Television Books
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Excellent!Review Date: 2000-03-26
Alternative EntertainmentReview Date: 2002-04-07
I'm not sure if working people are portrayed as negatively as Parenti has described it. If we only take Archie Bunker as an example, then yes, but filmmakers love to advance the theme of the powerless versus the powerful, because the opposite doesn't go well with audiences. Perhaps Parenti knows something I don't on this issue.
Parenti's favorable ratings of two films - JFK and Salvador - made me want to see them - over ten years after they had been released. I managed to see JFK, and it was great. I am still looking to see Salvador.
What I would like to see is an updated version of this book, since there has been more Hollywood propaganda released since the original version came out.
Why Archie Bunker and not Eugene DebsReview Date: 2001-10-17
Maybe the best chapter concerns profits and censorship. It's no news to point out that the networks and advertisers are in it for the money. But it is news to point out those instances when producers actually forego profits for the sake of respectability. Parenti details instances when industry has eaten losses rather than jeopardise the system of wealth and power it serves. For example, Procter & Gamble, TV's biggest advertiser, makes this allegiance clear by banning all content critical of Wall Street and the Pentagon from scripts it sponsors. In fact, most scripts - as Parenti shows - go through not 1, but 4 levels of censorship. No wonder, the public walks around in an ideological haze wondering why the world hates us -- and so much for the dollar sign's being more important than the system of which it is a part.
Another telling chapter concerns one of entertainment's most popular myths: "We only give 'em (the audience) what they want." Sounds good. But, as Parenti documents, despite this appeal to democratic ideals, the entertainment marketplace is anything but democratic. He sketches out control points or nerve centers that reduce real choice to pseudo choice, sort of like a multiple choice question whose options are narrowed to a desired range of outcome. All this is made sorrier by indications that American audiences respond to forbidden topics on those rare occasions when they seep through.
No book that debunks the FBI's screen role in the civil rights movement, or points out the class conditioning behind TV's version of Treasure Island, can afford to be overlooked. Whatever the book lacks in depth is more than made up for in focus. Despite his unperson status, Parenti remains a key figure among dissident academics banished to the book-selling fringes. Recommended to all those who understand TV viewing as anything but a passive pastime.
a good analysis of admixture of propaganda and entertainmentReview Date: 2000-06-06
A great look at the entertainment industryReview Date: 1999-02-11

spectacularReview Date: 1998-08-23
SPECTACULAR!!!!!Review Date: 1998-08-23
spectacularReview Date: 1998-08-23
Superb!!!!!Review Date: 1999-07-17
It's a wonderful book for lovers of the movie-Evita!Review Date: 1999-01-25

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To Err is Human...to Forgive, La Divina...Review Date: 2008-02-29
The Best Biography I've Ever ReadReview Date: 2006-01-28
Critics say that this is the best book on the intensely private yet captivating Maria Callas. I'll go farther than that and say that it is the best biography I have personally EVER read and I am a huge fan of biographies. Yet, I can't quite put my finger on why its so good. Maybe its because Arianna Stassinopoulos shows a profound empathy for the diva or perhaps it's because she interviewed practically every living person who knew her. Maria Callas, the love interest of Aristotle Onassis who later dropped her for Jacqueline Kennedy, and of course the greatest dramatic opera singer who ever lived, is brought to life right in front of you in this fantastic, well ..... just read this book. You'll love it as much as I do.
Good beginning and ending - boring in the middleReview Date: 2008-02-28
Excellent biography. Read it when it first "came out!"Review Date: 2007-09-10
Haunting. Horrible.
Above all, this book was a major "undertaking" for the author which she executed superbly! What a story! What a book!
a page-turnerReview Date: 2006-08-05
I have not read any other biography on Callas, but I listen to her avidly (her La Wally aria is particularly addictive) and have her Tosca performance on DVD as well as the documentary Maria Callas: Life and Art. But Callas's music alone has always made me wonder about her. Such deeply mined emotions in her singing, such ferocity, such purity, such power. How does she get all these in her performances? Where does she mine them? Zefirelli has compared her to Michelangelo, Bernstein has called her the greatest artist in the world. This book answers these questions and explains why. I have to say that it is a compulsive page-turner, even now in the twenty-first century where opera is no longer mainstream. There's always something interesting in each page. At the same time the biographer doesn't belabor a particular episode or detail in Maria's life as to make it boring or overly dramatized. And Arianna Stassinopoulos is no Kitty Kelly: everything seems very well-researched and reliable.


Marilyn boxed.Review Date: 2003-05-06
ONE: An oversize Kodak color film box, nineteen inches high by sixteen wide and three deep, this is a big facsimile of the box that De Dienes kept some of his Marilyn prints in. The package weighs twelve pounds and will hardly fit any bookcase. The inside has recesses for the two books and one booklet. Black silk tape allows for easy access of the contents.
TWO: A large, beautifully designed and printed, 240 page book of Marilyn photos printed on thick paper. Although the printing screen is not the highest (150 dpi) the photos leap off the page, especially the full-page color ones. Many of these photos seem to be very private shots of Marilyn that De Dienes took during her career (a few show her with other people, a hairdresser and bookseller). Several at the back of the book show Marilyn's face montaged into clouds or surrounded by celestial bodies. Between the photos, printed in silver ink and in a large typewriter font, there are excepts from De Dienes memoirs. Also printed in silver are smaller photos with his hand-written captions.
THREE: A booklet with twenty-four, one to a page, magazine covers featuring De Dienes photos of Marilyn. Seventeen of them are European titles. Predictably, great photos are weakened by logos, cover lines and generally poor cropping. I thought this booklet was rather disappointing in its production.
FOUR: The 608 page facsimile of De Dienes manuscript and composite book. I think this is the most fascinating item in the box because of the production problems. The original pages were typed on one side of a sheet of ordinary paper and this facsimile is on similar weight stock so that the back of each page has some text showing through, as the original (There is a production problem here though, the paper rightly has text show-through but the photos do as well, on the original paper only the white back of the photo would have been visible). Although the manuscript was in black and white it has been printed in four colors to create the aged paper look and the few handwritten numbers in green and red that De Dienes wrote on the photos. You can see all of his corrections and deletions to the manuscript and read the comments he wrote about the various contact prints of Marilyn and other printed ephemera he stuck on back of each page.
The original composite section has a hundred pages (it becomes two-hundred pages in this facsimile) of cut-out contact prints which De Dienes stuck on the typewriter paper, again they are reproduced in four-color black because of the occasional handwritten colored numbers, even the image of the punched file holes on each page is reproduced. Hundreds of these contacts show how he photographed Marilyn and you can see how dozens of shots were taken of which only one or two were probably published. Most of these images have never been seen before and certainly never in the form that they are presented here.
Overall I think the Marilyn Box is an amazing production package. A world famous visual icon is presented in a unique way.
*** FOR A LOOK INSIDE click customer images under the contents photo.
Marilyn MasterpieceReview Date: 2002-12-14
beautiful, sumptuous packageReview Date: 2003-07-15
A book for a sturdy coffee tableReview Date: 2002-10-22
WHAT AN AMAZING BOOK!Review Date: 2002-10-08

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STOP READING THE REVIEWS AND JUST BUY ITReview Date: 2008-08-28
A must have for Bob Marley's fans.Review Date: 2008-05-05
Fast shipping, great condition!Review Date: 2008-02-08
A Must for the true Marley FanReview Date: 2006-12-30
A NICE CELEBRATORY OVERVIEW...Review Date: 2006-06-04

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Meerkat FanReview Date: 2008-10-29
Flower FeastReview Date: 2008-10-07
Aside from more detailed insider information (written by Cambridge
Professor Tim Clutton-Brock) there are maps of the Manor divided into
the territories held by the major meerkat clans, a chronology of Flower's life, geneological notes on Flower's children, and full-color pictures on nearly every page. Prof. Clutton-Brock has been
studying the meerkats of this area since 1993 and has done a marvelous
job of organizing and delivering a thorough and enjoyable discussion
of all things meerkat, and of Flower in particular.
I highly recommend this book for all meerkat lovers. It is worth every
penny. I know you won't be disappointed.
Great companion to the show.Review Date: 2008-06-29
Overall, it is well-written and easy to read - anyone who is interested in animals, Meerkat Manor, or Meerkats in general will enjoy this book.
Fills in the ScienceReview Date: 2008-06-29
entertaining and educationalReview Date: 2008-04-29

Michelles ScrapbookReview Date: 2002-01-28
To Good To Be TrueReview Date: 2001-08-21
To Good To Be TrueReview Date: 2001-08-21
Full House MichelleReview Date: 2000-07-01
Love ItReview Date: 2001-08-29

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"A funny" in every sentece Review Date: 2008-09-21
Inch wide, inch deepReview Date: 2008-08-23
Insanely funnyReview Date: 2008-06-08
Best inside-TV-script-writing book ever written; plus it's bitterly, bitingly funny. Review Date: 2008-05-01
From the book's wild and disgusting cover, to the endless side-splitting venting they lay out for readers, this book is not one to read in a public place. You may end up trying to suppress waves of laughter and cause yourself to be ejected from a cafe, restaurant or bookstore. This book is dangerous to pregnant women, children, other TV writers, many famous comedians and half the rest of the world. Beware.
Ken
You'll Laugh 'til You PLOTZ!Review Date: 2008-04-17

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Lashawn Nicole(I am)Review Date: 2006-02-02
Very creative!Review Date: 1999-06-03
IT IS AWESOME!!!!Review Date: 1999-03-14
Lauryn your book is great keep up the good work!Review Date: 1999-07-04
"Queen of the Hill"Review Date: 1999-08-31

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Awesome BookReview Date: 2007-01-12
Steve H. Ohio
Some TruthReview Date: 2006-10-13
Girls read the bookReview Date: 2006-09-28
An Enlightening Read - Funny and PoignantReview Date: 2006-08-08
Insightful and InformativeReview Date: 2006-10-17
That being said, Joyce's style is blunt and aggressive. This book is real. He doesn't sugarcoat things, and he doesn't shy away from his points for fear of offending. He tells it like he sees it, and for that I respect his honesty and courage. This book is a breath of fresh air in an age that is so hyper-sensitive to political correctness. If you put this book down because a word or phrase offends you, in the long run you're really denying yourself-- he just has too many excellent points.
Although Misinformation looks a bit intimidating, the effort is well worth it. You will see it's underlying themes every day of your life. Instead of chuckling at the overweight woman wearing the T-shirt that says, "Too pretty to work," you will shake your head at the much larger societal problem she represents.
Thanks, Darrell-- can't wait to read volume two!
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