Television Books

I love this book and I'm so glad I found it again.I had one when my son was little (18 now!) and we lost it so I was thrilled to find it on Amazon since I have a toddler once again!It's so sweet and the little rhyming page is adorable.Who doesn't love Kermit?

We tried for a long time to get our daughter to give up the bottle at nap time. Since she never took a pacifier or had a special toy or blanket, this was very hard for her to give up as it was her only "comfort" for nap times. She loved this book, having me read it to her again and again. We followed saying bye, bye to the bottle just like they did in the book - making an event of boxing them up and saying bye, bye. She felt very proud making the decision that she was a big girl and it made what had been a such a hard thing, much easier!

I bought this book for my daughter who is 191/2 months old. She was still taking a nightime bottle. The day this book came we read it several times. The next day I asked her if she was ready to say "Bye Bye Bottle" and she said she was. We packed up the bottles as Kermit does in the book and said bye bye to each one. She has not had a bottle in almost three weeks!

For a long time "Bye Bye Diapers" was my favorite Muppet Babies story (I could recite it in at least three languages) but this book has grown on me until it threatens to overtake that tale.

"Bottle" features Kermit, who--although Ms. Piggy would no doubt argue the point--has always been the leader of the late Jim Henson's muppets. Kermit loves his bottle, and although the motivation seems a bit shallow, he has an epithany of sorts midway through the book and decides to try drinking from a glass. Realistically, it would be wise proceed slowly, perhaps moving up to a sippy cup, but of course Kermit is a dreamer and, by the end of the story, imagines that soon he will be drinking from any cup he chooses. Don't each of us have these kinds of simple, distilled dreams? When I think of my own personal quest to become a top-ranked reviewer at ..............--how impossible that seems at times, particularly since my reviews don't seem to get published--the story of the little frog who dares to dream of drinking like a grownup never fails to inspire me to charge on toward that distant horizon!

I bought this book and read it to my 26 month old daughter. She only took a bottle at night and I told her she was a big girl now and she needed to say bye bye to the bottle. I read her this book twice and handed her a bottle of water instead of milk and she looked at me and I said bye bye bottle. She said bye bye and has never had one since that night. It was so easy I wish I had done it long ago. Now she even sleeps all night!

My grandaughter, under 2, wants me to read it everyday. The pictues in the text teaches her the beginning skills to reading. The stickers are rewards when she is able to read the picture.

My daughter, Skyelar, spent all morning putting little red polk a dots all over Caillou! She thought it was so funny-anything that encourages my child to read, it's so important!

Most American kids won't ever get this disease now that it's part of routine immunization, so it does make the book seem a little dated. But the kids don't know that, and they certainly can relate to being sick. Caillou comes down with a fever, followed by chicken pox and lots of hot baths. Mommy puts red stickers on his dinosaur so that it "has chicken pox too." At the end, Caillou gets better and gives his dinosaur to his sister Rosie, who of course has caught the chicken pox from him. This is a sweet, real story that even a young child can enjoy...my son is two and he loves it. The stickers are unnecessary...the age of kids who would enjoy this book won't be putting them in the "right" places (but they can be a fun art project).

My daughter sleeps with this book every night. I've had to repair the cover and pages so many times that I've lost count because she's worn it out so fast! A nice story that helps kids get over some of the fear of being sick.

My 2 yr. old daughter loves Caillou and was very happy with this book when she opened it on Christmas. She loves the stickers but has taken them off the correct spots and placed them in other areas. I wish they stayed where you put them the first time.

One of the most thought provoking books of our time. This book will awake the curiosity, not just about Cambodia, but the way we should live in this world. And, especially, how everything is connected, especially media to the way we live.

What happened in Cambodia, unfortunately, did not matter as much as it should have at the time. And this is the crux of what this book is about, for it mattered then, and it matters now, and will always matter. Books like this remind us.

I read this book when it first came out and have revisited it several times since. Each time, there is a special resonance between the ideas in the book and the events of the times in which I read it. This is an important, passionate book that is that rarest of rare finds: surgically precise intellectually without being pretentious or opaque.

The parallel construction of the two stories, the Cambodian genocide and the assault on communication and community by our homogenizing consumer culture and thought-deadening media is audacious and brilliant.

This book is a disturbing, inspiring and challenging. For those who would like to follow the workings of an eclectic passionate intellect grappling with the deepest roots of the disease eating away modern North American culture, this is the book for you.

Way ahead of his time and tuned into visions of the future that were intimated by the state of the world in the 1980's, Fawcett's vision anticipates the rise of George W. Bush, with his renditions, his suspension of habeus corpus, Guantanamo and the primary role of his maintream media to erase history in service of the fantasies of those who would seek to dehumanize all who deviate from the True Path.

Brian Fawcett warned us about it twenty years ago. This book is perhaps more relevant now than when it was written.

I am an avid reader of books about Cambodia. This book, altough not a direct work on Cambodia, made me realize the inter-connectedness of our post-modern world. I had never hear of Brian Fawcett before buying this book. He rekindled my rebellious spirit against where-ever it is that we are headed! His insightfulness about the inter-connectedness of our modern times is witty and disheartening. I would recommend this book to all global thinkers.

Do you have a sense that national governments are just one level above the slave populations they are trying to delude. That there is a hierarchy to all pervasive control. Fawcett writes one of the most important books of our time as we enter into the next phase of on-line/media dominated mania. As humanity, freedom and sanity gradual slip away Fawcett chart the course of our demise.

If you're ever haunted by the countless examples of mans inhumanity to man, please read this book. It explores a writers struggles to become an artist in a worldful of atrocities. Fawcett explores the creative process, the global village, the mass man and Cambodia. He convincingly links the global village to Cambodia: the kamer Rough killed anyone with knowledge of the 20th century world just as the computer chip, albeit more subtley, erradicates the need for memory and ultimately for any kind of genuine human contact....well, anyways that's how I interpret Fawcetts message. His brilliant essay on Cambodia runs through the bottom half of the book, as subtext. I would recomend you read the essay first and then read the short stories which are on the top. This is such an important book it should be required reading at the universities...or at least be stocked in every library. Written in 1985,86, it's short term fate may be oblivion but in the long run it'll find an audience. Lastly, when Orwell wrote of a totalitarian regime in his book 1984 he made it appear too bleak...fawcett shows how that regime can exist at Disney World withn a happy face on it. Once more this book gets my highest praise.

gave this book to my 30-month old nephew, and he had me read it to him at least 7 times the first day. he absolutely loves this book, and will not look at other books while this is in his view.

If you are like me, you'll be humming the theme song of Sesame Street to yourself as you read this book. The book provides a remarkable set of images about finding Sesame Street that will be conjured up every time you hear the theme song. The story provides great support for the fun of books, and trusting to your purpose despite apparent hurdles to overcome. As such, it will be an important contribution to your library of beginning reader books. The book's fine illustrations help reinforce the words in the story, to make learning to read easier, and to make the story more fun to read.

The book opens with Elmo surrounded by books.

"Elmo likes books."

"Fat books. Funny books. Bat books. Bunny books. Bear-in-the-chair books. Kite-in-the-air books."

With this beginning, the story quickly takes Elmo on a wonderful kite adventure. I liked this approach very much because it shows how books can be the launching pad for many interesting thoughts and experiences. Further, you can use your imagination to build on what's in the books. The bulk of the story then involves what happens when Elmo's kite pulls him off the ground and into the air. How will he get back to Sesame Street?

By suggesting that this could be a pretend adventure, it also takes the potential fright out of the story for many children. If your child is easily upset by danger, you may want to wait until she or he can be more objective before introducing this story.

In the course of the adventure, many strange and unexpected things occur. But Elmo is always flexible and imaginative. As a result, the results of challenges turn out well. You can use this story as a metaphor for how life tends to be in talking with your child. We all have to realize that the unexpected is usually just around the corner.

After you have read the book several times, encourage your child to read the repeated words like "books" aloud when they appear. This will help with decoding words and letters. Like many excellent beginning readers, this book features lots of that valuable repetition. There are a number of situations where only one letter is different (as in "there" and "where"). When your child is ready, help him or her to differentiate between them and to then read the two aloud to you when they appear in the story.

Build reading skill through repetition within the context of an interesting and entertaining story like this one!

My son (30 months old) falls in love with this book. He loves to know about the adventures of Elmo, pretend the animals in the book, such as duck, frog, elephant to tell Elmo how to get to Seseame Street. This book captures the imagination of the my little boy.

Both my two year old and 4 year old love this book. Elmo's kite adventure keeps little ones turning the pages. My kids just love Elmo and loved this simple fun and easy to read book.

This adorable learning book opens with Elmo surrounded by many books and we read one statement on the first page.
"Elmo likes books."
He then goes on to tell us what kind of books he likes,
"Fat books. Funny books. Bat books. Bunny books. Bear-in-the-chair books. Kite-in-the-air books."
This is great, as it shows children books are wonderful and since Elmo likes books, just maybe they should like them as well. Good beginning.

Elmo decides to go fly a kite, but when the kite takes him up in the air, the adventure begins. How will he get back to Sesame Street? Elmo looks up and down and what does he see? Finally Elmo lands in the back of the truck and meets many wonderful characters, and shows his imagination in the events that follow on his journey back to Sesame Street.
Great illustrations and an adventerous read.One your children will enjoy over and over again.

Tommy-a brave born leader., Chuckie- a causios scardy-cat., Sussie-akind and smart helper., Angelica-a bossy spoiled brat., Phil-a disgusting baby who eats worms and dirt., Lil-a disgusting baby who eats worms and dirt., Dil-anoying,yet playful young baby. Tommy, Chuckie, Phil, Lil, Sussie, Angelica, and Dil are hunting for gold! They started off in Tommy and Dil's backyard but when they crawl through some bushes and suddenly appear in California where there is a huge gold rush. They meat new friends and work together to try and find the gold to buy Reptar Bars they want. Do you think they can find the gold? Read this book and find out! I give this book a five star rating because it has really funny parts including one where Angelica say she hates bossy people.

Tommy-a brave born leader., Chuckie- a causios scardy-cat., Sussie-akind and smart helper., Angelica-a bossy spoiled brat., Phil-a disgusting baby who eats worms and dirt., Lil-a disgusting baby who eats worms and dirt., Dil-anoying,yet playful young baby. Tommy, Chuckie, Phil, Lil, Sussie, Angelica, and Dil are hunting for gold! They started off in Tommy and Dil's backyard but when they crawl through some bushes and suddenly appear in California where there is a huge gold rush. They meat new friends and work together to try and find the gold to buy Reptar Bars they want. Do you think they can find the gold? Read this book and find out! I give this book a five star rating because it has really funny parts including one where Angelica say she hates bossy people.

Tommy-a brave born leader., Chuckie-a causios scardy-cat., Sussie-a kind and smart helper., Angelica-a bossy spoiled brat., Phil-a disgusting baby who eats worms and dirt., Lil-a disgusting baby who eats worms and dirt., Dil-an anoying, yet playful young baby. If you like a book that has a lot of adventures this is the book for you. In this book Tommy and his gang are hunting for gold. They start off in Tommy and Dil's backyard, but when they crawl through some bushes they find themselves in California where there is a huge gold rush. The gang ends up getting half of a map after Angelica sings a song very badly. Then they find some people who have the other half of the map. Do you think they can work together to find the gold? Read this book and find out. I give this book a five star rating because it has funny parts including one where Angelica says she hates bossy people.

Tommy and Dil, their cousin Angelica, and their friends Susie, Phil, Lil, and Chuckie all listen to Grandpa Lou tell a story about prospecting for gold. The kids decide to search for gold, Angelica so she can buy Cynthia play sets, and the others so they can buy lots of Reptar Bars. Before they know it, they travel back in time to 1849, during the days of the real California Gold Rush. The babies team up with some locals to follow a map to a lost gold mine. Along the way they face steep hills, dangerous beasts, raging rivers, and terrible rain storms. But they are determined to continue on to find the gold. This was a cute and funny book that I reccomend to all Rugrats fans, young and old.

Tommy, Chuckie, Phil, Lil, Angelica, Susie, and Dil (along with Spike) are off on one of their biggest adventures yet. They're travelling back in time to 1849, the time when everyone was talking about going to California to hunt for gold. And when Tommy and the rest of the crew get a hold of half a map to the "mother lode" (the largest amount of gold all in one place, up in the mountains where all the gold in the rivers come from), they know that they have to find the other half if they're ever going to be able to buy tons of Reptar Bars (or in Angelica's case, the Cynthia Skiing Set, the Cynthia Supermall, the Cynthia Jet, the Cynthia....you get the picture). When their map is stolen and it leads them to the other half of the map, they make new friends who will help them find their treasure. But with mountain lions,grizzly bears, rapids, and theives, the question is not only "Will the get the gold?". It's "Will they get the gold...and survive?" Join your favorite cartoon characters in this hilarious and adventurous book! I recommend it for fans of the Rugrats cartoon, no matter what age they are.

Take the connived "reality" of Survivor to the traschan and instead allow your imagination, not to mention your funnybone, enjoy the utterly hilarious antics of these "Castaways". A truer group of fruitloops, nuts and flakes couldn't be found. This book is a delightful satire that makes Gilligan's Island look childish and Richard Hatch look like a wuss.

Arch paranoid survivalist Ryan is bound and determined with the help of her trusty sidekick "Tiffany the knife" to win enough moola to outfit her backwoods retreat with the finest security a government-suspecting person could buy. Her only threat comes in the very delectable shape of Shannon,the former assistant to the network's president of programming and now network mole. Seems Shannon has hot-wired Ryan's brain to lust mode. Throw in a bitchy producer, a Latin haridresser queen, macho builder, veterinarian, buff boy, professor, minister, farm girl, fashion model and several other stereotypes, you have the makings for one tearfully funny nightmare contest.

No stereotype is left unskewered and every hyberbole is used to its fullest. This is one heckuva romp through the worst case scenario of a show gone awry. Absolutely a re-read favorite of mine and great pick-me-up on a rainy day.

I thought this book was crazy! It was a psychotic version of Survivor with a touch of hot Monkey sex! Catsaway is a fun book that anyone who has ever watched reality TV will be sure to enjoy. I love Survivor and I loved this book for making fun of it! This book points out where we have come as far as TV expectations...which is pretty sad at times. This book is for entertainment purposes only and that is exactly what Blayne Cooper and Ryan Daly deliver. Castaway is wickedly funny and you will love the characters. The only question is will the girl get her girl and walk away with the million dollar prize? You'll have to read the book to find out! Castaway is a book that will take you away from your crazy life if only for a little while. Please read this book for what it is...a comedy and don't take it seriously. You won't be disappointed! Castaway will stay in my collection to read when I need a good laugh at life!

I've only seen bits of episodes of survivor but this was still incredibly funny. The characters are all caricatures, but still somehow real (too real!) I think the authors manage to insult every stereotype (earth momma, michigan militia, corp exec. etc. etc.) but keep you reading. Oddly enough, most of this romp could be believable, given what goes on T.V. and that just makes it all funnier. Touch of romance and tenderness and hot monkey sex adds, well, maybe not balance, but perhaps variety.Read it and prepare to laugh!

Castaway is one of the funniest things I've read in a long time! An absolute enthralling cast of characters who had me just about literally rolling around on the floor laughing. If only the real Survivor could be this way I might be tempted to watch it again. Two thumbs up!

Very funny and very clever parody of the Survivor tv series. Reality TV never had characters as wild as these! Smart, sexy and loads of fun. This one kept me laughing from start to finish.

Charlie Ives was a visionary, an idealist, and apparently a manic-depressive. Swafford tells his story in a compulsively readable fashion, and wins you over to the side of the irascible composer. Ives never made any money from his music, in fact he subsidized it with the fortune he made in the insurance industry. But he was generous in supporting the work of other sympathetic composers as well, including Henry Cowell. Ives was rare in that he was a genius not only in music, but in business. Ives made a fortune in developing the modern, mass-market life insurance industry. He wrote a tremendously influential pamphlet in 1910, "The Amount to Carry," which pioneered estate planning. Ives was an idealist and an altruist even as he became wealthy -- he convinced himself that insurance was socially progressive, and motivated his sales staff with his lofty vision of cooperation. Later in life, he developed this into a plan for a People's World Union!

Ives' great successes all came together, early in life, following his marriage. He composed on the side as he built his company, burning the candle at both ends. Swafford speculates that Ives was literally manic during those heroic years of the Teens, and that he subsequently crashed, enduring more depression than mania for the rest of his life. Interestingly, the Great War was such a blow to his idealism, he reacted physically, compounding his collapse. Ives retired very young, but rather than turn to composing, he found that he was unable. The rest of his life was devoted to trying to find an audience for the works of his glory years. I found the book most interesting here, in situating Ives in relation to the more well-known Modernists of his time -- Schoenberg, Stravinsky, Varese and the others. The irony is that while Ives' music came about independently, it was "popularized," only through association with the European revolutionaries, and so he was widely perceived as an imitator. The world was only ready for Charlie's music after the ground had been broken! The story of Cowell, Slonimsky, Carter, Gilman and Bernstein, who championed Ives over many years until he was finally recognized, is fascinating.

This is supremely enjoyable reading. Jan Swafford clearly loves Ives, and I found his account irresistable.

Charles Ives (1874-1954)was the first, and still probably the greatest, composer of a distinctly American art ("classical") music. His relationship to American music seems to me roughly parallel to Walt Whitman's relationship to American poetry and to Charles Peirce's relationship to American philosophy. Like Peirce, Ives was little-known during his lifetime. Furthermore, while many people may be aware of Peirce and of Ives, a much smaller number have much acquaintance with their works.

Ives was born in Danbury, Connecticut and remained throughout his life attached to his vision of the post-Civil War small-town New England of his childhood. His father, George Ives, was a bandmaster and the greatest influence on Ives's life. Ives was a musical prodigy who began composing at an early age, quickly picking up experimental styles. He showed great proficiency at the piano and organ. (Through young manhood, we worked Sundays as a church organist.) He studied music at Yale where his teacher was Horatio Parker, a then famous American who was trained in the music of German Romanticism. As a college student, Ives wrote music played for the inaugaration of President William McKinley.

After graduation from Yale, Ives became a millionare in the insurance industry where he pioneered many marketing techniques. He also became increasingly Progessive and politically active and actually proposed a constitutional amendment which would increase the power of the democracy in government decision-making. At the age of 32, he married Harmony Twitchell who, after his father, was the greatest influence on his life.

Ives wrote music in the midst of an extraordinarily busy life. Most people think of Ives as a trailblazer and iconoclast. He was indeed, but may of his earlier works, such as the Second and the Third Symphonies are easily accessible and have a feel of America about them similar to the feelings Aaron Copland evoked some three decades later.

Jan Swafford's biography movingly and eloquently describes the life of Charles Ives. This is a reflective, thoughtful discussion of Ives, his America, his music, and its reception. In addition to a thorough treatment of Ives' life and works, Swafford has three chapters which he titles "Entra'acets" which consist of broad-based reflections on Ives's music and its significance. Swafford's entire book is full of ideas which are intriguing in themselves. Of Ives's work, Swafford gives his most extended treatment to the Fourth Symphony (he sees Ives as essentially a symphonist) and to the Concord piano Sonata. But many works are discussed in detail which will be accessible to the non-musician. The book has copious and highly substantive footnotes and an extensive bibliography.

Ives's Americanness, humor, romanticism, modernism, optimism, and generosity ( Ives gave large amounts of money to his family and to musicians and music publications. He also paid for the publication of several of his important works when commercial publishers showed no interest in them.) come through well. Swafford sees Ives as the last American transcendentalist in the tradition of Emerson. At the conclusion of his book, Swafford writes of Ives (p. 434)

" [I]n his music and his life he embodied a genuine pluralism, a wholeness beneath diversity, that in itself is a beacon for democracy and its art. Aesthetically he is an alternative to Modernism, an exploratory road without the darkness and despair of the twentieth century. In spirit he handed us a baton and calls on us to carry it further. He suggests a way out of despair, but leaves it to us to find the route for ourselves. If we are alone with ourselves today, Ives speaks incomparably to that condition."

This book made me want to learn more about and to hear the music of Charles Ives. In its own right, it is a joy and an inspiration to read.

Quite recently, I had the privilege of reading a copy of this book that was the personal copy of a musician who had been involved, in a rather unique way, in the centennial observation of Charlie Ives's birthday back in 1974. For reasons of geography, then musical interest, he "got to know" Charlie quite well, even if only 20 years after Charlie's death. I immediately ordered my own copy, while continuing to read the heavily-annotated copy of my musician friend. (It was rather vicarious pleasure, "looking over the shoulder" of this musician, to see what it was about the music, life and times of Charlie that fascinated him.)

In his early years, Ives was a one-man dynamo. Learning much of his music theory and practice from his father George Ives, who had been a very young (perhaps the youngest) Civil War band leader, and then from Horatio Parker at Yale University, he had more than a "thorough grounding" in the basics. However, unlike most American composers, particularly those of his and the following generation, he did not go to Europe for a post-grad internship with any known European composer, but simply set out on his own after matriculating from Yale. He went to New York City, employed as an insurance clerk for one full-time job, wrote music constantly for another full-time job, and had yet another career, had he wanted it, as organist and choir director for the Central Presbyterian Church in New York. During this period - leading up to his marriage in 1908 - he literally burned the candle at both ends. (Swafford goes on, later in the book, to posit why Charlie had this incredible burst of energy for the first 15 or 20 years of his adult life, but it's best that his reasons for this - and for Ives's shortened composing career - be left to you, the potential reader.)

Most anyone who knows anything about Ives knows that he became comfortably wealthy in the insurance industry, that during his active composing days little of his music was played by anyone, and that he was - literally and figuratively - burned out by the time he was only 40. For the remaining half of his life, much of it was spent editing, publishing and promoting his music and the music of others, including many friends, using the proceeds from his insurance success to underwrite projects for many composers who would have gone unnoted had it not been for him. Musical success - unlike business success - came too late in life for him to truly enjoy at least its artistic, if not financial, rewards. He was in his last years when Leonard Bernstein premiered his Second Symphony, and never lived to hear his masterpiece - his Fourth Symphony - premiered by Leopold Stokowski in 1965. Despite this, he was far from an unhappy man in his later years; philosophically resigned yet optimistic that his day might yet come would be the more accurate description.

Swafford's writing is simply wonderful. It tells the story of a true American iconoclast; an "original." The narrative flows beautifully without omitting anything of significance in Ives's life or about his music. (The book contains nearly 80 pages of endnotes, in which the musical marginalia are explained in exhaustive, but emminently readable, detail, to preserve the flow of the main narrative.) In parts, it is incredibly moving. I particularly enjoyed the extended "mating dance" of his courting of Harmony Twichell, who was to become his life-long helpmate (and who did live long enough to attend the Stokowski premiere of his masterpiece, as the guest of honor). Ives, ever the Victorian man if something else as a composer, would always refer to her, to third parties, as "Mrs. Ives." Yet their fifty years together could be a model for today's dysfunctional families. A beautiful chapter; one of the best in the book.

There's a curiously cryptic endnote that suggests a "what might have been." It is a fact that very little of Ives's music saw public performance before the early 30's, when Nicholas Slonimsky championed Ives and other "moderns." Yet another two decades were to pass until Bernstein premiered the Second Symphony. Yet, in 1910, while shopping in a music store in preparation for his final return to Vienna, where he would die in less than a year's time, Gustav Mahler purchased a fair copy - one of only two or three in existence - of Ives's Third Symphony. Swafford doesn't make that big a deal about this, but I do. I've always thought that Ives and Mahler, aside from being near-contemporaries, had more in common than they did in opposition. It is just conjecture - but truly fascinating conjecture - to think what might have happened had Mahler premiered Ives's Third Symphony at a time in the life of Ives when it really might have made a difference.

Just what was Ives, as a composer? Bernstein did him no favors by calling him "a primitive; a Grandma Moses of music" while at the same time championing his music. Back in those days, there were no labels like "atonalist," "serialist," "avant-gardist," "post-modernist," what-have-you, that we tend to use today to compartmentalize a composer. To me, Ives was, well... an iconoclast, an "original," and, if a label must be applied, our first "pre-post-modern." He was never imitated, at least not successfully, not only because he didn't have his own students as did other composers, but because by the time his music enjoyed sufficient - if not plentiful - performances, composers' agendas were different.

Fortunately audiences think differently, and do enjoy Charlie's music. And you will enjoy this book.

Bob Zeidler

Well written and accessible, the book describes the life of America's preeminent composer in the European tradition. A man who successfully forged a truly personal musical vocabulary on strong and deep American musical rootstock. Yet his only commercial success came through his equally great (though far less consequential) business talents. A continuing cautionary parable about the creative arts in the United States. I wish there were more score excerpts included.

Not being a music professional, I was pleasantly surprised to find this book not only made Ives come to life but explained the music in a way that neither addressed the lowest common denominator nor spoke exclusively to the ivory tower crowd. The love letters between Ives and his wife Harmony (yes, that really is her name) are incredibly moving for an insurance exec. Saw a good review in Newsweek; agree with its assessment: "one of the best biographies in recent years."

I am an avid cookbook reader and no book in my memory can match this book for content. It quickly has become the most used book on my shelf - for cooking and for reading. I sought out the book after watching the PBS series of the same name. It is a truly OUTSTANDING program that does so much more than teach you how to cook! The book and the TV series feature the biggest names in the culinary world - but the real heroes of the book/TV series are the farmers. The recipes are exquisite - but surprisingly simple. Even the novice chef could tackle these recipes with ease (although be warned - your friends may not believe you could create Patrick O'Connel's Flaming Apple Tart or the Garlic Custard of a famed NYC chef). This book is part travel, part cooking, part gardening, and part environmental action. The content is perfect for gift-giving or just for a special treat for yourself --- worth threes times the measly $15.95 I paid for it!

This book is the best cookbook I've seen in 2003. I have about 100 cookbooks and this rates up there with Tom Douglas' Seattle Kitchen. It only has about 50 recipes, but makes up for it in editorial content. It offers great tips on supporting local farmers, shopping, food & the environment, etc.

What a delightful companion to the splendid PBS television series of the same name. The TV show introduces us to passsionate farmers and world-class chefs who share their thoughts on fine food. It's one of the few intelligent programs on television and also a feast for the eyes. The stunning, elegantly composed hi-definition images of food, farmers and fields excite the senses. At the end of each episode I want to race to the kitchen and cook! With this handsome volume, we now have the resource to create the fabulous meals America's best chefs share during the show. But this isn't just a cookbook. Its lavishly illustrated pages feature important commentary on organic farming and sustainable agriculture. It's nice to know that there are still a few people in our fast-food world who know the meaning of the words "fine dining." With this book, now you can too.

As an avid fan of this PBS televison series I was skeptical that they could pull it off in book form...but they did! This book has fabulous recipes that are easy to make and delicious! Better yet, its editorial content on where our food comes from and advice on shopping with an environmental mind is extremely helpful and interesting. The chefs featured in this book are some of the best in the U.S. - they are "real" chefs running "real" restaurants, not like those found on The Food Network or in that never ending stream of glossy cookbooks. This book is worth twice the price.

The Chefs A'Field series has been important in helping to explain the importance of fresh, local, organically grown, peak of the season produce. It doesn't shy away from discussing sustainable ranching and fishing either. The recipes and dishes are important not necessarily because of their flavor pairings or because they push the envelope, but because they use product at the moment of its perfection. Simple technique is applied to insanely good ingredients.

The idea is awesome in its purpose, design, and goal, but I think it falls somewhat short in execution. I think that's true both for the show and the book. Some of the dishes just aren't that great. Certainly not groundbreaking. The chefs are good, but not outstanding. There are, however, a few stand-out highlights. Anne Quatrano and Rick Moonen are a couple of my favorites, but overall, I'd love to see other chefs that have adopted this important philosophy. It seems Keller and Waters would have fit this bill perfectly, though maybe they're too big for the series.

In all it is a nice cookbook with an important message, but as a collection of recipes, there is a mountain of better choices out there including the entire library of Chez Panisse books which all embrace the culinary values from the Chefs A'Field series.

I can't stop looking at the lovely pics. of all Chet's 60 guitars. And the stories in his own words. The best book in the world.

This is a ghost written autobiography of Chet and his various guitars. It has outstanding photography and provides insight into the character of the man.

At first I just meant to thumb through a few pages but Chet's easy-going and enjoyable writing style sucked me in. The next thing it was 2 am and I'd finished most of the book. Although I suffered the next day at work I didn't mind it a bit.

If you like vintage guitars or Chet Atkins' playing I can't recommend this book strongly enough. It is full of beautiful color pictures and behind-the-scenes descriptions of the development of some very interesting and historic instruments. Chet's stories of the people he played with, the guitars he played and the music he made are wonderful and totally engrossing. Buy this book today!!

As I Chet fan, I am always wanting more photos, information etc. on Chets's life, guitars, equipment and technique. This book is fantastic!! The book quality is superb and the photos are exquisite! I am very well pleased to have this book in my Chet collection.

Chet relates the story of his life and describes the guitars he owned and helped design in an easy-going, yet informative, manner in this book, which is lavishly illustrated with photographs of his guitars. As a country music enthusiast, I found Chet's story to be very interesting -- he had much more contact with some of the early artists (such as Karl Davis and Bill Carlisle) than I'd realised. Chet's narrative is characterised by his modesty and generosity to others: for example, he relates how Mother Maybelle Carter and her family fought some elements of the Nashville establishment to ensure he was permitted to play in Music City; and he is very complimentary of other guitarists (e.g. to Australia's Tommy Emmanuel).
I have no hesitation in recommending this book to any country-music enthusiast or country guitarist, though the book also has a much wider appeal.

I am in total agreement with those who have praised this book. It is a model for all scholars and merits a major book award. Avoid any other publication that presents itself as accurate.

The Chevalier de Saint-Georges: Virtuoso of the Sword and the Bow is the biography of Chevalier de Saint-Georges (1745-1799), the illegitimate son of a French planter and a young African slave. Educated in France, his skill in fencing and amazing talent as a violin virtuoso earned him a distinguished place in French high society and the court of Versailles; yet he was not content to simply bask in court life, choosing to support the abolitionist movement, take part in the Haitian slave revolt, and join the French Revolution in the hope of ending slavery. Considered the first classical composer of African descent, his music is best understood in the context of his vivid life. Black-and-white photographs, illustrations, and sample scores, and reproductions of primary source documents round out this in-depth study of a singularly remarkable musician, politician, and fighter.

One of the problems in researching Le Chevalier de Saint-Georges is separating fact from fiction, due to the popular myths propagated beginning with Roger de Beauvoir, and continuing with Alexandre Dumas (fils). These and other semi-factual accounts of Le Chevalier's life led many to believe that it served as the basis for the character D'Artagnan in The Three Musketeers. In contrast to these myths, surviving well into the twentieth century, Mr. Banat's thoroughly researched study is factual.

Banat, a retired violinist from the New York Philharmonic and a specialist on the violin works of Mozart, is ideally positioned to understand the significance of this historical figure. It turns out that Le Chevalier was a major contributor to the symphony concertante genre, until recently thought to be Mozart's creation. As a musician, Le Chevalier was a violinist and composer, mastering the classical style and creating multiple compositions for orchestra and violin that remain underrepresented in the academic and performance Canon today.

Not only a prominent musician and athlete of his day, Le Chevalier was one of several African descendants who made important contributions to European elite culture. Born in Guadeloupe to a French plantation owner and his enslaved mother, Le Chevalier was educated in France, with substantial periods in England, where he was a champion fencer. In the latter part of his life, Le Chevalier became highly involved in the Haitian Revolution.

Mr. Banat began his study on Le Chevalier with an original article from the 1980s. Twenty years later, Banat's recent book reflects his dedication and enthusiasm toward his subject matter. The extensive documentation he provides for his assertions makes him the authority on Le Chevalier de Saint-Georges.

The second half of the 18th century from St. Petersburg to St. Louis was a socio-political mess as men and women of faith and courage strove to overthrow the imperial tyrannies oppressing their lives and stultifying their cultures. Supported by his white planter father and adored by his black slave mother, Joseph Bologne, born on Guadeloupe, captivated the Court and Parisian society by his extraordinary fencing ability and musical genius. Nor did it hurt that he was both handsome and intelligent. His violin playing, his original compositions, and his orchestral conducting assure him a place among the handful of outstanding musicians between Bach and Mozart. His military acumen and his political idealism on behalf of the downtrodden not only in France but also in Haiti made him a distinguished brigade commander in the Revolutionary army and led him, at the pain of a long imprisonment, to help stop The Terror. At the end of his life, the world he had bedazzled was gone and the world he had hoped to establish was falling to Napoleonic power.
The sad, powerful tale of this romantic hero's life and genius is all movingly here in Banat's scrupulous research and genuine affection--just waiting for an intrepid director and a first-rate actor to make a brilliant film that would really speak to our time.

This book is far more than a biography of the 18th-century fabled composer/violinist/swordsman Joseph Boulogne, Chevalier de Saint-Georges, born in 1745 in Guadaloupe, son of a plantation owner and one of his slaves. Based on rigorous scholarly research, the author presents a vivid picture of the social and historical background of the period in France, and the picaresque life of an extraordinarily gifted individual. The book is informative as well as an exciting read. It is enhanced by numerous illustrations, reproductions of original documents, and musical examples.