Television Books

This is to help me understand Will and Grace a little more. I have not read it yet. I may update this when and if I can.

For anyone who likes Will and Grace--devoted fans and newcomers alike--this is an essential purchase. It explains the history behind the show, the characters and their relationships, and includes so many details and small bits that could easily be missed. The really discerning and witty author didn't miss anything. This is an enjoyable and entertaining book I'll go back to many times.

There is nothing left out of this book about the show, the characters and the stars. The book leaves no stone unturned!

I just finished reading Corinne Marshall's book "The Q Guide to Will & Grace". I loved it. After finishing it, I realized that it's not an easy book to write. It requires a myriad of fine insights and keen observations, and then the ability to weave these not only with the show and its stories, but also with the broader themes of the show as a whole. She gets into the background of the show, its creation, characters, actors, peppers the book with lots of interesting quotes, and just does a terrific job of writing a thoroughly interesting book that's smart and entertaining and warmly funny. Her understanding of why the show works and her ability to share this with the reader without getting tutorial makes the book wonderful and fun to read. It's amazing what she can do with just 200 pages of large type!

Ms. Marshall's genius is well displayed here.

Sometimes you don't want a show to end, so you get the DVDs and watch them in marathon sessions until you feel like a lardass in your little cave. That's why we need fun books like this to keep the stories going in a non "Sex and the City" on TBS sort of way. Corinne does a great job of bringing the show's greatest moments back to life, and it's a must-have for fans.

I originally bought this book at the Star Trek Experience in Las vegas, and I gave them as gifts to a lot of my friends and neighbors whose kids have never known a world where "Star Trek" did not exist and for those of us who have been around for all the Trek experiences this is a treasure of a book, Humor, wisdom and even gidance is written in these pages...open any page and somewhere on it will be something "that will make you think"...a grand experience on all levels

I love this book! It takes all of the best Trek lines, and cross-references them by speaker, episode and theme.
The only other thing I would like to see would be an updated volume, with the rest of the DS9 and Voyager episodes, the Enterprise series and the last two movies. Then this wonderful book would be complete.

This is the best possible book they could use with star trek quotes. It includes tons of different catagories of quotes, from all of the series and movies. It also has the For the Fans which has some of the first quotes that were used in Star Trek and other momentous occasions for us obsessive star trek fans :)
A must buy if you are even remotley addicted to star trek.....a great book for the trekkies :)

As many of the previous reviewers said this book has many quotes from the original series, to The Next Generation, to Deep Space Nine, to Voyager, and all the movies. It is a light book that you can pick up and put down or as another reviewer said read it lazily under a tree.
Also as other reviewers stated it has great cross-referencing in the back by speaker or theme. The quotes are all placed into different chapters by general subject but several of the quotes are repeated in several places since they may cover more than one area.
The book also lets you see how the overall Star trek series has evolved over time by the types of quotes that were used and in what specific series. It is interesting to see how some quotes are re-used with slightly different wording from series to series to hammer home a point about the essence of star trek.
(Note: This book does not include anything from the animated series or Star trek Phase II. That is fine since the bulk of Star Trek is included)

This book is a treasure. Something to be sampled in small doses, to stretch out the experience. Another reviewer was right -- the quotes live up to the blurb on the back. Jill Sherwin did a great job. This is an absolute must-have, or at least must-read. P.S. The pictures are pretty good, too.

Good Book, what can I say? I was and am a fan and enjoyed the book.

Jeffery Buckner Ford has written a wonderful story of his journey as the son of Tennessee Ernie Ford. This is a must read for all of us who experienced his father's great musical talent on the radio and television. Jeffery describes the interesting business details of his father's career as well as his family's personal triumphs and heartaches. Jeffery makes you feel as though you are right there experiencing his life with him. The author tells the story with a heartfelt range of emotions from humor to saddness.Thanks Jeffery for writing about your interesting life as the son of Tennessee Ernie Ford.I will be buying the book for Christmas presents this year. I highly recommend this book to all of you!

What a talent! Its a shame he didn't have time for himself, or his wife. A very honest review of the life of Ernie Ford. For me there were several surprises in this book. It has to be placed in the "Must Read" catagory.

Reviewed by Carol Hoyer for Reader Views (7/08)

Jeffrey Buckner Ford has written an amazing book on the inside of his family's life from the beginning of his dad's start to fame to the downfall of the family. While most of us think that the rich and famous have no problems, Buck Ford shows us that is not true.

Tennessee Ernie Ford started his career as a radio announcer in Knoxville, Tennessee. As Buck recalls, his father always said he didn't go looking for fame; he just fell into the business. In 1942 he married Betty Ford and had planned on a quiet, simple life. Into the marriage came Buck and Brion Ford, who thought their family was the greatest. Although the boys did not always seem to fit up to their dad's standards, they still loved him greatly.

During the course of the marriage, Betty Ford became very friendly with the bottle; this gave her the courage to say the things she felt she should say without any apologies. Over the years her drinking would increase, she would abuse prescription pills and verbally lash out at anyone who stood in her way. Her behavior was never addressed in private or public. The relationship with her husband turned sour. After many suicide attempts and embarrassing behavior in public, it took its final toll.

Tennessee Ernie Ford was a kind gentleman; he had a style of his own and everyone wanted a piece of the action. Little did he know that his advisors were steering him in the wrong direction. After several failed businesses and selling his property, it finally got the best of him. After his wife died, he married Beverly Wood Smith, three months and ten days after burying Betty Ford. She was not what she portrayed to be. She immediately took over all Ernie Ford's business projects and left his sons without any knowledge of what she was doing. When Tennessee Ernie Ford died, she didn't even let them know where he would be buried.

"River of No Return" by Jeffrey Buckner Ford is a very interesting story if you like to know the personal background of the Ford family. It covers the ups and down's of a stars life. I personally thought it was well-written, easy-to-read and a page-turner. However, I would like to remember Tennessee Ernie Ford as the icon he was.

Ernest Jennings Ford was at heart a family man devoutly devoted to his wife and two sons. At the very peak of his Hollywood success, the man who will forever be known as "Tennessee Ernie" Ford, the radio character he created for himself, decided to walk away from all the glamour because of his concern for what the Hollywood lifestyle was doing to his family. The great irony of his life is that Ernie Ford would die in October 1991 under the care of a second wife who was determined to deny his two sons any part of his legacy, financial or otherwise, a woman who even tried to deny them access to their father's funeral.

In River of No Return, Jeffrey Buckner Ford, eldest of the Ford sons, mixes his fond memories of growing up next door to Bob Hope and of the several successful television series that his father hosted with sad recollections of how alcohol and pills ended up destroying both his parents. He speaks frankly of the addictions and dissatisfaction with her life that resulted in his mother's suicide after several earlier attempts had failed, and he speaks just as honestly of how his father failed to do the things that might have saved her life. Perhaps saddest of all is his disclosure of how Ernie Ford's decision to protect his sons by moving them from Hollywood was doomed to failure because of what the boys witnessed in their own home, wherever it might be located.

Betty Jean Heminger met Ernie Ford when he was stationed at Victorville Army Air Base in California, where she worked as a secretary; she was only nineteen years old when they married. Betty Jean, an avid reader and an accomplished artist, was at first content to be labeled simply an entertainer's wife but, as the years went by, she seemed to grow frustrated with her role, turning to alcohol and drugs to get through her day. Ernie and her sons sensed when she was losing control, but though they did their best to protect her from herself, they were not always successful. As the couple grew farther and farther apart, Ernie turned more often to alcohol to ease his own pain, a decision that would eventually lead to liver disease, severe memory loss, and ultimately his death.

But River of No Return is not just about the bad times. Jeffrey Buckner Ford celebrates the good times as well, and his pride in and love for both his parents are evident. He remembers the times when being around his parents was sheer joy, days spent on the set of his father's television shows, his brief encounter with Bob Hope when he crawled through the hedges dividing their property in order to sneak a picture of Mrs. Hope, whom the neighborhood boys insisted swam in the nude in her backyard, and days spent basking in "celebrity" as only the child of famous parents can.

Ernie Ford was a spectacularly successful entertainer, a man with the voice and talent to sing any style of music but who, almost by default due to his "Tennessee Ernie" image, became best known as a country music singer. At the peak of his career, he was world-famous and played to particularly large audiences in England. As so often happens to a singer, today he is probably best-known for a single recording, "Sixteen Tons," which in 1955 became the fastest selling single in the history of the record business. Ernie Ford received numerous honors during his career, but four of them particularly stand out because they reward his decades as an entertainer: the Presidential Medal of Freedom in 1984, induction into the Country Music Hall of Fame in 1990 and the Gospel Music Hall of Fame in 1994, and three stars on the famous Hollywood Walk of Fame (one each for television, recordings and radio).

Jeffrey Buckner Ford presents the contrast between Ernie Ford's public success and the frustrating failures he experienced in private in what is often a conversationally ironic tone, an approach that makes the sadness of Ernie's life especially vivid. Longtime fans of Ernie Ford are certain to find River of No Return a gratifying experience despite its sad revelations about his personal life. Those not as familiar with Ford as a performer will likely read the book more as the cautionary tale it is but might, at the same time, find themselves compelled to investigate his musical history. They will be better off for having discovered why Ernie Ford is still considered to be an American music legend.

Wow...talk about your trip down memory lane.
Even if you don't own a Corvette you can reminisce about your favorite TV Series, Route 66 with Jimmy Rosin's new book. Tod and Buz didn't need cash to have a great experience and neither do you when you read this well organized, artfully crafted book. A treasure trove of information for Route 66 fans all over the world. TV at its best and reading at its bestest!

I just recently drove on Route 66, through New Mexico and Arizona. When I got home I reread ROUTE 66: THE TELEVISION SERIES 1960-1964. I enjoyed the book even more the second time! It is a fun look back for me and the other "baby boomer" fans at the television series ROUTE 66. The show featured excellent writing, acting and it was filmed against the backdrop of America. It was a show about the varied people of our country and that is what made the series so unique. Buz Murdock (George Maharis) and Tod Stiles (Martin Milner) were handsome, appealing characters who were concerned and caring men. The Corvette represented a "sense of independence and a spirit of adventure."

Jim Rosin's book contains many interviews with the two stars - Maharis and Milner, guest stars Anne Francis, Nehemiah Pursoff and Nancy Malone, Media Historian Mark Alvey, Production Executive Sam Manners, and Directors Arthus Hiller, James Sheldon and Alvin Ganzer. Their comments are smoothly mixed with text information. I especially enjoyed the photographs and behind-the-scene snapshots.

Rosin certainly did his homework by including a Biography section of all the actors, writers, directors, and production staff highlighted in the text. Some of the other books I have seen on vintage television series may have been a bit more in-depth, but I like the simplicity of this book. Enjoy the ride with Tod and Buz!

I enjoyed reading Route 66: The Television Series 1960-64 by James Rosin and found it to be a nice companion book to the recent DVD release.

It is full of interesting commentary from series stars Milner and Maharis plus others, which include directors, producers and several guest stars. It also contains lots of promotion and still photos that reproduce nicely, and a good bio section at the back that includes all the people associated with the show that contributed to the book. The plot summaries for all 116 episodes are one page, and fairly concise and to the point. It looks like some were written by Rosin and some were drawn from studio press releases when he might not have been unable to see the individual show. I noticed that in some of those, there were minor plot details that differed from the completed show I watched. Maybe they were revised during filming or left on the cutting room floor, but in no way did they detract from his overall summation and my understanding of the storyline (and again they seemed minor). While there may be some who would prefer more analysis and review of each episode, I actually prefer to read the story outlines and decide which ones I would like to watch and get into. This book allows the reader to do that. It's an easy read and a nice little book for your coffee table.

Thoroughly enjoyed this trip down Memory Lane. For Route 66 fans or anyone who enjoys those breakthrough TV series of the 60's, this book is a Must-Have. Comprehensive with summaries for every episode, commentary from stars and many (surprising) guest stars, and many others behind the scenes. Lots of pics! Enjoy the memories!

It is indeed high past time that "Route 66", possibly the finest drama ever produced for the medium of television, had a book devoted to it just as many other classic television series have had. However, while author James Rosin has finally filled that long-empty niche, his effort somewhat falls short of what one might have hoped for.
While Rosin does give us an excellent introductury essay, full of useful background information and utilizing a plethora of quotes from a variety of sources, this term-paper length chapter (along with a very nice photo section) pretty much consists of the sum and parcel of the entire book. There is an epsiode guide with detailed plot summaries for all 116 episodes, but Rosin appears to have copied this verbatim from Columbia/Screen Gems promitional material. Since those original materials were based on shooting scripts and story outlines and not on the actual on-screen results, many contain inaccurate plot details and plot elements unpresent in the actual episode. Rosin acknowledges this when he gives notice ""A conscientious effort was made to ensure that each episode summary was as accurate as possible. However, in some instances, minor plot details and descriptions may have been revised that I was unaware of." Huh? Has Rosin seen all the episodes or not? One would expect an author writing an in-depth study of a television series to do the following: (1) Attentively watch each individual episode of that series, (2) Write their own episode summaries for the book and not just copy them from pre-extant sources, and (3) provide their own observations and critical commentaries on each individual episode. This is what good televsion scholars such as Marc Scott Zicree, Ed Robertson and John Kenneth Muir do with their respective highly-polished and thorough books on various television series. Rosin's book comes out looking very deficient when compared with one of those three authors.
I don't wish to be to terribly negative as I am excited that there is ANY book out there devoted exclusively to this marvelous and unjustly-neglected program. However, I felt it incumbent upon me to point out the relative lack of substance it contains. I've read an as yet unpublished manuscript of a book on the series by another author, and that one does a much better job of analyzing each individual epsiode and the cultural impact of the series as a whole. This particular Route 66 fan can't help but wish that that one had been the manuscript issued between the professionally printed covers instead.

Most for-sale screenplays are just that -- screenplays. Emma Thompson, who wrote the screenplay for the delightful Jane Austen film "Sense and Sensibility," chose to include journal entries throughout the filming of the movie as well, in addition to the winning entry of a contest to see who could write the best letter from Fanny to Elinor.

There is wit in the descriptions and the photos, all well-captured. The journal entries are entertaining and a good look into the making of a movie. Although be forewarned -- because they dress like the characters of S&S, they do not talk like them. There is definitely some verbal crudeness in the book, men and women alike, but if you can overlook that (or are used to it) then this book will be a delightful read for any Jane Austen fan.

There are three separate parts to this fine volume; introduction, script and diaries. The producer of the film, Lindsay Doran, opens the door for us with her wonderful introduction. At age 13, she was determined that not only was "Jane Austen a very stupid writer," but also she would "never, never read one of her stupid books again."

Fortunately for the rest of the world, Ms. Doran changed her mind, and some twenty-five years after that first erroneous conclusion, has brought us this wonderfully witty, and extremely faithful film version of this first novel by Austen. As producer of the Kenneth Branagh/Emma Thompson film, DEAD AGAIN, she became acquainted with the woman who was not only a phenomenal actress, but also a gifted writer-one with a sense of humor and a strong romantic bent. These two qualities had proven to be the stumbling block over nearly ten years of searching for the right scriptwriter for Sense and Sensibility.

It took nearly seven years to come up with something close to a shooting script, sandwiched as it had to be between Thompson's many award-winning acting chores. Serendipity was obviously at work, however, and eventually, a budget was established, and casting accomplished.

Many of the actors Emma had envisioned in various roles had participated in a read-through the year prior to the filming; they were all in the film, in those same roles.

While the Dashwood ladies are all suitable beautiful, it is the men who are truly gorgeous. ("Repellently so," writes Ms. Thompson in the diary portion, referring to Hugh Grant. "He's much prettier than I am.") With his look-alike Richard Lumsden, they are the brothers Ferrar, Edward and Richard, with Greg Wise as the fickle Willoughby. Alan Rickman (be still my heart!) brings maturity and virility to the role of Colonel Brandon. The sets and costumes are sumptuous.

Interspersed with the actual shooting script and the diaries are some 50 photographs, 36 of them in luscious color. One script looks pretty much like another, but this one allows Ms. Thompson's wry wit to shine, especially in some of the non-spoken words. Of course, not every scene from the book could be included; the movie would have been more than six hours had they been. But the essentials are here, along with all the major characters. Providing testimony to just how perspicacious was the choice of writer is the number of awards garnered by Thompson for this, her first film script.

The diaries portion begin with a production meeting on January 15, 1995 and continue through July 9 of that year. A very small mention is made of Hugh Grant's visit to California, where he'd gone for his next film project after the completion of filming his scenes in England. A final two pages describes the 'location' houses chosen to represent those lived in by the families in the novel.

It may come as somewhat of a surprise to some readers to discover rather explicit language in the diaries. In addition to an apparent fascination with the alimentary process, our Emma has a bit of a potty-mouth, as do some of the gentleman involved, and their words are recorded, one presumes unhappily, all too accurately. They seem curiously jarring and out of place in a book otherwise devoted to the pristine words of Jane Austen.

Nevertheless, this is a lovely, hefty book; one which will bring the reader back to it time and again. There is always a new and enjoyable nugget to be mined from its various depths.

If you read Jane Austen's "Sense and Sensibility" before or after seeing the 1996 film version then I think it is pretty easy to conclude that Emma Thompson's Oscar for Best Screenplay adaptation was richly deserved. After writing and performing a series of short skits for British television, Thompson was approached by producer Lindsay Doran to write the screenplay. Thompson began by dramatizing every scene in the novel, which resulted in 300 hand written pages to be followed by 14 drafts as the 1811 novel was crafted into the final script. The result was a script that manages to be not only romantic and funny, but also romantic and funny in the best Austen sense of both words.

Be aware that this is the Original Script, not to be confused with the Shooting Script. This should be clear as soon as you beginning reading, because originally Thompson had the scene shifting back and forth between Mrs. Dashwood and Elinor/John and Fanny Dashwood (credit for this revision must go, I believe, to Film Editor Tim Squyres, who recut the scene so that we get all of one side and then the other instead of alternating back and forth as in the original script). Overall the strengths of Thompson's script are in two main directions. First, she manages to convey the scope of the novel in a two-hour screenplay, no mean task. Second, the little details she adds to Austen's story are simply marvelous. For example, her use of Shakespeare's Sonnet 116 ("Let me not the marriage of true minds"), which Marianne and Willoughby share to their great mutual delight and which Marianne repeats standing in the rain looking at Willoughby's new estate. In fact, Thompson revised the first scene to make it even better, having Willoughby misquote a key word in an elegant bit of foreshadowing. Thompson also makes one nice little change at the end. While Austen has Elinor bolt from the room to cry outside during the happy ending. Thompson creates a wonderful moment by having her stay in the room and having the rest of her family flee. There are not too many scenes where you are crying and laughing at the same time, but Thompson certainly created one (and has the added virtue of relying on herself as an actress to nail the performance as well). All of these are marvelous examples of playing to the strength of the cinema to bring Austen's novel to the screen.

But we get much more than just the screenplay in this volume, because Thompson includes excerpts from her diaries kept during both the writing of the screenplay and the actual production of the film. It would be nice if there was more insight into what she was thinking when writing the screenplay as I am always interested in how decisions were made and where inspiration comes from, but Thompson makes up for that with her little tales of working with director Ang Lee and the rest of the cast in making the film. Finally, in the Appendices, there is a very choice little treat, namely Imogen Stubbs' Prize-Winning Letter, written to Elinor from Lucy. Do not worry; by the time you read it you will understand why it is so hysterical. There is also a list of the fine homes and estates where "Sense and Sensibility" was filmed if you happen to be roaming around England and are interested in looking for such things.

I truly enjoyed this work by Emma Thompson. Not only is the screenplay included, with pictures, but also there are diary entries by Thompson that give insights into the making of the movie. If you loved this movie, you should read this book. I really enjoyed it.

The screenplay itself is a must-read for anyone wanting an education in bringing a well-loved story to life. Emma Thompson does an ingenius job of crafting scenes that are faithful to Austen's original while inventing more that add character development and plot intrigue. I especially like her diary, though. For those who wonder what to include in a memoir of an experience, this journal is a rich model of self-disclosure and humor. I heartily recommend it!

I have been a cinema fan quite while, silent films more recently as I research. Finally, I see a book on the market where the author actually sought out former stars and interviewed them!
We get a sense of their personalities and the whole era through this book;
I recently bought SILENT PLAYERS, thinking it a similiar book but many of the subjects were dead before the author wrote it and those who are quoted have little or nothing to say. The chapters are one page at most.
I hope for more good reading. It is sad now but I imagine all the silent players are gone. Are there any still alive? If so, who are they and have they been interviewed?
Another good read is the new bio of Valentino. He must have been quite the loverboy!

I ENJOYED THIS BOOK VERY MUCH AND THE AUTHOR FOUND SOME NEAT SILENT FILM PERSONALITIES TO TALK WITH. GOOD INSIGHT INTO WHAT THOSE EARLY YEARS WERE LIKE BUT FOR WHAT I PAID FOR IT I FEEL THE BOOK SHOULD AT LEAST BE RELEASED IN HARDCOVER. STILL, IT WAS ENJOYABLE.

Mr. Villecco interviews 12 former silent film players and a director Andrew Stone. We learn about the early scandals and first Academy Awards and early working conditions. It is fascinating. These pioneers really worked, often under undesirable conditions. As far as sex, drugs and rock and roll, the 1920's were no different. Read the chapters on Baby Peggy, Anita Page and Pauline Curley! It's also amazing that Villecco was able to even locate living silent stars. Are there any left?
I rate this book 5 stars-the photos and filmogs are also wonderful.

"Silent Stars Speak" is a superb book! This is a treasure chest of information about Hollywood's roots. Tony Villeco's interviews with the 12 stars are facinating. He's done a marvelous job, giving us a glimpse into the past. Since many of these stars have now passed on, he's captured wonderful memories and a bit of history as well. It was a joy to read, as well as informative and insightful. The book is full of beautiful, vintage pictures that truly take the reader back to the magical era of silent films. Tony Villeco has created a work of art, in this wonderful book. One can only hope to read more from him future! Bravo!

Tony Villecco writes articles on silent and sound films for CLASSIC IMAGES magazine and he has assembled twelve of his articles for this book. Subjects range from clild actors Baby Peggy Montgomery and Jean Darling to major stars like Douglas Fairbanks, Jr. and even a director, Andrew Stone. The book has very detailed filmographies of each person profiled, except for director Stone. This book is a fast read, and it would be a great introduction to someone who is new to silent films. Many of the people profiled in the book had long careers in sound films also. The best parts of the book are when he interviews some little know people like director Stone, actress Pauline Curley, and actress Priscilla Bonner and they actually talk about their careers and filmmaking. Sometimes the subjects just give us a list of the many people that they worked with and don't give us much detail about their experiences. In fairness to the author, his subjects were all very old at the time and may not have been able to remember that many details. If you are really interested in interviews with silent film stars, Kevin Brownlow's THE PARADE'S GONE BY and William Drew's AT THE CENTER OF THE FRAME are much better. Baby Peggy's story is told much better in hour autobiography, HOLLYWOOD' CHILDREN.

A very nice throughly researched book on the early days of live televised science fiction. Throughout the book the author compares Space Patrol with Star Trek although the series has much more in comon with Irwin Allen's Lost In Space tv series of the mid 1960s since Star Trek served little more than a political platform for Gene Roddenberry's extreme radical liberal views.

This is a very nice book for those of us who grew up watching Space Patrol. Well written - information on the show, its production, the cast as well as the products that you could get by sending in 'box tops', etc.

Wonderful photos of the cast, as well as models of the sets/rockets and props. A chronological listing of the TV shows as well as the Radio ones. Very nice addition to a collection of information on Science Fiction on the airwaves.

Bassior's book is an intimate slice of history. On the surface, it may seem trivial to examine the story of a hit TV show from half a century ago, but in her two decades of unrelenting research, the result of Jean-Noel Bassior's dilligence (while maintaining her career as a top-level journalist) is a book that set out to document an ephemeral pop culture phenomenon, and became a supremely positive inspiration to a generation who went on to live lives by a sincere code of ethics, and some of whom made Neil Armstrong's "small step" possible. Inside the story, the star of the show, Commander Corry turns out to be actor Ed Kemmer, a bona fide World War Two hero.

In short, this book is a unique, intimate look at a pop culture phenomenon, and the remarkable people who made it happen.

At first I thought that the price of the book was excessive, however, upon deciding to spend the money I feel it was well spent. If you, like me, grew up with early television this book will take you back to a time when the world was simplier and TV was a miracle.

The author of "Space Patrol: Missions of Daring in the Name of Early Television" has taken a long and loving look at one of the best Sci Fi programs of the 1950's. The information gathered is informative, refresing, and above all (to my knowledge) never before put in print. The interviews with former cast members is a delight, and the behind the scenes look gives you and idea of how the then infact television industry operated.

I recommend spending the $49.00 and take a trip back in time and re-live your youth with Buzz Corey, Cadet Happy, Carol Carlyle, Major Robinson, and Tonga... its worth it.

Some might think it's a waste of time to read a book about a television show that one never saw. But, although I never saw an episode of "Space Patrol" (it had gone off the air before I was five years old), this is one of the best books I've read in years. A 20-year labor-of-love, it clearly reflects the author's interest and dedication to the subject. She managed to interview virtually all of the surviving cast and production crew members, and their anecdotes bring the story of this live-action television series from the early 1950s to life. It's packed with details about the characters, the performers, the production challenges, the sets, the special effects and the marketing of spin-off toys. Even better, it examines the positive effects that "Space Patrol" had on children of the time, some of whom, inspired by the show, grew up to be NASA engineers, "rocket scientists" and astronauts. Back in the days of clear-cut moral values and before political correctness reared its ugly head, the "Space Patrol" crew served as excellent role models for the first of the baby-boomers. Reading this book will transport anyone who grew up in that era back to a simpler time when the world was a more pleasant place to live and when there were well-defined good guys and bad guys. It's a great read about a fascinating subject--highly recommended.

If you are serious about becoming a screenwriter, this book will be a valuable addition to your professional library. Lucy goes into depth on subjects other authors ignore or treat lightly. Usually if you can learn one or two things from a screenwriting book, it's worth reading. This book clarifies subjects other authors fail to explain. Lucy not only explains all the loose ends, but ties them together. There are a lot of good books on screenwriting, and this is one of them. Cynthia Whitcomb has a couple of books on screenwriting that you might also want to read.

This book should be a mandatory read for writers of all types and all levels. Story Sense offers the tools to develop an entertaining, clever plot with emotionally and psychologically dimensional characters. It takes you step by step through idea, plot, and character formulation, as well as explains how to develop structure, dramatization, and everything else you need to write the perfect screenplay or fictional story. You will find yourself highlighting passages and constantly refering back to this "bible" throughout your writing journey. Keep this book close by, it has all the answers you need as a writer.

This should be required reading for any type of writer--novelist, screenwriter, playwright. The sections on plot and character development are worth double what this book costs.

Too many "how-to" books on writing perpetrate the image of a writer as a conduit for mysterious creative forces. While I'm not entirely discounting that image, there needs to be a balance between writing as an art and writing as a craft. This book falls firmly in the craft column. It demands you cast aside any artistic pretensions and get down to the plumbing of creating a story. And it doesn't stop with the obligatory pep talk--Lucey shows you how it's done. And he shows it better than any other writing how-to out there.

If I could give this ten stars I would. Highly recommended.

When ordering several books on screenwriting this book caught my eye because of the high ratings afforded it by others. After reading it I fully concur with what others had to say. I went out and purchased DVDs of the four main example films (The Verdict, Terminator, Sleepless in Seattle, and Witness) that Mr. Lucey focuses on and they allowed me to pick up the fine points described in the text. His vast experience in script writing shows through in each of the topics discussed. I cannot recommend this book highly enough. For a detail-oriented individual such as myself, this book met all my expectations. If you are interested in this topic, this book is a "must have" by all means.

I have read many screenwriting books and this is the most complete. It takes you by the hand through each step of the process. I would recommend it to anyone interested in screenwriting. The book even states that if you follow the steps in the 12 chapters it should take you 120 hours and would be equivelent to a college course. No need for any other training. This book is it!

Alex McNeill's "Total Television" is one of those reference works which is useful both for settling trivia arguments at parties and for helping those engaged in serious scholarly study of television programs and their impact upon popular culture. As of this review, "Total Television" is in its fourth edition.

The book is basically an alphabetical encyclopedia of thousands of television programs in every possible genre: dramas, sitcoms, game shows, cartoons, and more. Each entry lists the series' air dates, principal performers, and other relevant data.

In addition to the main body of encyclopedic entries, the book includes a wealth of supplemental features: lists of Emmy winners, a chronological gathering of one-shot specials, and more. Particularly interesting are the programming grids, which show the nightly lineups on each network for each night of the week. You can turn to a season (say, 1951-52) and see what choices the American TV viewer had each night! This feature is great for historians.

Although most of the entries on each series are brief, McNeill spends more time and space on certain series of outstanding impact. These extended articles on "All in the Family," "CBS Evening News," "Dallas," "The Ed Sullivan Show," and more are truly fascinating.

TV has been derided by many with such epithets as "the Boob Tube" and "The Idiot Box." On the other hand, it was praised in an episode of "The Simpsons" as "teacher, mother. . . secret lover." McNeill captures TV in all of its facets: from the depths of inanity to the heights of cultural significance. This book is a great achievement whose reputation, I believe, will increase with future editions.

This reference is superb in it's completeness. Anything you want to know about any program broadcast from 1948-1996 is in this 1251 page book. The 88 page index of names of performers appearing during those years is unbelievable. It includes specials, miniseries and the top 20 rated shows for each of those years. I use this reference at least 2 to 3 times a week.

Where this book is not as easy to use as Brooks and Marsh's "Complete Directory to Prime Time Network and Cable TV Shows"(see my review for this one), it offers more-as far as the addition of daytime shows and more explanation of the entries. I like the other guide mainly because it's a good quick reference for prime time. However, if I'm really interested in detail or, again, a daytime program-like some Saturday morning cartoon of my childhood-then this is the one to get. I have both books, actually-for reasons specified here.

First, we might note that "... To the Present," in the book's title, means through late 1995. So nothing in the last ten years is included. For years, I have enjoyed "The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present" by Brooks and Marsh. I prefer the format of the Brooks and Marsh book to that of the NcNeil book--e.g., the cast is in list form, which makes for easier and quicker reading; the showing time is also included. The chief advantage of the McNeil book is that it includes daytime TV, which the Brooks and Marsh book does not.

Alex McNeil's "Total Television" is the Mother of all TV reference volumes. If you can't find it here, it ain't worth knowin' about. How he was able to compile all this information covering 50+ years of TV is beyond me. Crack open this book at any page and you will be reading for hours, probably days.

The thing that struck me most about Chip Jacobs' fascinating biography of his "Hollywood Player" uncle was just how un-Hollywood it felt. Certainly there is the human interest aspect, involving the tragic, early childhood injury that left Gordon Zahler bound to a wheelchair for life. Yet Mr. Jacobs wisely avoids going overly maudlin upon his audience, choosing instead to offer up the portrait of a man, so driven by the desire to succeed, that a mere physical disability could not stand in his way. Throughout the course of reading this book, I never saw Gordon Zahler as an object of pity; there were in fact times when I found him an entirely unsympathetic character. But he always came across as a human being, with all the debilitating flaws, and ennobling traits that characterize our species. And that to me is what makes a great biography. I look forward to Mr. Jacobs' next work.

I loved this book! Wheeler-dealer reminds me of the classic American story. It is a story about an "underdog" fighting to overcome his own personal challenges and limitations to find success. What would you do if you woke up paralyzed? How could you support a family, marry and ultimately enjoy life when you had no use of any of your limbs? Gordon's story shows us how powerful our minds are and reminds us that nothing is beyond our reach. Wheeler-dealer is much more than a story about Hollywood, or about quadriplegia, it is a personal story, one that the author tells with raw honestly of his own journey to find himself and how these family members, especially those past relatives long since buried, effect his life. Anyone that has ever undergone a personal or family tradegy will relate to the circumstances that this family finds themselves in, but as a reader, you will want to cheer as they find succes through ingenuity, perserverence and hard work. The human quality in this book makes you want to keep turning the pages. This book provides amazing insight into the power of dreams and sheer willpower. Try it, you be glad you did!

There is something so gripping in Chip Jacobs' biography of his uncle, Gordon Zahler. The author never caricatures his relative, but enfleshes him with boundless objectivity, even when recording his personal distaste in his responses to his mother's brother. I find the ability to do that a rare gift in writing. And the prose, the turn of a phrase and the point in a paragraph, hold the reader's interest like glue. Perhaps that is because Jacobs brings to this work years of newspaper writing, where words cannot be wasted, but packed with punch. Personally I was touched because Chip describes the Southern California and Hollywood of my coming-of-age and young womanhood, and it was, oh, so accurately portayed. Bravo!

It is unusual to find an unlikely protagonist such as Gordon Zahler, Chip Jacobs didn't have far to dig for this character, Uncle Gordon was always a topic of conversation at family gatherings. Now Chip introduces Gordon to the rest of us. He was a complex and inspiring character. Go Chip!

I thoroughly enjoyed this page-turning book! The story is one that you will never forget. The author, Chip Jacobs, will touch the soul of everyone who reads this book. I can't recommend it enough. I have told all my friends and family that this is a must-read for everyone!