Television Books
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A sharp intelligence only possessed by a minority of film directors...Review Date: 2006-11-05
make me feel good? yes.Review Date: 2003-07-03
I own every edition of this bookReview Date: 2002-05-23
a great startReview Date: 2000-12-26
A Look Into a Great MindReview Date: 2000-05-02

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The CSI Companion Guide is for all CSI FansReview Date: 2004-09-13
Some case summaries include a couple pages of graphical information relating to the case and provide more details, such as investigator reports, evidence and chain of custody tags, evidence and DNA test results, investigative reports, etc. Some of the contents of these pages are difficult to read but give you an overall picture of the actual "case file".
Then on blue tinted pages, the producers, directors, writers and actors make comments on the episode. There is some great information on how some scenes were filmed for maximum effect. Actors also provide insight to their characters as they relate to that particular case and in general. This is really nice since for the most part there is not much character history on the show. It's also in these pages that we learn that some of the cases are based on real life cases by one of the writers.
It is also mentioned by writers and actors (William Petersen and Jorja Fox) that the sexual tension between the characters of Gil Grissom and Sara Sidle has been part of the plans from the beginning of the show. Also, details are provided of how certain scenes and dialog are planned out for specific episodes to highlight that tension.
There is also a character profile provided for each of the main characters of the show. This profile gives background information of each of the characters, including family history, education, work history and other pertinent personal information.
I give this book "two thumbs up".
Just What I Wanted!Review Date: 2007-12-28
I'll be back!
Brilliant addition to put alongside your CSI DVD collection ;-oReview Date: 2007-11-24
It's really a coffee table type of book in the fact that you look through it once or twice, keep it aside and flick through it again every now and then. It's interesting and fun to look at and I highly highly recommend it to any fan of the show like I am and you'll be so happy with your puchase for sure.
A Must-Have For All CSI FansReview Date: 2007-05-14
Besides listing the writer of each episode, the director, and all of the guest stars and parts they played, you get an overview of the case, the evidence and facts, and the conclusion.
One of the most interesting aspects of this book are the pictures and illustrations. Taken from the actual "case file", you can see up close and personal the evidence that the CSI's collected from the crime scene and used to find the perpetrator. Many of these items were never shown on the actual show, or if they were, it was done so quickly I must have missed it!
I really hope that they come out with another companion for the succeeding seasons, as this is one show I can't get enough of. You'll definitely be happy you purchased this book, and the only thing I can think of that would make it better is to also put out a CSI: MIAMI companion!!
Excellent throughout!Review Date: 2006-12-15

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must haveReview Date: 2007-12-26
A Long Time Family FavoriteReview Date: 2007-08-02
Daddy's FavoriteReview Date: 2007-04-02
BarbReview Date: 2007-03-08
Great book! Very entertaining!Review Date: 2006-02-05

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Fantastic gift for the Who Obsessed ChildReview Date: 2008-09-28
Superb guide for the new WhoReview Date: 2008-07-03
The introduction does make apolgies for not including references to the Christmas 2007 Titanic episode and Donna's return in the Season 4 opener Partners in Crime, but they have to draw the line somewhere I guess!
All the photos are full color and there's at least one on every page making this book a real delight even if you just flip through a few pages to find something visually interesting.
It's also packed with the kind of trivia only the devoted would know by heart.
Dr. Who Info that is great Review Date: 2008-03-18
Strangely ObsessiveReview Date: 2008-08-09
There's a lot of material here, but a surprising amount of it smacks of filler. For instance, every song that was ever heard for more than three pico-seconds in any episode is included here--along with separate entries for the band or singer. And in some cases, for the composer. So, we get to read a bit about Jeff Lynne--because he wrote an ELO song that was featured in one episode. That's...just a little oddly obsessive to me. Where do you draw the line? Why not comment on the brand of spark plugs used by a taxi the Doctor rode in?
Another minor annoyance is that the author seems to pay overwhelming attention to two animated episodes ("Attack of the Graske" and "The Infinite Quest") that are probably not canonical and that are not very likely to be known to American viewers. I mean--sometimes it seems that every third or fourth entry pertains to one of these. It's a bit frustrating.
The wealth of photos makes this a pretty good value, but overall this encyclopedia just seems a bit lightweight and has a lot of questionable entries. Try to get someone to buy it for you as a gift.
Great for fans.Review Date: 2008-04-09

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Poetry Always was the New Rock & RollReview Date: 2004-06-16
Dylan, whom he refers to as "The Changing Man" in Chapter Three, was the chameleon-like performer who picked up, and discarded new personas and new musical styles at the drop of his very famous hat. The obvious example here is the infamous "electric tour" where Dylan was heckled and called "Judas". This abuse was, the book shows, not only for his perceived betrayal of the acoustic folk movement, but also a reaction to the contempt with which Dylan treated his audience. Dylan had always been a confrontational performer, and his response to such attacks was to become louder and less acoustic than ever. What David Boucher also shows is that this signified a shift from the community centred ethic of the folk movement to the excessive individualism and nihilism of the Beat poets who through the drug culture wanted, like Rimbaud, to experience the extremes.
In other chapters the myriad influences on both performers are examined as well as their involvement with political and religious organisations. Finally David Boucher gives us an insight into the road travelled by both men in search of their own personal salvation.
Bob Dylan and Leonard Cohen are complex men and complex performers. To listen to, or to read the works of either man is always challenging. In this book the author has written an analysis that is equally challenging exploring, as it does, the anger and the angst of the 1960s and beyond. I enjoyed every minute of the challenge.
Take This WaltzReview Date: 2004-07-23
Throughout the book, Boucher weaves explorations of various aspects of the lives and cultural context of Dylan and Cohen that strongly affected them and their work. These include the civil rights movement, drugs, women, sexuality, God and religion, what it means to be reluctantly identified as the voice of a generation, and -- particularly for Cohen -- the holocaust. Boucher also explores the influence of other artists on their work, from Woody Guthrie for Dylan to Lorca for Cohen, as well as the influence that Dylan and Cohen had on each other.
Just as Dylan and Cohen make poetry an accessible part of popular culture, with equal skill Boucher makes philosophy of art and interpretation accessible as well. He points out that our experience of lyric poetry is informed by the questions we bring to it and he explains that the richest experience is to be had when the most appropriate questions are asked. Boucher uses the theories of several philosophers such as R. G. Collingwood, Henry Jones, and Michael Oakeshott, to identify which questions are most appropriately asked of particular works at particular moments in the artists' creative development. He also shows the fruitlessness of asking the wrong kind of questions of a particular poem, as is the tendency of many thinkers. He describes various forms of artistic expression: pseudo-art, or art as magic; art as the expression of emotion, or imaginative art; and inspirational art, or poetry which delights in images. He then demonstrates how, at various stages in Dylan's artistic development, his work takes all three forms of expression, whereas Cohen's work primarily takes the form of the last two. He then offers examples from their poetry to illustrate which form(s) of expression is/are being inhabited by a particular work and he supports his demonstrations with quotations about their work from the artists themselves.
Finally, Boucher helps to bring the period to life for his reader by including several pictures of book covers, concert and film posters, magazine covers and various photographs. The overall result of the book is that Boucher successfully positions his readers to have a richer experience and a deeper understanding and appreciation of the lyric poetry of Bob Dylan and Leonard Cohen.
Sad Eyed Lady of the LowlandsReview Date: 2004-06-16
How lovely does it get...?Review Date: 2004-06-11
It is clear from this eloquent book that neither Dylan nor Cohen wished to speak for anyone but themselves and equally clear that the strength of their work would be seized upon by a generation looking for a new direction. Thankfully they both continued to write through their tribulations and we have a bank of some of the most evocative music to continue to listen to.
I urge you to buy this book but with a word of warning: you won't want to stop reading once you've started.
Compulsively ReadableReview Date: 2004-07-10

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Power Players "Powerful Information"Review Date: 2006-06-23
In a class by itself!!Review Date: 2006-06-08
very insightful, serious, and top-notch entertainment manualReview Date: 2006-06-08
Great Resource!!Review Date: 2006-06-08
A must have for making your way in this industryReview Date: 2006-06-08
Since the first volume, I've purchased this one. My career is a little further ahead now, and still I find this to be an invaluable resource. What it does for me now is give me ideas that I would have never come to without having the book sitting in front of me. I can have one path in mind for getting something done, or for getting a project into the right hands, and as I'm looking for a phone number in this book, I'll run across another listing that makes me consider another option. I've even beat my manager to finding contacts and phone numbers at times when she was flipping through her rolodex. She was impressed.
If you're just starting out in the entertainment industry, and you've spent time online looking for agents and production companies, save yourself some time and purchase this book. If you are into your career, but still climbing, this book can only be of assistance in helping you make your way. And, if you are an industry bigwig ... well ... you or your company are probably already in the book :-)

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The most informative Book for Flash on TVReview Date: 2005-05-25
MacIntosh & plugins needed to get full use of this bookReview Date: 2005-01-02
But look elsewhere if you only have a Windows computer and want to use only Flash for video work.
You Get Your Money's WorthReview Date: 2003-12-23
FlashTV! highly recommends this book!Review Date: 2003-01-20
Nicholas Da Silva, ...
Essential Reference for theNext Wave of FlashReview Date: 2002-12-12
Janet Galore and Todd Kelsey lay it all out clearly and write in an easy to read style that doesn't skimp on details. The entire book is laden with terrific artwork and helpful screen grabs that support the text. Very undaunting for the visually inclined.
The sections on video exporting, and postproduction effects was particularly eye opening. this section alone cleared a lot uncertainty for me.
While this book won't make the reader a better Flash animator/designer, it most definately will make any level Animator or designer a more informed artist. It will open a lot of doors personaly and in the hands of a talented, creative person, change the ever evolving face of the Flash community indelibly.

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Wow!!! Review Date: 2006-01-02
Good BookReview Date: 2003-12-07
More Than A Great Read!Review Date: 2002-01-22
Brilliant!Review Date: 2002-01-21
Siobhan Darrow is a refreshing voice of truth in modern day autobiographies. I recommend this book to everyone! She will transport you all over the world in her global adventures, sharing her unique brand of humor and self-reflection. The book was so exciting, I read it in one evening and the next day began to read it again! As a young woman in the media, I am thankful to have such a great role model.
War and (inner) PeaceReview Date: 2002-01-17

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Outdated but good to look atReview Date: 2007-01-24
Terrific Lucy Memorabilia BookReview Date: 2002-06-21
Gorgeous to Look at!!!Review Date: 1999-07-29
wymans gemReview Date: 2000-04-24
Lucy Lovers Will Love This!Review Date: 2001-06-05

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Forever Spice ReviewReview Date: 2008-01-14
The real Spice of life.Review Date: 2001-01-22
BEST SPICE GIRLS BOOKReview Date: 2000-08-30
It's the bestReview Date: 2001-04-17
FOREVER SPICE BEST BOOKReview Date: 2000-08-20
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Essentially, when you hear the term auteur, the suggestion that typically applies is that the director in question--in this case, David Cronenberg--is a snotty type who doesn't budge not even the width of an atom for his particular creative vision. Everything on-set by definition must be done to the letter of the man himself, an inflexible character. Auteur, in this highly pejorative sense, is the closest thing to a Mussolini-type dictatorship which one could experience on the film set. Horrors.
But I'd certainly have to disagree.
David Cronenberg, according to many of the players who have worked under him (not toiled, collaborated!), especially in the case of Maria Belo and Viggo Mortensen, lately of A History of Violence, have nothing but rave reviews for the man. Even former porn-star Marilyn Chambers in The Brood had fantastic things to say about the Toronto-based director.
Few so-called auteurs seem to be as democratic as Cronenberg. He places a great emphasis upon his actors' appearance on screen, and much is discussed of how he generally will permit heaps of retakes for various scenes if a given actor feels as though they didn't pull off a scene correctly, or with particular aplomb.
He's one of the smartest directors in Hollywood. He's extremely well read (evidenced by his fluidity of speech during interviews--I've watched them), he's maginificently outspoken, and he knows his material so very well, especially when he writes the scripts himself. What's more is that he's adamant about shooting his films in his native Canada. In a North American industry where most Canadian would-be talent darts south of the border faster than Scotty's teleporter might, Cronenberg has stuck it out in places like the old movie studios at Kleinberg, Ontario and in the provincial captial, Toronto to establish a solid reputation north of the 45th parallel.
If you've never had the chance to hear Cronenberg speak on screen, you're really missing out. See if you can pick up the film called Spider...which starts Rafe Fiennes and Gabriel Byrne, which also contains an excellent segment on the director speaking about his various travails in attempting to land 11th-hour financing for that picture (which nearly capsized because they couldn't land the cash). I'm not raving for nothing--he doesn't miss a beat, this Cronenberg guy. He knows his stuff cold, and so do the people who entitle him to do what he does. They know they're in good hands, and Cronenberg always seems to deliver the goodies.
In terms of the book itself, I've fallen head over heels in love with this "directors speaking about themselves" series. After having first read Cassavetes on Cassavetes in New Zealand, Kieslowski on Kieslowski in the Czech Republic, and now Cronenberg on Cronenberg here in Prague (with Herzog on Herzog waiting anxiously in the wings), you're going to be hardpressed to find better biographical data on these giants of indie cinema other than what you'll read here. Martin Scorsese has even been profiled in this series...from what I've heard, it's one of the thickest of them all. Oh poor bank account...
This book rocks (!!!) because you're getting an uncensored take on the author's views. The book is Cronenberg at his vintage best, cussing, intimately describing various details (especially the final insert on his film CRASH, the "real" CRASH, not the Oscar-winning impostor!) of the sex scenes between his actors Holly Hunter, James Spader, and Elias Koteas, and some keen insider details from the period of cinematic history in Canada back in the old "tax shelter" days, when finance was freely available. When guys like David Cronenberg were only looking for scripts to fit the bill, because they were swimming in Canadian dollars. Those were the days, and Cronenberg pays due homage to the era -- it's what made him who he is today, and without the access to the money back in those days, his destiny might've turned out slightly differently. It's what he describes as his transition from "filmmaker" to "movie maker," a la Hollywood, bigger budgets, bigger stars, and box-office coups.
See if you can also catch a special "director's series" DVD from the American Film Insitute (AFI). It's called "The Directors: David Cronenberg," and he's one of (I believe) several directors profiled, with clips from their various films (I've watched most of 'em). Catch some early clips of Canadian actor Michael Ironside, who is still stupendous, IMHO, even in his later years. That infamous "head exploding scene" from Scanners, still to this day, is something else. It's buried somewhere on that DVD I'm talking about.
So I think I've said enough about completely irrelevant things. If you're looking to be entertained, see if you can pick up a copy. It's not heavy lifting, reading-wise, and it's packed with factoids, anecdotes, and details.
--ADM in Prague