROLLER COASTER RIDE!!!!