Television Books

While it's size may seem like overkill, this book packs a punch! Once you open it you'll see that it is definitely worth the money you'll pay for it. The photographs are really great and they give you a really cool behind the scenes look at the sets of the entire Star Wars Saga. Many of these pictures have never been published, so that alone is a very neat feature! And this book is more than just a pretty picture as it has some really well written and informative bits that I had very little understanding of before I read it. I now have a better grasp of set building and computer animation and special effects. I recommend this to any Star Wars Fan!

WOW - photos I've never seen anywhere else! What a fun non-read this is!!!! For sure a book to talk about and keep on a coffee table! Small, packed and colorful!

This book offers a very nice mixture of inside views to the making of the original Star Wars movies as the new series Episode I to III. Each day (or double page) is showing one aspect of this amazing series with lots of pictures and information waiting for you.

Only downside in my opinion is that it is a bit too much focused on the new Episodes even though there is tons of information about the original movies too.

On the other hand you have a CD with 360-degree-views of some sets and some rare pictures on your PC!

All together this might be the perfect gift for a Star Wars fan like me ;-) 5 Stars!

This book is not the same old thing. It features pictures I'd not see anywhere else. Its a very heavy, very thick book full of great behind the scenes stuff. Worth every penny. I just wish John Knoll would make an equivelant book for Pirates of the Caribbean.

This book is really cool for most Star Wars lovers. It shows you how they filmed the movie. You can see who played the Wampa. I think the coolest part is Mustafar because you can see the lava river bank. You can also see on one page all the Astromech droids. You can also see alot of cool other stuff.
You should buy this book if you're a Star Wars fan!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I noticed that no African American entertainers or producers were interviewed for this book. Maybe Michele doesn't know any black folks - hmmm. HOWEVER, I do recommend this book for anyone interested in an entertainment career. It gives an important slant on how to find work in the industry. It approaches the subject from both a metaphysical and practical viewpoint. The interviews from people working in the field were insightful and valuable. I would have given the book a 5 if there had been more diversity. I believe the experiences of successful "minority" entertainers would have given the book greater value.

I've spent countless hours and money pursuing my acting career before I running into this book at http://www.SuccessInActing.com I've overlooked many of the facts written about which could have saved me frustration, wasted effort, and money if I would have read this book first.

Michele Blood has written a magnificent book with all the ingridients to inspire you, educate you and put you on the right track to manifest the life of your dreams. Highly recomended!

I learned these techniques from Rock last year and have attended his amazing seminars where industry insiders speak frankly about how the BUSINESS of acting operates. I have been in this industry longer than some of the other seminar attendees have been alive, and I have never heard anyone speak these eye-opening truths before. What a gift for any actor! Michele Blood is a beautiful little whirlwind of enthusiasm, bubbling over with love for the world. Both of these people are inspiring, uplifting and genuinely interested in helping people succeed. Among an industry famous for its charlatans, they prove that at the heart of Hollywood are beautiful people. If you can't attend their seminars - or even if you can - this book is a must-have. Oh, and I want to mention that in the last two weeks I have scheduled 5 auditions and one callback, and I am currently cast in four films which are in various degrees of development. God bless you, Rock and Michele.

I'm a metaphysical fiction and screenplay writer with a daughter who graduated from The American Academy of Dramatic Arts some years ago. How I wish this book had been available to her. The succinct, straightforward and highly useful advice in this book wasn't available then nor is it available elsewhere now. It approaches success in Hollywood, or in any business or life endeavor at all, from the two most important fundamental aspects - the outside and the inside - workable, useable business advice by Rock Riddle, and practical, amazing techniques for continually keeping your spirit and personal action pointed in the right direction by Michele Blood. What a terrific team! This book is a complete package, underscored by meaningful interviews with successful individuals who have intuitively put these principles into practice in their lives. The compilation of information in this book is truly astounding and shouldn't be missed by anyone.

I discovered this book after the Auntie Mame duo and I couldn't stop laughing. It was an excellent combination of pseudo-memoir and wacky photographs that fit and enhanced the tale of Belle Poitrine (look up the French) perfectly. Her rise and decline was so familiar based on the autobioraphies of that time but with much more absurdity and hilarity. It seemed pretty outré even given the greater censorship strictures of that day.
A wonderful read.

Belle Poitrine... literally the beautiful bust, but in reality the big bust. The biggest bust of all time.

Is it tongue in cheek? Did it happen?? Did it happen just that way?? Or has time, booze and a "happy outlook" altered the history of the most ridiculous success story ever told? I'll never tell, but intent historian that I am, I constantly read and reread this irreverant tale of trickery, chicanery and outright unapologetic greed. And I mean that in the best possible way!!!!

Humble beginnings, fortuitous marriage after marriage, brides in black and a crackjack whip smart brain that thank goodness was used for the good of mankind. Belle tells you girls how to spin assets into stocks, bonds and real estate. The Suze Orman of her time. It's a bit of The Women, a smidge of Auntie Mame, a heaping dose of Lorelei Lee without the heart of gold all undressed with pictures to chronicle the life and times of the greatest legend in her own mind. Lemonade without sugar!!!!

Keep it by your bed. It's my favorite bedtime story. Pull it out time after time and open it anywhere once you've read it through. The sheer ridiculousness of it all makes it one of the best reads as told by one of our best creators of giggles, belly laughs and overt hyucks and guffaws. Mame Dennis without proper restraint(s).

When it comes to the "classics" of gay/camp literature, I always seem to find myself behind the curve. My friends can praise and recommend a camp classic year after year and I just can't muster enough enthusiasm to read it. In fact, it wasn't until the early 1990s that I finally read the entire TALES OF THE CITY oeuvre - blasphemy in gay circles, and considerably beyond the heyday of 28 Barbary Lane. I guess I just need to come to the gay classics in my own time and can't be lead to them by other people's tributes, no matter how emphatic. Anyway, it was just yesterday that I finally read LITTLE ME by Patrick Dennis (circa 1961- making the book only slightly older than me): this, despite the fact that this novel was re-released and embraced by a third generation of gay men as recently as 1989. And I have to say that I thoroughly enjoyed it, laughing out loud on nearly every page - all the while asking myself why I didn't read this one sooner. Maybe then I could have appreciated and participated in some of the jokes and one-liners that were all the rage among my circle of friends back in the late 80s and early 90s. This is my punishment, I guess, for always feeling like I have to boycott the latest gay trend. On the bright side, reading LITTLE ME now has given me an opportunity to remember my old friends from that bitter-sweet period in gay history - many of whom are no longer with us. And finally, I can laugh along with them, even if only in spirit. For others out there like me who have not yet picked up a copy of LITTLE ME ... if you don't want to read it for yourself, read this one for your friends! And for the newest generation of gay/camp devotees, read this one together with YOUR circle of friends ... you'll be glad you did.

So Campy, so Fabulous, so hilarious. Could also be titled "memoirs of a woman who wanted to be a drag queen".
I had seen the stage play of the same name and laughed to the point of near incontinence. The book brings all of the memories back into the present state of mind. Thankyou so much for the pictures too.

My God - I don't even know where to begin on how great this book is - pure hilarity from start to finish. If you are familiar with the work of Patrick Dennis, than you're in for a real treat. If his writings are new to you, well, you're in for a crash course.

Written with perfect, tongue-in-cheek camp humor, the autobiography of Belle Poitrine is the perfect send-up of the best Hollywood autobiographies - hysterically self-absorbed, condescending and - best of all - full of absolutely hysterical photographs by the great Cris Alexander. Belle's rise to fame from her childhood black sheep status, mid-life trials and tribulations, countless marriages (most often ending in widowhood) and more are all represented - once you're under the spell of her life story, the book is impossible to put down. And, please, do not rush to find out the ending - it's utterly priceless, and worth the wait, but to get the full, hilarious effect, you have to read everything leading up to it.

Read at your own risk - if you do, you'll surely be telling everyone you know about it - the humor is most contagious, and you'll be compelled to share. Enjoy!!!

This is an extremely thorough, even-handed and well-written bio. The author's approach is intelligent and his research and references are extensive.

One learns that Brooks began as an upper middle class wildchild from the plains who determined early to be a great dancer. She had talent and determination. But Fate along with timing made it possible for her to escape Kansas for New York City at the tender age of 15 (!) to train with a premiere dance company. She seems never to have gotten past being that wildchild and was, at 17, dismissed from the troupe for unacceptable behavior. Soon she was a dancer on Broadway, including a stint with the Ziegfeld Follies. Next stop, the movies!

Being admittedly "selfish and stubborn" as well as volatile, Brooks tore through New York, Paris, London, Hollywood, Berlin and back, living it up and burning bridges all around. By age 25 she was finished in terms of ever becoming a movie star or great dancer. She eventually disappeared into a gin bottle, was reduced to dance instruction, retail sales and finally "love for sale."

This is all fascinating enough, but her late-in-life resurrection as a rediscovered silent era "icon" (based mostly on films made in Europe in the late 20's) and as a newly minted writer is the surprising twist toward the end of an otherwise bleak life story.

Her work in Pabst's "Pandora's Box" ought to provide Brooks all the immortality any actress could desire. She is spectacular as Lulu and deserves every accolade. She was a beauty, but there were other beauties of her era who achieved greater stardom - Joan Crawford, Marlene Dietrich, Greta Garbo, Jean Harlow. Her "black helmet" hairstyle was well suited to her looks, but it's more likely that Colleen Moore actually popularized the look, having been a superstar of the 20's (which Brooks wasn't)and the iconic "flapper." As for her skill as a writer (with reference to "Lulu in Hollywood"), I find Brooks interesting, insightful and even poetic, but there is an underlying note of bitterness that undermines any claim of objectivity. And, considering her decades of gin guzzling, I question her ability to be very accurate 40-50 years after the fact. For me, the mystique and power of Louise Brooks comes down to her performance in "Pandora's Box," her primary and glorious claim to fame.

Read "Louise Brooks" by Barry Paris and form your own conclusions. Don't miss "Pandora's Box." The Criterion Collection DVD boxed set includes Kenneth Tynan's 1979 profile, the TCM production, "Looking for Lulu," a 1970's interview with Brooks and other extras.

This book is an expansive overview of the life of Louise Brooks and also of the early days of the movie industry. Very throughly researched, it gives a nuanced look and the beautiful, brilliant and maddeningly self-destructive icon. It also is a wonderful history of the entertainment world in the 1920's and the personalities who populated that world. A must-read from fans of Louise Brooks.

Several books have been written about Louise Brooks, but this book is probably the most concise and most thorough of them all. The book starts off with Louise's birth and it describes all the people that helped to make Louise so interesting and famous. There are many black-and-white photos of Louise, from the time she started in show-biz (at age 4) to Louise in her later years, just before her death.

Since Louise Brooks had such a fascinating life, it is not a surprise that this book is so long. Each Chapter basically covers a chunk of her life, and each Chapter describes (in detail) the characters that encountered & shaped Louise, and also all the Theatre and Movie productions that Louise was involved in.

This is what a biography should be: insightful, understanding, offering a measured & complex view of its beloved subject. And what a subject Barry Paris has in Louise Brooks! Her beauty, her intelligence, her compelling charisma all shine in these pages, giving us a multi-faceted view of this ravishing star. For someone who had never heard of Louise Brooks, this biography will send him or her in eager pursuit of her all-too-few films & her own writing -- and both are of the very highest standard.

It's clear that Brooks never did anything without wanting to give her all, to make true art out of it, a work of beauty & meaning that would stand the test of time. And the same could be said of this superb biography. While Paris clearly adores Brooks (and with good reason), he never succumbs to blind hagiography. Nor does he stumble in the opposite direction of pathography. His purpose is to explore the life of a fascinating woman, and to present it to the reader as thoroughly & lucidly as possible. He succeeds on every level. Louise Brooks emerges from these pages as both a flesh & blood woman, and as the dazzling, mysterious icon she became to countless admirers.

In short, the best book on Louise Brooks you'll ever find, most highly recommended!

I have not yet read this entire book, but just glancing through it when it arrived I would find that I have just read twenty pages or so whenever I openned it up. I can't wait until I read it cover to cover.

I have read this book and My Girl. I absolutly looove these books, and the movies are great too. I love reading the books and I won't ever set that book down, literally. Vada is such a cool girl and the book gives her a unique outsider taste to her. She is such and interesting girl and this book is the greatest book written to come for centuries!

I loved this book. It is adventourous,romantic, exciting, and partially sad. It was a 4 tissue story. The book is about a girl who is writing a report and has to find out information about her mother who died after Vada, the girl, was born. It was a great story. I think anyone that likes to search for new things and enjoys a little mushyness would enjoy this story.

A project another project, but this one is about someone she knew nothing about. Vada Sultenfuss is in English and the day is almost over. In the last few minutes of class, she was told that she had to do a project. When the teacher asked who she was going to do it on she said she would do it on her mother.When she sais that, the class was silent. The next week was spring break, so she wanted to go to L.A. to see if she could find anything out about her mother's life. After, finally persuading her dad to let her go, she was of to L.A. When, she got to the airport she was supposed to find a boy named Nick who would take her to her uncle. Lucky for her she finds him. Unlucky for her he has a bad attitude. Nevertheless, the two of them get a taxi and are off to her uncle's house. For the next five days of her search for information about her mother, nothing but misfortune cane her way. These adventures create an enjoyablebook that I think any girl who likes adventures will have trouble putting it down until the last page.

I just LOVE this book! A great sequal to the first book. It's mainly about a thirteen year old girl, Vada Sultenfuss, who has been assigned to do a project on someone she admires but never really met. Naturally, she chooses her mother, who died because of birth complications. Her dad's an undertaker, who remarried to Shelly, the lady that does the make up on the...uh, deceased people. Now Shelly's pregnant. It's not one of those fairytale stories, where Shelly's the evil wicked fairy stepmother, or anything. Really. Vada actually likes Shelly, but has mixed feelings about it. She doesn't mind there's a baby, but she feels bad about the fact that she'll have to give up her room, something her mom had chosen. Another thing is that she's afraid that Shelly might die too. In the mean time, she has her new friend Judy to think about, whose currently dating the oh-so-cool-and-totally-snott-faced...(drumroll, please)Kevin Phillips. Soon, she decides to go to L.A., her mothers bithplace, to find out more for her report. Once there, she meets up with her Uncle Phil, his girlfriend, and his almost stepson, Nick. It starts out as a bribery thing, really, with Uncle Phil paying Nick five bucks to take Vada from the airport, and ten to take her around the place. Vada finds Nick incredibly disagreeable and wonders why he tags along anyway, if he dislikes her so much. She finds out more about her mother, though usually dissapointing bits, but eventually confides in Nick pretty many things, such as her mood ring and Thomas J.They become friends, really good friends. Really, REALLY good friends. Dare I say, a little more? Then, she finds out about some guy her mother had already been married to, and begins to worry that this Jeffery Pommery guy could actually be her father. She finds out once she meets him, though, that she's wrong. Totally, completely, embarrassingly wrong. She even got to keep a vidio tape of her mother singing and acting. So, in one little Spring Vacation, she finds out about her mother, gets her ear pierced(barbaric customs, Nick calls it) and gets a sort of couisin, once Phil proposes. Not that they want to be couisins, they'd rather be... well, Vada doesn't say, but you know. Now, at the airport, she gets her first kiss. Second, actually, afterall, Thomas J. kissed her first in the first book, but that's another story. Anyway, guess who does it? Nick, of course. On her way back on the airplane, she finds a tiny box with the chandeleir earrings that she wanted, along with a note saying, "In memory of barbaric customs. Love, Nick." Intrigued by the "love" part? Too bad for you, that's basically the last we ever heard of Nick. Once home, she rushes to the hospital to find that she is now a sister. Stepsister. Whatever, you know what I'm talking about. I'm not about to tell you the end- okay, I already told you most of it, but still, it's REALLY worth reading!! Since most people will probably see how long this review is, they'll probably skip it. Well, there goes twenty minutes writing to a waste. Oh well. Just one last thing: YOU...MUST...READ...THIS...BOOK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I love this book. The minute I started reading it, I could not put it down. Tonight I am renting the movie. I can't wait! I am going to read the first My Girl next. I heard that was really good also. I'll let you know how I like it.

This is the definite cluetrain (doc searls et al)for broadcasTV news. Much the same way cluetrain sparked a marketing revolution, this does the same for broadcast journalism.
I first meet the author when she was interning for Florida Today in Cocca Beach.
Every point she makes in this book is vaild. The take on "fox fair and balanced" tells me she won't be on the O'Reilly factor anytime soon.
I found only one sort of error. FYI> Matt Lauer does have a broadcast journalism background on the local level. He came out of the same environment that former NBC correspondent and current talk show host (WBUR Boston) Robin Young did, PM Magazine at WJAR TV 10 in Providence Rhode Island. That's the only small flaw I could find in the book.
The suits at CNN don't want you to read the book. They are not happy campers and with good reason. The hollywood suits trashed the network big time, and with than came the opening for Fox news to fill. Rick Kaplan is currently doing the same thing for MSNBC that he did for CNN take it down the pike.
It's a fast read but once you start you wont' want to stop.

Finally---an insider with enough intestinal fortitude to call a sham a sham!!! One can just imagine the 6 o'clock news being primmed, powdered and perfumed with just enough tear (or smile) to make it palatibly entertaining. Ms. Anderson, with her years of experience and credibility, still believes that the American citizenry is due the news, the whole news, and nothing but the news. Reserve the spin and "holy cows" for the baseball commentators! If the media execs remain stoically entrenched in the annals of the entertainment world, then let them be reminded of the old radio classic, Dragnet, where the byline was...."the facts, Ma'am, just the facts".

Bonnie Anderson's book has brought to the light of day what I have felt has been a problem with the media for some time. Many of the newscasts are more concerned with form, not substance; how they look and not what they say. Her book is a very good read and pulls no punches in pointing out the way many in the media are more concerned with entertainment than hard news coverage. Her description of this type of coverage as "Infotainment" is right on point.

News Flash brings to the reader another big problem influencing news coverage which is how mega mergers are affecting the coverage that is being presented to the viewing public. Unfortunately the impact is not good and these large conglomerates are proving the old adage "bigger is not always better" to be very true.

From her experience at CNN as a reporter, managing director of a news division and Vice President of Recruitment and Training, Anderson offers the reader a unique perspective as to what goes on inside a large news organization. She provides an in depth look at what takes place behind closed doors when it comes to hiring, firing and staffing in today's media corporations and much of what she reveals should be quite disturbing to the viewing public. This book provides some very interesting statistics about the media and its management which I am sure most of us were never aware of.

While Anderson points out numerous things that are wrong with today's TV media and its management, she also brings out the good that the true journalist can and should do. At the end of the book she offers her thoughts on what the media can do to provide the viewing public with quality news coverage. She should be commended for taking a stand and bringing to our attention the problems and proposing solutions to get TV journalism back to the quality we need and deserve.

In light of Anderson's criticism of the TV networks and cable news channels, it will be interesting to see if any of the media will afford her the same opportunity to present her views as they did when Bernard Goldberg published his book on bias in the media. If they do not, shame on the media, again.

News Flash appears as a rising meteor against a field of weakening stars. Ms. Anderson's book takes the reader through the shenanigans of the TV news broadcasters in their unadulterated striving for place and profits while leaving behind journalistic investigation and integrity. Her words turn out to be an exciting journey of personal experience and incisive exposure.
As a long time news journalist Ms. Anderson sets a fair bar for news organization to reach. Her experiences and reporting often show just how good news organization can function. The same intimacy exposes the petty, inexcusable machinations of networks in journalistic decline.
Ms. Anderson's news flashes exposes the perfidy of CNN's executive wing in its Tailwind scandal, the staging of news as presented by NBC's Dateline story on General Motors in 1992 and the apparent homophobia of Roger Mudd given his attitude toward AIDS victims. But indeed, Ms Anderson is not a muckraker. On the contrary, hers is to excite the industry to better, to reset the standard of TV journalism. She gives as examples her own series on drought and famine in Africa bringing a change in American policy on humanitarian aid, or of CNN's initiative in covering the return of twenty-four U.S. Navy spy plane crewmen held in China. While these could be considered scoops, her admiration for her industry is best held by her words on the, "spectacular breaking news coverage of the 9/11 attacks."
Ms. Anderson words border on the requirement for broadcast journalism to return to its traditional values and to assure the public a clear and unbiased presentation of the news. Ms. Anderson carries the fight to those in the industry already sullying news broadcasts as entertainment and who have diluted their own professionalism for money, position, or simply hubris.

From her insiders view of the whole industry, Bonnie
Anderson delivers a searing indictment of our corrupt,
sensationalistic television news. She lays out fact
by fact, and name by name, just how, why, and most
importantly who is to blame for this once esteemed
institution's downward slide into the very muck it
used to deplore. For years, Noam Chomsky's theories
about the corruption of the news media have grown less
alarmist and eerily more prescient as the
infotainment age reaches its belligerent maturity.
But while Chomsky was lecturing about it, Ms. Anderson
was out in the field living it. She recounts, with a
journalist's eye for detail, all that went astray
within our large media conglomerates. The cast of
characters are all to familiar, Browkaw, Jennings,
Schwarzenegger, Striesand, O.J., Clinton, Leo,
Lewinsky, and Lettermen, as Ms. Anderson makes a
compelling case for the media's distortion from a
revered source of accurate information to an
increasingly grotesque and obvious fountain of
entertainment. "If it bleeds it leads" is the mantra
of newsrooms of our day, and may truth and rational
perspective be damned. Everything of value is
jettisoned in light of shocking and sensational video
footage about any subject, no matter how irrelevant
and trivial. No one will hear about the latest civil war in
Africa when every second of news time is dedicated to
footage of a shark attack in Florida, human interest
stories, a surfing cat, or another excessive
Hollywood wedding.

I heard ABC WILL cancel ONE LIFE TO LIVE as of JULY 16. The press of daytime soap operas is not telling viewers and put the information about it in the Magazines. Write to ABC DAYTIME in New York please!

The other 2 reviews were right about ABC daytime canceling ONE LIFE TO LIVE in July 16,1999!,to make room for a new soap opera, PACIFIC CITY.Please right to ABC DAYTIME about this, they aren't going to tell the public 'til OLTL is cancelled. Don't let this happen, like what happened to NBC SOAP ANOTHER WORLD. Write to ABC DAYTIME about this, why?

I HAVE BEEN A BIG FAN OF OLTL FOR 25 YEARS. THIS BOOK IS EVERYTHING I COULD WANT IN COVERING MY FAVORITE SOAP OPERA. THE INTERVIEWS, PHOTOS, RESEARCH DONE MR. WARNER IS OUTSTANDING. IT BROUGHT BACK SOME GREAT MEMORIES FROM THE PAST 25 YEARS. ALL FANS OF ONE LIFE TO LIVE AND SOAPS SHOULD OWN THIS GREAT PIECE OF WORK. A WONDERFUL BOOK DEDICATED TO A WONDERFUL SHOW THAT FILLED MANY OF MY AFTERNOONS. A MUST READ.

This book is a wonderful historical memoir of one of the most daring and well-written shows on daytime.

Not only does it chronicle the show's rich history, it includes wonderfully bright and vivid color photos of many of the most-loved actors/actresses/characters that have been on the show.

I highly recommend this book to all fans of OLTL!

This book has all that any fan of 'One Life To Live' would want. You can relive the storylines through all of the recaps. The book features listings of every character to ever appear on the show, along with many pictures of past and present greats from the show. It is definitely a nostalgic trip down memory lane.
The book did a wonderful job of cramming 30 years into something that is totally enjoyable. I really can't think of anything that was missed.

Tarkovsky's 'Sculpting in Time' offers a fascinating glimpse into this master's theoretical and poetic approach to his craft. Reading it alongside with 'Time Within Time', his diaries collected, the text casts a new light upon the work and mind of this artist of truth and sacrifice - A true must for art lovers worldwide.

I was introduced to Tarkovsky's work about 20 years ago during my time in film school, and The Sacrifice was the movie that turned me on to his outstanding cinematic legacy. The more I saw, the more I wanted to learn about the artist. Then I came upon Sculpting In Time; a cinematic memoir which has forever changed my life, and my artistic visions.

This book is nothing short of inspirational. I highly recommend it even if you are not familiar with Tarkovsky's work. Each chapter is loving written, eloquently detailed and profoundly insightful on topics such as the importance of sound, story and visual aesthetics in filmmaking. Tarkovsky's ability to, quite literally, sculpt cinematic moments in time in each of his films is nothing short of genius.

Thames & Hudson have triumphed with what collectors might regard as a limited edition, artist's book.This isn't the place to start chipping into Tarkovsky. It is more the devotee's piece - a touchstone which alludes to the magnificent ediface of his films: all which return the viewer to their world with a deeper, more spacious vision, an expanded present moment. In 'Rubelov','Solaris', 'Stalker', and,'Sacrifice', to name my favourites, he re-invented the epic with sustained inquiries into our transience without heady verbalism or vanity. To grapple with his own thinking about his achievements and how he positioned himself as an artist, one should seek out,'Sculpting In Time,'penned towards the end of his relatively short life. Recently, French documentary-maker, Chris Marker('Sunless') compiled a stunning homage to this Russian cinematic master. Bits of Tarkovsky's aforementioned book, and excerpts from his diaries appear with the reproduced polaroid snaps(the present book's theme)which fall into two geographic zones, Italy & Russia and are bookended with short tributes by two Italian friends. Every effort has been made in layout to convey the darkened atmosphere in which the illuminated materiality of these world's float to the viewer's eye. And in images barely larger than matchboxes this scale has some of the hallucinatory power of his movies. The layout & medium insist on episodic, fragmentary framing. Tarkovsky's films privilege the same exquisite framing with a sensual appetite for textures above narratives that makes us feel newly arrived at a primary experiencing of the world. These polaroids could have served as his flexing towards film projects: even their outtakes.

Sculpting in the time represents one of the most expressive eloquents statements of one of the supreme masters in the cinema art as Andrei Tarkovsky was .
All long this book you will read several aspects of the man , the thinker , the poet and above all the unvaluable reflections about the art in general and his craft in particular .
Tarkovsky makes an account about all his filmography ; making a detailed and exhaustive explanation about every film .
You will understand in all his wideness conceptual some concepts derivated about the role of the cinema in the actual world . The influence of ancient directors , his opinions about the role of the artist in the world , and some mesmerizing photos from his films as Ivan' s childhood , the Mirror , Nostalghia or Andrei Rubliov . There are some poems from his father Arseni Tarkovsky who were part of films such The mirror in the Spanish Civil War and the poem from the poet from Nosthalgia for instance .
It's a must for you to acquire this book . For me it was a delightful surprise to get this text in New York in 1995 .
Fundamental artistic legacy from this russian ( 04-04-32 / 12-29-6 ) master: in memoriam!

"Sculpting in Time" is truly an amazing work of art in its own right. Certainly filmmakers have written books about their artistic styles in the past. Philosophers have written elaborately on the subject of aesthetics as a whole in the past as well. And yet "Sculpting in Time" offers those with aesthetic interests something truly unique.

It should be forewarned that Tarkovsky, like Ingmar Bergman, was heavily interested in aesthetic philosophy. In fact Tarkovsky's ideas regarding art borderline the metaphysical (as this book is often used in higher level philosophy classes), and yet - through the tone in which the book is written - "Sculpting in Time" manages to appeal to the average Tarkovsky or cinema studies fan in such a way that no other aesthetics book has managed.

Tarkovsky's self-written "Sculpting in Time" is an amazing supplement which describes the brilliant filmmaker's use of filmic techniques but also goes a step further by explaining (at great length), why the filmmaker believes those techniques are significant. The value of his tried efforts to create a meaningful work of art directly relate to Tarkovsky's view of art as a whole.

Tarkovsky's views of art are complex and yet are reiterated for the reader so simply they stand out in "Sculpting in Time" like a gem. For instance the underlying theme in Tarkovsky's writing is the idea of an "absolute truth" of art which can be derived a given piece of art. Without giving too much away, Tarkovsky's beliefs, as expressed in his chapter "Imprinted in Time" mostly, is simply that art done for the right reasons - containing some form of objective truth within it - serves to link us (subjective beings), with an "absolute." From that blooms Tarkovsky's entire creative aspect fans of his films know and love him for.

I have to recommend this book to anyone interested in aesthetics, cinema studies, or Tarkovsky. I think this is a nice supplement to have when watching Tarkovsky films as well, so it might just serve to spark the interest in a philosophy buff to check out a few Tarkovsky films! Enjoy!

Stephen King did a good thing by writing this book.The charcters and cast
are wonderful, This is one of my all time favorite, what goes on behind the walls of a prision.

After reading 85 novels, I finally read a Stephen King story. My friend who encouraged me to start reading had been after me to read him for awhile. I am really glad that I did. He is a great story teller and kept me in the story even when I wasn't reading it. As I have said before, a good writer is someone who can paint a vivid picture in the reader's mind's eye. This is done here in painting a picture of life in Shawshank Prison, Maine. This a great story of one man's strength to survive against all odds; we can all learn from this. It certainly should be told to all those who would think of breaking the law.

"Stand by me" - this is the most important sentence in the novel The Body written by Stephen King. The novel is about the natural and deep sense of friendship. Four boys are keen on experience an adventure, they take a long way to see a dead body in the forests of Maine. Alone on the way of excitement and fear, they are between childhood and adulthood. The story is easy to read and also to understand.

Reta hayworth and the Shawshank Redemption, was a great short story by stephen king. I enjoyed reading this book and even watching the movie. I was suprised how much the book grabed my attention and how I didn't ever put it down.

I recently watched both "The Shawshank Redemption" (with Tim Robbins and Morgan Freeman) and "Stand By Me" (with River Phoenix, Jerry O'Connell, Wil Wheaton and Corey Feldman) and this prompted me to dig out my old copy of Different Seasons. Most people are surprised when they learn that those movies were based on novellas by horror master, Stephen King, but he shows that he's not just into scaring the heck out of you.

The story cycle bases one novella per season, and each follows characters on a journey, whether it's one of hope, descent into corruption, coming of age, or life through offspring.

"Rita Hayworth and the Shawshank Redemption" takes place over decades, as a prison inmate retains his spirit and soul, while breathing life into a dark institution, and whose patient nature finally leads him to freedom. The story is told in first person from the point of view of old Red, the guy who can get you things, about Andy Dufresne, a young banker jailed for the murder of his wife and her lover.

One of Kingýs great strengths is creating a believable voice for his characters, and as you read this tale, it is like Red is talking to you. Other King strengths are providing back story and creating a world in which these characters live, one with a past, present and future, and it makes them three dimensional. One of Kingýs flaws is going off on tangents and digressions a bit too often, but he always comes back to the story.

ýThe Bodyý (basis for ýStand By Meý) is a coming of age story about four small town boys on the cusp of entering Junior High School. On the Friday before Labor Day, they set off to find the body of a missing boy. One of the four boys, Vern Tessio, overheard his brother talking to a friend about the dead body.

The characters fall into several categories: Gordon LaChance, who narrates the story as an adult, is the dreamer/writer whose older brother died earlier that year. Chris Chambers is athletic, tough but smart. wise beyond his years and the white sheep in a family of black sheep. Teddy Duchamp is the psycho wiseguy who wears thick glasses and hearing aids as the result of his war veteran father putting his head to a stove. Vern Tessio is the least intelligent, but plays a key symbolic part as the one tells the others about the body and also is the first to spot it.

Along their journey, the boys encounter adventures, such as Milo Pressman the junkyard operator and his dog, Chopper. There is a run across a high trestle as a train bears down on them, a swim in a culvert full of leeches, and a night in the dark woods with screaming wild animals. When they eventually reach the boys, they have a run in with a group of teenage hoods from their town. A major difference from the movie, is that this story details the aftermath of the confrontation after the boys return to town.

King does a nice balancing act with his adult narrative and pre-adolescent dialogue, making each voice unique and fleshing out each boyýs character to make them multi-dimensional. All four experience growth, but Gordon and Chris take this growth with them as they get older. Donýt let people drag you down. Thereýs a lot more to this story than just kids looking for a dead body.
My bumps here are again that King goes off on tangents and digressions, some to fill in background and history for the characters, but sometimes really straying far from the course. At one point he takes nearly a page to say that someone is dead, where ýThe kid was dead. The kid wasnýt sick, the kid wasnýt sleeping.ý Would probably have sufficed.

I wonýt go into a lot of detail about the other two stories. ýApt Pupilý is about a boy who discovers a Nazi war criminal living in his town, and blackmails the old man into telling him stories about the war in exchange for not blowing the whistle on him. The stories the boy hears slowly lead him into senseless acts of violence. In ýThe Breathing Womaný a ýdisgraced woman is determined to triumph over death.ý

These four stories combine to make an interesting cycle, and demonstrate that Stephen King has writing talents that stretch beyond his horror work.

Based on the same-titled movie released in 2001, Mel Odom's novelization of the Angelina Jolie flick is top-notch, enveloping every quality that made the archaeologist one of the most popular icons of the video game franchise.
Lara Croft observes the first third of a complete planet alignment - an event that happens once every five thousand years - through the high-tech telescope at her home, Croft Manor. Little did she know, only hours later, she would become an integral part in protecting the alignment's omnipotent power from ill-intended hands.

Through her deceased father's gift of a planetary clock, she travels from one exotic location to another to locate the pieces of the power's medium, a triangle emblazoned with the All-Seeing Eye, the Masonic symbol of omniscience. But an internal desire to see her father again brings her motives to locate the triangle halves into question. If she finds the pieces, will she use the power it contains for herself? Or will she snatch the godly control away from her foes and bury its abilities for another five thousand years?

Odom's literary portrayal is accurate and engrossing, detailing the emotional impact of each event and discovery, someting that may be lacked in the film version. Rather than drooling over Angelina Jolie, Raider fans can envision the described settings and locales in the book with relative ease, with every exotic touch in place. There are only very slight changes in the book, such as Croft enemy (or perhaps not) Alex West's naked romp from the shower to the bedroom in response to mysteriously lurking shadows (provided by Croft, of course); that differs from the movie's ending locale of the dining room and its strategically placed dining table.

But the story proceeds with the same heart-pounding action and romantic passion that's found in the box-office seller. Though short, it makes the reader feel as though they are in Croft's military-booted shoes, even as much as the video games do.

- T.C. Robson

This book is great. It is just like the movie, only with a little more dialouge. There are even parts before Lara's dad died telling how he tried to stop the evil. The deleted scenes only able to watch on the DVD are in this book, and I thought that was great! The action level seems a little less than the movie. The book seems to just speed by the action and to the point. I didn't really like that factor. If you liked the movie, read the novel, it is GREAT!

Very good in fact. It adds alot to the movie. More fleshed out characters and such. It's only 6 bucks, so what do you have to ose? Another plus is the 8 pages of pictures featuring the amazingly beautiful Angelina Jolie.

This book was just.. WOW!! It was way better then the movie, b/c the movie can only put a certain amount of scenes, but the book you get it all! i loved all the stuff between lara and alex, if you are a lara/alex fan this book is definatly for you!!

Long ago a meteor fell onto Earth with a magical, metallic form within it. Witnessing its power, it was forged into the (thought of) holy form of a triangle and a temple was formed to protect it. A city grew around the temple, The People of the Light were there. During an invasion, the nine planets aligned and the power of the Triangle was shown. Realizing no mortal should possess such power, the High Priest ordered it cut into two smaller triangles. One stayed at the temple. The other was hidden at the end of the Earth. However, the Craftsman who cut the Triangle in half secretly made a highly advanced device. It could serve as a guide to find the hidden piece, and preserve the Triangle's powers for future generations. It was a magic clock.

Lady Lara Croft was much like her father had been. Beginning with a clock he had hidden for her to find someday and tales he had told her as a child, she must set out to save the world. The Illuminati, a secret group of powerful people, were out to find the two triangle pieces before the planets aligned (which happened only once every 5,000 years). At her side was Mr. Hillary, her butler, and Bryce, her technician. Two tombs must be entered and survived or the world would belong to Manfred Powell.

***** I made that brief as possible, but left out much to do it. Even though the movie, as of now, has not been released, I can already tell that the book gives much more insight to Lara and the adventure in which she finds herself. However, many scenes have the potential to be much more vivid and exciting on the big screens! I found it to be a wonderful book! I plan to be in the theater, with a huge group of friends, on its first night out! *****

Reviewed by Detra Fitch of Huntress Reviews.