Movies Books

This is an excellant book by an author who best describes the feelings of this amazing film.
The book has a great mixture of photoes I have never seen before and also, a lot of interesting stories about the cast and and the making of the film.
I would certainly recommend this book to anyone who loves the film( Its a wonderfull life) and my praise to the author in writing something that I know both my family and myself will read and read again.
A great buy

If you love "It's a Wonderful Life" (and who doesn't?), then you'll LOVE this book! I was stunned to learn about what happened to the cast and where the Bailey kids are today and what they look like in more recent years. No other book offers the pure nostalgia factor like this one. The author gives us some amazing details about deleted scenes, as well as photographs that have surfaced showing these rare behind-the-scenes glimpses into scenes that never made the final cut. I loved the photo of Henry Travers (Clarence the Angel) in full color, not long before he died. What a treat this book is!! And the special message from Jimmy Stewart at the beginning of the book is pure magic! If you are a fan of this film, you won't be disappointed! This book is the perfect gift for any friends who love the movie, too. I've already ordered several and am giving them out this holiday!

Cox's "It's a Wonderful Life: A Memory Book" is an excellent addition to the movie buff's collection, and to fans of this exceptional film. The book is packed with stunning photographs (many never seen before), interesting tid-bits about the making-of, backstory on not only the fine performances of James Stewart, Donna Reed and Lionel Barrymore, but the character actors that helped make Capra's touching film so memorable and the holiday favorite it has become--almost 60 years later. It is well-researched and richly-written. This is a perfect gift year-round for any reason. It is one of Cox's best!

I have to admit that I wasn't much of an "It's a Wonderful Life" fan....until now. I had the pleasure of meeting Karolyn Grimes (little ZuZu Bailey) recently. She is such a warm and lovely person and spoke of IAWL with such passion that I bought the DVD the next night and watched it with new eyes. Now I'm hooked.

I was so delighted to find this book, to learn even more about this classic movie. After reading the book, I had to watch the DVD again.

Even if you're just a casual viewer of the movie, you'll still love this book. It's incredibly well-researched and jam-packed with beautiful photographs. Stephen Cox has a way with words. You feel like you're sitting with an old friend. His books are like comfort-food for the mind!

There are plenty of surprises in this book. You'll read what director Frank Capra and the players themselves have to say about making "It's a Wonderful Life," and you'll discover some interesting names among those who were almost cast. You'll also learn that some of the film's legends are true, while others are not. For example, while it is true that Carl Switzer (Alfalfa from the "Our Gang" comedies) was the rascal who opened the gym floor exposing the swimming pool beneath, it is NOT true that muppets Bert and Ernie were named as an homage to Bert the cop and Ernie the cab driver -- that's just a coincidence. In spite of the book's rather crowded layout and lackluster production, if you love "It's a Wonderful Life" and/or if you collect IAWL memorabilia, you'll want to have this book.

Christina Hamlett is a respected and well-known script consultant who has taken her knowledge of the industry and turned it into a thought-provoking look at the process of writing a script. While most how-to books on screenwriting give a reader the nuts and bolts of what makes a good screenplay, Ms. Hamlett does one better and walks her readers through HOW to make a good screenplay. Could It Be A Movie? is conversational and encouraging the whole way through and I especially like the hands on exercises that can be found in each chapter. They truly provide insight on what works for a story and what doesn't.

Ms. Hamlett begins by guiding her readers through deciding which format - movie, book, or stage play - best suits their particular story. She includes interviews and inside stories from some of the industries leading professionals who help explain what writing, and writing for Hollywood, is all about. She touches on everything a writer ever wanted to know about the screenwriting process - three-act story and it's proper structure, character and dialogue, adapting material from other mediums, rewrites, script consulting, more rewrites, and all about the business side of screenwriting - like protecting your work and querying an agent.

This book is one of the best on the market - as an aspiring screenwriter I've read many - and definitely belongs on the desk shelf right next to the likes of Syd Field, Linda Seger, and Dave Trottier. Ms. Hamlett's wonderful insights and straightforward writing style make it clear that she enjoys writing and helping other writers achieve their full potential. I can't say enough good things about this book, but I will say that Ms. Hamlett is a master at providing guidance to aspiring writers and she is a wonderful inspiration to us all!

Could it be a Movie gives great, detailed advice to aspiring screenwriters trying to come up with ideas and inspiration. But the book delivers so much more. This is a seriously good resource and I would highly recommend adding this book to your collection. From soup to nuts, Christina Hamlett keeps it real and discusses dialogue, agents, what producers do once they have your script and more. This is one of the best, most inclusive, humorous and spot-on books on screenwriting I have seen in some time. I just love Christina's voice. Reading her book is like having coffee with a dear friend.

Julie Gray
Founder, The Script Department
www.thescriptdepartment.com

"Could it Be a Movie?" tackles the title question with wit and a great sense of the craft and business of storytelling. Beyond that, it explores the fundamental question: Could I Be the Movie Writer? If that is a career you are considering, read this book first. Not only does it give solid information to help you make that decision, but it clues you in on the fundamental principles of the craft and business of writing for the movies. This remarkable book is loaded with resources from the library and from the internet. Could your idea be a movie? Just maybe, yes, with the aid of this invaluable resource.

There is only one reason a person writes - because they have to. And no one ever has to read what you write. But if you wish, pass copies out to your family and friends. I promise you they will gush and fawn. And you will realize the money you dropped on that script writing software was well spent. Then buy Christina's book. You'll find out that developing a script is not done by just sitting at a computer. Christina's too much of a lady to tell you in the book to do this, but here's what I did after reading COULD IT BE A MOVIE- I grabbed a couple note books, a bunch of sharp pencils, a bottle of scotch, found an empty table, and slashed my way into my soul. Christina helped me find places there I was proud to write about.

Just like Christina Hamlett's other reads, Could It Be a Movie? get's two pens up! This How-To book is your first step in determining whether or not your newly written script is fit for the big screen. Maybe it would be better as a book or maybe a stage play. Now, with this book as your guide, you will be able to make that determination on your own.
This book is chock full of great knowledge dug up from the wonderful mind of a successful theater director, script consultant and former actress. But what is great about the book is its easy to understand voice. Christina writes in a very conversational tone and combined with her wit and great sense of humor, it seems as though you are learning all this priceless information from across a table in a coffee shop. It's amazing how easily the information flows from the book to the brain. I even catch myself (who has no experience in this field) saying to myself, "Oh yeah! That totally makes sense!"
The book also relays great advice such as, "if you can strip away all the glitz and gizmos and your story still has something substantive to say to an audience, you've probably got yourself a solid plot." She instructs you to be familiar with the medium you are trying to emulate. "Don't be a playwright who has never seen a play, a novelist who has never read a book or an aspiring scriptwriter who never goes to the movies." And another brilliant point she makes is: "there are no short cuts in this business so you might as well start at square one."
Like Christina Hamlett's other book, Screenwriting for Teens, this book also has great mind-stimulating exercises to give a try. For instance, she asks the reader to list movies that are written in "bookend format" or what she aptly named the "maypole format." How about turning a commercial you are familiar with into a movie? All the while, she continues to drive home the importance of your story having a solid message. What does your script say to the audience?
There are so many important topics this book touches on that first timers may not already know. For example, she explains how to shorten a script by taking out lengthy stage directions. She advises leaving that to the directors. Or maybe you have never left Wisconsin but you want to write a believable book about a character in Los Angeles. With the invaluable resources she has included such as websites written to help novelist's research different kinds of people, jobs, cities and customs for anywhere in the world or anything you may be writing about, it's now possible. She delves into the legalities of copyrights and how to stay away from shady websites that promise you the world. Worried about how to find an agent? Could It Be a Movie? to the rescue! Yes, even that information is in there.
So start writing that first script because like in her waffle analogy, the first one always gets thrown out.

EXCELLENT!!! I love this book. I've been waching GH for years now but this book gave me the backstory to alot of plots. The pictures are great and seeing all the old charachters from years back is the best. I love it, love it,love it!

A wonderful compilation of memories from a once-great soap opera. It's a necessary memory tool for Classic GH fans to remember the show before it turned into the poorly produced, poorly written mockery it is today, courtesy of current misproducer Jill Farren Phelps (better known as Dull Darren Delps) and hack writer Bob Guza Jr. (a.k.a. Mob Luza Junior Writer).
It's a fine written tribute to the late, great producer Gloria Monty, who guided GH out of the doldrums in the late 1970s. Monty's best are on parade in the scrapbook --
The love triangle of Luke, Laura and Scott.
The love triangle of Alan, Monica and Rick.
The spy adventures of Luke teamed with Robert Scorpio opposite the wicked and domineering Cassadines.
The expansion of the WSB/spy stories through the characters of Sean Donely, Anna Devane and Frisco and Felicia Jones.
The enduring loving couples that put your faith back in human nature -- Drs. Rick and Lesley Webber, Lee and Gail Baldwin, Steve and Audrey Hardy, Edward and Lila Quartermaine -- are well presented.
The great villains -- Helena Cassadine, Cesar Faison, Grant Putnam, and Heather Webber -- are in the house.
There's also a neat section of GH vets who went on to bigger and better - singer Rick Springfield (GH's Dr. Noah Drake) and Demi Moore (the soap's erstwhile newspaper reporter Jackie Templeton).
Only thing that's needed is an update of the book. The current book only goes as far as 1995. Warner should bring it up to 2002, the year GH began its rapid decline.

Sincerely,
J. Mosher.
(a.k.a. doneleywannabe of ABC's GH Internet message board).

This is especially great for old time fans like myself, because it reminds us of some great old scenes. It's too bad a lot of the newer actors are not in this, but it's a few years old. I love seeing this on my book shelf, proclaiming my love for GH. A great gift for the fan.

Okay, this book goes back, way back, to the beginning. LOTS of great photos and it explains the storyline as well! So if you wonder what Jason used to be like or who's related to whom...this will explain it all!

I bought this book as a gift for a friend so I can't comment on the contents but she LOVED it and is a big GH fan so I'm assuming I did well! My experience was exceptional. Got my book within a few days in mint condition as promised!

This book I will cherish for all my life. I love looking back at the old GH to the present. It just shows you how awesome General hospital is. It has such great stories. Love stories like Brenda and Sonny, Robin and Stone, to break through stories like Allen drug addiction to Stone's AIDS Story. God this book will make you scream in glee or shead a few tears. To All- ENJOY!

In 1991, I had the privilege of being a student at the School of Advanced Military Studies at Fort Leavenworth under the direction of then Col James McDonough. A man of deep reflection, he was also passionate about soldiers and ensured that everything we did as students in teh study of warfare and campaign design kept them in mind.

Now I am a university professor offering courses in US military history. Part of what I do is to expose my students to leadership and battle at the small unit level. There is no better book for that purpose concerning Vietnam than McDonough.

Every student takes something different away from this book because, unlike many assigned books, they read it. The book captures you right from the beginning. You really can't put it down. And, it contains more lessons about life and leadership than I can express here.

Knowing the author personally in 1991-1992 is special, for I saw in him then the character that had developed from his time in Vietnam. He tells it like it is, he means what he says, and he stands by his word. His book is more than just a memoir, it is therapy for a man who must live with the past, both for better and for worse.

Platoon Leader was an excellent read, and one I would recommend for all those enjoy military reading. I would especially suggest it to all junior military leaders. Entertaining and well written, the author discusses at length his role as a leader, and what he views as good and bad leaders. The aspect of the book I enjoyed the most was it allowed the reader to see leadership, on a small-unit level, working in real-world combat conditions. Unlike many books leaders read for professional development, it shows how leadership works when employed and doesn't just philosophize about leadership principles.

James McDonough provides an in-depth look at infantry platoon operations in Vietnam. This is a must read for anyone who intends to pursue a military career. The book is very graphic, but also very succint and to the point. McDonough doesn't waste time with superfluous details, every word is well chosen and critical to the telling of the story. Once you begin reading, you will not want to stop. It is a quick read, and well worth the time it takes.

"Platoon Leader: A Memoir of Command in Combat," by James R. McDonough, chronicles the author's experiences as an officer in the Vietnam War from 1970-71. His platoon is charged with manning an outpost next to the village of Truong Lam.

This is a fascinating, well-written account. McDonough fills his narrative with vivid details that really made his story come alive in my mind. He doesn't flinch at describing the goriest and most horrific images of war. There are also moments of irony and bitter humor. Also noteworthy is the informative material about tactics used in Vietnam. And the author humanizes the story by touching on such "down-and-dirty" issues as the latrine his platoon used.

McDonough's story is populated with a compelling cast of characters. Particularly intriguing is his exploration of relationships among the various groups he encountered in the war zone--U.S. enlisted men, his fellow Army officers, Vietnamese military allies, enemy forces, and the many civilians caught up in the conflict.

While rich in scenes of combat, "Platoon Leader" goes beyond being just an action-packed war yarn. The book explores the ethics and morals of war. McDonough deals directly with the danger a soldier faces in becoming dehumanized by the brutality of war. He vividly portrays the struggle of a leader to remain wise and humane, yet also tough and resolute, under the most trying of circumstances. This book is both a profound meditation on wartime leadership and a powerful work of American literature.

As a junior officer I have an entire list of professional reading that I am trudging my way through, but so far McDonough has been by far the most enjoyable and has made the biggest impact on my own leadership style. Both Platoon Leader and Defense of Hill 781 are great books, but Platoon Leader is so far the best military memoir I have read. It has been over a year since I read this book, but the three things that have stuck with me are:
1. Do the right thing, at the right time, for the right reason.
2. Death in a combat zone is more about just being in the wrong place at the wrong time. Sooner or later your luck runs out, but you have the duty to your fellow soldiers to do everything in your power to protect them.
3. The stealing of a bottle of soda from a grandmother leads slowly but inevitable to the rape of her granddaughter. If you let your soldiers steal at all you are setting the stage for what atrocities they will commit later. You must always be vigilant in your discipline.

While I do not have combat experience, I am currently serving in Iraq and know second handedly that these concepts still hold true.

Other than the leadership aspect of the book, Mcdonough is just a great story teller and is able to make the book engaging and addicting.

My friend Mary Sue sent me Precious Bane when I was very ill, hoping it would get me reading again. She was right.

The time of the tale is not clear. It was written in 1926 but has a Hardy-like tone which would place it in the mid-to-late 19th century. The location is Shropshire, England. You can reference a Shropshire word list on the Internet, but after a while I preferred to let the dialect flow over me and learn some of the meanngs the way we first learn a language.

The premise is that it is customary in Shropshire to hire a sin-eater, usually someone poor, when someone dies, who will take over the sins of the dead person. The Sarn family is too poor even to do this when the father dies, so the son, Gideon, offers to be the sin-eater in return for taking ownership of the family farm. He works the farm with his sister Prue.

The second plot is a love story. Prue is a woman with a hare lip, a beautiful body and character above reproach, who is struck by lightning with love when she first sees Kester, an itinerant weaver.

Other scenes of interest take place during market which introduce various characters, reveal through gossip the attitudes about them and explain customs.

I read that Precious Bane is tobacco, but it seemed rather to refer to foxglove, which takes an important turn in the plot.

The writing is excellent. The characters are true. Some readers compared this book to Cold Comfort Farm. I have read Cold Comfort Farm, and although I enjoyed it didn't find it to be similar, as the heroine is a flapper in the 20's.

The only thing that might have perfected the book would be to liken Gideon's sins specifically(he had many) to the sins of his father, which she didn't do. The lack of detail didn't seem to detract much, as the point was explained at the beginning.



Thank you, Mary Sue.

This is one of those rare stories that seeps into your soul and leaves a lasting impression. The language itself, while a bit difficult at first becomes a song you want to sing and long to hear it spoken. The story, sometimes achingly sad and violent is ultimately triumphantly romantic - with a sequence of events that leaves the reader breathless and yearning for more. Shortly after reading Precious Bane, I was lucky enough to discover a small theatre group in Chicago performing the stage version. My husband and I were in a packed theatre of about 30 people, where I sat front and center with the actors not more than two feet in front of me. Knowing the story line as I did, I made a spectacle of myself sobbing through the second half of the play. I'm sure the actors were gratified that they had such a strong effect on their audience. Suffice it to say, no one who picks up this book will be disappointed, nor will they ever forget it.

The story is this: A young woman, Prudence Sarn, is born with a harelip, which makes her subject to superstition and ridicule from the small-minded country folk who surround her in early 20th-centry Shropshire, England. Because of her deformity, Prue is told again and again that she will never marry; her brother, Gideon, more or less conscripts Prue into serving him on the family farm, telling her that if she follows his plan that she will at least have money and respectability someday. Prue follows along with this plan, envisioning the day that she will have enough money to make herself "beautiful as a fairy" - a dream that takes on concentrated exigency in Prue's mind when she falls in love with the handsome weaver Kester Woodseaves. Prue thinks that no man could ever love her as she is, "cursed and hare-shotten," and when one tragedy after another strikes the Sarns, she wonders if true happiness will ever touch her life.

It's rare that a book moves me to tears, but in the course of reading this novel I grew so attached to Prue that I felt as if she were speaking to me as a sister. The delicate, simple distinctions of this story ring true in every word; it was as though the secrets, disappointments, and beauties of the English country were visible in the spaces between words on the page. At first the language, written in vernacular of the time, was hard to read, but once I grew accustomed to it I was transported to a remote and seemingly miraculous place where Prue discovered and treasured profound beauty in unlikely places. The same can be said of discovering Prue herself, whose compassion, wit, love, and faithfulness shine in everything she does. I would recommend this book to anyone and everyone - it is undoubtedly a story about love, but not in the conventional rom-com or Harlequin-paperback way that's so prevalent nowadays. This is a story about strength of spirit, about unconditional goodness in the face of cruelty, mockery, and calamity. If that's not a real "love story," I don't know what is.

Once in awhile, you run across a book that's like coming home, that places you in a persona and setting that is hazily familiar. Mary Webb's Precious Bane does that for me. Set in rural England in the early 19th century, it tells the story of Prudence Sarn, a young woman whose mother encountered a hare while she was pregnant with Prue. The baby was born with a harelip.
For those who knew her, it meant that Prue would never marry--what man, after all, would want to kiss her? For those who did not know her, it was an excuse to make up tales that she "roamed the country at night in the body of a hare" and that she could curse with a look. For Prue, it was reason to hide from the man she loved, the weaver Kester Woodseaves.
Prue worked like a slave for her brother Gideon's dream of wealth and power in exchange for his promise of money to have her affliction cured when they were rich. But Prue took moments to appreciate the lilies on the lake's edge, the molting of the dragonflies, and the heady scent of apples in the attic where she retreated to write in her diary.
Mary Webb (1881-1927) lived most of her life in Shropshire County, England, where she and her father wandered the hills and lanes, a pastime she continued after he died. Later, Webb--who was also a poet--enhanced her stories with the naturalism and mysticism she learned from her father and the land.
Shropshire English is heavily influenced by the Welsh language, creating a lively and colorful dialect that Webb has distilled in her novels. It takes some getting used to, but once you catch the rhythm, it's hard to let go. Webb's prose will sing in your mind days after the book is closed.
She also used local traditions such as telling the bees when someone has died, and the employment of a Sin Eater, who, for a fee, consumes the sins of the dead person in a glass of wine and a crust of bread. When Gideon's and Prue's father died, Gideon agreed to eat the sins of his father if his mother, who was upset because her husband "had died in his wrath, with all his sins upon him," turned the farm over to him.
But it was the people she met on her wanderings and trips to the market where she sold flowers and produce from her garden that proved Mary Webb's greatest resource. Her novels are enriched by minor characters like Isaiah in Seven for a Secret, who said little but "Ha!" That one syllable was enough to make him a wealthy farmer because people felt they had been found out and out of guilt gave him their best prices. Sarah, the housekeeper in The House in Dormer Forest, broke the favorite china and vases belonging to whomever she was angry with.
Mary Webb's protagonists make her novels shine. Hazel Woodus in Gone to Earth seems more animal than human; she is as wild as her beloved Foxy. Deborah Arden, in The Golden Arrow, loves deeply and totally with all her soul. Robert Rideout, in Seven for a Secret, composes music and poetry while he herds sheep. Prudence Sarn is Webb's greatest achievement as she brings the reader to care passionately about Prue .
The novelist was able to draw from within herself to create Prue Sarn because she suffered most of her life from the facial disfigurement brought on by Grave's Disease.
Precious Bane is a masterpiece. Mary Webb's other novels do not reach that pinnacle--they are too didactic and sometimes simplistic, but they are well worth reading as they poetically explore love, passion, and social norms.

This is an amazing book which should be read by all those who enjoy British literature. It is a touching, romantic story. The writing is sensual in that there are sounds, smells, sights, tastes and textures to be experienced in its textual descriptions. The natural setting almost becomes a "character" in and of itself because you could not take the story out of the beautiful, natural, country setting Webb creates.
Look at other reviews to understand the plot. However, it truly doesn't make sense to try to recount it. Be patient when waiting for the "hook", when you won't be able to put the book down, it will come. Also, allow yourself a bit of time to learn to read and hear in your mind the syntax and sound of the words. Mary Webb takes you to a different place and time and you come to understand what it would be like for a young woman with intelligence, family devotion, character and longings who happened to be born with an external defect.
May this book become one of your favorites as it has become one of mine. (If anyone knows how I might obtain a video/DVD of the Masterpiece Theatre version with Janet McTeer and Clive Owen, please let me know.)

Absolutely amazing, excellent for anyone who enjoyed watching the west wing, great to read, surprized it was so big when it arrived, but I'm not complaining there's just more to have in there then. I do love the fact that there are quotes from the actors, about the show and there other cast mates. This is an excellent buy! Worth every penny!

The item showed up just as described and within a reasonable time. I was notified that it had shipped. Excellent transaction. Excellent item. I would order from this seller again.

I thumbed through this book in a bookstore and by the time I got home, I realized I had to own it and I was online ordering my own copy. This book is more than just a rehash of the first two seasons. We are treated to a real behind-the-scenes tour of what goes into filming the show. Talk about your West Wing trivia!

The asides from the actors on the characters they play are filled with gems of inside information. For instance, what do Brad Whitford and Janel Moloney think the roles of Josh and Donna are all about; how does Martin Sheen get the cast to treat him like the President and why is this adulation so important; and why is Allison Janney everyone's favorite? We are treated to a tour of the West Wing to fully understand the layout of the staff's offices and the dynamics of the characters in relationship to each other. Then, the decorations in the offices are explained, and nothing is so minor to be included by chance.

Sorkin claims he doesn't have a political agenda. He asks his staff to write a pro-con memo on each episode, and he is most comfortable when two people disagree. If the points are good, he incorporates them into the show's dialogue. You have to be a West Wing fan, and a pretty serious one at that, to fully appreciate this Official Companion, which brings to light the fine points of all that went into creating the first two seasons of this amazingly written and performed show.

Being a newly minted "Wingnut", I recently went out and purchased the first 3 seasons of The West Wing of DVD and then set about finding a good companion guide to go along with them. After sifting through the good, the bad, and the ugly, I settled on this excellent 342 page tome. While only covering the first 2 seasons, this 9" X 11" book is chock full of beautiful color pictures and enough extras to rival the DVDs themselves. Accept no substitutes and add this one to your TV library. I can only hope that a volume II (covering seasons 3 & 4) will be published when season 4 is shortly released on DVD. Plenty of time for us all to brush up on our Latin (post hoc, ergo propter hoc). R.I.P. John Spencer.

I have seen the "West Wing" books that feature scripts from selected episodes. But this book includes every episode from the first two seasons, told in story form. Plus chapters on each of the actors and their characters, the background on the making of the show -- if you're a fan, this is a "must have". I just hope that there will be, at some point, additional volumes to cover the third, fourth and fifth seasons -- and so on.

I'm a novice screenwriter and found myself completely encapsulated in this book. I wish I had it a year ago when I started my journey into screenwriting. The book in itself is the best classroom for getting at the core of your story and characters. I followed all the strategies and worked them through my script. What happened in the process were all my neurons firing with new ideas and twists. I was coming up with many versions of my script. It was exciting!

Far to technical to be useful for the beginning writer (im sure there are the exceptions out there). This seems to be broken down for the experienced writes struggling with their current projects. It has dozens of schemes to create characters and their scenes. In depth but lacks the simple straight forward inspiring tips and goals to send the new writer a' writing instead, it sends them scratching their head...or hiding under the cover depressed about themes and persona's.

His books and DVD's dwelve deep into his writing tools. I, like many, have read most of the books, and this is one of the top three I return to review. Mckee, Truby, Seger, Wright, and Tobin are all worth reading. Jeff's book is the most important, because it's crucial to find the spine of a story, and Jeff's tools are the best for finding it. All mention it, but Jeff's tools allow one to touch the heart of the story, so you write from the inside-out instead of the outside -- the most important, and the most difficult part of learning to write.

I have read many screenwriting books, but Jeff Kitchen's book is the one I always use on all my script development and script analysis projects. This book teaches you invaluable tools that transforms the way you construct your screenplay. Jeff Kitchen demonstrates the tools through hands-on approach, breaking down popular movies such as Training Day, What Women Want, Minority Report, Blade Runner, The Godfather and Tootsie. He also takes you through the process of developing a script from scratch using the tools. This book will definitely transform the way you approach screenwriting and transform you as writer. If you want to master this craft I highly recommend this book. It's awesome!

...oh and check out his other book Script Analysis and the 5 DVD set.Script Analysis: The Godfather, Tootsie, Blade Runner Jeff Kitchen's Full Day Seminar

There is a multitude of books that have recently become standard over the last twenty to thirty years regarding the mastery of screenwriting. Viki King's book "How to write a Movie in 21 days" is probably one of the most well known, as is "Screenplay" by Syd Field.

I think the truth about a lot of these books is that most people are looking for small, concise manuals that are easy to read and easy to cull the real gems from. From the way I've seen a lot of people approach screenwriting, most of it is typically haphazard. The bulk of people read bits and pieces of books and rarely ever any one book from cover to cover. If you can imagine a person shaking a book above their head hoping for gold coins, diamonds, rubies and other riches to fall from the pages then you have the correct visual. It's a classic blunder, but one that more often than not is the result of too much television advertising and not taking one's dream serious enough.

Jeff Kitchen's "Writing a Great Movie", is a rare book that most people can, and should read from cover to cover at least once. If you read it twice, then you'll be ahead of the curve. It's most likely the best book on writing I've seen bar none, and not just on screenwriting either. Using a system of `comparison and contrast' with different films like Blade Runner, Training Day, Tootsie, Minority Report and The Godfather to illustrate the strengths, the thread and the blood of good writing. Kitchen shows you many, many times over how a good story builds up on itself and how to successfully break it down to properly understand it, and how to identify the most integral aspects of it and use them all as tools.

I've been writing novels for about fifteen years and my approach to writing has changed drastically now and I couldn't imagine going back and abandoning what I've learned from this incredibly helpful book. Some of the help and advice is complex, like the information about Enneagrams and the Enneagram Institute, which sounds daunting and pedantic and like someone trying to cloak Scientology and Dianetics within a screenwriting manual, which is not the case at all. The information about the Enneagram does pop up in Scientology and does get a mention in Dianetics, but for the record was around a lot longer than the usage made of it by Scientology. It's good information and not something to skip past. You'll find this in Chapter 4, so don't throw out the baby with the bathwater.

Other information and advice is simple and easy to grasp and stuff that all writing teachers should tell their students, but probably do not. Another point is the use of index-cards to outline and detail your story, which works for both Screenplay and Novel formats and is a brilliant idea that gets good discussion and was something that many great writers have often used themselves.

As a historical note, and something not covered in the book, Nabakov outlined everything he did on Index cards, quite extensively, and is a resource that scholars of his work have to glean and sift through to this day.

Kitchen tells the reader to make good use of quotes, biblical passages, idioms, etc. as themes within your story which will give it heart. The information in the book is inexhaustible and worthy on many levels. He also uses every piece of advice he gives, to bring it back to the films mentioned above and is quite original in doing so, and a very original way to teach.

If you're looking for "the" book on screenwriting, or writing in general, this book will take your efforts from the amateur realms, and launch it into the next level and bolster a real sense of skill and professionalism that it may have been lacking.

This book is worthy of much recommendation.

My three-year old grandson loved the book. The story is good and the art is exceptional.

As an artist I tip my hat to William Joyce! I read in an earlier review someone saying it is done in simple watercolor but thats not watercolor unless its watercolor pencils. Such meticulous detailed work even as George ventures down the railing of the stairs he passes a depiction of "Sunday afternoon on the Island of Le Grande Jatte"! This book is a prize the story line is so cute the text is perfect for age 2-6 and the adventure and art are unforgettable. No wonder PBS made it into a show!

I loved this book. It was so cute. I thoughtit was good for every one. It was about a kid who wonders about how it would be if he was shrunken and when he was sleeping he actully shrunk. But he had to do some chores and they were the simplest things like watering the plants or feeding the goldfish turn into the biggest adventure.

I gave this book a five because a little kid name George has a dream of him being small like a "teddy bear". When he had the dream he was in his bed sleeping, his mom left a note of chores and he was doing the chores. The "scary" part in the book was when the cat sees George and thinks his is a toy and the cat tries to put his claw on him ,but George runs and hides from the cat. This book is great and I think William took a long time doing the cover and pictures and I say the book cover and pictures are really beautiful. I love this book because he had a dream that was weird that he was small and that he had to do big chores. I would recommend this book because it is a cute book for a 1st and 2nd graders I think they will love it because all of the cute pictures and the funny pictures they would love to read this book a lot of times and I would like to some day read it again because it would be so nice to read it over and over.

I will give this book George Shrinks 5 stars. I do like this book because it is action pack and it is kind of funny because a boy that small can do all his chores.I do recomend the book to people that have a sense of humor.I think this book is for all ages.

When Sabrina catches a twenty-four hour virus called Spellfluenza, her powers transfer to the nearest mortal - Libby, Westbridge High's richest and snobbiest person! When Libby realizes her magical powers, she wants nothing less than global domination. Therefore, she makes a plan to steal the powers of Drell, head of the Witches' Council. Once done, Sabrina, her aunts, Salem, and a now mortal Drell must pass three tests or the universe will become one big shopping mall dedicated to Libby!

***** I was enchanted immediately! I found myself giggling aloud at some points and committing unladylike LOUD laughter at others! Don't miss out on this one! ****

I read this book two times, cause it was so good! Sabrina gets a serious case of spellfluenza, and she sneezes her powers into Libby! Well, Libby also gets Drell's powers, and now Sabrina, Hilda, Zelda, Salem and Drell have to complete three tasks in Libby's infinite shopping mall (In the Other Realm) to get to meet her and get her powers back! I recomend this book for everyone! IT'S GREAT!

Sabrina's got spellfluenza, a nasty little witch virus. Every time she sneezes her powers pop out of her and into the next person. Another sneeze & they're back again-whew! It's not bad at first-Sabrina only sneezes in pairs. But then Libby Chessler gets in the way of a solitary achoo and...uh-oh.

It doesn't take Libby long to figure out she's picked up some powerful magic. Now there's just one thing she wants...more! After all, world domination isn't out of the question!

Sabrina's challenge is clear: follow Libby on her search for bigger & better powers and stop her. But can she do it as a mere mortal?

When Sabrina catches a twenty-four hour virus called Spellfluenza, her powers transfer to the nearest mortal - Libby, Westbridge High's richest and snobbiest person! When Libby realizes her magical powers, she wants nothing less than global domination. Therefore, she makes a plan to steal the powers of Drell, head of the Witches' Council. Once done, Sabrina, her aunts, Salem, and a now mortal Drell must pass three tests or the universe will become one big shopping mall dedicated to Libby!

[5 stars]I was enchanted immediately! I found myself giggling aloud at some points and committing unladylike LOUD laughter at others! Don't miss out on this one!

Sabrina has a comen cold for witches. it makes her powers go from her to someone in the room with her until she sneezes in his presence. (No fake sneezes or with pepper) the docter say to stay home from school but Sabrina does not want to miss the try-outs! so she going to school-and gives her powers to Libby!! OH NO!!

Once you get past the strange layout (described in other sections), this is a great edition of Henry V. It is easy and fun to read and offers valuable insights (not just for students either). Well worth a flutter.

This play is best known for the St. Crispian's Day "Band of Brothers" speech given by King Henry just before the battle at Agincourt. It is a powerful speech that rallies people at all times and everywhere. Sir Lawrence Olivier made a film version in 1944 during WWII and Kenneth Branagh made another as recently as 1989. You can count on there being more versions. Epecially so when computers can help them make spectacular battle scenes (that aren't really in the play) with less expense.

Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.

And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.

In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.

And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.

There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.

This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.

This play more than any others in the histories glorifies Englishmen and England. His characters in this one are larger than life, but each has their own limitations and flaws. The play covers the time of the Battle of Agincourt when the French King Charles was so sure of victory that he sent a messenger to Henry to ask him to give up and to pay a ransom before the battle. On the eve of the Battle of Agincourt, the English were outnumbered five to one, Henry's troops were on foreign soil and riddled with disease. The scenes where Henry dons a disguise and goes out amongst his troops to bolster their confidence are great. The English managed to triumph in this battle where all was stacked against them mostly because of Henry's leadership. This is such a sweeping story that it is hard to condense in a few words, the plot of the play, but it is a wonderful example of Shakespeare's skills as a writer.

'We few, we happy few, we band of brothers.' What more need I say? Henry V is an imortal classic of western literature. And this edition is complete and accurate. See the film if you want, but be sure to read the words at least once. They are inspiring.

"Now, if these men do not die well, it will be a black matter for the King that led them to it."

Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.