J Books

Wonderful experience. Seller worked out all the details with me and I was so pleased with the purchase. Would definitely refer others to him and also buy from him again. Thanks so much.

Pictures. These will remind you. Haunting. Sad. Heart wrenching. Moving. These words won't do it for you. The book will give you more. Over 3000 people died that day. This book will help you to never forget what happened to them and us.

The point comes across, but I think there is plenty of other work that should have been included.

A message to each and every reviewer who takes time to add thoughts to a any media of memorial of 9/11, World Trade Center Towers tragedy... thank you from my heart.

My spouse and I resided on the Lower West Side, Battery Park City, Gateway Plaza, So. End Ave. As survivors of the 9/11 World Trade Center Towers tragedy... From our Gateway Plaza apartment, facing the street and 300 yards from the Towers, we helplessly witnessed all from our apartment windows. The closeness of the Towers viewed from our windows - gave an illusion that one could reach out and touch the Towers; their beauty with night lights reaching toward the sky promoted a contemplative emotion.

We viewed the planes entering the Towers, the overwhelming inferno, individuals jumping, the collapse of the Towers, the darkness as debris hit our windows with a fury. What occurred over a period of hours, seemed like a much shorter time span. The darkness was darker than an eclipse, darker than the darkest night; and then a momentary hush after the air cleared. Viewing the roof garden one floor below, with the human reaction of looking out to see if someone might be on that roof garden and in need of help. Debris strewn everywhere, recording tape and paper hung from the trees of the garden and oh, so much ash. The momentary hush, whether real or imagined, then the viewing of debris for a second, fantasized that a parade had just passed by on our short street. I now really understand the expression a "feeling of helplessness", I couldn't fix what had just happened.

We vacated our apartment finally at 5:15 p.m. that day, waiting for someone to knock on our door, with only a battery radio to keep us abreast of happenings. "In a New York minute", we evacuated via the stairwell touched with ash, the result of a first floor door left open. With a few belongings, gathered with a tad of thought of what was being left behind, we stepped out of the door onto the pavement, seeing and standing in ever so much ash & debris, I wanted to turn around and go back to our home. It was one moment of reality in time, I carry to this day.

We planned to walk up the East Side, glimpsed the tired fire, police, volunteers, and med techs in our immediate driveway and street, so instead opted to pass through the building in back of the apartment complex. We gained access to the Esplanade walking the short distance to reach the Hudson River North Cove dock. We were escorted to the New Jersey shore via New York Police boat. From the boat deck, we viewed even more damage to the Manhattan skyline, especially noting the zigzag shape of the side of the American Express building, housed in one of the World Financial Center buildings along with the glorious Winter Garden, as well as the fall of World Trade Center Building 7. We were taken to the Jersey City Hospital, attended to by compassionate staff. Then traveled by National Guard truck to Hoboken, NJ where we were housed by a wonderful family who with great trust welcomed strangers to their home.

On Friday 9/14, our eldest son & daughter-in-law drove from New Hampshire via New Jersey routes to Hoboken for transport us to New Hampshire for temporary residence with our daughter, who along with her friend and our youngest son, greeted us with open arms & the overwhelming feeling of not wanting to let go with each hug that followed. Our daughter and son had spent that Friday in New Hampshire collecting items of clothing and necessities which the Concord community generously opened their hearts and donated by churches, stores, individuals, employers, American Red Cross, et al.

One of our grandchildren -- he was 8 at that time - arrived home from a few days with his Dad. He hugged us so tight, understanding the depth of 9/11 events for someone so young and yet so wise. He told Grandpa & Babcia that he had something for them... his Mom was not even aware of his gift. He had spoken to his classmates about his grandparents' closeness in location of the World Trade Center Towers. Presented to us was a large envelope full of hand-made cards from each of his classmates. And if that isn't love and caring, I don't know what is - from the hearts and minds of children!

Residing now in New Hampshire, not because of 9/11 drove us away, but circumstances just went that way as we continue to put our lives into perspective.

We Miss - New York City deeply; events found nowhere else in the USA, the introduction to & interaction with so many wonderful cultures. There isn't a day or night over these years that we do not think of 9/11... the Lady of Liberty & Ellis Island both on the merge of the East and Hudson Rivers. And that Lady of Liberty wept, I just know it, & still stands with pride that the USA is a democracy that will prevail.

We Remember - the victims, the survivors, their friends and families, the workers from the public and private sector, the volunteers, our neighbors in Gateway Plaza and staff in the small group of stores on South End Avenue, Battery Park City.

We Remember - the places we visited, the book signings attended, the celebrities we met, the concerts and theater plays, the movies, the arts, the parks, the strangers we talked with, on streets, on subway and those while standing in line for an event...

We Remember - Always In Our Hearts, Forever In Our Souls, Heroes, Victims, Survivors One and All... We Were There.

Painfully, the lump in my throat and the twist in my stomach, the tears in my eyes and the pain in my heart, to the depth of my soul, forever reside.

LIFE has done a first class job of putting together a book covering this horrific act by such a cowardly enemy.Rather than to make the Americans cower as these fanatics probably thought and probably thought and hoped for;it showed what a good and strong nation it is.History will remember both 9/11 and Pearl Harbor for the terrible and misguided acts of hatred they were.
This act conjours up different thoughts for everyone who witnessed it ,in whatever fashion,but no more so than those who had friends and particularly those who lost loved ones.
To those who may turn a little soft on the War on Terror a review of this book should remind one of what we are dealing with.
A great book TIME and thanks.

I have read this book cover to cover and I think the book covers pretty much every aspect of parenting teenagers - I've got two in my home. I bought the "Yes, Your Parents are Crazy" for my teens, as well. I wish Dr. would have mentioned something about cell phones, but I think I can figure them out, too with the help of other info. in this book. I have found some excellent ideas in this book and it has definately helped me maintain my inner "dispassionate cop" when dealing with those inevitable teen moments as well as help my sense of humor resurface. I have often been heard saying that there are lots of similarities in raising infants to teenagers including the number of people giving you unsolicitated advice. I think this book provides more then just more advice; it provides prospective.

This book is a Godsend! EVERY parent should read it...if possible, even BEFORE their child enters adolescence! You will gain the key to reaching your child! You will learn what TO DO and sometimes more importantly, what NOT to do regarding your parenting of your adolescent. His insight is REAL and APPLICABLE! You will be rewarded with a rich and mutually beneficial relationship with your child where you both feel respected and valued. This book was remarkable! I couldn't put it down. I am sure I will read it and reread it a few times. It's the closest thing to a how to book I've seen. He is brilliant!

Too many moments where your teen will just blow you away with something you never saw coming! The craziest things they do...you might understand after you read this book. I definetely recommend it.

This is one of the best books I have found to help parents understand not only what their teens are going through, but tips on responding and hope that this is only a "stage" of development...this too shall pass! As a Marriage & Family therapist, I work with many teens and their parents...I all but insist that the parents buy this book! I tell them that it is the "handbook" for parenting a teen! So many have thanked me...it becomes their guidebook through adolescence! I should receive royalties...or at least some kind of commission, don't you think?

Thanks so much for writing this book and in such an easy to read format! My only wish is that it had been available when my son was a teen!

I was at my wits end with my 17 year-old daughter. She was acting up quite a bit and my normal reaction was anger which resulted in nothing but a lot of yelling,hurt feelings, and sleepless nights. Out of desperation, I searched for something, ANYTHING, that would help me get back on track with my daughter. This book was a God-send! I couldn't put it down. Dr. Bradley's philosophies and advice were right on target. I felt that he wrote it just for me. I applied his suggestions and what a difference it has made in my relationship with my daughter. Instead of yelling, we talk calmly. I listen, she listens. She still acts up once in awhile (after all, she's still a teenager) but I handle my reactions differently which makes her more comfortable coming to me with her problems. I sleep much better at night now. Dr. Bradley has given me so much hope that my sweet little girl is still there and we will get through these very trying times. I wish that all parents of teenagers could read this book. It is THE best.

This is one of the best books I've ever read. It's a slow read, but not difficult - there's so much packed into these 280 pages that you'll have to take your time to get it all.

It came as advertised. It came rapidly. The only complaint I have is that I ordered a hardcover and received a paperback.

I love this book. This is a great book to read daily. I do a chapter or two a day and then look up the verses that are referenced. It is really humbling and puts things into perspective. Focus on eternity and not the here and now.

it's like having a mentor talking/converse with you about different important issues in a christian life, heart etc. . get the book!

This is not a review of the book per se (just got it, have not read it yet), but thought I needed to share this. Book arrived with another book (a textbook) in the usual Amazon box, each laying side by side. It was left out in the rain for most of the day by the local carrier until I brought it inside. The entire box was soaked and ruined, tape fallen off and box literally gaping open, all of the paperwork inside was falling apart in pieces and soaked, my textbook was completely ruined (soaked through, wavy wet pages etc - got returned), yet this book was absolutely dry - not a trace of even a microdrop of water - perfect condition. Take away whatever message you want...

The Captive was by far my favorite and most anticipated of the Secret Circle series. It shows you another, less shy, side of Cassie and shines light on the other side of the coven, such as Deb, Susan, the Henderson brothers, and, of course, Faye. You also watch Cassie struggle with her feelings for Adam and her loyalty to Diana. I thought it was a great book. I couldn't -- didn't put it down.

Of the three books in this trilogy, this is perhaps the slowest one to read, simply because the action is not as quickly paced as the first one, and so much happens during the course of the novel. This is the book where most of the plot development occurs, and this is where we really start to know the characters who are introduced in "The Initiation." This book also serves as set up for the third book, and the climax of the series.

The mystery in New Salem deepens. More people die under strange circumstances, and Cassie finds out that many of the coven members' parents died in the same year, 1976. On top of that, Faye blackmails Cassie, first into finding the crystal skull that Faye covets, and then into voting for Faye when leadership of the coven is being determined.

One of L.J. Smith's greatest strengths is her ability to weave separate plots into a cohesive whole, and none of her series show this quite so well as her Secret Circle books do. The separate-yet-connected events in this book are expertly tied together in the third one, leaving no loose ends in the process and keeping the reader enthralled until the last page is turned.

I loved this book! The first Secret Circle book was good and this one was even better. I can't wait to read the conclusion to this series!

Faye, a powerful member of the coven, is blackmailing Cassie. Faye wants to have more power and be the leader of the coven and Cassie has to help her reach her goals. Cassie soon realizes that her actions may hurt Diana even more than the truth about Cassie and Adam would. Still, Cassie feels trapped and her only way to be free may be to join the dark side.

I enjoyed this one just as much as the first. The action didn't slow down and I was hooked throughout the entire thing. I also liked Cassie's brush with the dark side. It gave the series a depth that it may not have had otherwise. Another thing I liked was how the coven was no longer split up into groups of good and bad members. All in all this is a great middle book that doesn't fail to live up to the first.

"The Captive" is the second book in the Secret Circle Trilogy by L. J. Smith, her most worthwhile trilogy. In the first book "The Initiation", teenager Cassie Blake and her mother moved to New Salem, where she was adopted by a group of witches within the school, who needed a twelfth member for the completion of their coven. There were complications however: although Cassie is instant friends with the coven leader Diana, Diana's cousin Faye is hostile and manipulative toward her. Meanwhile, Cassie has fallen for Diana's boyfriend Adam, and now Faye is blackmailing Cassie into doing whatever she asks - if she doesn't, she'll tell Diana the truth.

And what Faye is after is the sinister crystal skull that the coven uncovered, but that Cassie suspects is somehow behind the awful deaths of several people within New Salem - and she knows that it'll become twice as dangerous if it ends up in Faye's hands. But telling Diana that her beloved boyfriend and her best friend have been cheating on her would break her heart, as well as see her kicked out of the coven. She seemingly has no choice but to get Faye the skull - but first she has to find it...

Meanwhile, Cassie is investigating other strange occurrences around New Salem - she's been experiencing odd dreams, and her mother and grandmother's behaviour is still secretive and aloof. She finds a sealed and blocked off cellar at the local cemetery, as well as an unusual feature on the graves of the other witches' parents - all of them died in 1976. What happened that year to kill so many of the first generation? Another time phenomena strikes Cassie as odd - all the teenage witches celebrate their birthdays within three months of each other, almost as if the parents coordinated their children's' births.

As well as this there is the usual teenager-novel fare: school dances, joy riding, bullying, hormones, raunchy games, and a sprinkling of witchy rituals throughout. Finally though, the story accumulates with the vote for the permanent coven leader, a position coveted by both Faye and Diana, and a disaster that reveals much of the back-story to the terrible happenings at New Salem.

However, the story ends with one of L. J. Smith's frustrating cliff-hangers which forces you to track down and pay for the next book before you find out what happens. I've always found this to be one of the most unappealing components of Smith's books, unlike book series like "Harry Potter" for example, with each installment containing a full, complete plot, Smith's books are divided into several volumes for the simple reasoning: they get more money this way. If there is a publication out there that combines all three of the books into one, I suggest getting that instead of spending money on three separate books.

"The Captive" is possibly the best book in the series, melding several mysteries and plot devices into a whole, with enough intrigue and suspense to keep anyone interested. Cassie's dilemma certainly makes compulsive reading, as does the duality between Diana and Faye, and the direction that the coven can take. The figure of Black John lurks in the background like a sinister shadow (and is certainly Smith's best villain) and again Smith deftly portrays the relationships and attitudes of normal, understandable characters in an abnormal situation. Here we get to see a little more of the personalities of the rest of the coven, and although the Cassie/Adam love match still seems a little unlikely to me, it shakes things up well for the final book "The Power".

The Chosen is the first Night World book that begins from the main character's point of view... at age five. It's Rashel Jordan's fifth birthday, and she's celebrating with her mother and best friend, Timmy, at an amusement park. But before the day is over she watches a vampire kill her mother, eat her best friend, and burn her aunt alive.

Years later we find our beautiful dark-haired, cat-eyed girl a sleek, dangerous, and prestigious vampire hunter. Rashel is The Cat, known for murdering vampires all along the East Coast. She joins up with the vigilante team, the Lancers, on a stake-out (pardon the pun), only to find herself fatally attracted to the vampire she's supposed to kill.

Quinn is legendary in his own right; a vampire dating back to the New England years, known to have a black heart and emotions colder than ice. He also happens to be a killer telepath and terribly dangerous, even to hardened vampire hunters. Imagine his surprise when he wakes up after tangoing with two hunters to find himself looking into the eyes of The Cat.

What follows is an intense hunt. Rashel, face cloaked by a scarf, allows Quinn to escape, tarnishing her reputation and even her own opinion of herself. She attempts to make up for it when she stumbles across Daphne Childs, a fluffy bunny of a girl on the run from supposed vampire slave traders.

Rashel is a deeply involving heroine. She's strong, tough, and always prepared. Despite how jaded she is, we see her helping others at the risk of her own life. She even goes head-to-head with Quinn, knowing his reputation. Quinn is just as fascinating. We saw a peek of him in Daughters of Darkness, but he really shines in this novel. His backstory is heartbreaking, moreso when he's betrayed near the end by one of the only people he trusts.

This is easily one of my top three for this series (and no specific location, as my three favorites are so for several different reasons). Even if you pass on the rest of the series, this is one you cannot let alone.

This is a pretty good book. The characters are good. The plot's great. The writing's wonderful. So what's my problem? It should have been longer! Most of the Night World books by L.J. Smith manage to feel complete despite being short. "The Chosen" was different. The characters, their feelings, and their lives were complex. I especially would have been interested in learning more about Quinn. It just felt a bit rushed to me at the end. Actually, that's probably a good thing, that I loved the characters enough to want more. In any case, for the length she had to work with, L.J. Smith did a pretty good job.

As the fifth book in the Night World series, 'The Chosen' improves on all four of the previous books, drawing on deeper themes and ideas than the rest, and setting the scene for this continuing trend in the next book 'Soulmate'.
Rashel Jordan is only five years old when she witnesses her mother being killed and her younger brother Timmy being drunken from by a vampire. Because she's seen the killer and is telling others about what happened he comes after her when she stays at her Aunt Corinne's house, burning it to the ground. Rashel is alone in the world.
At seventeen years old, she is the bane of vampire-kind. Calling herself 'the Cat' she hunts and kills their kind in all of the major cities, and there is a large bounty on her head. At the time this story takes place Rashel goes to the Lancers, a human organisation for killing vampires and joins in with a small group who're watching a warehouse that has been lately occupied by vampires. Their goal is to catch a vampire and discover its reasons for being there - through torture if need be. Among the group is a young girl named Nyala whose sister was killed by a vampire. Yet when the vampire is caught and the others go to scout around, Rashel finds that to her horror she and the vampire - Quinn (last seen in Daughters of Darkness) are soulmates. Letting him go, Rashel finds that she is suddenly wanted by both sides of the fight - the vampires still have a bounty on her head, and the Lancers think she has defected to the other side.
And it doesn't end there. While on the run from both of them Rashel literally runs into a young girl Daphne Childs, who is one of the missing young girls of late. With her in tow Rashel has access to exactly what the vampires are up to. For unknown reasons - though Rashel suspects its the slave trade - girls are being abucted from a club known as the Black Iris by none other than Quinn himself. Rashel's mission is clear - get into the club, become one of these 'chosen' and thus get herself to one of the secret and hidden vampire enclaves. And she'll have to do it by herself...

As you can see, the premise is a fascinating one, and there is no shortage of interesting characters and ideas. Not all vampires are bad, not all humans are good so it would seem, and there are enough twists and turns, suspence and excitement to keep most people interested. It draws on things mentioned from the other books - the enclave is probably much like the ones Rowan, Kestrel and Jade escaped from in Daughters of Darkness, and the password that Rashel uses with the Lancers 'the night has a thousand eyes/and the day only one' is re-used in the prophesy in book seven. L. J. Smith extends more on her idea and the nature of the Night World than previously seen, and several characters pop up that will have appearences in other books - namely Hunter and Lily Redfern.
The 'mission' plot strand gives the book some focus (too often L. J. Smith's work rambles, changes, backtracks or doesn't know where its going) and the pace is fast and never dwindles.

However, there are a few flaws, the nature of which keeps this book from being a 'five-star' novel. The character of Nyala was a complicated and intriguing one - a girl who was slightly mentally unstable. I don't want to give too much away, but for those who have read the books, I felt that she should have perished in the fire. Okay, that's not very nice of me, but a good author should know when to destroy a character for greater impact in the book's progression. But no, L.J. Smith simply *had* to save her, didn't she. She just *had* to have yet another happy, cliche-ridden ending that is so prevailent in so many of her books. To have Nyala has a tragic figure would have been both poignant and heartbreaking - *that's* what we should have come away from the book feeling.
Secondly, Daphne Child's part in the book is pretty implausible. Let me get this straight - she manages to escape from the jaws of certain death and is saves by pure chance by Rashel. And when she is faced with what she got away with, she wants to...do it again? Huh? Yes, yes, she's very brave about going back to the Night Club and letting herself get kidnapped, but come on! - it was just plain stupid. No one in real life would ever do this to themselves. It was the same when Rashel was at the docks and she turned around to find all the girls still there - face it, they would have run like deer.
It also ended very abruptly - we don't know what is to become of Timmy, of the girls, of the enclave...it ends with simply the boat sailing back to the shore. I for one had many unanswered questions, and since each book tells of a totally different couple, they weren't to be found in the next book.
Finally, the use of the name 'Timmy', brought back Lassie flashbacks: 'Oh no, Timmy's down the well!' Unfortunatly this meant whenever Timmy turned up I was plauged by visions of him floudering in water.

All in all however, a good read. One of L.J.'s more suspenseful, darker works. Highly recommended in the context of the Night World series.

But 'Timmy'?...

looking for vampire scum! After a friend and family perish at the hands of an evil vampire Rashel whips herself into killer shape and goes on a rampage as she leads a double life...hunting vampires by night and attending school during the day! All is well for Rashell, kicking vampire butt at night until she crosses paths with a magnetic vampire named Quinn. Rashell finds herself foiling the kidnapping plan and letting Quinn go free!
Their paths then cross again when Rashel goes undercover at a Nightworld night club...
Quinn has no idea the beautiful green eyed girl he meets at the underground club is the same lethal vampire slayer he met that night he was ambushed and then set free by. A determined Rashell wants to be let into a nightworld slave trade and will use all her wiles to get Quinn to let her into the slave trade.
This book has an exsplosive ending! Astonishing secrets are revealed to both Quinn and Rashel. L.J. Smith is my top author and I also suggest Christopher Pike.

This is my all time favourite L.J. Smith book although it is closely followed by Huntress. I loved Rashel's strong character and Quinn was to die for as the vampire guy with no heart. I felt that this was the best written book and the characters were a lot more realistic than in some previous ones. Also nice touch with the flashbacks into their pasts to give them more depth and background.

Rashel kicks butt in her role as the breathtakingly beautiful and devastatingly dangerous slayer of vampires. Ever since she was a kid, Rashel has been picking off evil Night World people and she has never been beaten or caught. Determined to find the vampire who killed her mother, a chance encounter with the deadly vmpire Quinn will change her life.

When she gives him a chance to escape, Quinn realises that this beautiful girl is far from what she seems. Later, they meet again and once again, Rashel is faced with either killing him or letting him escape and possibly ruining her disguise. She lets him go and soon after, he too his faced with the same choice.

Fantastic! Deserves 10 stars! Couple of questions though. Why is it that the humans never seem to want to become vampires? It's not that bad really, from the book description and would solve problems like dying. The best book though!

I bought this DVD for my boyfriend for a Christmas present with my fingers crossed. It's impossible to describe how movie-centric he is... we've chosen vacation destinations based on movies. It was a HUGE hit! He's watched all of the extras at least once now, and he loved the creative way Criterion made the front insert look like an old newspaper. It's gritty, ahead of it's time, and Kirk Douglas is a true star! Criterion wins again (as if anyone thought it'd be otherwise!).

Ace in the Hole (Billy Wilder, 1951)

Thank heaven (or Criterion) for a release of Billy Wilder's notorious and brilliant Ace in the Hole for the home video market. As topical as it may have been fifty-six years ago, today it has an unprecedented relevance to American society. It's rare that a film's importance grows over time. This is one of those cases.

The story centers around Chuck Tatum (Kirk Douglas in the performance of his career), a disgraced newspaper reporter who finds himself working in the backwoods world of Albuquerque journalism, covering compelling news stories like a rattlesnake contest. While on his way to cover one such story with cub photographer Herbie Cook (Green Grass of Wyoming's Robert Arthur), he stumbles into something much bigger: Leo Minosa (Richard Benedict), who owns a service station/knickknack shop in the dusty little town of Los Barios, has gotten himself trapped in a mine collapse while looking for Indian relics in a cliff dwelling to sell to tourists. Rather than simply helping the guy out, getting one story, and going on with his life, Tatum-- desperate to get back in the good graces of the Eastern papers with a strong series of stories-- concocts a plan with the corrupt local Sheriff (Ray Teal) to keep the story alive for a week. In the process, he manipulates everyone around him, including Leo's cynical yet naïve wife (Jan Sterling).

Wilder takes the idea of the media circus to new heights here (including having an actual circus on the grounds during the latter half of the film). Ace in the Hole is a relentlessly pessimistic film in which no one cares about Leo Minosa the human being, only about Leo Minosa the story and what each person can get out of it. Leo's wife wants a way out of hicksville, as does Tatum (and, to a lesser extent, Herbie); the sheriff wants re-elected; the head engineer of the rescue team wants an exclusive on the fat contracts that come with the sheriff's re-election; even the competing papers' journalists, who are the only people in the film kinda-sorta set up as the good guys, just want the story, and their editors eventually want Tatum. After a while, news stops being news and starts being entertainment. (Note that Wilder has no illusions about this from the get-go; the first story Tatum files has less to do with Leo Minosa than the Indian curse that Minosa believes trapped him in the shaft.) This, of course, is exactly what's been happening to American culture since not long after Watergate.

Topicality, though, is not the only reason to watch Ace in the Hole. Wilder was one of those great directors, now an endangered species, who could do anything (and often did); the melodramatic Ace in the Hole was bookended by Sunset Blvd., the finest piece of film noir of all time, and Stalag 17, the movie that (loosely) formed the basis of the television show Hogan's Heroes. Imagine a modern director filming three so widely differing movies in a row, not to mention having all three of the movies, fifty years later, being known as timeless classics of filmdom. Wilder got the most out of every actor he ever cast in a movie, and knew where to put the cameras and how to film the shots so that all that acting talent could be showcased in the finest possible way. A Billy Wilder movie is filmmaking at its best, and Ace in the Hole, finally available again after languishing in obscurity so long, is ample evidence of that. **** ½

Ace In The Hole (aka The Big Carnival) was directed by my hero, Billy Wilder. He is the genius who gave us Double Indemnity, Sunset Boulevard and Some Like It Hot - three of my all-time favorite films. Ace In The Hole, however, suffers from the over-the-top performance of Kirk Douglas who manages to play every scene with clenched teeth and boiling-point anger. His early scenes in the small newspaper office in Albuquerque are so over-played that he comes off like a man in need of a straight-jacket rather than a job. I believe it would be a more powerful film if his character were a little more sympatetic initially, thereby shocking us once his dark side is fully revealed. As it stands now, we are not surprised at the depth of his depravity because of Douglas' inability to bring some subtlety to his performance. Having said all that, there is much here to recommend...some solid acting performances and a powerful story of greed and power and how contagious corruption is. Jan Sterling stands out as the cold and indifferent wife of the man trapped in the cave. She delivers the only funny line in the movie, "I don't go to church. Kneeling bags my nylons." She can be seen in Caged and in her Oscar-nominated performance in The High And The Mighty. In closing, I would like to say that I think William Holden would have brought more subtley and dimension to the lead role. However, it is what it is and I my hope is that this review has peaked your curiosity and you will watch the film and decide for yourself.

"Don't worry, Leo. I'm your pal." That's Chuck Tatum speaking. He's a hot-shot big city reporter who has been fired from every top paper he's ever worked for. Now he's hit bottom. He works for the Albuquerque Sun=Bulletin, a small town daily which puts yard sales on its front page. Tatum needs the job, but he's determined to find that one big ticket story that'll put him back in New York. The man he's talking to is going to be that big ticket. His name is Leo Mimosa, owner of the desolate, dusty Mimosa's Indian Curios ("Gas and Oil, Drinks on Ice") in Escudero, in New Mexico's high desert. Leo is currently 300 feet underground, trapped in a cave-in while looking for ancient Indian pots he can sell for a few hundred dollars. In the next 111 minutes, covering five or so days, we're going to experience so much corruption of the soul, misplaced trust and consuming ambition...leavened by so little humanity...that we'll want to take a bath afterwards. This is one of director Billy Wilder's greatest pictures. For me, it's permeated not by Wilder's famously sardonic outlook toward humanity but by the inevitability of commonplace tragedy. That there are only one or two people we might think well of isn't so much a limitation as an element that sharpens the fascination with great story-telling combined with vivid acting.

While Tatum controls his big story, and while Leo becomes increasingly desperate, to the point of believing Tatum is his only friend, we encounter a cast of characters who are either stupid and venal or sly and venal. Top of the list is Tatum, himself. Kirk Douglas gives an utterly believable portrait of a man, excellent at his job, who can taste the big-time again and is determined to do whatever it takes to achieve it. "I'm on my way back to the top," he says, "and if it takes a deal with a crooked sheriff, that's alright with me! And if I have to fancy it up with an Indian curse and a broken hearted wife for Leo, then that's alright too!" Close behind is Jan Sterling as Leo Mimosa's wife. Lorraine Mimosa wants out...out of Escudero, out of New Mexico and out of her marriage with Leo. She's a pouty bleached blonde, callous and discontented. Gus Kretzer, the local sheriff, is corrupt and more than willing to work with Tatum to insure he gets the kind of news coverage he needs for his re-election. And there are all those visitors to the cave where Leo is trapped...gawkers, thrill seekers, whole families out to set up camp and see what happens. Food booths and a carnival keep them contented while a drill pounds away at the rock to reach Leo. It's the slow way which Tatum has maneuvered to insure his exclusive coverage of Leo's predicament can play out over the next few days. Leo literally is Tatum's ace in the hole. The conclusion is as depressing as Wilder's depiction of human character. The movie's whole set-up, in fact, is designed to make us feel uncomfortable at what we're seeing. If we've ever slowed down to get a better view of a traffic accident, if we've ever watched with fascinated revulsion as a snake swallows down a live mouse or a mantis gnaws at a struggling lizard, we have to recognize that in spirit we're also part of the crowd eager to see what happens.

What makes the movie stand apart from so much of Wilder's skilled cynicism in some of his other films, I think, are two elements. First, Wilder plays this story straight. There's no sardonic comedy or witty, misogynistic lines. He serves us up a serious, well-acted drama and then compels us to take it seriously while he makes us squirm a little. Second, he includes two characters that give us some relief from Tatum's ambition and our own unease. First is Herbie Cook, played by Robert Arthur, the young photographer from the newspaper. Herbie is a graduate of a journalism school, a little naive and so innocent-looking you want to protect him from Tatum's manipulations. Second, and most important, is Jacob Boot, played by that fine character actor, Porter Hall. Boot is in some ways our conscience, the serious, realistic publisher and owner of the Sun=Bulletin who has the quaint idea that telling the truth is important. Boot is able, although not by much, to show us that people come in all flavors, and that venality is only one of them, no more or less than trying to do the right thing also is. In Ace in the Hole, however, nothing good happens in time. As Tatum said earlier, "It's a good story today. Tomorrow, they'll wrap a fish in it." Same with people.

Some call Ace in the Hole a noir. I'm not one of them. For me, it's a powerful drama, and it transcends genre classification. We might as well call Macbeth a noir simply because Macbeth has a tragic hero, a femme fatale, death and the inevitability of fate. The two-disc Criterion release features an excellent black-and-white picture transfer and several extras which include interviews with Kirk Douglas, Billy Wilder and screenwriter Walter Newman. There is an audio commentary by Neil Sinyard, identified as a film scholar. Amusingly, the booklet insert which has essays by Molly Haskell and Guy Madden is in the form of an edition of the Albuquerque Sun=Bulletin.

Ignored, unappreciated, even despised by the majority upon its initial release, Ace in the Hole is a bold social critique that pulls no punches. This movie holds up the public mirror and tries to make people see just how much they suck.
Kirk Douglas delivers another fearless performance as Charles Tatum, a shameless big-city reporter that has been exiled from several lucrative jobs. So he retreats to a small town newspaper gig in New Mexico, in order to reestablish his career.
Tatum hates his new job, and desperately searches for the big break that will propel him back into the limelight. That moment eventually comes when a mine collapses, trapping a worker inside. Tatum takes charge of all the relief efforts, not out of concern for the desperate man inside, but for the fame that accompanies this tragedy. A media frenzy ensues.
One moment that illustrates Tatum's arrogance--other reporters try to move in and capture some of the news coverage. One says "We're all in the same boat". Tatum's cynical response was "No, I'm in the boat. You're in the water."
This movie is an excellent display of humanity's overall decline of morality. How vanity supersedes compassion. How humanity has lost touch with one another. I'm not trying to sound judgemental, heck I'm ignoring all company policies and personal job responsibilities by writing this review. Nobody's perfect. But this is a great movie, with powerful but controlled acting and a significant message.
So now, go hug a stranger. No, on second thought you better not. You'll probably get punched.

This is a long novel, and like War and Peace it goes on throughout the life of its main character. Cold climates make for long novels, I think. I loved it because it handles the life of a Medieval Norweigan noblewoman and her family from childhood through old age and death. It is very accurate and compelling. It reminds me that some issues in women's lives are constant, no matter what.

first off..i did not know that this was back in print....secondly i am damned glad it is...a great alternative to all The DaVinci Code wannabes...there are no diabolical plots..no artistic chicaneries here...it's 14th century Scandanavia people!!!it's cold...it's hard living...it's LIFE..and there is a lot of LIFE in these pages...Kristin marries a way-philandering man but he's a major babe and she endures...she prevails, actually...i first read this at the tender age of 12...then 10 years later...come to think of it..i'm looking for something to read now that has TEETH to it...maybe i'll revisit KRISTIN...could do worse3, no???

Excellent quality of a very hard-to-find book. I purchased 2 copies and was delighted with both of them! Prompt shipping...can't ask for more from an online purchase!

This is an excellent book! You will not be able to put it down. You will be drawn into the characters' lives. This is one of my all time favorite books.Kristin Lavransdatter: (Penguin Classics Deluxe Edition)

This is an incredibly rich, multi-layered look at medieval Norwegian life. Undset skillfully interweaves customs, superstitions, and a great knowledge of the Norwegian manorial life into this 1000+ page epic. There are no awkward pauses in the story in which an author gives the background information, but instead is able to blend these details into the narrative.
Though this book might seem like a lengthy time commitment, this book is hard to put down and actually a relatively fast read.

Fairy tales are usually about a young man who becomes a hero by battling the most dispicable enemies and achieving his heart's desire. In the end, despite great odds, monsters are vanquished, villainy is given the heave-ho, the princess' heart is won and great treasure is acquired far from the eyes of the Internal Revenue Service (which is how you can tell this is a fairy tale).

"The Making of Star Wars" is just such a fairy tale, but it's not about the one up on the screen. This big, beefy, bouncy delight tells in 360 eye-squinting pages of type and hundreds of photos the story of how George Lucas, armed at first with nothing more than a bare bones script and a reputation for interesting, if not money-making movies, devoted more than four years of his life, bet his precarious career, and came up with a movie that not just redefined Hollywood blockbusters, but reimagined heroism and other virtues that touched a generation made cynical by the upheavals of the `60s and `70s.

How he did it -- as described in this book -- should give all writers, artists and other dreamers pause to reflect on the value of preparation, hard work, a willingness to absorb ideas from others, and going into a project knowing that you have not only no idea how it will come out, but that bad luck will doom you no matter what you do.

It's amazing that "Star Wars" was made at all, when it becomes clear in the book that the executives in charge at 20th Century Fox were more interested in busting Lucas' chops instead of making a movie. As one of Lucas friends notes: "There was a lack of respect for George. The movie industry is a very vituperative and petty industry most of the time -- and part of the negotiations was just to see how much they could push George around because they felt like they could."After getting Lucas under contract cheap, before the success of "American Graffitti," Fox proceeded to fritter away their leverage by withholding the contract for "Star Wars." To keep the project going, Lucas was forced to invest his own money, and in the end, had to threaten to stop filming to get the contract. By that time, the project was so far along that Fox was faced with either agreeing to his demands, or letting the project go to another studio. Hence, was born the most lopsided contract in history, giving Lucas say over final cut, plus control over all sequels and merchandizing.

Considering that "The Making of Star Wars" was published nearly 30 years after the movie's stunning debut, going back and putting together this history is a major accomplishment. Fortunately, J.W. Rinzler had access to interviews conducted during the production of `Star Wars," when people were in the midst of the work and uninfluenced by its future success. This fills the book with episodes and incidents of such detail that it's possible to fall into the pages and imagine yourself, back in the mid-'70s, where hair was blow-dried, collars and pants were wide, Gerald Ford and Jimmy Carter were atop the political pyramid -- reflect on that when you look at Obama/Clinton/McCain!

For the two weeks, I was in film geek heaven, boring my wife at lunchtime with details about alternative casting (Christopher Walken as Luke! Jodie Foster as Leia!), alternative storylines (Luke was a girl at one point and named Starkiller; the robots were originally bureaucrats working for the Empire; Lucas toyed with filming it all in Japanese, with subtitles), sources for names (Han Solo? From a brand of paper cups) and those small incidents that acquire greater meaning (an out-of-work James Earl Jones spending a day in a studio to record Darth Vader's lines for $7,500). And don't get me started on the models and special effects; we'd be here all week.

But the heart of the story is George Lucas, and while I've always respected the man, my heart went out to him once I understood the impossible odds he worked again. "Star Wars" was made because he willed it into being; he was the Jedi who rescued his movie.

Lucas created a fairy tale for our times, but his story had a fairy tale twist as well. After laboring for years, fighting the studio executives and impossible deadlines, Lucas got his movie out. But he thought he had failed: "When I saw the first cut, my only opinion was that I did a terrible job, but it works. It doesn't work very well, but it works. ... And then when I finally saw it with an audience for the first time, I realized that no matter how far short I fell and how far short all the departments fell from what I wanted, the film did work for an audience. ... They all laughed at the right place and they believed it."

So the hero wins after all, but not in the way you'd expect. That's the hallmark of all good stories.

Having seen all 3 original trilogy movies over a hundred times a piece, (I paid theater admission for most of those viewings, no video back then), I was and still am interested in the behind the scenes events that took place during the making of the movies.
I have read all three of the "Making Of" books about the original trilogy. This book is definitely the most thorough and indepth with the technical aspects and day to day events on set. I enjoyed the interviews with George Lucas and the other people involved in the film. On the lighter side, (Being a huge Luke/Mark Hamill fan) I really enjoyed the candid photos of Mark Hamill and the other cast members on set.
The true Star Wars fan will enjoy the unlimited access to George Lucas' earliest thoughts about the trilogy and a detailed look into his film making style. This book is a must have for all who have ever dreamed of "a galaxy far, far away....

I recommend this book to anyone who is interested in the making of Star Wars. The author covers all aspects of the movie and is chock full of paintings, photos, manuscript pages, and poster art. The story unfolds chronologically and after each chapter the author lists the new elements of each draft of the screenplay as it progresses toward the final version. Lots of great trivia and insight into the epic struggle to make Star Wars.

I got this for my 14 year old son and myself. I can't get over how cool this book is !! So much behind the scenes info. I worked at a theater for the initial release of Star Wars and this book gives me information about a movie that I thought I already knew everything about.
Buy it !!!

I am not reviewing this book based on the content as I did not purchase it to read. I purchased it as a gift for my husband - a Star Wars fan from his youth.

I'm sure this book would make a great gift for the hardcore Star Wars fans (although I expect they would have already purchased it for themselves.) I would particularly like to recommend this book as a gift to more casual fans of Star Wars and fans of books on the film industry in general. My husband has read quite a few Star Wars books, but has said that this is among the most interesting of the non-fiction books he has read on the topic and he was constantly stopping me to read quotes from the book on various aspects of the production history.

It's a very heavy, very large book and makes great presentation on the coffee table - much too nice to be left sitting on a shelf. :)

I do detest the ending however I don't think I'll spoil it for you but never the less still good story.

This entire Trilogy is just amazing. I was given a present of the first book when I was about 7 (10 years ago), and I immediately wanted the next two! I fell in love with Julian there and then, and was never able to understand why Jenny didn't just choose him! I've read these books over 20 times, and they're all falling apart. Everybody in the entire world should read them, because you're missing out if you don't. I highly recommend them. The last book is a nice finish, but it's incredibly sad. I wish it had ended differently! (...)

In the trilogy of the Forbidden game i thought that the first and third were the best books I've ever read, and although the second was good it didnt even compare to these. I thought the game was great but if I were jenny I'm afraid I would miss out on it because one look and a few words from Julian and I would run away with him straight away. The books were made to be so real that I'm still searching for my own door, call me sad but you have to admit if Julian wanted you, you wouldn't be able to resist!

This was the first LJS book I ever read and it awakened me. Never before had I realised what a book could truly do to a person. This, the final book of the Forbidden Game trilogy, really gives the reader an insight to all the characetrs. It shows how they have developed, especially Julian. It also brings out different feelingsof the main characetr, Jenny. She learns so much about Julian and learns to understand. This book is definatly the most important and is a wonderful way to end the trilogy.

This is my favourite book, only challenged by other of L J Smith's works. She is an amazing woman and it is well worth reading her stuff.

In the final book in The Forbidden Game Trilogy Jenny and her friends cross over into the shadow world to rescue Tom, her boyfriend, and Zach, her cousin. Once they enter the shadow world a new and even more deadly game begins because in this world, their nightmares are more real than ever. Trapped in a demonic carnival they are at the mercy of not only Julian, but all the other frightening creatures of the shadow world. Will Jenny and her friends all make it out or have they bitten off more then they can chew?

I was fairly pleased with the conclusion to the series although the ending was a bit disappointing. This is probably the most well written book out of the three. I nearly cried during some of the scenes. I was also happy that Michael got some character development at last. Actually the characters in general were handled very well, especially Julian. Besides the slightly disappointing ending, the only other complaint I have is that it was far too short. The first book in the series still remains my favorite but this one comes in at a very close second. I highly recommend this series.

I can't believe I missed out on this one as a child... but it's just as good coming to it as an adult. The perfect lazy Sunday afternoon book to read. Adults can also escape to the wilds of Lake Windemere (Lake District), to sail up the Amazon, do battle with pirates and search for buried treasure on Cormorant Island.

The year is 1929 and story is about four children - John, Susan, Titty and Roger (in age order) - who are holidaying on the shores of Lake Windemere with their mum and baby sister, Vicky. The children are an adventurous lot and love sailing in their boat, the Swallow. Towards the end of their holiday they persuade their mum to allow them on an adventure for a week. They're allowed to sail across to the island not far away and make camp there by themselves.

This is a great adventure for these intrepid explorers. They discover a retired pirate, camp, bathe in the lake, fish and cook for themselves, and are threatened by a rival group of bandits, the Amazons (otherwise known as Nancy and Peggy). All in all a great week of fun and adventure is had by all - brilliant to read about, although there are very few children who'd be allowed to do this now! Inspired by the author's own childhood holidays at the south end of Coniston in the Lake District.

This wonderful book was written about 75 years ago, but is still extremely popular today. It is ageless. I first read it as a nine or ten year old and have read it several times since then. The last time I read it I was in my late 50s or early 60s. Every young person should enjoy it immensely as a fictional story. But there are many moral and ethical issues that are slyly inserted into this novel. The biography of the author and how he came to write this book, which was the first in a series of 9 or 10 novels, is a fascinating story in itself.

The Swallows and Amazons series was one of my favorites when I was a child. The story, set in the Lake District of England where Wordsworth and other great poets grew up, is a gentle adventure tale about children camping out on an island and rigging a little sailboat. It is slower paced than children are used to today. But I think a sensitive boy or girl would find it reassuring that the children solve their own problems of navigation etc.

While it didn't bother me as a child that the language was distinctly British, as I'd been prepared by the Winnie the Pooh stories, and Wind in the Willows, I would recommend Swallows and Amazons as a bedtime story to be read aloud by an adult reader. The reader could then explain the language. A map of the UK would help too, as the story is set in the Lake District.

An adult storyteller might be interested in a biography of the series author, Arthur Ransome, who led an adventurous life - including work in the Soviet Union and marriage to a Russian woman.

Enchanting
It's hard to explain what makes this book so charming: The writing, the way the children and their relationships with each other are shown so clearly and believably, the very real adventures they have, the sense of place....but listing those traits doesn't do the book justice. It's also really funny in places! Ransome creates a world that is clearer and lighter and more enchanting than the one most of us live in -- but he's also written a realistic book. The Lake District DOES look the way he describes it, and there could be children like the Swallows and their friends the Amazon pirates.

The books are for all ages, and I think they are also inspiring and a good influence! They make me want to have adventures -- and they encourage parents by example to let their children have them. The parents in the books are responsible, teach their children well -- and allow them to adventure on their own. They can do that because they've taught the children to have good judgment and be responsible.

Arthur Ransome's own favorite in the series was WINTER HOLIDAY, which I also loved. Once the original characters leave the series, it loses its interest (for me, anyway) -- children who enjoyed the first books will also probably like Blow Out the Moon by Libby Koponen and all the E.Nesbit books.

About 60 years ago I read as many books from this series that I could find in my local public library. I had passed through a phase of devouring the Dr. Doolittle fantasy series (so damaged by the motion pictures using that title - how could they cast tall lanky Rex Harrison in the role of a short cuddly grandfather-like figure?) Another series in which, as an American boy fascinated by warplanes during the Worl War II era - I went on to become an aerospace engineer - I was enthralled, was "A Yank in the RAF", which I don't think would translate to the 21st Century very well. But the series that made the most impact on me was Ransome's Swallow family. As with Hugh Lofting's Doolittle, the author's drawings enhanced the books.

I have not visited there yet but I plan on touring Britain's Lake District (I don't think I was cognizant of where the tales took place, except I knew the children were British. They liked to drink ginger beer; in the US we had a ginger ale drink, but not ginger beer and I was curious to have some.) I have long wanted to live somewhere that would allow me to experience the thrill of mastering the small sailing boats of the story. The closest I came was living near the Pacific in California and near the Potomac River. But the boats in those regions were larger and not terribly accessible. I did go sailing with friends and tried to sail on my own in a marina with a rented boat (a too narrow and crowded venue for a novice just learning to tack and unfamiliar with how to dump wind from the sail when being carried in the wrong direction.) I have gotten to taste ginger beer. I have also used the children's means of including coded messages in their letters in the form of dancing stick figures around the page's margin (the secret was to ignore other parts of the figures and concentrate on the positions of the arms, which were standard semaphore code.) I introduced the code to one of my daughters when we were in the "Indian Princesses" organization. (Is the name and programs of that organization offensive to American Indians? I'm sure its founders weren't sensitive to the fact that American Indians still existed.)

I will introduce this series to my precocius 6 year old grand daughter when I think she is ready.