Television Books
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Wow - Exciting, Interestering, and Fun to Read!Review Date: 2003-11-28
Alias reviewReview Date: 2004-05-31
A great insight to a the Populkar 1st SeasonReview Date: 2004-12-26
Nearly through Season 1, a friend told me about a making book on the first season, but had never brought it, so I search Amazon UK and it wasn't listed. I then came to Amazon US, and found it and took the plunge and ordered it.
It arrived within a Week and the book included the DVD.
If you like the series and wonder whats goes on behind the scences of a TV series like Alias, then this is the book to buy.
The DVD gives gives you some small interviews and breif look behind the scence, which is an added bonus, but it is the book that has the pulling power.
When do we See a Season 2 & 3 Book?
A must for any Alias fan...Review Date: 2003-08-21
An ALIAS fan's secret weapon!Review Date: 2005-04-10

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Great! The Best!!Review Date: 2000-11-03
This is the Best book I have ever read!Review Date: 2000-07-29
SpicyReview Date: 1999-11-30
Oh my gosh....This is the best book ever! Spice Girls Rule!Review Date: 2000-04-29
REAL LIFE:REAL SPICEReview Date: 1999-12-10


Great Book!Review Date: 2001-06-13
Better ending to the series than I expectedReview Date: 2006-04-30
The teens finally figure out a way to free Max from the collective consciousness and free the alien homeworld from it's grip as well. I'd expected the story to be pretty sloppy but was pleased to see it was better.
The Max/Liz and Michael/Maria romances even ran pretty much the way the TV series did with the exception that in this story Michael was going to return to the homeworld with brother Trevor and Isabel was going to go with him. Isabel decides to remain with her "family"and Michael, who had never admitted his feeling to Maria, decided that he too had to stay.
You do kind of get left with a "where's the rest of the series?" feeling as this is the last we see of the Roswell storyline.
Coming Together To The EndReview Date: 2004-05-18
Michael and Maria SitchReview Date: 2003-09-22
A great ending to a great seriesReview Date: 2002-01-04
The only thing I wish now was that she had written more!

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Good, but misleading for uncomissioned writersReview Date: 2008-08-01
The majority of the book lists the correct way to format shots (wide shots, close ups etc) but these should not be included in spec scripts. A great deal of the information provided is aimed at production script format. Ideally, the book should have been divided into two sections, but unfortunately the organization of the book will likely lead novice writers to include unnecessary direction information and thus format their scripts incorrectly - a great (and surprising) shame for such an otherwise useful book.
Very goodReview Date: 2008-07-17
A serious must-have for any screenwriter, novice or proReview Date: 2008-05-28
IndispensibleReview Date: 2008-02-25
The format bibleReview Date: 2008-04-23
Even if you've already written enough screenplays to think you have format down, I guarantee you'll find this a handy reference. It's precise, concise and easy to understand. A good book to have on your desk.


Offbeat , but wonderfulReview Date: 2007-02-16
GoldReview Date: 2003-07-16
"Magnolia: The Shooting Script" is Awesome!Review Date: 2006-01-20
Excellent film but the script????Review Date: 2004-01-03
See Magnolia first and then read the screenplay.
Matt
Pure ExcellenceReview Date: 2000-10-13


HIGHLY RECOMMENDEDReview Date: 2008-04-15
For those who want more from a novelReview Date: 2008-01-01
Hugo has much to say about the destructive nature of political power, as well as the envy and injustice that conspire to keep the high and low in their respective places. The Mohawk Club of the nobility exemplifies these themes through their vicious and destructive pranks, victimizing the helpless in the name of "fun."
Hugo's contempt for the period's institutions of power is evident throughout the novel; on the wicked Barkilphedro's rise to prominence, he writes: "He had crawled where he wanted. Flat beasts can get in everywhere. Louis XIV had bugs in his bed and Jesuits in his policy. The incompatibility is nil." Clearly this is a novel of ideas, written by one who had a great deal to say and knew how to express it. Even so, I must acknowledge that Hugo's expository passages, although witty, impassioned, and eloquent, occasionally become a distraction from the story.
Hugo's style is astonishingly lofty, in a way that just doesn't happen in the present day. It is an ambitious and demanding discipline, now so far gone that we scarcely even know to miss it. As such, it may strike today's readers as unnatural and overdone; or so it did to me, at first. But by the finish, I was fully seduced into Hugo's stylistic world, and left unable to choose what to read next -- for what is there today that is even conscious of this standard of craftsmanship? I can only imagine how much of the effect of this high language is lost in translation from the original French.
If you are interested in this book, I strongly recommend the Paper Tiger edition, with its afterword by Shoshana Milgram. This afterword was of great use in understanding the book's ending, which to me was difficult; it clarified how the ending was necessitated by the novel's overall theme -- and it made the extent of Hugo's achievement that much more evident.
Timeless classic...Review Date: 2007-09-21
I have re-read only "Toilers of the Sea" and found it as riveting now as were all of Hugo's book then. I can't imagine a library system not containing these timeless classics or their being out of print.
My Favorite Hugo!!Review Date: 2008-07-16
Quality LiteratureReview Date: 2007-11-30


A Memoir of Music, Love, and SurvivalReview Date: 2007-11-15
Lisa's devotion to music weaves the story together as she strives towards her parents' dream. Becoming a concert pianist seems unachievable under the circumstances, but this touching biography details Lisa's progress towards that goal. This account has appeal for both adult and teen readers.
I also recommend In The Shadow Of The Cathedral: Growing Up In Holland During WW II by Titia Bozuwa
The Power of Music Review Date: 2007-09-01
from the Jewish Journal of Greater Los Angeles
August 30, 2002
Vienna, 1938. In the city of Mozart, Schubert, Beethoven and Strauss, 14-year-old musical prodigy Lisa Jura looks forward to a promising career as a concert pianist. Hitler has other plans. With the breaking of glass on Kristallnacht, Jura's dreams are shattered.
Internationally celebrated concert pianist Mona Golabek, with journalist and poet Lee Cohen, has crafted a loving, lyrical tribute to her mother, Lisa Jura, in "The Children of Willesden Lane: Beyond the Kindertransport: A Memoir of Music, Love, and Survival."
Jura was one of 10,000 Jewish children saved from the Nazis by the British and sent on the Kindertransport to safety from Eastern Europe. Already being compared to "The Diary of Anne Frank," this simultaneously heartbreaking and uplifting tale weaves together the stories that Golabek's mother told her about prewar Austria; the gut-wrenching separation from her family; life at the orphanage on Willesden Lane; and the power of music to help her survive.
As Jura's mother, Malka, puts her on the train, she says the prophetic words that will sustain and inspire her daughter and future generations: "Hold on to your music. Let it be your best friend."
In a world turned ugly, the beauty of music becomes Jura's strength, and, against tremendous odds, with the help and encouragement of the 30 other displaced children at the orphanage, she wins a scholarship to London's Royal Academy.
"Each kid saw something in my mother's music that reminded them of what they had left behind in Czechoslovakia, in Austria, in Germany," says Golabek, a Grammy-nominated artist, "and that's what I tried to do in the story, not only to pay homage to my mother, but to all these kids and to their bravery."
The book opens with Jura's tantalizing daydream of performing in a great concert hall and closes with the fulfillment of that dream, as she makes her debut before an exhilarated crowd. And in between, the pages burst with melody: Jura pounding the cadenza of the Grieg "Piano Concerto" to drown out the sounds of bombs during London's blitz, Jura visualizing Chopin fleeing a flaming Warsaw as she struggles with the somber coda of the "Ballade," Jura remembering her mother's Sabbath candles as she plays the solemn opening of Beethoven's "Pathetique."
"My mom and her mother never cared if a piece is in C major. What really counts is the passion behind it, the image. If it's `Clair de Lune,' imagine the moon over a desert island. That imagination allowed her to survive the horrors of what she experienced, because a C-major chord will not inspire you through the horrors. It's the moonlight, the idea that maybe the composer wrote it for someone he loved. These things inflamed her imagination, and that's how she inflamed mine."
And now Golabek's book will inflame the imagination of a whole new generation. The Milken Family Foundation, together with Facing History and Ourselves, an educational organization that teaches tolerance to 1 million students annually, are working with Golabek to bring the story to schools across the country by developing a companion curriculum guide.
Plans are under way to launch the book in Austria, and make it available to teachers as part of the now mandatory four-year Holocaust education program for students.
The saga of Golabek's 18-year struggle to get the story published is almost as harrowing as her mother's story itself. "It went through many, many writings; many, many ups and downs, starts and disappointments," Golabek says.
Now the accolades and offers are pouring in. On Sept. 24, she will be an honored guest speaker at the California Governor's Conference for Women at the Long Beach Convention Center and will appear at Beth Am on Nov. 17 with her sister, pianist Renee Golabek-Kaye, and Jura's four grandchildren, all musicians: Michele, 16; Sarah, 14; Jonathan, 8; and Rachel, 7. Brandeis University will honor her at the Skirball Cultural Center next March 31.
Last week Golabek was interviewed on NPR's Morning Edition and was the subject of a feature story by Andy Meisler of the New York Times. In the planning stages is a concert next year co-sponsored by the U.S. Holocaust Museum and the Austrian government. And, of course, Golabek is considering movie offers.
On her syndicated radio show, "The Romantic Hours," which highlights stirring writings against a musical backdrop (Saturdays at 10 p.m., 105.1 FM), Golabek often quotes the poet Jean Paul Richter: "Life fades and withers behind us, but of our immortal and sacred soul all that remains is music."
"That was a quote my mother taught me, and the whole reason why I wrote this book and why I created `The Romantic Hours' was that my mother felt through words and through music our souls would be immortalized."
Excellent readReview Date: 2007-08-15
Fantastic!Review Date: 2007-07-29
A Must Read for Parents and their children.Review Date: 2007-02-05

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WONDERFUL!Review Date: 2006-01-03
FANTASTIC!!!Review Date: 2005-07-26
THE BEST, MOST READABLE BOOK EVER WRITTEN ON THE SUBJECT OF VENTRILOQUISMReview Date: 2005-07-01
GREAT BOOK!Review Date: 2005-04-28
FascinatingReview Date: 2003-11-02

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This Book Will Save You Time!Review Date: 2008-01-21
Leah Warshawski, Executive Producer, "Film Festival: Rwanda", [...]
Great book for getting startedReview Date: 2007-12-12
A Must Have for the Young FilmmakerReview Date: 2007-03-28
I bought him a small digital all-in-one video camera and he has done some very clever things with it after reading through the book. His best one was a little stop motion video about two rocks that had a fight with each other. One winner. One loser. Pretty funny.
I appreciate authors like Troy Lanier who can hold a teenage attention span for a couple hundred pages.
Young filmmakers will relish the opportunity to turn their dreams into reality Review Date: 2006-07-25
Diane C. Donovan
California Bookwatch
oddly unbalancedReview Date: 2007-11-29
I would not recommend this book for a teen or anyone else trying to make their first attempt at filming a story of their own writing. It is, however, a fine book for those who have made a few home films with a sub $500 consumer camera and are looking to take the next step into a more sophisticated shoot with prosumer level equipment. In that light, it has very good overview material of the possiblities of equipment and accessories and has good advice on rehersals and crew.
I would welcome a recommendation from anyone who knows of a good book that is really aimed toward teens who really have never written or filmed anything and who are looking to try to put something together with a few friends with consumer level home equipment.

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Spell BindingReview Date: 2006-03-04
Inspirational, heart-warming, friendlyReview Date: 2005-11-29
I first learned of Tynan when I heard him sing "God Bless America" on TV. I was enthralled. I had never heard a voice so pure, so powerful, so emotional. His voice touched me, it caused goose-bumps. I immediately began to research, trying to find out about the man who had just amazed me so.
After reading "Halfway Home", I am even more impressed with the man. In every aspect of life, he has triumphed over odds and circumstances that would have buckled the average person. To be accomplished in so many ways, to have lived such a rich, full life, is a dream for which we all should strive. The blueprint for such a goal is in Ronan Tynan's approach to life, which is guided by kindness, decency, hard work, love, passion, and faith.
At times the book is a bit boring, as is nearly all biographical material, but the inspiration overcomes, just like Tynan. Add him to my short list of personal heroes.
InspiringReview Date: 2005-09-28
A Must Read...Motivational and InspirationalReview Date: 2007-01-03
Dennis Charles
Ronan "All of Him"Review Date: 2005-11-26
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