Television Books

This is definately a winner! Great little gems from Walt Disney's family, closest friends and colleagues. The pictures are equally wonderful. Great candid shots and personal family photos. This man had more character than Mickey Mouse himself!

The pictures were nice. I'm a big Dinsey fan so I pretty much enjoyed this book. It told what people who worked with him thought about him. I gave the book four stars because there were some bad words.

This book is exactly as one would expect by reading the title. It's just quote after quote from people who knew Walt Disney best. I liked that many of his former employees were interviewed. Since I was familiar with some of the animators, imagineers, and actors it made it a more personal thing for me when reading this book. There are also many pictures that show Walt during all the different periods of his life, though the majority of them are during his successful years heading the Disney corporation. I share the sympathy of another reviewer who said that after reading this book they wished they had known Walt Disney. I think a person who really admires the Disney empire will share the same sentiments about the man who dared to dream.

This lavishly illustrated tribute --- first published in 1999 and now released as an oversized trade paperback --- is a must for diehard Disneyites. (Dig the vintage, time-worn color
cover photo of Uncle Walt, with Cousin Oscar clearly in view.) Amy Boothe Green and Howard Green's text is nothing more than quote after quote from Walt's pals, peers, co-stars, family and friends, all of whom (surprise!) praise The Man Who Would Be King. But it's the vast array of black-and-white and color photographs --- many rare and many never-before-seen, all of which are stuffed into the pages --- that make this a winner. Walt as a young boy. Walt as a young man. Walt at play. Walt at work. Walt with family. Walt with friends. Walt with Julie Andrews and Dick Van Dyke. Walt with Hayley Mills. Walt with Shirley Temple. Walt with Annette Funicello, who provides the book's most poignant quote: "When I was first diagnosed with multiple sclerosis ... I thought,. "If Mr. Disney were here, I could ask him what I should do. He would know." And, of course, Walt with the Mouse and the Mouseketeers. Noting goofy here. Except Goofy.

I was very happy while reading this book. I found all the things Walt's aquaintances had to say about him very interesting and credible. Very little seemed sugar coated (as Disney personel seem to be sometimes). I would make the assumption that Walt's personality was portrayed correctly by the many people that knew him. Throughout the course of reading this book I kept thinking about the quote that one amazon reviewer said that made me buy this book in the first place, "makes me wish I knew that man."

Happily, this is an original script/shooting script, not the final filmed version so there are plenty of scenes and lines included here that did not appear in the movie. After reading I have a new appreciation for the subtle, nearly flawless directing and acting in this amazing film. Buy it!

I liked Rushmore for a few reasons. The first is that the soundtrack featured songs by The Who, Cat Stevens and Chet Baker instead of some crappy "alternative" bands. I also liked the big vision that Max Fisher had for himself and the people around him. He risked making a fool out of himself in order to accomplish goals that only he could see. Bill Murray can turn any word into a laugh. I want to read the book.

I dare use the word "quirky," because that usually means "esoteric and/or pedantic." But "Rushmore" manages to be quirky while still being entertaining and heartful. There is real emotional impact in this film, as sharp and hurtful as first love lost. Yet, it remains a brilliant comedy with enough "moments" to make repeated viewings worthwhile. The book only serves as a fond memory of the film, much as the soundtrack. See the movie first, then buy the book to cherish the experience again.

Rushmore, both the script and the movie, are instant classics. The buzz generated is still modest compared to the actual impact. Very fulfilling read. Sic transit gloria.

I identified with the characters in the movie. I know one person wrote an intelligent review saying that the movie seemed too surreal, but in my opinion, though I admit the situation had a surreal feel to it, the characters were extremely realistic. I loved Margaret Yang and the way she was so caught up in success that she lied for a project that was almost bought by NASA.

If you don't like anything else, you have to at least admit that Rushmore is one of the funniest things you have seen or read.

I read this book on the plane. The novel proposes an interesting question: how long can a sperm live in a female host and still achieve conception? The lazy sperm idea is certainly an interesting yet frightful notion. I enjoyed the book, and I arrived at my destination safely.

This is a truly wonderful book. It is funny, thoughtful and just plain delightful. One might call it a perfect beach read, and it is...but it is also more than that. Sasha Salter will win you over and make you want more.

This book is a delight! Two words...Lazy Sperm! A fantastic fairy tale for every woman who gets pregnant, thinks she might be pregnant, can't believe she's pregnant, or...just has ovaries. The story is soft and warm like the duvet I cuddled into on an overcast day to read this luscious little tale. I enjoyed this book immensely!

Is there a book award for most original premise of the year? If so, this book should win it. While the 'hook' is definitely unique and original, it's the characters that really pulled me into this novel. They pulled me into their world and took me on a wild ride. Although I finished the book a few days ago (over the weekend), I'm still thinking about Sasha and Jordan and Erika and Melanie and on and on...an intelligent, funny story!

This is the present I'll be giving to all my girl friends in 2007. This book is funny, poignant and sassy. I was hooked right away, and couldn't put the book down after chapter one. The ending is fabulous - I only wish there was more to read. I hope there is a sequel.

I love this book. It is funny, touching, memorable, humble, inspiring and all together delightful. I don't like Della's singing, don't know much about her acting. What captured me is her marvelous personality, her smile, her uncommon commonness. There are parts of this book I will carry with me to my grave.

Della Reese is like a streetcar to ecstatic experience. She knows the way to abundance consciousness and she will stop at whatever stop you need to get you there, because it's on her route. This is no airy fairy lady. She tells it totally like it is in this earthy, raw, absolutely beautiful and hilarious tale of her life adventure from Detroit's "Black Bottom" slums to the hills of Bel Air.

If you have ever felt excluded or ridiculed, had a jones for the wrong person or the wrong lifestyle, suffered a broken heart or known there was something great in you, no matter what anyone had to say about it, her words will pick you up and put you right on the trolley!

Like her early mentor, Mahalia Jackson, she fills herself with God-Essence and breathes it out sweetly and powerfully, right to your center, taking you on a trip to exactly the place she wants for you, which is home. Where you are comfortable in your own body and where you know that you are loved.

So, I guess that makes her an "angel", her loving word for people who appear with exactly what you need when you need it, like Nat King Cole, Ed Sullivan and many others did for her. In reading her account, it naturally makes you more aware of how people in your life serve as angels, even when you aren't aware of it at the time.

I first Della's voice when I was a hurtin' little kid, hanging on for dear life, literally, seeking solace in in art and music.
Her jazz voice got me and got me good. Her author's voice, like her voice in gospel, blues, "pop", TV and ministry, it is a voice that tells you of the WHOLE journey from despair to full-out happiness. And that telling causes resonance, so you can feel it, remember it and find your own way to it.

Read this juicy, juicy book! "Period. The end."

This book is wonderful! I love Touched by an Angel, and am a big fan of Della's (Have to buy some of her music someday!) This book really captures Della's effervescent, full-of-life, no-nonsense style. It reads just as if Della was sitting right there in your living room talking right to you. It is full of amazing stories and straight talk about her ups and downs professionally and personally, and the one thing that shines through so very clearly is her powerful and strong faith in God and how He and the human "angels" in her life have brought her through. You really feel you get to know her--her personality sparkles in every chapter. I loved this book.

Having been exposed to Ms. Reese's multi talents throughout my growing up years, I just now finished reading her book which covers the time period from her birth until 1997. And I am glad I did!
Ms. Reese is what I consider a "real" person as she is so wonderfully candid in everything she says and does. The story she tells in her book is no different as she recollects even the details in great honesty.
Her story is very inspiring and uplifting as she teaches her life's lessons in the tribulations she forged through.
If you've ever wanted to sit down and have a chat with Ms. Reese (And who wouldn't?) but couldn't, reading through these pages is the next best thing. It's almost as good as hearing her voice right beside you with her words, smooth and flowing.
I highly recommend this flawlessly written book. It is everything that Della Reese is - interesting, witty, inspiring, intelligent, gutsy, full of love and hope and just like her, it teaches straight from the heart.
BRAVO!!!...THANK YOU!!!... and...ENCORE!!!

This is a very interesting book, that makes you want to keep reading and reading. It focuses mainly on her early years and how she started in the music business, then onto her role as an actor, teacher and preacher. The stories of her life make you feel as though you know her on a more personal level. She speaks in very plain language so it is easy to understand what she is saying. Many people can relate to different parts of her life. You would have never expected some of the things that she has gone though. She has been though many ups and downs in her life and is not afraid to discuss them. She is very open and honest and I applaud her for that. This was very informative. This has made me want to read more biographies of other famous people.

This is not an anti-Hollywood Fundamentalist rag. It's a thoughtful compilation of essays by Christians in the film industry, each answering the question "What does Hollywood need?" In each case, the essayists insightfully turn the question back at their Christian audience and ask, "What does Hollywood need from you?" In lieu of culture wars, picket lines, and boycotts, this group of producers and screenwriters advocates engaging with the world of film on every level, from watching more good movies and TV shows, to making high quality movies of our own. As an aspiring screenwriter, I found three chapters in particular to be helpful. One titled, "So Wanna Come to Hollywood?", deals realistically with the expectations, motives and qualifications of would-be film makers. Chapters titled, "What would Jesus Write?" and "An Open Letter to Beginning Screenwriters" were both highly helpful as well.

For decades devout Christians have hunkered in their religious bunkers trying to hold off the "world" -- and occasionally tossing a flaming sanctimonious protest out of their hole, hoping to change the world so it would be "safe" for their kind. If only, while they were down there, they would read the Gospels and discover that their hero (Christ) was rarely more than an arm's reach from the kind of people Christians try to separate themselves from... and telling stories in the process. For 30 years I've encouraged Christians to "Pray for the Christians attempting to influence our society with Biblical values and ideas through their vocations in Television, Film, Art, Entertainment, Literature, Journalism, Education, Academe, Professional Sports and Politics. God has called these individuals and gifted them like Bezalel (Exodus 31, 35, 36) to be Salt and Light to our culture." And if you're so led, "Consider a career as a cultural influencer. As a Christian you can light some candles in the darkness of our society. Prepare for a career in secular media or entertainment. Then, as you excel and gain recognition, use your influence to impart Biblical Christian values to the world." I know many of the writers in this volume, and I continue to pray for them. They are doing what the rest of us should be doing en masse.

"Behind the Screen" is interesting and practical. The book offers a mix of history, theology, and advice that is particularly helpful to those wanting to enter the industry or who are just curious about the spiritual possibilities today. They know what's going on in the industry today and have experience to back up their claims.

I also highly recommend a great book Hollywood Faith: Holiness, Prosperity, and Ambition in a Los Angeles Church. From experience attending a Hollywood church, this well-written book is from a sociologist who is also a pastor. Lots of great insight on Christianity in Hollywood right up to today.

This a must-read for any Christian who is thinking of writing for the screen or TV. Each essay is a "gem of insight" both into the art and thematic substance of movie-making, especially when Christianity is concerned.

In addition to witty and thought-provoking arguments, none of the writers take a "high and mighty" posture. In fact, you don't have to "read between the lines" to find actual humililty - from successful directors, producers and writers yet! - as well as fine-tuned critical thinking.

If you're not Christian but still interested in writing for the screen, then you might want to better understand the tensions that exist between Hollywood and so much of the American Church. This book will provide many worthy angles. It's well worth your time.

This is excellent resource material for those discerning a vocation within the Hollywood entertainment industry. This book affords a clear perspective into the myths and realites of living out one's faith while working in Hollywood.

Too much fun! Read it over and over and never tire of it. Blackadder will not disappoint you if you love British Comedy, Rowan Atkinson, Tony Robinson, Hugh Laurie.

"Blackadder" is one of the most brilliant television shows ever. The star, Rowan Atkinson, along with other series regulars such as Tony Robinson (as the perpetual dogsbody with a cunning plan,) Tim McInnerny, Stephen Fry, and Hugh Laurie carry this show through four distinct historical periods, with more laughs than could possibly be expected. Series one starts in the fifteenth century, with Atkinson as Prince Edmund, the illegitimate and despised son of the lunatic king, Richard IV. During this season Edmund adopted the moniker "The Black Adder" only after Baldrick advised him it was much more awe inspiring than his original choice "The Black Vegetable." (Note that while his name is spelled "Blackadder" in the scripts, when it is used as a title in season one, it is spelled "Black Adder.") This season sets the stage for Blackadder as a conniving and scheming con man, a reputation he and his Blackadder descendants live up to through the rest of the series.

Seasons two and three see a progression though history with Edmund first becoming Lord Edmund Blackadder, in the court of Elizabeth I (who is delightfully played by Miranda Richardson,) and later becoming the butler to Prince George, the Prince Regent, who is the idiot offspring of crazy King George III. These seasons provide the most laughs of the series for me, and I am particularly enthralled with the episode "Ink and Incapability" in which Baldrick burns Doctor Johnson's new dictionary. This episode is the ultimate in Blackadder humor, witty and urbane, yet full of madcap comedic moments as well, especially when Blackadder introduces new and confounding words for Dr. Johnson's considerations: "Contrafibularities, sir. It is a common word down our way....I am anaspeptic, phrasmotic, even compunctious to have caused you such pericombubulations." (Of course in true Blackadder fashion this only gets him in trouble, as Coleridge, the poet and Johnson ally threatens to thrust an Oriental disemboweling cutlass up his "ignoble behind.")

The forth season of Blackadder sees Atkinson as Captain Edmund Blackadder in the British army during the trench warfare of World War One France. This series also had a lot of laughs, with my favorite episode being "Private Plane," in which Blackadder and Baldrick join the Royal Air Force and are forced down behind enemy lines. They are subsequently interrogated and insulted by the Red Baron ("How lucky you English are to find the toilet so amusing, for us it is a mundane and functional item, for you it is the basis of an entire culture.") and sentenced to teach home economics to a convent of nuns for the duration of the war. One thing about this season (and two of the others) is that in the last episode of the season the entire cast dies, which elevates the series into a peculiar blend of black comedy and social commentary which I have still not grown fully accustomed to.

The book is a collection of scripts and has several extras germane to the time period being satirized which are also well done. I like the excerpt from "Dr. Johnson's Dictionary" provided on page 106, with definitions such as "left behind - part of the sitting apparatus of a personage," and "leek - a long, thin Welsh tomato." There are also helpful lists of the "Duties of the Prince Regent," "Duties of a Butler of a Royal Household" which includes "Commissioning moleskins (as and when necessary)," and "Duties of an Underscrogman." Baldrick, being the Underscrogman serving under Edmund is responsible for (among other things): "Removing and making good all squoles, whiffen-plugs, and blunters," "Cleaning the wulger-hole," "Quilping," "Cliving," "Groving," "Arranging the sheep droppings into neat little pyramids," "Frossiking the hounds," "Folding the glut-pile," and of course, "Making sandwiches."

This is a wonderful book, though if you are unfamiliar with the series, I recommend buying the DVD set and watching the shows first; a subsequent reading of this book will ensure many more laughs. As a side note, profits from this book go to the charity Comic Relief, a brief history of which appears in the last three pages of the book.

I recommend this book very highly for intelligent wit, and I likewise recommend the television series on DVD interphrastically.

The Blackadder series, begun in the 1980s, was a comedic masterpiece set forth by Rowan Atkinson and his comrades. From start to finish, the first series was a masterstroke of wit, irony and comedic styling that fits both the contemporary and medieval situations perfectly. The combination of slapstick and intellectual humour blended well, and the literary types will not miss the occasional credit of William Shakespeare as a collaborating writer on some episodes -- this might well be the kind of comedy Shakespeare would have produced today.

The first series was set in the pre-Tudor royal family, projecting that Richard III won at Bosworth Field, and Richard IV succeeded him, until after many adventures, the entire royal family was done in, and Henry Tudor reworte history thereafter. The first series starred Brian Blessed and Elspet Gray as the King and Queen, and Robert East as their eldest son, the Prince of Wales. Rowan Atkinson played the second son, who with companions Percy and Baldrick (Tim McInnerny and Tony Robinson) create most of the comic scenes. BlackAdder variously becomes the Archbishop of Canterbury, the betrothed of the Spanish Infanta, a witch on trial, and finally, however briefly, King of England.

The second series sees Percy and Baldrick following a descendent of Blackadder in Elizabethan times; as befits the period, the characters are more vibrant and saucy, particularly Blackadder, who still seeks his fortune as one of the Queen's suitors. Here he variously becomes the royal executioner, a sea-faring discoverer, a bankrupt noble, and finally a traitor to the crown, albeit not without a sense of humour. Miranda Richardson puts in a spectacular performance as Queen Elizabeth, with Stephen Fry and Patsy Byrne in attendance. Stephen Fry will recur throughout the series.

In the third series, Blackadder is still close to the crown, as the butler of the Prince Regent, a despised position to a despised person. Baldrick is still around, and the Prince is played by Hugh Laurie, who will recur in the final series. Done almost as a period comedy, the very titles and situations pay hommage to the day of the Scarlet Pimpernel, Dr. Johnson's dictionary, and the conflict with France. Through an interesting set of circumstances, butler and prince trade places, and the Blackadder finally becomes his intended goal, albeit in the name of someone else.

In the fourth and final series, Blackadder has fallen from a great height, and is an officer in the trenches of World War I. Baldrick is still there, and Percy and the Prince have transformed into fellow field officers, with Stephen Fry playing a bellicose general here as he did Wellington in the third series. The main device of this series is the effort by Blackadder to escape the trenches, by variously becoming an artist, a theatre producer, a chef, but to no avail finally, producing a sombre end to the dynasty.

The book is a fabulous companion piece to the series, as the BBC is known to do with television series of success. The six episodes of each of the four seasons is laid out in script-narrative form, with a generous collection of side offerings, such as the Blackadder family tree, the menu of Mrs. Miggins' pie shoppe, and other pieces of interest related to but not found in the actual series. The cast is included at the beginning of each series section. The book concludes with a partial collection of some of Blackadder's best insults.

This book was printed in aid of Comic Relief, who give a brief outline of their history of funding good causes in the last few pages.

This is a must-have for any Blackadder fan. Regretably, it does not contain the addition special features (such as the Victorian Christmas of Blackadder), but for any devotee of the series, this is a requirement.

1983 saw the airing of a hilariously funny new British television show, Blackadder. This show had four separate seasons that chronicled the lives of four members of the Blackadder family: Edmund Blackadder in 1484, son of Richard, Duke of York; Edmund Blackadder, favorite of Queen Elizabeth I; Edmund Blackadder, butler to Prince George, son of King George III; and, finally, Edmund Blackadder, Army captain during World War I. This book is a companion to that wonderful series, filling in the holes left in English history, giving all sort of useful information drawn from the Blackadder family archives, and the full scripts of each of the shows!

This is a great book, and a must-have for any fan of the Black Adder. The scripts are great to have, and the other information demonstrates the same great humor as the show. Having been created in 1998, the book does not contain any information on the Y2K special, Blackadder Back & Forth, which makes sense. What doesn't make sense is that it completely ignores the 1988 Christmas Special! But, that said, this is a nice book, one that I highly recommend to every Blackadder fan!

I stumbled upon the Black Adder comedy series one night in the 1980s while channel surfing. Something was weird, I thought--there's this sniveling coward, and this even more sniveling sycophant, and then the dogsbody who has dung all over him. Looks interesting. And as I watched, I found it extremely funny, as well. It required a knowledge of history (or Shakespeare, as you see fit), yet wasn't afraid to do the occasional fart joke. Puerile, yet intelligent. That described me at the time as well.

The successive series (Blackadder II, Blackadder the Third, and Blackadder Goes Forth) shifted over into the more intelligent realm (with the third series being the most so), although the running jokes about Baldrick (the dogsbody) being little better than the dung he came from remained. Blackadder II, set in the court of the virgin queen, starred Miranda Richardson, who was perfect in her cruelty towards the hapless Blackadder. The third series had Hugh Laurie as the Prince Regent, a befuddled German idiot who is being taken advantage of by Blackadder, the butler (think of a dark Wooster/Jeeves match, where the Jeeves character retains his aplomb but becomes extra greedy). I never got to see the fourth series on television, so my experience with it is through this book alone.

And what a great book it is. Published to benefit Comic Relief, the organization trying to aid the poor and destitute in England and Africa, it contains the scripts to each episode of the four series with faux historical documents and a running summary of the line of Blackadder. For an American, the scripts are almost a necessity to catch some of the more obscure language used in the series--especially the curses. The endpapers have color pictures of the main characters in each series, and there are some black and white stills with humorous captions included within the pages.

To say that Black Adder is my favorite TV show is true. I liked the 1970s American sitcom, SOAP, as well, but from its hilarious beginnings, it tapered off into pure silliness (as most American shows tend to do). The nice thing about the Blackadder series is the way that the British limit themselves to sets of shows, rather than endlessly milking the cash cow. Yes, I would like to see a fifth Black Adder (I've seen the Christmas Carol, which was wonderful), but only if it can be of the same quality as these. If not, let's not ruin a good thing, shall we?

This is a good book, that covers a lot of info. It also holds up as a book, and not just a how-to. All the info in this book is good info, but it is better suited for large markets. Don't expect to be able to read this book and be able run a business right of the gates, but at the same time this will help get you on the right track. Get this book, it is a good look into how someone got into the business and was able to make it work for a long time.

A great book that gives you the important information you need to run your own production company! I don't know of another title that actually tells you how to get the work that will support your financial needs. After all, you have to have work coming in the door or else...

I am an instructor at advanced multimedia classes at a Business School close to Copenhagen, Denmark. I've been around for a while and have been working with 3D, animation, database programing and webdesign and I have also read parts of this book with great excitement and can't wait to finish it. This is a book that has been a demand for on the Danish market for several years...and now it is here. Wonderful. I particularly like the very direct and bold way it describes how the future entrepreneurs should behave on the market in order to survive. Conclusion: the absolute BEST step-by-step book ever written on the topic and a must for anyone going into the media business.

As a reader just finishing the final pages of 'Desktop Video Studio Bible', I must say I totally enjoyed it. This is an excellent guideline to starting and maintaining a business. I'll keep this as a reference for years.

My wife and I have recently started a media production business on the side as presently we both work for a large computer company. I have been in the engineering related field for over 20 years. We got started in this media business at home doing simple home movies and transferring video tape. Slowly the word spread at work and among friends and before too long we saw a nucleus for a potential business. This spring we presented a surprise 40th birthday video produced by our company at a party hosting about 80 people. It was a great success and was a rush and now we are hooked. Maybe this was a peripheral effect of the "Really Big Thing"? Read this book to find out about the "Really Big Thing".

Even though I have over 16 years experience in the video industry, this book has given me the tools, advice and motivation that I'll need to finally realize my dream of owning my own media creation business.

Not only is the book extremely informative, it has a very readable and enjoyable writing style that made me feel as if the author were speaking directly to me. If you have even the slightest interest in getting involved in digital video production and/or web production, you need this book!

The book provides an excellent resource for anyone writing comedic material, whether sitcom based or not. These characters are timeless.

I was so impressed with this book. It is written mostly for actors, but is a gem for writers as well! This guy breaks down comedy like nothing I've ever seen.

Buy the book. It really is worth every dime - and no, I don't know the guy.

As an actress and a writer, I was thrilled that this book helped me out in both fields. You get great ideas and inspiration for characters to write, as well as great tips and tricks for acting out very specific characters. It's also fantastic how the author talks about "types" of actors and characters and knowing yourself well enough to know who you will pull off well. Which I think applies to more actors than we actors would like to admit... I found myself discovering things about myself, not only as an actress, but as a person, which can only help in my portrayal of certain characters! Great read!

The "Eight Characters of Comedy" by Scott Sedita was absolutely fantastic! The book was incredibly informative to a writer and an actor, but also gives the audience/reader such an insight to how tv shows and film are created. It's a wonderful book. I recommend it to all!

I mean, seriously. Someone FINALLY sat down and wrote a book that deconstructs all the different characters (there's 8, by the way) that appear in comedy, sitcoms specifically. Sedita manages to set forth a simple, concise, easy-to-read (AND understand) method to determining, from an acting standpoint, WHICH character you are (I'm, surprisingly, a "lovable loser" and not, as I had hoped and dreamed, a "womanizer"), and which specific traits are most often and commonly associated with PLAYING these characters ("hopeful" and "optimistic" are two big ones for the "lovable loser"). I can only begin to tell you how incredibly helpful this book has been in my audition preparation and my character creation. If you've ever thought about acting, especially in comedy, PICK UP THIS BOOK!

I came home from a production of The Lion King staged in Appleton, Wisconsin, and was so enthralled I immediately set out to find out "How did they do that?" This book met and exceeded by expectations. I am an amateur costumer and puppeteer and this just the stuff to bring a smile to my face. Before this book I was not aware of Julie Taymor by name (Sorry, from a small town, don't get out much) but I will be looking for her work from now on.

...is seeing the show live. From intellectual concept, to extensive and authentic research, to development with constant referral to the physical, metaphysical, intrinsic, to the workshop...to the stage. One will see that Julie Taymor was THE RIGHT visionary to not only help in the translating an animated film to live theater, but to also retain the human moral behavior and lessons that are paramount for the existence of all people.

This book shows the "creation story" of the Lion King musical. Photos of the workshopping teams in their studio/s, sketches of early ideas, through to finished costuming displayed on the artists themselves.

A pity this book was not available in Australia, but thanks to Amazon I received it in about 3 weeks total.

I have seen the stage production of the Lion King twice--in Toronto and East Lansing, MI. Vendors offered a souvenir photo brochure for $20. For only a few dollars more, I purchased Julie Taymor's book from Amazon describing one of the most amazing creative achievements I have ever seen. Get the book! See the show!

The Lion King on broadway is by far the best most amzing show ever created. Whats so amazing is that the book is as good as the musical. Without Julie Taymor the lion king would not be such a huge success as it is and you find all about this in the book. Some of the pictures of the show itself and the costumes are just wonderful which makes the presentation of the book even more wonderful. I dont even read books but am findin it very hard to put this down and read it over and over again. If you require any info, or are just curious email me simba262626@yahoo.com to discuss this amazing book.

I did things a little backward and read Crosby's second book first, and when I read Long Time Gone it ended up being an irresistible forensic study of Crosby's life. It was a fabulous read. It made you wonder how any person could do that to himself and live to right about it. Make sure you buy both of Crosby's books. If you are a child of the 60's or 70's, it will transport you back to Woodstock and all of those confused feelings of your youth.

Whenever I may be asked to recount books I have enjoyed / lives I've enjoyed reading about - THIS book and THIS life will forever be upon that list.

David Crosby - the genuine article.

Long time gone provides an insight into one of the great survivors, nay legends, of the 65-75 era as well as entertaining observations on the culture of the times. fascinating reading for anyone of a certain age.

I am reading a first edition used hard-cover of this book and it sure brings back some memories! Like the one reviewer said,if you lived in those times,came of age in those times,this book will flood your mind with a-hankering for the good old days of mellow music,mellow weed and mellow and friendly girls. what an age of innocence!
i miss it very bad...gottlieb i think got it right,the "60's" were actually the decade of 1965-1975...a fantastic time that will never be back.i think the times we're in now could use some of the attitudes of the 65-75 era.good golden and red marijuana included. too bad human nature took it all and trashed it.thanks,david crosby for making me think about my youth as it developed into adulthood.
god bless you.
i was on the edge of the CSN and CSNY,Byrds,Springfield music...i was into the British groups and was gone on the Beatles and Who especially.
alot of my amigos were heavy into CSNY,much more than i was and i should've been myself-just never got around to them...(except for the Deja Vu LP- a top 10 classic.)i was also involved w/ the grateful dead and jazz and pink floyd.i liked the electric attitude of hendrix,too.
CSNY,CSN were too acoustic for my tastes at that time.it was a stroke of genius to get neil young-he made all the difference for me.
anyway,i am ranging...the book is great.read it and be prepared to go down Memory Lane.

This book is an amazing document about an amazing performer, born at the right time, in the right place, with the right set of talents needed to succeed (and fail, spectacularly).

If you are interested at all in American culture from the sixties to now, this is essential reading. Basically, David was born in Santa Barbara, grew up in the 50s loving sailing, cars, and women, later to be joined by music. He fell into the folk scenes then emerging in the early 60s, and by dint of personality and talent, worked his way into the Byrds, then CSN, then a sybaritic lifestyle that broke the mold.

Holy cow -- this is a highly entertaining, engrossing story of the American Dream gone good, gone bad, then gone good again. You will not put it down.

Hooray for the survivors, the dreamers, the lovers, the music-makers.