Television Books

Through Michael McClay, we can have a wonder picture of one of the best shows on TV. Through MANY pictures (a lot in color) and words, we can learn how these four greatly made this show: I Love Lucy. The book takes you through all of their lives before, during and after the show. Three parts are in this facinating book; one is about the show. And the other two are thirty-five of the classic episodes (some of which were chosen by Lucille Ball herself!!); and the last section is ALL 179 episodes in order that they went on air.

The book is definitly five stars and you cannot read this book once. It is great to just look at and you can learn so much about Luciile Ball, Desi Arnaz and Vivian Vance and William Frawley. So get yourself this I Love Lucy treasure TODAY!!!!

Who doesn't LOVE Lucy? This book is THE definitive guide for all us die-hard, lifelong, Lucy fans. It is chock full of facts, anecdotes, black and white and colour photos, etc. By far, the most comprehensive book on the series I have ever read. Introduced by daughter, Lucie Arnaz, we are taken down memory lane and even allowed BACKSTAGE where we get glimpses of the REAL life Lucille Ball and Desi Arnaz. Strictly for the fans, who will understand and appreciate the attention to detail here.

Very Good Book... Great Collectors Item.

This beautiful book introduced me to the world of "I Love Lucy" literature, and I must say I got off on the right foot! The photographs are beautiful, and the text is surprisingly thorough for a "picture history". This would make an enjoyable addition to anyone's Lucy collection (it's also a great place to start!).

AMAZING!! This is one of the best books written about "I Love Lucy." Michael McClay certainly knew what he was doing when he gave us this great book on the best show in picture history. Through many pictures (many in color) and words, McClay is able to tell you ALL about "I Love Lucy" and the great people that made it so great. He tells not only about the people at the time of the show, but gives, not much but accurate, information about the four wonderful people that made the show so successful before and after the shows were made. He gives you thirty-five classic episodes that are the hits in the "I Love Lucy" shows. And also a TV-ography of the 179 "I Love Lucy" shows in the order that they went on the air. And the "I Love Lucy" Theme Song music given at the beginning of the three parts that are in this book has been played many times on my piano.

This is truely the best book there is on the show "I Love Lucy" (but no "I Love Lucy" book can beat Lucille Ball's book "Love, Lucy;" it covers her whole life as well as the "I Love Lucy" shows.Get that one too because both are both greatly recommended). Some books don't give very much or very accurate information on this show. But this one gives you all of the information, accurately, about the show.

I greatly encoutrage you top get this book especially if you are a Lucy fan (and if you are not, reading this book will give you a great start). You will NOT be disappionted. You will have too much trouble putting it down that when you finish it, you will want to read it again--you will never get tired of it. Get yours TODAY and you WILL enjoy!

This book is really great. It has all kinds of information about Jim Henson and how he got started in puppeteering. If you are a fan of Jim and his work you will love this book.

Wow!!
This is a book for everyone and anyone that loves the muppets and its good for all ages, coffee table or for propsmakers.
Top choice as a present for muppets lovers

Fabulous. So many other reviewers have expressed the feelings this book gives you so much more eloquently, so I will leave mine with just that one word. Fabulous.

This book is fabulous. I ordered it from America to come to England as the current exchange rate made it cheaper to buy this book new than to buy it second hand in England, and the wait for shipping was worth it. There are some brilliant anecdotes from people working with Henson, and beautful pictures illustrating everything that ever went on in Jim Henson's studios, right up to unpublished notes that Henson wrote for a book.

This book is beautiful, and really interesting in looking at the work of Jim Henson.

Complete with full color pictures, as well as black and white photos of Jim's early years, this book is not only a great read. -It's fun to look at too! Even young children can sit and appreciate the magic of Jim Henson's creations through the artwork and photo-journalistic shots throughout.

This book contains a great deal of biographical information on Jim throughout his life, and includes a great deal of his earlier forrays into the world of experimental art and design.

Definitely a good buy.

I loved this little book! Not only was it a quick read, but it was also filled with a variety of solidly helpful information for new and experienced screenwriters. I found the "10 Point Checklist for Completed Scripts", the "Big Eight" and the section on pitching particularly useful and now put the information to use on every project. The book is certainly worth more than you pay for it!!

After writing my first screenplay, I was stuck on how to sell it. I have ran my own business for over tens years and have a natural flare for marketing - thinking that selling a script would be commonsense WRONG! After reading The Script Selling Game I was blown away by the fantastic real life tips and jargon given. It's motivated me more than ever to see my projects on the silver screen. IF YOU ARE SERIOUS ABOUT breaking into Hollywood - You MUST BUY THIS BOOK! It's easy-to-read and only an insider would know how to write it's contents.

The book never forgot who was reading it. If you are at a point in your career where you need guidance in what to do and what's important, this book offers you that. Kathie Yoneda, I feel, just got the balance right between fact, figures and emotion. Kathie actually cares.

The Script-Selling Game is your "Biedecker's", your "Fodor's", or your "Lonely Planet" guide to the exotic, exciting, sometimes confusing, sometimes dangerous yet ultimately rewarding territory of Hollywood Script Sales.

Kathie Fong Yoneda has not only explored this territory, she has actually carved out, tamed, and settled a lot of it in her years as a studio executive. Her expertise in the special jargon, the specific tools, and the appropriate approaches will help you craft an effective presentation of your unique creative project, be it a feature film, a TV series, or any other media production.

Read Kathie's book. Smile, frown, gasp.... Yes, Hollywood can be just as she says. It's a closed world unless you have an interpreter and a guidebook. Thank goodness hers is accessible, informative, specific, and comforting. Well then, follow her guidelines, learn to speak the language, do the currency exchange from creativity-to-commerciality, and watch the barriers go down and the doors open up for you.

An industry veteran of 25 years, Kathie Fong Yoneda is both a story analyst at Paramount and a script consultant. Her background as a development executive gives her an excellent perspective for helping screenwriters can break down the gates to Hollywood. And this book aims to do just that.

The book is divided into four major parts: working on the script, meetings and pitches, submissions and relationships. It is a very clearly structured guide to the do's and don'ts for writers looking for their breakthrough (hint: the first step is to WRITE A GREAT SCRIPT!).

Yonada includes advice on how to behave towards executives, how to find an agent, the special vocabulary used in Hollywood, how to start a writers group, even how to prepare for a conference. All of this is written in a clear manner, making the book a very useful reference.

The downside to this is that most of this information is out there already. If you read screenwriting magazines and keep up with recent books on the business side of screenwriting, there will be very little here you don't know already. Moreover, the book is very "pro-system" -- there is no criticism of the way things are done, and the advice is very much "mainstream" common knowledge.

I don't think this book has very much to offer veteran writers who are already well acquainted with the vagaries of getting their scripts through the Hollywood maze. For writers who are starting out, however, the book will serve very well to inform them about the basics of getting your script sold to Hollywood.

This book was very helpful. As someone who currently has no "mentor" so to speak in the film industry, this book has acted as my temporary guide. It addresses many problems screenwriters go through, as well as warning people of the pitfalls that many aspiring screenwriters fall into. Highly recommended.

I own several screenwriting books and consider this one to be in the top 3 (McKee and Vogler being the other 2). The reason is because this is one of the few screenwriting books with information coming straight from successful screenwriters. This is key, because through their insights you can better understand how they work, think, and live. And this ultimately affects your writing positively because a lot of the uncertainties during the writing process are discussed. It won't teach you about structure etc, but it contains information that to me was equally vital: how to think as a successful screenwriter.

In real estate they discuss the three "L's" Location, location, location. This is the three "W's" Write, Write and Write more. I highly recommend this book for anyone who wants to write a screen play.

This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.

I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.

This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.

Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.

Blue Monday is an interesting but not a compelling read. We never get inside Fat's head to understand the man, so we get an expanded discography. The dates, times and places seem to be well researched which begins to wear after a while. The matter of fact style just does not bring Fat's personal life into focus, although there are many descriptions of incedents about him. He remains a mystery in reference to his personal motivation, dual life style, and reclusive habits.
Russ H.

I guess if Antoine "Fats" Domino could keep the President and First Lady waiting, then he could keep us waiting for his first biography - this is a Natural Born book about a musical genius, intriquing personality, and unassuming cultural revolutionary.
The author tells his story and includes many entertaining anecdotes about life at home and on the road with several sets of support players - the greatest names of course being Dave Bartholomew, Herb Hardesty, and Lee Allen. We get a strong picture of the smiling, "safe" rock and roller, as the often defiant man's-man. And a complex artist/showman: he could sing The Rooster Song while flashing rings to make Freddie Blassie envious.
A great bunch of previously unpublished black and white photographs from Look magazine, among other handsome prints of lesser known shots really bolster the text.
A serious ommission for the audiophiles: not even a selected discography and no sessionography. [Though there are "Notes" in the back of the book on the mysterious Broadmoor recordings, including personnale and dates!]. Of course the '50s period sessions can be found as a booklet in the Bear Family 8-CD set, and in a European book, "Jazz Records"; also in a fairly recent issue of Goldmine magazine. But Fats Domino ABC-Paramount, Mercury, Broadmoor and Reprise FD session data has never, to my knowledge, appeared in print, and what a fabulous component that would have made.
Speaking of the ABC-Paramount tracks, the author did not mention in the text a very important 4-CD set, "The Paramount Years", which included the *incredibly* rare fourth l.p. for that label, plus the 1980 "If I Get Rich" from another record company!
The idea that "The Fat Man" is the first R & R record also doesn't agree with me. Yes, the elements are there, the upbeat shuffle and bright lead vocal, but that powerful sound (and many others by Fats in that '49 to '54 period) were not *primarily* for the youth. The first discs to be produced for teenage tastes came much later. I wouldn't even include "Tutti Frutti" in that category, as it too, lyrically and instrumentally echoed an earlier, "swingin'" sound. [It was "Ready Teddy" folks which screamed out...Rock and Roll!!!].
Still, this book should be "required reading" for those dedicated followers of those Rock and Roll Hall of Famers.

Boy ol Boy, Rick Coleman has written a great book on the TRUE story of Rock & Roll! I know as I was there and if you want to know what it was really like to be on the scene when true rock & roll was called race music on a juke box, Boogie Woogie and the down home blues was taking over the country then get this book and turn others on to it also. No one person was more responsible for the birth of R&R and R&B than the Fat Man! This was long before Elvis, Haley and the hand full of others came on the bandwagon. [...]

Rick Coleman's new book "Blue Monday" is the first full biography of Fats Domino. Many interesting things are therein.
- Fats was the first black rock & roll star. His records made the pop charts before r&r's dawn in 1955.
- Kids did not buy albums in the 50s, but Fats' albums sold, meaning he had an adult following like Louis Armstrong's.
- Fats concerts were often scenes of teenage riots. He may be known for `Blueberry Hill,' but his fierce rolling piano ignited his audience.
- "Blueberry Hill" was the product of a botched session. Engineer Bunny Robyn edited together the best parts of several incomplete takes and simply repeated the chorus.
- The string-laden "Walkin' To New Orleans" was a big breakthrough which traditionalists lamented. But it hit R&B (#2) even higher than pop (#6).
- Roy Brown once ditched a plan to have Fats open for him on tour. Fats never forgot it, and refused to have Brown open shows for him when the tables were turned.

Of the Big Five (EP, FD, CB, JLL, LR), Fats is the least lionized because he was not a "rebel." Historians normally embrace only people with bold lifestyles.

From his first record in 1949 until his harrowing escape from Hurricane Katrina in 2005, Antoine "Fats" Domino has defined New Orleans and its culture. This book puts Fats, his city, and his music into perspective in amazing detail. In the process, Rick Coleman convincingly demonstrates that Fats and his collaborators--especially songwriter/arranger Dave Bartholomew and producer Cosimo Matassa--have as solid a claim as Elvis, Carl, and Jerry Lee with Sam Phillips in Memphis or Wolf, Muddy, and Chuck with the Chess brothers in Chicago as the prime architects of rock 'n' roll. The product of more than 20 years of exhaustive research, this is, surprisingly, the first biography of one of the greatest early rock stars. Coleman had his work cut out for him; Fats is notoriously reclusive. Nevertheless, you come away from this book admiring Fats's talent and drive, and Coleman's exhaustive research and evocative writing. All the other great Louisiana rockers are here--the bayou wild men, backwoods musical savants, and forgotten honkers, shouters, string-benders, and drum-thumpers who helped create the Crescent City sound. I highly recommend this to anyone who wants to understand the real, complete history of rock 'n' roll instead of the revisionist pap that passes for such. -Mark Hoffman, co-author of "Moanin' at Midnight: The Life and Times of Howlin' Wolf"

Excellent sequel to The Moon's A Balloon. Continuing David Niven's life and career and written in his own inimitable and self-deprecating style. Amusing and entertaining. Thoroughly recommended to all but read The Moon's A Balloon first.

Upon rereading this recently, I discover many areas in which Niven's memory is faulty in recalling certain events. This isn't surprising, given the fact that he was writing his memoirs decades after said events took place.

Some are frantic to know who "Our Little Girl" could have been. It can only have been Vivien Leigh. No, she wasn't from Arizona, she wasn't a blonde, etc. This would have been Niven's way of protecting her identity by creating an entirely different look and background from Leigh's own. When Leigh had her famous breakdown, Niven stayed with her for two days until Laurence Olivier, who was still married to her at the time, could come from England. Niven writes about this very occurrence in "Our Little Girl", which helps to identify the actress as Leigh. He was good friends with both of them, which may be why he chose to hide her identity rather than to give it out straight - Leigh died years before the book was published, but Olivier was still very much alive.

Niven has a style that is very easy to read, very human, warm, and often hysterically funny. He shows us a Hollywood apart from the glamor, the opening nights of movies, the gorgeous people. His Hollywood is populated by real people with real faults. A widower himself (his first wife died as the result of a tragic accident), he treats the stories of Clark Gable and Fred Astaire, both widowers, with empathy and compassion.

Tricky memory notwithstanding, it's still a wonderful read.

David Niven is an often neglected actor from the Golden Age, but as a man, he was very likable. This book is proof that the talented actor was also a talented writer. He discusses many different people and scenerios in this book, the title of which is derived from an amusing incident on a film set. He writes with depth and clarity; it is obvious he has really analyzed the people he mentions. His respect for fellow stars and directors is admirable, especially the malligned ones.

Here we learn that the "Goldwynisms" that Samuel Goldwyn is so famous for might have all been made-up. We learn that Errol Flynn was indeed a womanizer, but no rapist. We hear an amusing story about Edward Goulding's funeral complete with the worst pallbearer casting in history.

The oddest thing in the book is a short story in the form of a chapter called "Our Little Girl." I still am not sure why it was included.

What a treat! So refreshing to have someone as talented and connected as Niven share his uncensored experiences. The stories of Errol were moving beyond anything I'd ever read about him before. Everyone has sung this book's merits, I want to concentrate on "Our Little Girl". WHO THE HECK WAS THAT???? People are saying Vivien Leigh (came from Arizona, left her mother behind, had a baby, married a camera man, married three times, grew up in the Hollywood system, a blonde known as the Erector set?????) Vivien Leigh doesn't even begin to fit this description. Lana Turner seems most viable but these details do not fit her story either. Same with Rita Hayworth. WHO WAS IT???

There is another book about David Niven, titled The Other Side of the Moon. Its author is Sheridan Morley. You might want to read Mr. Morley's recitation of David Niven's life in order to get a more balanced picture. Bring on the Empty Horses is much more about the famous people with whom David Niven hobnobbed during his Hollywood career, than it is about David Niven himself. As to himself, Mr. Niven plays it close to the vest in his autobiography. Mr. Niven makes only a passing reference to the multi-year affair he conducted with Merle Oberon. And a mystery that was not addressed in the autobiography, or in Mr. Morley's book, is exactly how Mr. Niven's wife died. The story from Mr. Niven is that his first wife died accidentally by taking a fall while playing "hide and go seek" at a party at a friend's house. Oh, please! No adult, let alone the sophisticated glitterati of Hollywood, played "hide and go seek." I get the impression that Mr. Niven's autobiography presents a very calculated and sanitized image of himself and his life. But his book does relate fascinating stories of his famous Hollywood friends. Despite my resentment over Niven's obvious lack of forthrightness relating to his life's story, his book remains one of the most entertaining books I have ever read.

Thank you Dodd Darin for giving us a look into the lives of your Mom and Dad. We had no idea of how complex their lives were. We loved Sandra she was so cute and innocent looking she was every teenage girl at that time and all the girls loved Bobby. It made sense that they married but none of us understood why it didn't last or what their lives were like before they even met.
I will always miss them!

Excellent seller. They were very fast and I received the book in record time.

Reading this book made me realize how malignant a place Hollywood is to a black widow -who eat and abuse their young- this is the mother of Sandra Dee. It's amazing her son Dodd-who wrote the book-turned out as normal as he did. Bobbie Darin while talented was a self absorbed narcissist-who care nothing for others, but the real tragedy was Sandra Dee. Raised by a mother who was as sick and selfish to literally give her 8 year old daughter to her new husband sexually-for financial profit-and who is may have also slept with her son in law-Bobbie Darin. It is no wonder that Sandra Dee degenerated into the pathetic anorexic falling down drunk. Such a pretty women-such an awful putrid-sordid life. Hollywood...her mother is too often the type of stage mother it attracts and also the projected image of Sandra Dee -the Hollywood manufactured myth was just smoke and mirrors-hiding human misery.

It must be so hard for some of the offspring of Stars to front their demons. I do believe these two stars loved greatly but coming from different backgrounds was always going to be difficult.Their working days were completely opposite which had to cause friction. However I have passed this book around for others to enjoy. Unfortunately Sandra's addiction to alcohol would have been difficult for Bobby as he did not like this scene. His problems lay elsewhere. Nonetheless two great talents produced a loving son. Great read.

This book is a touching recollection of the glorious, yet shattered lives of Sandra Dee and Bobby Darin, the Dream Lovers of the title who were entertainment superstars during the late 50s and 60s. Their son Dodd along with his co-writer Maxine Paetro did a terrific job in telling his family's heartbreaking story by getting input from many of the people closest to his parents. I would also recommend picking up the DVD of Bobby's last TV show in 73 "Mack is Back" along with reading Dream Lovers. They go well together.

I will never understand why June continues to rave about how she dated Elvis and still write books about him. That was way back in 1955!
Elvis married his soulmate Priscilla Presley.
June married and went on with her life to have two children. She has a 22 year old grandson.
She also has two precious granddaughters of whom she has nothing to do with and does not talk to, their ages are 16 and 11.
It's uncouth how June continues to use the Elvis name to make money.

I loved this book, although it broke my heart to think of what happened to the sweet, caring, fun-loving young boy later in life. June is so "real", I felt I would love to have been one of her friends. I also purchased the DVD "Elvis and June" and once again after seeing June on the DVD thought she was a really fun, strong woman. It was indeed a special time for Elvis and June and she shares her memories freely. The end of their love story was so sad, I wished there had been a way to "rewrite" history to make them both as happy as they had been that wonderful summer. Highly recommended.

This book was very enjoyable to read. It gives lots of insight to Elvis and what he was like when he was just starting out in the music business. Decisions that were made and promises broken but such a great story. Any Elvis fan would enjoy reading this story.

I did love this book. I only wish the book didn't end. At the end I was wanting more!

A very good experience. I received the product in a timely manner and did not incur any problems.

You gotta have this book if you're a Bruce fan. Great history and old photos. Great back stories and nostalgia. I was a bit dissapointed with the reproductions - both in terms of relevance and also the quantity of them, but all in all it is well worth the money. I mean, people actually paid $50 for the Madonna book a few years back. Puh-lease.... there is only one BOSS!

I recently took my 10 year old to a Springsteen concert and he is hooked. At his urging we went to the local library to see if they had a book on the Boss..we found this one and he loved it so much I ordered it..the great thing about it was that I loved it too !! Nothing better than something you can enjoy with your kids. I give this a thumbs up !!

My daughter got this book for me for X-Mas,
and it's the neatest thing !
Great chronological history of Bruce and his
various bands, along with the cool artifacts
placed throughout the book, including 2 great
posters !
Great bargain and must-have for any fan of the Boss !!

It's one of the greatest gifts you can give a Springsteen-fan. It holds the hole story from start til today and includes som replicas of tickets and posters

I bought this book not knowing what to expect. Talk about a labor of love. I highly recommend Greetings From E Street to any serious Bruce Springsteen fan. It's chock full of nifty things and some good information, as well. I was very pleased with this book. It has replicas of tickets, backstage passes, concert posters, and other memorabilia. The writing, which is fine, is secondary to the entire package. Just a real treat. If you have a die hard Springsteen fan in your house, he or she would love this book.

I thought this was a good book, and I do think John Walsh does great things for the missing. I prefer him in person, than reading his book. It was a little too intense for me.

John Walsh got across his feelings and made the reader feel them as well. The book was almost impossible to put down. It never lost my attention once. I wished there was more when I reached the last summary. I thought this book was even better than his first. I cannot wait for the third.

Apart from the traditional American emotional hype that John Walsh brings to this book, it is a good read.
it is good to see he used his anger in a positive way and he definately serves the community in a special way. We need more like him.

I grew up in Westfield, New Jersey where John List murdered his family. I remember clearly how these murders created fear in our town. He hid from authorities for nearly 20-years before America's Most Wanted aired a profile that led to his capture. This is just one of the stories in this book that would get 10-stars if ...(this website) gave out that many. John Walsh deserves a lot of credit for his great work, and this is a book everyone should read.

Be advised that the first story will haunt you for days. It is very disturbing. John Walsh is a modern day hero who sets out to put lowlifes where they belong....behind bars!! God Bless Mr. Walsh, and long may he reign!