Television Books

I laughed, I cried, it became a part of me. Take a look at ..... site regarding the first chapter of Crackpot. It is as wild as the book. Many of the links are gone, but many are still there. Loved this book.

First, let me say that this book should have more universal appeal than do his movies. We all know that his movies are just too gross for some people to stomach, but there's nothing here that any adult reader should find offensive. If you enjoy homorous writing, a la Woody Allen, Steve Martin, Joe Queenan, David Sedaris, etc., you should find this little volume right up your alley.

Waters displays an acerbic, eccentric, but highly insightful comic sensibility. There are fifteen short pieces here, which first appeared in various magazines during the mid '80s, primarily NATIONAL LAMPOON (When it was still funny) and AMERICAN FILM.

The book opens with a bang, in one of the funniest pieces, "John Waters tour of L.A." Needless to say, this is not the L.A Chamber of Commerce "official guide." He takes us to some of the seamier sights, including the spot on Hollywood Boulevard where you can catch "the legless, one-armed white guy who break-dances on the street for horrified families as they stroll up the Walk of Fame." He also offers some timely,timeless advice for when you're driving around L.A: "Never look at pedestrians; they're the sad faces of L.A., the ones who had their licenses revoked for driving while impaired."

There really aren't too many weak entries in the collection. He does go a bit over the top in his rhapsodizing of Pia Zadora, perhaps, in an article devoted to that queen of glitz, but one comes to expect "over the top" from Waters. Who would want it any other way? He's also very much the exaggerator when it comes to his likes, "Puff Piece (100 Things I Love)and his dislikes: "Hatchet Piece (100 Things I Hate)." Amongst the things he most admires are Supermarket Tabloids: "Then I gazed at the great LAS VEGAS SUN wire-photo of a giant ostrich, escaped from a zoo chasing a totally bewildered middle-aged woman down the street. Every time I see her horrified expression, the creative juices start to flow." Not content with this passing mention, he writes an entire article entitled WHY I LOVE THE NATIONAL ENQUIRER as a paean to that fine bastion of journalistic integrity.

Some of Waters' images do convey a bit more of the "so banal it's hysterical" quality of his movies, as when he conjures up "a fancy Santa," in a piece called WHY I LOVE CHRISTMAS.
"Why hasn't Bloomingdales or Tiffany's tried a fancy Santa? Deathly pale, this never-too-thin-or-too-rich Kris Kringle, dressed in head-to-toe unstructured, oversize Armani, could pose on a throne, bored and elegant, and every so often deign to let a rich little brat sit NEAR his lap before dismissing his wishes with a condescending 'Oh darling, you dont REALLY want that, do you?" I mean, really, wouldn't you just love to have John Waters' private phone number and be able to shoot the breeze with him about popular culture? No!! you say? Well then this book's not for you. However, if you enjoy mordant, biting wit, and a breezy, conversational style of writing, this book is definitely for you. It was sent me by a friend. I'm going to be sending a few copies out to other friends now. Who knows, maybe we could start a John Waters cult?

BEK

This collection of essays is one of the most compulsively readable, and re-readable, books I have ever owned. I was drawn to it, as you might expect, by my enjoyment of Waters' camp classics. But to be honest, I enjoy Waters the essayist at least as much, if not more, than Waters the filmmaker. Waters' films, and particularly Pecker, Serial Mom, and Hairspray, set the scene for the miscellany of obsessions which animate this book. Crackpot offers a comforting way to understand Waters' recent turn to a more conventional cinematic venue: these films are *also* celebrations of his passionate likes (and dislikes).

Waters writes a witty and acerbic prose, which conveys genuine passion for his obsessions, obsessions which include trials, the National Enquirer, Woody Allen's Interiors, dangerous candy, menthol cigarettes, and Christmas. His preferred methods seem to be the catalogue and the reminiscence: Waters' list of 101 things he hates, and 101 things he loves, are obsessive ruminations on the everyday, and Waters' methodical survey of his everyday touches gives new meaning to the sublime *and* the ridiculous. Most memorable to me, perhaps, is his LA Tour, a pre-OJ intinerary of murder, mayhem, and showbiz, and his loving tribute to the Enquirer. But his celebration of William Castle, or shame-faced coming out as a fan of avant garde, his ritualistic account of Christmas and his loving descriptions of his interests, home, and personal history all make for a case study of obsession that feels both candid and arch, in Waters' inimitable, and paradoxical way. If you read it once, you're going to read it again.

This is absolutely the funniest book that ,Baltimore Bad Boy, John Waters has ever wrote! This book made me laugh out loud several times to the point that I'm sure my significant other may have harbored thoughts about having me committed.

This is the book that piqued my intrest in John Waters over ten years ago before I could even be called a teenager.

For a man with such a reputation for being "filthy, perverse, trashy, etc., etc., etc.", this book ggives the reader a delightful gllimpse into his bouyant and often child like mind. Whether raving over meeting with Pia Zadora, listing the events of a truly hellish day, or giving a guided tour of Los Angeles as only he can, he guides the reader along in a cheerful skip, full of bounce and frolick.

Even for one who's unfamiliar with his films, this book is a light, quick read sure to entertain and provide laughs, crating a vivid and lovable image of the man known to so many as "The Prince Of Puke"

Our 3 y.o. daughter is obsessed with the movie 'Cars'. One night on a shopping trip I brought this book home on a whim. Not a single bedtime has gone by since without reading this book. She loves it so much that she wants desperately to learn to read it for herself. She even recognized the word 'McQueen' repeated throughout the book and reads that word on her own now. The book is already well loved and dog eared but standing up to it all.

The pictures in the book are hand-drawn and give a high-level overview of the story. It skips many of the details in the movie but my daughter doesn't seem to care very much about accuracy, detail or that it looks different than what's in the movie.

We've read hundred of books to her but none have sparked her interest quite like this. I don't know if it's timing because she's getting older or the tie-in with the movie. I don't care even if it seems over-commercialized. Whatever keeps her interested in reading is what counts. I'll surely be buying more books in the series.

Arrived ahead of time for Christmas. Purchased as a Christmas present for my grandson. He carried this book around all night. He loved it. thank you Amazon.

the step into reading books are excellent for young ones....the cars book is cute..good for new readers!!

both my children and found this book to be a delight and very
fun to read. also the pictures were very colorful.
thanks,

debbie pollitt

My four year old really enjoys this book. I wouldn't recommend it older kids though.

Almost like a brief history of the era and new insights into how those movies were made. Enjoyed the ancedotes of fellow artists.

One of the reasons Wayne was so popular was that he symbolized everything America wanted to be; strong ,brave,loyal,savvy and honest.His character was a fighter who never backed down when he knew he was right. He was a role model to millions, his screen actions were a roadmap to manhood. That was John Wayne,Icon.
But there was another side to Wayne. He was a real man,flesh and blood, and he had real thoughts and feelings,strengths and weaknesses. He was as brave as his larger-than-life screen persona in his real life,such as in the way he faced up to cancer, and very very human.This is John Wayne,the Man.
This book does an excellent job of showing both sides of the John Wayne coin,Man and Icon. It does it with stories told by people who really knew him. After reading this book you actually feel like you've had a bull session with Duke's friends and co-workers. It's got a very amiable feel to it.
The book also reminds me of Studs Terkel's books. Studs would just turn on a tape recorder and let his subjects pour their hearts out. The author here uses a similar approach. Each story is like a piece of a jigsaw puzzle and at the end of the book you can put all the pieces together to get a clear picture of the Duke.
After I finished reading, I wished I had known him too.

With John Wayne's 100th birth date coming up I started looking for books on him that I have not read. This book is very enjoyable reading. You learn alot about the man from his fellow co-workers and friends. I would recommend this one to any one.

Critics complain that he was a Johnny-One Note who played the same person over & over, & wasn't very good at it. I say this is Baloney.

The annecdotes & observations of the people who lived & worked with him that are found in this book show that he was able to do so much, physically, & emotionally with the characters he played.

You come away with a better sense of why you cheered, laughed, & cried under the spell of his performances. Whether you agreed or disagreed with the actions of his character, you still cared for him & cared about what happened to him

His friends, family, & co-workers loved & admired him & it shows very clearly in this wonderful book.

Sure, he drank, & smoked, & was a staunch anti-commie, but he was also a loyal, funny, kind & gentle family man who worked hard to perfect his craft & cared about his co-workers.

Read this book & understand.

I am a huge fan and relative of Herb's writings. He has a true gift for the written word and I have enjoyed all of his books. Herb, my prayers and thoughts are with you during these very trying times. I am thinking of you incessantly and the entire family prays for you daily. Godspeed.

I grew up poor (though not as poor as the Presleys). There were 6 people living in a 2-bedroom home. That Elvis slept with his parents (it gets cold in northern Mississippi and Tennessee) doesn't really shock or surprise me.

What does surprise me is that someone like Dee Stanley, who put her own sons in foster care so she could pursue Vernon Presley, would condemn them.

I am also not surprised that Elvis was never able to form a long-lasting relationship with a woman. Most of the women I have read about seemed only interested in what they could get from him. not what they could give to him; a total contrast to his Mother.

I thought Elaine Dundy did a masterful research job. Too bad the history books kids use in school don't usually match this level of research and dedication to facts.

This book is not just about Elvis, it is about poverty and how it shapes people and stays with them throughout their lives.

Buy this book, you will treasure it.

Just loved this book it was fascinating about Gladys and Vernons background. How poor they were and the sadness of the birth of Jesse Garon and Elvis it's to much to tell every Elvis fan needs this book. You will be amazed on how much understanding of the Presley family you will have after reading this book. This is why Elvis had such a kind and gentle way about him and a giving heart it hurts me to know that the people he loved the most used him for there own fame and fortune. All i can say is buy this book you will not be disappointed and you will come to know Elvis a lot better than before it's a must for every Elvis fan.

I've read quite a few books about Elvis and this one is excellent. The author spent a lot of time with people who knew Elvis back then and uncovered some very interesting and heart-warming stories. I learned a lot about his childhood and school days that I hadn't heard before. I'd recommend it for any Elvis fan.

What impressed me most was the account of Elvis' intense, enduring interest in performing beginning at an early age. She cites his participation in school shows, contests and courthouse jamborees, his involvement with entertainer Mississippi Slim, and his 240 mile hitch hike to compete at the Jimmie Rogers Festival. Elvis's association with Bill Black, his first bass player, occurred long before that famous Sun session that produced his first hit. Those who think that Elvis was just a truck driver that lucked up on a record hit are sadly mistaken. Elvis was into the music scene from the get go. He may have been lucky, but like they say, you make your own breaks. He was there, prepared, looking for the opportunity and taking the initiative.

The life of Gladys and her influence on Elvis are well documented. I've read several Elvis books, and none provides a better description. Gladys had her own dreams of stardom which filtered through to Elvis.

The author does a thorough, excellent job of researching and developing her own independent conclusions. For the most part, her logic rings true. In a very few instances, she may infer too much.

The author, Elaine Dundy, not only tells the story of Elvis and his mother, she traces back several generations into the history and psyche of Elvis' ancestors: the Scotch and Irish who settled the Southeast and tamed the Mississippi Delta. Although she is British, her extensive research and comments about post-Civil War Southern society, customs, lifestyle, and mindsets are dead-on. I grew up in the rural Deep South and many of the influences peculiar to the South that Dundy sites in this book were still a part of my mid-20th century experiences.

The reader closes the book with one thought about Gladys (and Vernon) and that is that these two parents loved their son more than life itself and that they simply did the best they could. They were handicapped from the beginning by poverty, ignorance, and also quite possibly genetic pre-dispositions towards depression, obsessive/compulsive disorders, and addictions. It was not uncommon throughout the 19th century and into the 20th that first cousins would marry and have children. The inter-marriages within the Smith and Presley families were pervasive and no doubt exacerbated genetic tendencies.

Gladys' relationship to Elvis was very close in that she put his needs above everything else in her life. She was the only person who could have ever "saved" Elvis from his excesses. But unfortunately, she succumbed to her own drinking habits early on. Once she was gone, his life spiraled out of control.

Elaine Dundy leaves the question unanswered: If Elvis had such a close relationship with Gladys, why wasn't he ever able to form an equally enduring and intimate relationship with a lover? The answer comes from the reader's personal conclusion that the mother-son relationship was close to the point of crippling to Elvis. Just as he reached young adulthood his fabulous success story began. He was stretching out for independence and Gladys figuartively and literally abandoned him -- through death. Elvis was always able to keep the "enduring" part of a relationship going (i.e. he could never let Priscilla go) but his love affairs seemed to mirror his relationship with Gladys in bizarreness, obsessions, and misery.

This moving play presents Jewish life in Tsarist Russia circa 1905. It's the story of dairyman Tevye and his family in the fictional village Anatevka. Tevye is a hard-worker who clings to his faith and traditions, and dreams of riches he'll never see. He believes he'll soon need the matchmaker to marry off his older daughters - but they soon force their more modern ideas about romance on their unhappy father. Tevye must also deal with a changing world and life in a nation with anti-Jewish hostility. The powerful script and song lyrics give readers the feel of Jewish life in Eastern Europe a century ago. Many Jews back then (like my great-grandfather) were leaving for a better chance in the USA or elsewhere; many that remained were later massacred by Hitler.

This musical opened on Broadway in 1964 with Zero Mostel in the title role; it ran over ten years with a then-record 3,242 performances. Adapted from the tales of Yiddish writer Sholom Alecheim (1859-1916), FIDDLER is a powerful tale of family, tradition, humor and sadness.

The book is in great shape, and it cost $ .02 + $ 3.99 shipping--altogether just over $ 4.00 for a book I needed quickly for a writing assignment. That's unbelievably cheap for a script of a great musical show with photos of the original Broadway production. I had the book within 5 days of ordering. Hippo Books has my vote for best internet seller I've ever encountered!

Though it differs slightly from the production script this version is very well done with excellent photos.

Wonderful! It's the full script not a novel. It includes some wonderful pictures from the original production.

Reading "Fiddler on the Roof" is not the same as the experience of seeing it performed. In print, the story falls as flat as the pages. With so many characters the reader may have trouble decoding what is happening to who.

"Fiddler ..." is a wonderful story that captures Jewish life in pre-World War II Russia as well as any book. With humor, the reader sees the world through the eyes of a man with five daughters that need husbands. As each daughter gets hitched, a new wrinkle to the story is added. But the story ends on a sad and ambigious note as the family is forced from their land because of "... trouble in the world". With this, the very tradition on which the story is based is shattered.

As a working Hollywood director and published author (The Power Filmmaking Kit), I usually take many filmmaking books with a grain of salt. They are either overly simplistic, revealing the inexperience of the author or serving as blatant self-promotion. "Filming the Fantastic" is neither. Mark Sawicki's take on visual effects cinematography whipped me back to my childhood when I dreamed of creating the same in-camera special effects I grew up with in movies like Star Wars and Indiana Jones. The one book I wish existed years ago, "Filming the Fantastic" is chock full of techniques, tips and advice to both novice and experienced filmmakers alike, focusing on the art of using lenses, practical set pieces, miniatures, forced perspective, and a variety of non-CGI approaches to making incredible effects. If you are interested in making movies or the filmmaking process, I highly recommend "Filming the Fantastic." It is a fascinating read, and a fresh look at an extraordinary art form.

If you are a filmmaker Mark Sawicki's book is a must for your arsenal. The book will give you much needed fundamentals of how visual effects shots are done. Dont try to "fix it in post". Do it right the first time in your camera.

Finally a book which analyzes FX effects non only in CG but in old fantastic and "Handy" method!!!

Mark Sawicki's book, is a wonderful resource for those interested or involved with the history and creation of visual effects for film and TV. This book would be a great addition to a visual art students library - teachers will also find the practical exercises excellent, while film industry professionals will find the advice and commonsense approach to making visual effects invaluable. I should stress that this beautifully illustrated book is different to the glossy (and all too common) "how we made the effects for such-and-such blockbuster", Filming the Fantastic is much more real and practical, always encouraging the reader to learn by trying things for themselves.

Filming the Fantastic is about creating visual effects - not just those made by computers. The use of miniatures, matte painting and clever planning demonstrate how time and money can be saved while producing outstanding results. Marks professional effects experience provides the framework for the book, backed up with interesting anecdotes and exercises for the reader make their own special effect shots. A really unique feature of this book is showing how to deal with the inevitable situations where there has been little or no planning prior to filming.

This substantial book is crammed with photographs and diagrams, illustrating the text and clearly explaining concepts for the reader. There is considerable depth to the theory sections on colour, perspective and lighting, making the book a fine reference work for any filmmaker. The exciting thing I found about this book was sections such as "So you don't have a million dollars" - which go into making effects with a low budget or if you are challenged for time. Effects are created using home video equipment with simple props - ideas on how to create you own blue screens, superimposed backgrounds, stop motion animation, people falling out of buildings, crowd replication and even a pan across an airplane crash scene, can all be created with a few dollars and a few hours. This may make the book sound too simplistic for a professional, however "in camera effects" (as they are called) are becoming more rather than less common in feature film production. These "tricks" are recognised as time savers in the professional industry.

In summary this well written book is very easy to read with clear thought out examples for students, teachers and professionals. Great illustrations and photos explain the key concepts thoroughly while the broad topic range make the book relevant for many people and situations.

A great gift for yourself or anyone interested in the magic of movie making. My advice is to dust off the camera and try the effects for yourself!

Mark's book is so much more than another cg text on doing effects. He has endeavored to share many traditional methods which are at the source of how a very experienced professional translates them into cg. But the beauty of Mark's book is that he doesn't just mention some vague concept. He gets in there with very specific details and examples of traditional work, as well as cg work. There is so much specific info that you will learn a great deal of practical application in your own work...traditional or cg. But more importantly, you will see and appreciate concepts and methods that can be (and are) applied in the cg world, which have grown out of traditional hands-on, real-world effects work. This is a book that students and the industry both need.

Steven Schindler writes with a rare combination of compassion and street savvy, and in "From here to reality" seems to combine all the elements of great literature. Comedy, drama, suspense, romance, sex, & violence are intertwined in a realistic story set in a realistic time frame. Schindler keeps our interest through the twists and turns of LA and NYC, and the emotional ups and down of his diverse characters. His vivid and accurate descriptions of people, places and things keeps you " in the moment" as the story unfolds. I found it to be quite readable, very interesting and extremely creative with a surprise ending that effectively ties it all together and keeps you wanting for more. I highly recommend it

As a writer, I was truly impressed with how well Steven Schindler was able to vividly immerse the reader into a specific era of Hollywood, and into specific situations; of which he *must* have been privy. A good book, by a great writer. I highly recommend it.

What a great book! I would highly recommend it. The story is quick, witty, and fun with characters you want to get to know. Schindler takes you on a ride through Los Angeles, New York and most importantly through his characters hearts. It is a perfect read for a Sunday afternoon.

You can't help but keep on reading as the novel increases the intensity in mystery. You got to know whats gonna happen next!!And the ending, well, I don't want to spoil it. The main characters come to life; you want to get to know them, you want to know their secrets. Mr. Schindler has that ability to put you in the scene as you keep reading. Sort of like a when you dream and you see everything going on about. Another great reading experience from the author of SEWER BALLS, a novel about growing up in NY in the 60's. Both books I highly recommend... I'm waiting for the movie!!!!!!!

As I did with Steven Schindler's first two novels, Sewer Balls, and From the Block, I thoroughly enjoyed reading his latest, From Here to Reality. It's one of those books that you just don't want to end. Being born and bred in the Bronx, I can certainly vouch for the authenticity of the New York neighborhoods and experiences that Schindler describes, and the picture he paints of life in LA evokes a plethora of genuine emotions. I look forward to Schindler's next book.

I purchased this book for my brother's 60th birthday- having grown up in Detroit- thought it would be a great walk down memory lane. He called me when he received the gift and absolutely gushed- loved every entry. Now, i may have to buy a copy for ME. thanks

My mom wanted this book for Christmas. I read some parts of it and found it very intersting. So many people that I recall from my childhood. Good book.

Of all the books dealing with the subject of local TV, FROM SOUPY TO NUTS!: A HISTORY OF DETROIT TELEVISION is my favorite. Naturally, the fact that I grew up in Detroit makes me the perfect audience for this volume.

This book brought back a flood of wonderful memories. So many names, so many programs. Kid-show hosts (Soupy Sales, Johnny Ginger, Jerry Booth, etc.), horror-movie hosts (Sir Graves Ghastly, The Ghoul, Morgus the Magnificent, Count Scary), newscasters and reporters, sportscasters, weathercasters, etc. -- they're all here, and plenty of others, including some unsung behind-the-scenes personnel.

I had tears in my eyes reading the chapter devoted to the pro wrestlers who were my childhood heroes: Dick the Bruiser, The Sheik, Fritz Von Erich, Johnny Valentine, Bobo Brazil, and others. In later years, I got to know some of these guys, and they were friendly and cordial -- not at all like their violent, rough-and-tumble public images.

I give this book my highest recommendation.

Wow - What a great book! I bought it as a gift but will have to get a copy for my personal library. It was wonderful to read about the television personalities from my youth along with the other Detroit notables that this book covers. It even had the words to some of the commercial jingles that we used to sing along with. Having moved away from Detroit several years ago, I had often wondered what happened to a lot of the people I grew up watching on TV and this book answered those questions. If you were a Detroit kid in the 50's or 60's, I highly recommend that you get a copy of this book and take a stroll back to your childhood.

This is a MUST READ for anyone who lived in Detroit in the 50's and 60's. Nostalgia reigns as the authors comprehensively share information on television favorites such as Bill Kennedy, Captain Jolly and Poopdeck Paul, Milky the Clown and more. Loved it.

An outstanding companion piece to the great(if not THE greatest) dramatic series ever made. Ed Robertson really did his homework in researching for this book. Jam packed with info and anecdotes from the crew and many fine stars who guested on the show. Dozens of photos both stills from the episodes and candid shots taken on the set. Detailed synopsises of each episode(without spoilers) Even a special list of every name used by Richard Kimble, jobs he held, and places where each story took place. Highly recommended.

Ed Robertson's book is definitely the best. I also own "The Fugitive - A complete Episode Guide" by John Cooper and "My Fugitive" by David Janssen's former wife Ellie Janssen which is worth a read!
Another amazon.com reader mentioned the Twilight Zone Companion. But where is the Peyton Place Companion? I'm missing a book on the TV series "Peyton Place" for several decades and wonder why there is still no book out there.

"The Fugitive Recaptured" was published in 1993, thirty years after the TV series, "The Fugitive", premiered on network television in 1963.

This volume, by Ed Robertson, is just about all a "Fuge" fan could want in order to find out everything you'd need (or want) to know about this excellent TV drama, which was on the air for 4 complete seasons (120 episodes from 1963 to 1967).

The book features an "Introduction" by horror author Stephen King, plus a "Foreword" by Fugitive co-star Barry Morse, who portrayed police Lieutenant "Philip Gerard", star David Janssen's chief rival and nemesis during the course of the series. A chapter detailing the origins and conception of the series is also, of course, included here. Interesting stuff too.

Within these 208 pages, each and every episode of "The Fugitive" is dissected and examined in detail -- including cast lists, writing and directing credits, episode numbers, original air dates, episode descriptions, and verbatim "Prologue" and "Epilogue" text (the exact words spoken by series' narrator William Conrad at the beginning and end of each episode).

Many fun "Fuge Facts" are also revealed for many of the 120 episodes. These "Facts" are bits of little-known trivia that make this volume an even more enjoyable read.

In addition -- This book includes extended chapters on the series' Pilot episode ("Fear In A Desert City") and the two-part final episode ("The Judgment"), which remains to this day one of the highest-rated TV programs in the history of the medium.

There is also an "Appendix" area of the publication, with "Appendix 2" consisting of some very interesting trivial facts and data concerning every Fugitive episode -- including every single "alias" that was used by "Dr. Richard Kimble" during the whole run of the series. This appendix is useful to mega-fans of the series, as it also contains information about the "Location" (City/State) of each episode, as well as Kimble's "Occupation" on each show. Example --- Episode 31 had Kimble pretending to be "Frank Borden"; Occupation: "Dishwasher"; Location: "Harrisburg, Pennsylvania".

Many top-notch black-and-white photos are also scattered throughout this paperback publication, mainly publicity stills.

"The Fugitive" (1963-1967) is one of the best TV dramas ever put on the boob-tube. The long-running cat-and-mouse game between Dr. Richard Kimble (David Janssen) and the police officer who let him get away, Philip Gerard (Barry Morse), provided some of the finest tension-filled moments ever aired on television.

"The Fugitive Recaptured" does, indeed, "recapture" the magic that surrounded this first-class piece of television entertainment.

Very Highly Recommended.

Certain television shows were so enormously popular during their original runs that they have been reincarnated more than once. THE FUGITIVE is one such drama. When Dr. Kimble began to run in 1963 in a three partnered minuet with Lt. Gerard and Fred Johnson, the American viewing public was so enamored of the chase that they refused to accept the judgment of THE JUDGMENT (the series finale) that the running had indeed stopped. Ed Robertson in his THE FUGITIVE RECAPTURED analyzes just what it was that made millions of Americans tune in every Tuesday night to watch Kimble run from one man only to pursue another. Robertson captures the essense of the spirit not just of the show but also of the social subtext of the show. In his Fuge Facts and plot synopses, Robertson well delineates the motivation of a doctor who, in his forced travels, became a collective Keroukian ON THE ROAD, with every watching viewer able to tap into the flip side of the American Dream, that out there in every dusty small town and bustling big city lay adventures that we could not aspire to but Kimble could. Roberston reviews every episode, judges its intrinsic worth, provides the needed Kimble trivia of both character and actor, and adds a handy list of names that Kimble used over a four year run. This list resembles a phone directory of a small town that Kimble must have passed through more than once. Reading THE FUGITIVE RECAPTURED made me think of the follow up success of the filmed version with Harrison Ford and the less succeessful small screen run of Tim Daly. It is not likely that the latter two will ever be considered worthy contenders for a pantheon of running heroes, but Robertson's literary paean to David Janssen serves as a perpetual reminder that for a spirit of a character or of an age to be recaptured, then that spirit must have been worthwhile in the first place. Robertson's book will not let Kimble ever run far enough or fast enough to escape our notice.

I can certainly add my kudos to Ed Robertson for his labor of love in this book commemorating the 30th Anniversary of the famous television program. This work brings to life the entire four years that the series ran on network television, and gives the reader the feeling that he was actually "on location" with the cast and crew as they produced this first-rate series. Each episode is fully documented with full credits for the director and all principal actors in the series. The episode synopsis give the reader a feeling of being on the run with the Fugitive. The opening and closing narration for each episode certainly sets the tone for each nights program.

If you are a fan of this great television series, then this book is certainly for you. I highly recommend it.

I love Matsumoto's work. Maetel is one of my all-time favorite characters, as is her friend (and in the movie "Maetel Legend", her sister) Emeraldas. Harlock is...interesting, but kinda cool. Tetsuro, well...he's okay.

The plots are incredible! They really make you think (and I'm not just talking about the blurbs at the end of each segment!). There are very few manga that can do that.

I reccomend this series to any and every anime/manga fan!

In the distant fututre, ayoung boy named Tetsuro steals a boarding pass to a train called the Three-Nine. After emabarking, he meets a woman named Maetel, who bares a striking resembelance to his deceased mother. A grand journey begins that will take Tetsuro to the edge of the universe and back. He will meet many friends and enemies in his journey of wonder.

Despite the artwork which will turn off fans of superhero-style comic books, Galaxy Express has a style unto its own that needs to be appreciated by a more mature reader. The story is excellent, the social commentary is superb, my only problem is the SLOW release schedule. This book easily ranks equally alongside the other great (translated) mangas of our times, including Nausicaa, Lone Wolf and Cub, Dominion, and Adolf... Buy this book!

Here's a summery of the 18 volumes, NO spoilers^_~

"You think Tetsuro Hoshino has seen the last of the Gallaxy Express? Starting where the 2 part movie left off, Maetel sets Tetsuro back on the path to Manhood (NOTE, he is VERY young) & the trail of goals, making new friends & discovering the ones he'd thought gone, learning the harsh lessons of reality in the endless sea of stars. Mysteries come to light, only to be darkened by a new challenge or question or an old memory, & the entire gallaxy asks only of Tetsuro to survive & NEVER to forget.

Leiji Matsumoto, the creator, is second in popularity only to Hayao Miyazaki (Kiki, Totoro, Laputa, Lupin), & has one many awards for his interconnecting series.

This is one the whole family should watch because it's sincere, complex, inovative, provocative, dramatic, & contemplative above everything else. It's a helluva good story/plot that makes you think about the facts of life & its challenges. It has nothing corny or cliche, a literary masterpiece(despite the craappy artwork). It teaches about achieving goals, following hopes & dreams & beliefs, finding ones purpose in life, & keeping promises.

Personally, I wouldn't trade MY collection if you offered me 3 times what the whole set is worth^o^

His writings are like.......Pringles. "Once you pop, you can't stop."

I have liked GE 999 ever since I started readng it in Animerica magazine. So, I got this book, but discovered that this is actually the *sequel* to the *first* adventure of Maetel and Tetsuro. I got this information from the biographies of the characters and the clues in the story. As a result of not havign read the first series, I am a tad bit lost. Can someone tell me WHY they chose to publish the sequel in English before they translated the first series? It doesn't make any sense!

Anyway, the characters are fun and I enjoy their adventures. But the blurb at the end of every chapter is too deep and confusing for me to understand.

I like this, and I will look up the first series--right after I find out who started this translating mess in the first place.