Movies Books

Au unforgettable journey through the century written by one of the most open-minded and talented jazz journalist of our time! A MUST and HIGHLY RECOMMENDED READING!!!

The main reason I read this book is because I have become a Billie Holiday fan in the last 2 years and up till now not a true lover of jazz. This book caught my attention when I did a search for books on Billie. There was about 6 to 7 pages on her but I never imagined how long this book would be! Not a bad thing though. I know it took me a long time to read as it is SO detailed and thorough. It was truly an education for me and I have a much greater apprecation for jazz! Gary Giddens is an exceptional author and is obviously a veteran writer and really knows his stuff! A truly well written book. Highly recommended for lovers of jazz and those of us who are just beginning to have a love for it!

The source of Coltrane's 'Impressions' was (Morton) Gould's "Pavanne" and not Ravel's "Pavane Pour Une Infante Defunte" Giddins, however, confuses them on page 484. (After all, what's a pavane among friends?)

As someone who has spent a career reviewing documents and spreadsheets, I have a simple philosophy: if there is one error, I assume that there are others. This cost Gary a star.

Gary Giddins was only a name to me until Ken Burns's JAZZ series aired on PBS in early 2001. While I appreciated all the commentators in that remarkable series, it was the observations of Giddins that I began to eagerly anticipate night after night. He made me SEE music that I knew and loved but whose structure and complexity I had often been unable to grasp. Despite some jazz appreciation classes in college and haphazard collecting of old jazz records over the years, I had not gotten much past the "I know what I like" phase. His passion for music I was less familiar with led me on some rewarding treasure hunts.

I bought "Visions of Jazz" shortly after the conclusion of the Burns miniseries. I devoured it. I have turned to it time and again in the intervening years. Many critics overanalyze their subjects to the point where they suck the life out of the very thing they're attempting to illuminate. Giddins does not have that problem. His prose sings and swings with the elan of his beloved Sarah Vaughan.

Giddins's re-examination of the music of Ellington and Armstrong may seem at first blush to be superfluous; you may think you know all there is to know on that subject. But he proves that even the most accessible jazz figures and their music evolve from and operate within a such a complex idiom that periodic re-evaluation is necessary, and, if approached with respect for both the subject and the reader -- which Giddins has above all else -- it is most welcome indeed.

There are chapters in "Visions of Jazz" about musicians with whom I was completely unfamiliar. But I took a chance and read them, and wound up buying some Matthew Shipp recordings. It's that kind of book. You can take out as much as you put in.

As much as I appreciate Giddins's bone-deep love of jazz, his scholarship and wry humor, I also respect him for his fearlessness in making a case for, say, the inscrutable Cecil Taylor. But I am probably a big fan of someone who leaves Gary Giddins cold, and that's OK. The jazz tent is big enough for us all.

Why not 5 stars? The only "perfect" thing in jazz is Ellington's "Just a-Sittin' and a-Rockin."

To the previous reviewer: Mr Giddens was RIGHT. Coltrane's Impressions was based on BOTH pieces of music.

When I bought this I was hoping for some form of indexing of the characters and plots of the novels. What I got was a compendium of author comments on the creation of their novels. Interesting, worth reading, I'm glad I bought it, but it wasn't quite what I was hoping I would get.

Hi all, if you read the star trek novels and have plenty of them this is THE STARTING POINT to figure out what books are placed where in the star trek chronology. Thuis one shows the books covers and gives a synopsis of each book - simply amazing. And its a thick book too, so perfect fot that rainy day to sort through your star trek novels = ) And the price if great too, so click that mouse and get it sent you - highly recomended!!!

Every serious Star Trek fan should have this book. It's interesting and fun.

I cannot imagine all the research that Ayers did to assemble this book. The book is far from complete, but still to track down all the various Star Trek book covers, get interviews, write up summaries is a phenomenal achievement that should help all ST fan writers track down the best in ST fiction.

The factoids concerning the various books are fun and interesting. I, myself would have loved to have heard more on Barbara Hambley's Ishmael where she combined two television shows into one novel.

Another missing fact. That there were major differences in the hard cover and paperback version to the Star Trek:Generations novelization due to the alterations in the last moment on how our beloved Kirk was killed.

Someone at Pocket Books should consider doing a similar type text for all the Star Trek comic books that have been written. Now, that would be a great book. In a few years, I do hope that there will be a second edition to this text, with some of the non-contributing authors telling their side of the story on getting their books out.

Excellent read.

JThree
[...]

Yes, this book indeed contains each and every volume of officially released StarTrek fiction and not only sketches their plots, but also presents b/w pictures of each cover. What makes "Voyages of the Imagination" more than just a simple bibliography is the stories behind the novels, that Jeff Ayers collected in many interviews with the authors. Just the job of conducting these must have been immense. Still more incredible is the time arrow that places every chapter of the fictional world created by the StarTrek novels in the right year since 5 billion years b.c. until 1 012 260. Compared to that, the presumably giant task of finding a nearly practical structure for the bibliography consisting of miniseries which are part of other miniseries that also correspond to tv series, seems small.

But I could think of many other features that I would have expected from this book:
* The plot summary of every novel or short story never tells the ending and usually isn't more detailed than the back covers. I don't like that since I really was interested in the whole story archs.
* There is never a critique of any of the fiction. "Voyages of the Imagination" doesn't tell the readers whether any of the books is worth reading or not so much.
* I would have liked summarizing articles on which characters from the TV and movie productions appear in print fiction and how they develop; who was newly invented by the authors; where are overlaps between the novels that exclude each other etc.

On my rating: Apart from a complete bibliography and some fun with reading the stories behind the stories, this book doesn't offer me anything of what I had expected. But it gets a big bonus from me for the incredible task done and for the fact that it's the first of its kind. Therefore, three stars.

Martin Jost


I originally wrote my review in German:
Ja, dieses Buch enthält wirklich ausnahmslos jeden Band von offiziell veröffentlichter StarTrek-Fiction und umreißt nicht nur kurz dessen Handlung, sondern präsentiert auch s/w-Bilder vom jeweiligen Cover. Mehr als nur eine bloße Bibliografie ist Voyages of Imagination durch die Hintergrundgeschichten der Entstehung, die Jeff Ayers zu vielen Romanen in Interviews mit den Autoren recherchiert hat. Die Arbeit, die allein dahinter steckt, muss unglaublich gewesen sein. Noch unglaublicher wirkt aber der Zeitstrahl, der in jedes beschriebene Jahr von 5 Milliarden Jahren v. u. Zt. bis 1 012 260 unserer Zeitrechnung kapitelgenau den Ausschnitt aus der fiktionalen Welt der StarTrek-Romane einordnet, in dem darüber erzählt wird. Daneben scheint die ebenfalls nicht hoch genug einzuschätzende Leistung gering, eine halbwegs übersichtliche Struktur für die Bibliografie zu finden, in der Miniserien mit anderen Miniserien verschachtelt sind und dabei noch einer der Fernsehserien zugeordnet werden müssen.
Mir fallen aber auch noch zahlreiche Features ein, die ich mir von diesem Buch gewünscht hätte und die bei so viel Vorbereitungszeit doch hätten machbar sein müssen:
-Die Zusammenfassungen der Handlung jedes einzelnen Romans bzw. jeder anthologisierten Kurzgeschichte verrät nie die Auflösung und geht selten mehr ins Detail als die Umschlag-Rückseite. Ich finde das schade, denn mich hätten die vollständigen Handlungsbögen interessiert, die in der Roman-Welt ablaufen.
- Eine Kritik der Bücher fehlt völlig. Mit dem Handbuch "Voyages of Imagination" lässt sich nicht entscheiden, ob irgendeines der Bücher lesenswert ist oder nicht.
- Zusammenfassungen wären interessant gewesen, aus denen hervor geht, welche Charaktere aus den TV- und Kinoproduktionen mitspielen und sich weiterentwickeln; welche Charaktere neu eingeführt werden; wo es sich ausschließende Überschneidungen zwischen den Romanen gibt u. s. w. Diese hätten am Ende jedes Kapitels in tabellarischer Form oder am Ende der Beschreibung jedes Plots hervorgehoben Platz gefunden.

Zu meiner Bewertung: Abgesehen von einer vollständigen Bibliografie und einigem Lesevergnügen über die jeweiligen Menschen hinter den Geschichten bietet dieses Buch nichts, was ich mir von ihm gewünscht hätte. Einen dicken Bonus erhält es aber für die gründliche und unvorstellbar umfangreiche Arbeit die drin steckt und dafür, dass es immerhin endlich das erste seiner Art ist. Unterm Strich also 3 Sterne.

Martin Jost

His books and DVD's dwelve deep into his writing tools. I, like many, have read most of the books, and this is one of the top three I return to review. Mckee, Truby, Seger, Wright, and Tobin are all worth reading. Jeff's book is the most important, because it's crucial to find the spine of a story, and Jeff's tools are the best for finding it. All mention it, but Jeff's tools allow one to touch the heart of the story, so you write from the inside-out instead of the outside -- the most important, and the most difficult part of learning to write.

I have read many screenwriting books, but Jeff Kitchen's book is the one I always use on all my script development and script analysis projects. This book teaches you invaluable tools that transforms the way you construct your screenplay. Jeff Kitchen demonstrates the tools through hands-on approach, breaking down popular movies such as Training Day, What Women Want, Minority Report, Blade Runner, The Godfather and Tootsie. He also takes you through the process of developing a script from scratch using the tools. This book will definitely transform the way you approach screenwriting and transform you as writer. If you want to master this craft I highly recommend this book. It's awesome!

...oh and check out his other book Script Analysis and the 5 DVD set.Script Analysis: The Godfather, Tootsie, Blade Runner Jeff Kitchen's Full Day Seminar

I'm probably not going to be able to say anything about the book that hasn't been said, but I'll try.
If you want to know how to dissect a movie, this is the book for you. Mr. Kitchen will have you take a movie apart to its "spine" and lay bare the trail, from beginning to end, of the cause and effect of every dramatic event. I guess this is what studio execs call the "through line" Great book.

To me, the book is too wordy. Some of the tools are not useful.
Sometimes you have to rack your brains and read twice to get what the author means. Well, maybe because English is not my native language.

Anyway, I give it five stars 'cuz it helped me make my story work.
I have read over 40 books on screenwriting and I have to admit: Jeff Kitchen's book is one the best. He teaches some tools which you will never find in the books of other screenwriting gurus.

Though, it should not be your first book. But it's a must if you want to grow as a storyteller.

For a novice screenwriter I'd recommend to read next books: Teach Yourself Screnwriting, The Screenwriter's Bible, The Comic Toolbox, and The Anatomy of Story: 22 Steps to Becoming a Master Storyteller.

There is a multitude of books that have recently become standard over the last twenty to thirty years regarding the mastery of screenwriting. Viki King's book "How to write a Movie in 21 days" is probably one of the most well known, as is "Screenplay" by Syd Field.

I think the truth about a lot of these books is that most people are looking for small, concise manuals that are easy to read and easy to cull the real gems from. From the way I've seen a lot of people approach screenwriting, most of it is typically haphazard. The bulk of people read bits and pieces of books and rarely ever any one book from cover to cover. If you can imagine a person shaking a book above their head hoping for gold coins, diamonds, rubies and other riches to fall from the pages then you have the correct visual. It's a classic blunder, but one that more often than not is the result of too much television advertising and not taking one's dream serious enough.

Jeff Kitchen's "Writing a Great Movie", is a rare book that most people can, and should read from cover to cover at least once. If you read it twice, then you'll be ahead of the curve. It's most likely the best book on writing I've seen bar none, and not just on screenwriting either. Using a system of `comparison and contrast' with different films like Blade Runner, Training Day, Tootsie, Minority Report and The Godfather to illustrate the strengths, the thread and the blood of good writing. Kitchen shows you many, many times over how a good story builds up on itself and how to successfully break it down to properly understand it, and how to identify the most integral aspects of it and use them all as tools.

I've been writing novels for about fifteen years and my approach to writing has changed drastically now and I couldn't imagine going back and abandoning what I've learned from this incredibly helpful book. Some of the help and advice is complex, like the information about Enneagrams and the Enneagram Institute, which sounds daunting and pedantic and like someone trying to cloak Scientology and Dianetics within a screenwriting manual, which is not the case at all. The information about the Enneagram does pop up in Scientology and does get a mention in Dianetics, but for the record was around a lot longer than the usage made of it by Scientology. It's good information and not something to skip past. You'll find this in Chapter 4, so don't throw out the baby with the bathwater.

Other information and advice is simple and easy to grasp and stuff that all writing teachers should tell their students, but probably do not. Another point is the use of index-cards to outline and detail your story, which works for both Screenplay and Novel formats and is a brilliant idea that gets good discussion and was something that many great writers have often used themselves.

As a historical note, and something not covered in the book, Nabakov outlined everything he did on Index cards, quite extensively, and is a resource that scholars of his work have to glean and sift through to this day.

Kitchen tells the reader to make good use of quotes, biblical passages, idioms, etc. as themes within your story which will give it heart. The information in the book is inexhaustible and worthy on many levels. He also uses every piece of advice he gives, to bring it back to the films mentioned above and is quite original in doing so, and a very original way to teach.

If you're looking for "the" book on screenwriting, or writing in general, this book will take your efforts from the amateur realms, and launch it into the next level and bolster a real sense of skill and professionalism that it may have been lacking.

This book is worthy of much recommendation.

Love this book! Now I allways know what to pick at the video store! And LOTS of great movies. Thanks.
-Torfinn-

If you hate reading spoilers, don't read about any movie in this book unless you've seen it already. Duralde gives away FAR too much in his synopses, which are in my opinion completely unnecessary anyway. It is his commentaries that are the interesting element here, and motivate us to see the films. Why he chose to reveal plot turns, and thus needlessly deflate our enjoyment of the films is beyond me.

Love it, love it, love it - short, sweet, funny, smart. Or as I like to call it, "the best bathroom reading book ever."

Oh, and my copy of "Can't Stop The Music" is on its way from Netflix as we speak ;)

This is far more than a simple list of films that may be aimed at a gay audience. It is 101 hysterical fan rants from someone who has a wicked sense of humor and extraordinarily evolved taste in film.

This is a book that every film student should read because Duralde has a genuine passion for movies and the understanding of them to back up his opinions.

Many of Duralde's choices surprised and delighted me; he didn't go for the easy selections. Any book that mentions "Tarnation" and "Without You, I'm Nothing" in the same breath is aces by me.

101 Must-See Movies for Gay Men is a seminal tome in more ways than one. Well, actually, only one. It hasn't got any of the good pictures in it. But it does have 101 movies that are essential to a broad range of the gay aesthetic. It's got movies for drama queens, diva queens, show tune queens, bears, disco queens, grunge queens and size queens. The only gay subgenre it's lacking is the queer sports movie, and I'm sure once Duralde has seen Summer Storm and Guys and Balls he'll add something appropriate to Bride of 101 Must-See Movies for Gay Men he keeps promising (unless that what he's titling the lesbian companion piece he keeps promising as well, in which case he'll have to include Bend it Like Beckham or, better yet, Personal Best).

When I came out, I was told I couldn't get my queer card until I'd seen Torch Song Trilogy and Murder by Death. Both are missing from 101. I'm not going to fight too hard for Murder by Death which is simply a very good example of camp and not particularly queerly significant beyond that, but I will say that I can't imagine a list of queer movies complete that doesn't include Torchsong.

But what is in the book is delightful and insightful. I knew Fight Club is about the slashiest thing every made, but it didn't occur to me to put it in a list of must-see movies for the queer cognoscenti. But even the obvious choices - Whatever Happened to Baby Jane, Sunset Boulevard, Valley of the Dolls, Sunday, Bloody Sunday and many more - are given new life and new perspective with plot synopsis, evaluation of what's important to the queer viewer, quotes from the movie and an interesting visual classification system.

Duralde examines these movies with wit and sensitivity. He makes you want to expand your DVD library, and in some cases your VHS library, not only with the movies he lists, but with the movies he mentions in passing discussion about other movies.

And, for the record, I've seen The Broken Hearts Club and it isn't nearly as awful as Duralde makes it out to be, but it is awful.

I cannot remember the title or anyone who was in it, but it you're looking for a movie emblematic of what bad queer cinema is, the one with the fireman who begs his girlfriend for a threesome without specifying the gender of the third participant and then is horrified when she brings some guy from the neighborhood who's been crushing on him for years into the bedroom is the one to choose.

While I'm by no means into the industry yet, this book was an easy read and it contains invaluable information for the hollywood neophyte

Trouble is, Tony Martinez is no devil. He comes across, in fact, as the ultimate boy scout in a shark-infested business. Part instructional, part ever-so-careful not to offend anyone, Martinez writes in a conversational, run-of-the-milll average-guy style that allows you to skim to the sections that may mean more to you. On the one hand, it's banal and boring and on the other, there are nut n' bolts insights that should be helpful for a rank beginner.
As someone involved in the business for many years, looking for some hidden insights or juicy info, I was disappointed. But I DID learn a little more about the way pilot season works and for that reason alone, I found this very brief tome to have some worth.

This book is a must-read for any aspiring actor or aspiring agent and an entertaining book for anyone working in the entertainment industry. It's humorous, well-informed and succinct. It's not a surprise that this quick-witted and to-the-point agent provided the entertainment community with such a well-written book. His personal stories and antedotes complete this book. Do yourself a favor, and buy it.

An Agent Tells All by Tony Martinez is an excellent book that is very easy to read and hard to put down as it flows on very well.
Specific Contents that go straight to the point and excellent for the novice to clearly gain an understanding of the industry from agents point of view. Also Highly rate the Pilot Season Chapter!
Great Read.

I did a monologue in front of Tony Martinez at TVI Actors Studio, and he was generous enough to tell me what did and didn't work. His book just as helpful, only laced with his terrific sense of humor. I would say this is a must have for any actor and would probably be helpful for managers and workers in corporate America.

Having read most of the other books about Audrey Hepburn, a woman whom I respect and admired since my youth, I chose this particular one by Mr.Paris as the most engaging (besides the book by Sean Ferrer which I thought was essential). I could never tire of anything A.H., with that being said it was important to me that I had a sense of how she lived. This book was hard to put down and wasn't full of colorful writing like some of the other so-called biographies done on her. For me, it brought me closer to this person as if she were someone I knew personally and combined with her son's book provided me with an insight into the world that was Audrey. She was and still remains a huge inspiration for me, and this book should be read by every young 'actor' out there today. Kudos to Mr.Paris!

Audrey Hepburn (1929-1993) was born in Brussels the daughter of a Dutch woman and an English father. She was raised in Arnhem Holland suffering through the Nazi occupation. Audrey was a thin, sensitive child who excelled at ballet.
As a young woman she migrated to London appearing in British films until she was exploded into fame with her first US film
Roman Holiday (for which she won as Oscar as Best Actress)
Hepburn appeared in such films as "Charade"; "My Fair Lady"
(her singing voice being dubbed by Marni Nixon"; "Two for the
Road"; "Breakfast at Tiffanys"; "Sabrina: "Robin and Marion" :
"Wait Until Dark" and several other films.
Her gamin pixish face and figure was a revelation in the 50s era of Monroe, Ava Gardner; Sophia Loren and other well endowed film goddesses.
Audrey had a long but troubled marriage with stolid Mel Ferrer and had other husbands and a few affairs along the way most notably with film star Albert Finney.
She worked with such noted directors as Willie Wyler, George
Cukor and Stanley Donet. She lived in Switzerland in an isolated
village where she raised children and loved animals.
There is little dirt to plow in these pages1 Audrey was an
adorable and kind person! Her work with starving children on behalf of the UN is heartwarming.
Barry Paris (previous biographer of Louise Brooks and Greta
Garbo) does a fine job in this well documented biography.
The most exciting chapter deals with life in Holland during
the horrible Nazi occupation,
This is a good biography of the film star.

A book so well researched and written that it flows like a meandering river. The prose is wonderful. Very difficult to stop reading the book until the reading is completed.

May Audrey Hepburn be in the Kingdom of God as I surely want to meet her and talk with her.

A biographer shouldn't lower your opinion of the person they're writing about (as if you could ever
have a low opinion of Audrey Hepburn!) and Barry Paris certainly does a brilliant job of depicting
Audrey's life from age 15 until her death (age 64). The author blends his words so you don't loose
interest even once. The book has lots of quotes, from and about Audrey, and several pictures of
her throughout her life. There isn't a down side to this book, except for a few subjects where the author
should have elaborated on a bit more than he did. You can clearly see that Audrey was a truly
wonderful person, a real lady. After you read about what a hard childhood she had, in the middle
of WW2 and the miscarriages she suffered and basically being deprived of love from her parents,
it is amazing that she was still such a beautiful person, a beautiful soul. She traveled to countries to
help dying people and did things that few other people would do...she seems to have been an
angel, and certainly was to several people. This is a book that you don't need to read before buying, it's wonderful.

What is the true test of a biographer's skill? Creating a riviting, insightful book about a subject who had no scandal in her life and who seems to have be beloved by everyone. Material that, in lesser hands, could have been saccherine or written with the usual "movie star bio" template is instead moving, wise, very informative, and beautifully written. Check out Mr. Paris' other biographies of Garbo and especially Louise Brooks for more great writing.

Blade was .... completely different from the movie. The movie had more fighting and you didn't get to see the true meaning of the novel. The movie described Blade as a cold blooded slayer with no mercy. The novel describes Blade as someone who risks his life everyday to save the human race in spite of the fact that the human race thinks he's a murderer and wants him dead. He uses his powers to serve and protect the very species that depises and fears him-our own. He has the power of an immortal, the soul of a human, and the heart of a hero.

Another ride on the good ol' roller-coaster of adrenalin! Who says books can't raise your blood pressure? For those who think so: Read Blade! Awesome action, packed with vampire-slaying excitement, and intense fun! I haven't even seen the movie, though I'm about to. If all movie-novels were like Blade, Carmike Cinemas will be seeing me more often.

Blade is the tightest book you'll ever want to read!!! The movie and the book are amazing. I've been watching the movie a hella-lot of times and you'll also like the book. Buffy v. Blade??? Blade all the way! cause he's the #1 slayer!

Blade was a kick ass book, completely different from the movie. The movie had more fighting and you didn't get to see the true meaning of the novel. The movie described Blade as a cold blooded slayer with no mercy. The novel describes Blade as someone who risks his life everyday to save the human race in spite of the fact that the human race thinks he's a murderer and wants him dead. He uses his powers to serve and protect the very species that depises and fears him-our own. He has the power of an immortal, the soul of a human, and the heart of a hero.

I loved both the book and the movie. I was really surprised at how the book captured the manic energy of the movie and the complexity of the characters. The book really delves into the deeper areas of the characters and captures the feeling that it's hard not to admire Frost while you're hating him, he's an awesome villain. Even if you haven't seen the movie, read the book, it's an absolute must for anyone who's a fan of Anne Rice or vampires in general, as well as anyone who wants to read a well-crafted piece of literature.

THIS BOOK IS GREAT, REALLY GOOD AND FUN TO READ IF YOU ARE AN X-FILES OR GILLIAN ANDERSON FAN. I HIGHLY RECOMAND THIS BOOK

Straight from the cutesy title that X-Philes know and love as one of Scully's trademark phrases, Mulder, it's Me really hits the spot. Gil Adamson and Dawn Connolly's biography about the amazing Gillian Anderson is extremely informative without being invasive of Ms. Anderson's privacy. The well-written fourteen-chapter biography is only the beginning of this stunning masterpiece - the book also includes candid interviews, a comprehensive episode guide of the first four seasons of The X-Files, a section on the 1996 Burbank convention by the renowned Autumn Tysko, a listing of internet resources, and 16 pages of color photos. Whether you are a newbie or a veteran fan, Mulder, it's Me: The Gillian Anderson Files is the must-have biography.

This is the best Gillian Anderson biography on shelves today. But this isn't just a biography, this book also includes television and radio interviews with answers to some of the most frequently asked questions. You get to find out what people did when Gillian Anderson appeared at the X-Files convention and what questions her fans asked. It also includes the speech she made in Washington D.C. for public awareness about Neurofibromatosis, the disease her younger brother has been diagnosed with. This book also includes great Gillian Anderson Internet sources and an X-File episode guide with all the shows from season one to the end of season four. But best of all, this book includes a great section of full page color photographs of Gillian. If you are a Gillian Anderson fan, you have to get this book!

This book is great for people who want t get all the facts and want awesome color Photos .I think Gillian is agreat person and Actress and this book helps you realize that.AS well as info there is a great X-files episode guide section.Many thanks to the athur and gillian for being the great actress she is.

This book has, well, everything you wanted to know about Gillian Anderson (Agent Dana Scully on the X-Files) and more! The colour photo's are excellent, as well as the black and white ones. Each chapter has a unique title, and very good detail into herself, her daughter, and her work. A must have for any Gillian Anderson fan.

I love Disney world and I love love The Pirates Of The Carribbean! Great if you like both!

I really enjoed the first chapter on how the concept translated into the final product of a ride. Amazing how these things come together. The second chapter comparing the ride throughs between the four parks I found a bit frustrating - hard to really picture it unless you're there (for me). I was more interested in the ride portion than the movie chapter myself. Worth the buy (though I bought it used).

My daughter just loves all the background information. She's very happy with it.

Know this first: I'm a huge fan of all things Disney, especially POTC the ride.

Imagineer Surrell's book is very well-done. This is one of those (along with his earlier work on the Haunted Mansion) that I go to again and again, like watching a favorite movie or listening to a favorite album. Maybe I'll notice on the 50th reading ONE MORE DETAIL I somehow missed...
I especially enjoyed the look at the other parks' version of the ride. Rock on, Jason!

Con: Woulda liked it in HARDCOVER.

Now, as with any OTHER topical subject, some of the info goes out of date the day the book is published, and will continue to "go stale". The 2nd, 3rd, and even talked-about 4th movies are, of course, not included. The much-publicized ride rehabs are not either. This is the same with Jason's earlier Disney's Haunted Mansion book (a good companion piece, by the way). That said, the HM book goes off into a hopeful description of the actually-miserable HM movie, touting it as the best thing since Bela Lugosi. This was written well in advance of the actual public release of the HM movie, I guess, so they were gambling the public would love what turned out to be a huge embarrasment. ( When I need cheering up, I sometimes imagine HM Director Minkoff at what I hope is his new day job, asking people if they want to add a cherry turnover to their order for just 50 cents more ). Okay, here's your soapbox back.

They shouldn't have pushed the HM movie so hard in THAT book.

Not so in THIS book: Because they "got burned" on the HM movie, there's a decidedly less-throat-cramming push for Curse of the Black Pearl, which, of course, in hindsight, they could have laid on thicker, now that the movie has generated some kind of Star-Wars-level cultural shift.

Buy the book. You know you want it.

I know I want more books on CLASSIC Disney attractions, and I only want 'em writ by Jason Surrell. Amen.

As of November, 2006, a newer, updated version of Mr. Surrell's book is now available! Look for the version with the compass rose in the upper right corner of the cover.

Cheers!

Beck

This is definately a winner! Great little gems from Walt Disney's family, closest friends and colleagues. The pictures are equally wonderful. Great candid shots and personal family photos. This man had more character than Mickey Mouse himself!

The pictures were nice. I'm a big Dinsey fan so I pretty much enjoyed this book. It told what people who worked with him thought about him. I gave the book four stars because there were some bad words.

This book is exactly as one would expect by reading the title. It's just quote after quote from people who knew Walt Disney best. I liked that many of his former employees were interviewed. Since I was familiar with some of the animators, imagineers, and actors it made it a more personal thing for me when reading this book. There are also many pictures that show Walt during all the different periods of his life, though the majority of them are during his successful years heading the Disney corporation. I share the sympathy of another reviewer who said that after reading this book they wished they had known Walt Disney. I think a person who really admires the Disney empire will share the same sentiments about the man who dared to dream.

This lavishly illustrated tribute --- first published in 1999 and now released as an oversized trade paperback --- is a must for diehard Disneyites. (Dig the vintage, time-worn color
cover photo of Uncle Walt, with Cousin Oscar clearly in view.) Amy Boothe Green and Howard Green's text is nothing more than quote after quote from Walt's pals, peers, co-stars, family and friends, all of whom (surprise!) praise The Man Who Would Be King. But it's the vast array of black-and-white and color photographs --- many rare and many never-before-seen, all of which are stuffed into the pages --- that make this a winner. Walt as a young boy. Walt as a young man. Walt at play. Walt at work. Walt with family. Walt with friends. Walt with Julie Andrews and Dick Van Dyke. Walt with Hayley Mills. Walt with Shirley Temple. Walt with Annette Funicello, who provides the book's most poignant quote: "When I was first diagnosed with multiple sclerosis ... I thought,. "If Mr. Disney were here, I could ask him what I should do. He would know." And, of course, Walt with the Mouse and the Mouseketeers. Noting goofy here. Except Goofy.

I was very happy while reading this book. I found all the things Walt's aquaintances had to say about him very interesting and credible. Very little seemed sugar coated (as Disney personel seem to be sometimes). I would make the assumption that Walt's personality was portrayed correctly by the many people that knew him. Throughout the course of reading this book I kept thinking about the quote that one amazon reviewer said that made me buy this book in the first place, "makes me wish I knew that man."