J Books

I bought this author's latest book and this one was listed in the front so I picked this one up, too. Let me tell you, the entire reason I purchased her first book was because our last names are the same. Kind of a stupid reason, I know, but it turned out okay. I really enjoyed the first one I read and then I read this one and it just blew me away. It's the story of two young women born a century apart and I got so caught up in the story I can't tell you. If you like to read a good book that doesn't bore you and keeps you turning the pages, then get this one. Bridget Miles

I enjoyed this book very much. It held my interest until the end, which was somewhat predictable, but very much worth reading. Good book!

Roseflower Creek was one of the most moving novels I have ever read--my heart broke for that poor child--she was so ever-optimistic--wish I could have put my arms around her and told her everything would be all right--even knowing it never would be in that situation--would have carried her away! Cold Rock River was also moving, but not as much. I love this author.

Just when you are immersed in the character in the present, you are then in the past reading from the diary of the second character and which you then become equally immersed. They grab you heart and soul. You root for each one and your heart breaks with their heartaches. It is also amazing to me when you laugh out loud at some of the funny parts. These are the best characters, ones that you never forget. It is one of those great books, we all love, where the characters stay with you even after you've closed the book and moved reluctantly on.

excellent book HOME TO HOLLY SPRINGS ! interesting-
heartwarming- so true to life--we are all so closely "related" inspite of our lack of awareness and prejudices

A warm, endearing story set during the time of World War II. The characters are well developed and the story is a reaffirmation of the good in people. A simple, yet memorable tale.

I don't how Hollywood missed this as excellent material for a movie. Disney, are you reading?

While at a garage sale this summer with my granddaughter, we came across some of the early Trixie Belden books, and I bought them for my g/d, after she promised to lend them to me when she was finished. I enjoyed them so much, even tho' they were "children's" books, that I started browsing Amazon for other books I had enjoyed in grade school.
The Four Story Mistake was one of them, and sure enough, Amazon had it available. I ordered it, got it in 3 days, and read it that night. Gosh, the memories that brings back. Very fun story. I intend to order the other books in this series, and continue browsing for other childhood favorites. It kinda varies the reading experience, plus is a nice walk down memory lane.

The series of stories starring the Mellandys was one of my faves as a child and now my daughter loves it as well!

This is Enright's second book in the Melendy family quartet, after The Saturdays. In this installment, the Melendy family (Mona, Rush, Randy, Oliver, Father, Cuffy, Willy Sloper, and dog Isaac) move from New York to a big house in the country called the Four-Story Mistake. Times are a bit tough, because World War II is going on, and they don't have a lot of money. But the house, and the 30 acre grounds, and the local village, prove to be paradise for kids.

One of the things I like best about Elizabeth Enright's books is that she knows what kids will find fun and cool, and she sprinkles her books liberally with the right stuff: caves and hollow trees, a window-lined cupola on the roof, brooks, ice skates, secret rooms, picnics, and tree-houses, to name a few highlights.

The other thing that strikes me on re-reading The Four-Story Mistake is Elizabeth Enright's wonderful writing. She offers paragraph after paragraph filled with dead-on little truths and humorous moments. She shares characters who feel like real people. Randy, the younger Melendy daughter, is my favorite (and one of my cool girls) but the rest of the family is lovable, too. I can especially identify with Randy's joy in finding out that her new bedroom has a window seat, where she can "curl up and read, just like a girl in a bookplate." Here's an example of the dialog from Chapter One:

""That suitcase looks as if it were laughing out loud," Randy said.
"Oh, stop being whimsical," snapped Rush."

I also love Oliver who, at seven, thinks that a damp basement room filled with old books is paradise, and knows that it will be more special if he keeps it a secret. He's this sturdy, determined little kid. When he learns to skate or ride a bike he just plods on through, trying until he can accomplish his new task. Rush, the older brother, is a boy's boy, always wanting to be outdoors, running with his dog, building tree-houses. But he's a piano prodigy, too, and a vigilant watcher of his sister Mona (a budding actress), making sure that she doesn't get a swelled head. Mona is a bit too overtly feminine for my taste, but she still shows moments of coolness. Near the end of the book, Mona is the one to suggest a late night summer visit to the brook with Randy and Rush.

There's not much of a plot to this book. It's more a series of small adventures, and the story of a family adjusting to a new home. But there are dozens of perfect little scenes that bring a smile, or a tear, to your eye. Oliver's exploration of the basement, and Enright's description of the basement's smell and atmosphere, reminded me exactly of the garage basement in my childhood home. The Christmas chapter made me cry. The family is just so happy! There's snow and carols and anticipation and making gifts for each other, and being okay with having fewer presents this year because of the war, and knowing that they're lucky to be together. I can't explain it, exactly. Soppy sentimentalism, I guess. But it made me cry. In a good way.

I'm so glad that I spent this time re-visiting the Melendy family. I loved them when I was a child, and I'm happy to report that, if anything, I love them even more now. If you have a couple of hours to spare, and you could use some laughter and warmth, I highly recommend this series. But start with the first book, The Saturdays.

This book review was originally published on my blog, Jen Robinson's Book Page, on June 16th, 2006.

"The Four-Story Mistake" is the second book in the Melendy quartet, and it's my favorite of the four. In a complete change of scene, Elizabeth Enright moves the Melendys out of their New York City brownstone and transports them to a marvelous old house in the country that has so much character, it seems like a personality in its own right.

Picking up from the early autumn after the summer that ends "The Saturdays", when the story opens, the three oldest Melendy children are desolated because their father has bought a house in the country without so much as a hint to any of them. After a rainy, boring train ride to the country, they take a taxi from the station to their new home, and what they find wins them over almost immediately. Enright describes a house any child would love to live in, big and white and square with a mansard roof, fireplaces and window seats, deep dormer windows and a cupola on top, a little square glass tower with four floor-to-ceiling windows, one facing in each direction. The house is called the Four-Story Mistake because the builder inadvertently left off a story while constructing it, and stuck the cupola up on top to compensate.

Once they're settled in their new home, adventures abound: Rush discovers they have a brook with a waterfall running through their property. Mrs. Oliphant, their devoted family friend, donates her ancient automobile called "the Motor" for transportation to school, and surprises them with four bicycles in the back seat. Randy manages to ride her new bike into the back of a bus, is taken to the traffic cop's home to recuperate, and finds the policeman and his wife have a pet alligator in their bathtub. Rush builds a treehouse and gets trapped in it in the middle of a howling thunderstorm. The children discover a secret room nailed up on the top floor of their home, furnished only with a life-size portrait of a mysterious young girl named Clarinda. They give a Christmas show for their friends and neighbors, to which Mrs. Oliphant brings five guests, one of them a radio producer; he's so impressed with Mona's acting talent that she's offered a part in a radio serial. Randy improbably discovers a diamond stuck to a caddis house in the brook. And Mona attends her first dance at school. Who wouldn't want to be part of this family?

The children are engaging characters, totally alive and doing every waking minute. When they're not physically active, they're reading, studying, drawing, painting, writing poems and plays, playing the piano, composing music and just thinking. Like all children, they get into trouble from time to time, but they care deeply for each other and their caretakers. In a preface to her book, Enright says somewhat wistfully that the Melendys are the family she would have like to have had. Perhaps that's what makes them seem so completely believable. We almost wish they were ours as well.

Enright is a born storyteller; her writing style is refreshingly free of preaching and moralizing. She respects her readers and never talks down to them. She tells her story mostly through Randy's eyes, but all of the children get equal play in the book. The adults in the family, Father, Cuffy and the handyman Willie Sloper, are benevolent authority figures who encourage the children to learn and explore, while imposing reasonable limits when necessary. Enright was a talented illustrator, and her pen-and-ink drawings, usually one full page drawing for most chapters, bring out each child's characteristics. We see Mona dressing up for her part in the show, Rush climbing down a tree, Randy in the cupola, her favorite room in the house, and placid Oliver, lost in a pile of old books he's just discovered in the cellar.

"The Four-Story Mistake" is highly recommended for youngsters between 9 and 12, as much for its fun and adventures as for its simple and timeless values of close-knit family life.

Judy Lind

Very good information. Gives the reader a step by step process of getting clients without insulting intelligence.

I own a small business and I am looking to find more clients. This book is a must have for anyone who wants to offer services to businesses. I have already found this book to informative, simple to understand, and it has given me new skills to market my business without all the expense. Although I haven't done this for 28 days, I already have some leads on new clients just by doing some of the steps mentioned. Any one who offers a service related business should read this book. Truly a lifesaver!
Thanks

This book demystified marketing for me. I read other marketing books, but could not then commit to one course of action. In plain language, C. J. Hayden helps you to pinpoint where to focus your energy. Then she helps you to develop a step-by-step plan based on your needs.

If you are looking for a book about how to write a great sales letter, this is not it. If you are looking for a way to develop a low-maintenance business development plan, buy this book. You can spend as little or as much time as you want on this program. She explains how to get the ball rolling, and reminds you that development can be an ongoing activity.

It's easy to get overwhelmed with business and self-help books because authors provide a wealth of suggestions and no clear path. This is where Hayden's book stands out. She breaks everything down from the six marketing strategies and setting up measurable goals to selecting ten doable activities.

The book also includes two worksheets that work with the program for easier reviewing and tracking progress. While you can follow the program alone, she recommends having support from someone other than family. It could be a coach or a colleague in the industry.

The organized and methodical program guides you through each step. Reading the how doesn't take long and the program begins mid-way through the book. The latter half of the book describes the activities you can do while following the 28-day program. So you won't get overwhelmed at the thought of "too many pages to read."

I worked on it as soon as I started reading the book. Having this guide took a lot of pressure off of me as I know exactly what to do once I'd put my plan together. Not many business books have urged me to take action and this one succeeded. I know that after a month of following this process, I'll see positive results.

While the book sounds simple, and it is — it takes work to make it happen. Instead of taking the long route and learning from trial-and-error, Hayden provides you with a direct route so you do the activities and don't worry about overdoing it.

Some people may not like strict rules. The book isn't like that. It's okay to adjust the plan so you do six or seven activities instead of ten. It helps you figure out where you're stuck in the marketing process and provides the tools for working past it. The book is over five years old and its contents are as relevant today as when it first came out. I can say with certainty that anyone who follows the plan will get great results.

Thesis: With this 28-day marketing program, you will locate, land, and keep new clients in greater numbers than you've probably ever dreamed possible. It includes steps that are easy to follow and practical for professionals and consultants.

Structure: A 28-day program described in ten chapters spread over three sections: The Setup, The System, and The Strategies.

Here are some sections I found especially valuable:

What Really Works? Effective Marketing Strategies (Ch. 1; pp. 5-21)
C.J. delivers a great lead-in that primes the reader with sound and specific information about what to consider. She speaks to the "hows" and "whys" behind marketing. Graphics such as the one on page nine ("Marketing strategies for the service business") make the material easily accessible to reader, helping break down any possible barriers of intimidation.

You're Ready...Let's Go! Putting the System into Action (Ch. 6; pp. 85-127)
This chapter leads the reader through the entire 28-day process with excellent details and tools (such as the worksheet on page 89) to help track progress. It's the culmination of the previous two chapters that discuss building your own system from a menu of tried-and-true marketing ingredients. C.J. tells you (1) what marketing ingredients to choose from, (2) how to choose what's best for your situation, and (3) specifically how to put the plan in action.

Following Up: When You Have Plenty of Numbers But You're Not Calling (Ch. 8, pp. 171-184)
This chapter is one of four in the third and final section: The Strategies. These four chapters help the reader focus on practical solutions for common problems encountered during the 28-day program and beyond. Chapter Eight focuses on breaking down barriers that cause inaction. It provides practical solutions to help the reader actually follow through on acquired leads.

great - timely service... I had no problems with my order or receiving my book.

This is one of the best books I have read in a long time. It is well written and the characters really come to life and feel like they are family and neighbors. A tornado destroys many homes in a small Missouri town where people live just as you and I with good and bad times in their lives. There are many hard feelings among them, but this tragedy brings out the best in people and many changes happen in their hearts and they come to depend upon each other and make changes to go forward to the future. Sometimes we need to suffer loses before we realize what is most important and that we only have one life to live.

I thought that this author's first book "Tending Roses'was very good, but this one is even better. I can't wait to read the next books in this series, "The Language of the Sycamores", "Drenched in Light" and "A Thousand Voices",

This is the first of Lisa Wingate which I have ever read. Now I definitely want to read more of her books.

Jennilee Lane and her family were the "poor folks" on Hope Road. Her mother was ill with depression, and later had terminal cancer, and her Dad was a loser as well. The family struggled just to eat. The other people in the small neighborhood were middle to upper classed people. Eudora Gibson was a big gossip and spread awful rumors about people to whoever would listen to her gossip. And then there was the lawyer's family, Marcella, of whom were big snobs.

All of this changed, when in the beginning of the book, a tornado hit hard and many folks lost their homes and precious items. Many lives were taken, some spared, and the whole neighborhood had to come together all living in a shelter together.

Jennilee saved the life of Eudora, and her granddaughter Lacy, who lost her parents and won't speak to anyone. While they are in this shelter together, Jennilee does a lot to help rescue items people have lost by posting pictures up on a board. She cooks, cleans, and helps the injured as well during all of this disaster. People gradually come to love and admire her, even the very haughty Dr. Albright.

On the other side of this coin though, Jennilee has lost part of her family, (Dad and brother Nate), and can't imagine where they are when the storm destroyed their town. She fears the worst that they were seriously injured or even killed, and as the story continues, what happens comes to light, and whether they are lucky to have survived remains to be seen. Jen's older brother Drew is finally coming around as well, but Jennilee holds a lot of resentment there as Drew left when her mom was dying and they needed him there.

It is just a good 'down-home' type of book. I look forward to seeing what Wingate's others are like.

After reading Ms. Wingate's two romances, I picked up Good Hope Road. Surprised it wasn't a romance, I almost tossed it, but the writing was so beautiful, I couldn't. This was a wonderful tale of reconciliation and survival populated with marvelous character that give real hope.

Good Hope Road by Lisa Wingate is her strongest book to date. After the entire town of Poetry, Missouri is destroyed by a tornado, the people within it are changed to their cores as well. Jenilee Lane has lived her entire life ducking blows and trying to stay unnoticed. Eudora Gibson, her elderly neighbor, suffers from a bad case of judging others until Jenilee saves her life. The entwining stories of Jenilee and Eudora are woven together until as one strong cord, both women pull themselves out of their former selves and find a better future. Jenilee's idea to pick up all the photos and papers she finds on the road, in her yard and fields and try to return them to the townspeople who have lost so much is moving, especially after how she's been treated by them throughout her life. Wingate captures the essence of a family caught in the cycle of abuse and trying to break free. The scenes between Jenilee and her brothers are especially poignant. The dialogue is extremely well done. This book is peopled with characters that everyone in a small town knows, and after finishing the book will be sorry to leave.

The book was great and all but (sigh) why does it always talk about Kara more? And i didnt like when she was able to go to avalon what about Adriannne or Emily? they deserve it more!! Anyway it was about them defeating the sorceress( Kara and Adrianne), (Emily) and destoring blackfire, healing the mistwolves and healing Aldenmore. I hope the next 6 book in the new series waan't talk about Kara more like she is not goood of a character.

This is one of my favorite books but it broke my heart. this author has a special gift of making a character in a book dear to you but she took away
one of those charecters later she will return this charecter but the feeling for the charecter will never quite be the same.

KEEP THIS IN MIND,

avalon heartbreak

This was definatly my favorite Avalon book. It is so exciting and full of adventure. Sure, Kara was mentioned alot, but I thought it was so cool anyway. After a firemental comes for Adrianne, Kara, and Emily, they have to go to Aldenmor to stop the Dark Sorceress. It was full of surprises right to the end when they find the mistwolves. This was a thrilling adventure all the way through, even though one of my favorite characters Stormbringer, makes a painful sacrifice...

The fight for Aldenmor is finally drawing to a close. Join Emily, Adriane, Kara, and their magical animal friends as they jump through portals and rescue the mistwolf pack from the Dark Sorceress. Adriane and Stormbringer, her bonded Mistwolf, find Dreamer, an orphaned pup who is a gifted magic tracker. Storm disappears while holding the pack in mist form and Adriane grows depressed in the long run. Kara and Lyra, a winged leopard, find AvAlon and restore Aldenmor to its original beauty. Emily, in the mean time, is with Ozzie, an elf trapped in a ferret's body, in an elf village where Black Fire has poisoned the villagers and their livestock. Emily heals them and advances in her magic skills. This is an awesome book that teenage magic lovers would enjoy.

AvAlon: Trial by Fire is part of an amazing series by Rachel Roberts. Adriane and Stormbringer, the main characters, are my favorites. I hated the Dark Sorceress though. This book has made me a magic fan for good. I loved Trial by Fire.

I must say it wasn't the best in the series and it wasn't the worst, it was perfect. I am a BIG fan of the avalon series so right away when it was out I so bought it. Anyways now with the story which is basically what we are supposed to type about, Emily, Adriane, and Kara now finally have to destroy black fire... and all have a major part to fufill(i may have spelled it wrong!lol) the prophcey and compelets their destiny. First of all Adrianne has to deal with the dark sorceress with Lyra as Storm turns into mist to save all the mistwolves from these crystals stored with Blackfire! She totally saves the day but... there was a huge price to pay for that. Kara well we find out more about her and she gets once again in this spellsinging spell and is in the sorceress cluthes. Basically the sorceress captures Kara to make her open these portals with fairy map given to her by firemental, to get the unicorn. But eventually the unicorn rescues her and she sadly goes to Avalon which is UNFAIR they all had should, not to mention gets her unicorn jewel!!! Well the magor thing, Emily has to destory blackfire, break the crysatls that contain the mistwolves and most of all heal the mistwolves with blackfire but has help with Zach and later the mages. Well I shouldn't really say they ALL complete their destiny since in book 4 heart of avalon Emily compeletes anpther of her destiny as well so she has to heal avalon later. It was an excellent ending and ALL AVALON FANS SHOULD READ IT NOW!!!!!!!

This book is a presentation of the contributing factors in society and governments which helped shape the Reformation.

This is an outstanding short book on the history of the Reformation. This is the first book by Belloc I have read, but if this book is any indication, he was a master of thematic history. This is not just a list of dates and events, blandly shared. Rather, Belloc gives us a riveting book that is concerned with the historical forces and personalities at the heart of the great religious revolt that has so shaped Western Civilization for the last 500 years.

One could successfully devour this book in the span of two days. But even with its brevity, it is a quite thorough look at the themes and personalities that make up the reformation.

A must read.

Mr. Belloc does not give us a detailed history with references to primary sources. Instead, he notes the major currents of thought that shaped history and the missed opportunities that might have deflected those currents from creating the reformation. His history is a macro-history covering the currents created by such factors as the Black Death, rising nationalism, corruption of morals, and more. He asserts, convincingly I believe, that the Protestant reformation was based on the lie that each individual was his own judge of what was right thinking (see more on this in Great Heresies). Further, he asserts, this heresy of man as his own arbiter of truth likely would have failed had it not been for the focus provided in John Calvin's systematic theology.

Whether Protestant or Catholic or Orthodox, it is important to understand the historical currents and the waves that brought about the world as we know it today. America, in particular, with all that is good or bad in it, is a creation of those currents. The cold reasoning that rejects all that is mystical and intangible in modern thinking is also a creation of those currents. It is the fall of man all over again which rejects any authority outside one's self. Protestant and Catholic alike decry this disunity. It is in our interest to understand the causes and effects. Mr. Belloc gives us the broad thinking approach to see the root cause which so many other historians have missed getting lost in the details.

Belloc's view of the Reformation is both original and penetrating as he challenges the conventional views of that religious revolt from the perspective of a committed Roman Catholic. The overview of history is not necessarily exhaustive for a 300 page book, but it tends to be a bit repetitive, although when one considers the points that Belloc is trying to emphasize, the repetition is understandable. Basically, he assumes the stance that the Reformation was not originally a religious contest but a political and financial one, and that the nobles and rulers of Europe took advantage of the reformers fever to dissemble the universal Catholic church and distribute their wealth amongst themselves.
Although I agree with Belloc's theory and feel that the breakup of Catholic Christendom was essentially a disaster, I felt that his bias against the Reformation dismissed much of the spiritual sincerity of the Reformers, which is unfortunate. Overall though, it is a great read and one that will challenge those with an open mind. For a companion piece, one should read Novalis' Christendom or Europe, which is found in Novalis: Philosophical Writings published by SUNY Press (1997).Novalis: Philosophical Writings

Mr. Belloc is one of the greatest Catholic historians of our time. He provides a compelling Catholic perspective to the tragedy that was the Protestant Reformation that secular (and "official") historians miss. He wrote this book in 1928 and his dire predictions regarding the fruit of the reformation for Western Civilization are, sadly, coming true.

...not a classic in the same sense as The Good Earth, but wonderful reading nonetheless. Pearl Buck had a way of telling stories and drawing characters like no one else. One is always sorry when the book comes to a close, and we wish we could be swept out of our chair and into wherever Mrs. Buck's stories take us. Tzu-Hsi was a fascinating woman that the reader can come very close to in this telling while also wondering what kind of human being she truly was. This book is well worth reading; in fact ANYTHING by Pearl Buck is rewarding and transporting.

Perhaps not one of Pearl Buck's best known novels, Imperial Woman is still fascinating. It gives the reader a glimpse of the Manchu period of Chinese history.

A novel about a very interesting transitory part of the Chinese history. A fascinating main character, a rich story with a lot of things going on throughout the book. Very absorbing, highly recommended.

This is the first book I read about Tzu Hsi, and I found it totally engrossing. After reading a number of other, more recent biographical works on her reign, it is sad to see how so many very false assumptions about her (upon which Pearl Buck bases many of the key assumptions of this novel) have created a very distorted view of her as an individual, a leader, and particulalry as a woman.

Pearl S. Buck writes in her Foreward "I have tried to portray Tzu Hsi as accurately as possible from available resources...." and this, unfortunately, is the book's biggest flaw. The scholarship was often totally false and grossly distorted, and so western writers perpetuated many false assumptions about her.

Read Sterling Seagrave's Dragon Lady if you want a more accurate portrayal of her.

Following the death of the consort of the Emperor of China, the young daughters of the minor aristocracy are sent to the palace to be chosen as concubines for him and are selected by the Empress Mother. He is a weak and dissolute young man, weakened by opium addiction and the sexual gratification of all of his senses since childhood. Sakota is chosen as his consort as the former consort was her elder sister and Tzu Hsi is chosen as second wife, but for a clever, ambitious woman such as she, this situation lasts for only a short time. After presenting him with a fine, healthy son, who was probably fathered by Tzu Hsi's former betrothed, Jung Lu, now Captain of the Guards in the Imperial City, Tzu Hsi gradually takes control of the country, determined that the new, western ways should never intrude, and rules China from the 1860's until her death in 1908. It's a marvellous read about a fascinating period of history.

This is one of the bases for the movie "Wonderland" but reading this book will creep you out on J.M.Barrie. You might never really like Peter Pan again. Author had access to his papers, letter, diaries etc. Very weird stuff.

I read this book over 15 years ago in an attempt to find out who the author of Peter Pan really was, and what his life was like. It was not a pleasant or easy read. I wanted to forget all about it and just have the enchantment of "Peter Pan," but as with the real life of the author and photographer of "Alice in Wonderland," the truth can wound deeply. But lies and half-truths can never reveal the relationship between biography and art, so one must often face much disturbing information in order to understand the art itself. This is not to say that art is reducible to biography; it is not. There is, nevertheless, a kind of dialectic (God, I do hate to sound so gawdawful jargony, but when it so plain, other words just do not work) between the life of a genius and the art of the same individual. The truth of art can only come from the struggle between an artist's vision and the life that made such a vision a necessity. Yes, a necessity: there are those artists whose lives were so fraught with sheer catastrophe that revelation through a skewed fantasy can be so powerful as to take on a "life" of its own. And this is why it is so grievous to "paint-over" the unpleasant details of such a life. There was a recent film with an appropriately disturbing title: in the attempt to not really "find" Neverland in Barrie's life, the art itself is drained of its truly tragic roots. At the time such "nice" little fantasies are presented, they seem so harmless, but they are not. Successful attempts to eradicate truth can also eradicate the depth of the art itself. "Neverland" is a word that begs a little attention: a land where children "never grow up." This is not to say that they physically die - no - instead they live their lives, as did Barrie, in a desolate, lifeless, and desperately lonely "land" and try, from within their internal isolation, to bring others along for the rides to nowhere and "never." Where else could such a person bring another? If one lives in "Neverland" of the mind, there is nowhere else to lead another - nowhere else to go. And if we do not face unpleasant truths as they are revealed in the crucible where life and art meet, we learn nothing further from the art. It is better, actually, to know nothing of an artist's life than to be fed untruths. I would suggest the readers either read this book and/or see Peter Pan, but would urge them *not* to see Peter Pan after experiencing a false represenation - no matter how "well-performed" the falsehood is presented. The play or story would be meaningless. The truths, whatever you choose to make of them are here in this book, like it or not. And once the genie is out of the bottle (such as when you have been fed a disingenuous Hollywood film or other disingenuous account), to refrain from the truths of an artist's life is a violation of the art. No one can any longer understand or be truly moved by Peter Pan, much less try to interpret it based upon a sugar-coated Hollywood paint-job. And the effect goes on: if other artists were inspired by Barrie's work (perhaps because it touched the nerves of their own catastrophic lives), and all we have is a candy-coated film, their art and whatever in their lives might have inpired their interest in Barrie's work is also distorted. I do not know if truth sets anyone "free," but I do know that untruths distort and harm. And then the distortion goes on . . . This book cuts deep, but struggles for truths, which is what a biography of an artistic genius should try very hard to do.

Having found this little book before the advent of the film "Finding Neverland" I was able to read it originally without comparing it to the film, always a good thing. The film, of course, changed much of the true story as films usually do. This book standing alone as far better, but note, it is not a happy story with a happy ending, it is a tragedy, and no one is left unscathed.
The photographs, almost all, were taken by Barrie himself, and are absolutely wonderful. He had a natural artistic sense, and his unposed photos of the five Llewelyn Davies boys, Michael, George, Peter, Jack, and Nico at their play, stay with you. They are dressed in the Edwardian clothes of the time, or in costumes they wore in the elaborate make-believe games they played with their childlike grownup friend Mr Barrie, and those are truly memorable in themselves. Often they are playing with J.M. Barrie's large dog, and one can't help but think of the big dog, Nanna, in Peter Pan, it's acutally quite eerie, seeing that the play "Peter Pan" itself wouldn't be written yet for years.
J.M. Barrie came from a lower class Scottish family, and in childhood lost an older brother to illness. His mother took to her bed griefstricken, for a long period, and once, trying to cheer her, young Barrie put on the older brother's clothes and went to see his mother. For just a moment she thought it was the older brother, and he seemed to see happiness in her eyes; for all his life, the message stayed with him, the boy who would never grow up was the loved boy.
He was a strange, brilliant, gentle, childlike man. Highly regarded in his own time, considered a great playwright, equivilent to George Barnard Shaw in his day; and very prosperous due to his books and plays, married, but childless, and probably not very happy in his marriage which would end in divorce, one day in Kensington Park he saw one of the five young Llewelyn Davies brothers. They struck up a friendship, based on Barrie being quite willing to talk to a child on the child's level. Soon after, he met the rest of the family, who were impressed to meet the famous playwright. Their family was also upper class, well to do, but would soon lose their father to cancer, they would thenceforth be in precarious financial straits. Barrie immediately became a combination father/ big brother to the boys. He also became close friends with their mother Sylvia Llewelyn Davies, but not, I suspect, to the degree the movie implies. It was all about the boys, their innocence, and something he wished to capture and hold on to. His obsessive photography of them makes that clear.
Tragedy struck again, unbelievably, when their mother died of cancer as well, at a young age, after a relatively brief illness. By then Barrie was such a part of their lives that his continued influence, and the benefit of his money in seeing to it that all five boys finished school in the manner befitting their "class", was accepted by the boys' extended family. He stayed involved in all their lives indefinitely, though it is interesting that he had his favorites, and the two who were not favorites resented and disliked him as they grew older.
The book stops with the boys' growing up, though he did stay involved with them as a surrogate parent. Tragedy did hound the family, but unlike some reviewers I am not sure that it can be blamed on JM Barrie's role in their lives. In fact, without him, financially they would have far worse off.
It is true the boy named Peter resented that the play was named "Peter Pan", and of course he was teased at school, and Barrie probably should have thought of that. (Of course without Barrie he most likely wouldn't have been at Eton to be teased.)
Two footnotes: all the proceeds of the play went to the Children's Hospital in London for 100 years, until recently with the 100 years anniversary, the copyright ran out, and now it is in the public domain. No proceeds of his biggest success ever went to Barrie.
Also, the girl's name: "Wendy", was first used in the play. It was an unknown name before that. Barrie used it in memory of a young daughter of a friend who was named Wendy, and who died at age 5. (Not known where that family got the name from, or if it was a nickname.) It was not a name known previously and "Peter Pan" popularized it.
Its an excellent book, an opening via the photographs into another long-gone time, a sad story, but not I believe, due to Barrie. I believe he meant well, and tried his best to be a friend to that unfortunate family. He had his demons as do we all, but to "love" children, in that era, to befriend them, and even play with them when they were pre-teens, could still occur without any implication of perversity; and even to sleep with a child, the concern of one reviewer, was, at the end of the Victorian world, seen as a pure and innocent act, like a parent and child might sleep together...I think it is hard for us in our cynical age to see things as the late Victorians/Edwardians did. No whisper of scandal or of anything improper ever came from any of the five boys, their family, servants, or anyone else connected with them; and I think had there been it certainly would have come to light. I believe he truly loved the boys, and they in turn, after he knew them several years, and had observed their play and their natural talk and style, influenced him to write his masterpiece "Peter Pan".

I found this book to be a well-researched and moving account of not only Barrie's life but also the lives and deaths of the original "Lost Boys". After reading this book, I read Peter Pan again in a whole new light and enjoyed it even more. I think reading this book is essential in order to fully appreciate the entire Peter Pan experience as it truly helps to bring the characters alive.

Prompted by the movie "Finding Neverland" I wanted to learn more about the Davies family and their relationship with Barrie. My research lead me to this book. The tragic story of the boys and Barrie was an eye opening read. Birkin is an artful weaver of ancedotes, interviews and history. While I was reading the book I got lost.I started feeling like I was an intimate friend of the families, instead of curious observer. Furthermore, Birkin's website has been updated with more pictures and media files. The website coupled with the book really saturates you into the life of the 5 boys and the mindof the man who loved them very much. A beautiful account of a flawed and tragic life.

This is a readable, practical, and deep book. It's one of those books which teaches or refreshes Java and OO theory and practice as you read. I am also reading it for pleasure!

This is a great book. It is directed at users of JUnit, the Java unit testing framework. But in my mind the book gives sound advice for solving your programming problems in general, not just for Java or JUnit testing. It stresses the importance of unit testing, programming to interfaces instead of implementations and just simple common sense. The author is clearly passionate about his field and extremely experiences. The combination of enthusiasm and experience comes through on every page.

This isn't necessarily the best introduction for absolute beginners (I would recommend /Pragmatic Unit Testing/ for that), but it is required reading for server-side Java, as most other reviewers have pointed out. But it's more than that--it's one of those rare computer books that transcends its subject matter. Why? Because it can make you a better programmer. While some of the credit can rightly be given to unit testing and Test-Driven Development in general, Rainsberger's book makes you /see/ better ways to write and refactor your code. The breadth and depth of examples is astonishing--he convincingly shatters "but it's too hard to test that" arguments with well-researched, non-trivial examples. In fact, I'd say that this is almost a better J2EE tutorial than most books about J2EE proper.

I'm withholding a star for one reason: the book doesn't cover GUI testing tools like Jemmy, JFCUnit, or Abbot/Costello. These JUnit extensions are ripe for a book with this depth; it's just too bad that this couldn't be that book. Other than that, I find that I turn to Rainsberger's book far more often than any other testing book or online reference.

This review also appears on StickyMinds at http://www.stickyminds.com/s.asp?F=S767_BOOK_4

JUnit Recipes is a comprehensive tome of practical methods and techniques for the opensource JUnit tool to develop automated unit-tests for Java/J2EE applications. The book is split into four parts: Building Blocks, Testing J2EE, Additional JUnit Techniques, and Appendices. The Building Blocks cover the basics of using JUnit to create basic tests, organize and manage test suites and test data, running JUnit tests and reporting the results. It even includes a section on troubleshooting. Testing J2EE covers XML, JDBC, EJB, web components (including JSPs), and J2EE applications. Additional techniques include testing some well known design patterns, using JUnit add-ons and JUnit libraries (like GSBase). The Appendices include complete solutions (including code of course), some short and sweet essays on testing, and a modest recommended reading list.

The organization of the book flows very logically and the writing style is very clear and easy to follow. Along the way many insights into important design principles and testing techniques are revealed: the reader will learn about the "Hollywood principle", the Open-Closed principle, design patterns, POJOs, Mock Objects, Private and Parameterized Test-Cases, Abstract Test-Cases, Self-Shunts, and Spys. The book's coverage is very comprehensive and touches on many other popular Java/Enterprise projects and frameworks such as Struts, JBOSS, Prevayler, XDoclet, Tomcat, XPath, XMLUnit, HTTPUnit, Ant, Jakarta, and others.

Even though JUnit is often associated with "Agile" development and much of the wisdom apparent in the book applies to agile Java development, the book is useful to any Java developer on any Java project (agile or otherwise). The book also goes into considerable detail, with working code examples, to spell out exactly how to perform and apply the techniques it describes.

The book's primary audience is Java developers. Java Tester's will still find some good nuggets of information but it's quite clear that Java programmers and developers are the target audience. This isn't some high-level theoretical book mostly of concepts and ideas. This is an imminently pragmatic guide that not only conveys a great deal of highly practical wisdom but also clearly and comprehensively walks you through the explanations and the code to accomplish and apply the techniques it describes. The book is also not a "How To" for coming up-to-speed on setting up and running JUnit.

Another book from the same publisher, "JUnit in Action" is a great overview on learning more about the basics of running and using JUnit and on using JUnit to tackle a number of basic challenges with unit-testing Java and J2EE code. JUnit Recipes has some overlapping material but pretty much "picks up" where "JUnit in Action" leaves off, and JUnit Recipes goes into much more breadth and depth of coverage of JUnit methods, practices and techniques and use with other Java projects and frameworks.

I would say JUnit Recipes should probably be required reading for anyone attempting to use Java, J2EE and JUnit in the real-world.

Rainsberger does a very good job of detailing the techniques to unit test difficult code; including xml, ejb, servlets, jsps etc.

Based on the "Structural drama" we got a different option to see the incredible notes compiled after several interviews at Laramies' residents who was shock (as the rest of the world) for Matthew Shepards' case. I loved it.

The book was in excellent condition and was delivered even earlier than expected.Wonderful and smooth purchase.

We purchased this play because my son's High School principal decided not to allow the theater teacher to put it on at his school without even bothering to read the play before making this decision!!! Moreover, the principal essentially threatened to fire the teacher if the issue was pursued. We wanted to share this play with as many people as possible after that incident and so have been loaning it to friends, relatives, other teachers, anyone willing to read it. It is truly an important work, putting a human face on the people of Laramie, Wyoming. What happened there could happen anywhere, and we not only can't, but shouldn't, hide these difficult truths.

Matthew Shepard was about two months short of his twenty-second birth when he was robbed, beaten, tied to a fence post and left to die in a rural area of Wyoming. The man who found him at first thought he was a scarecrow. Rushed to Poudre Valley Hospital at Fort Collins, he died on 12 October 1998--and when Russell Henderson and Aaron McKinney were arrested for the crime they resorted to a defense known as "gay panic." Matthew Shepherd had propositioned them, they said, and they were so horrified that they killed him in response.

The gay community and numerous civil rights watchdog groups were outraged by the defense, and as more and more facts came to light it seemed that the crime was somewhat more complicated than Henderson and McKinney wanted the public to know. Witnesses stated that Henderson and McKinney had specifically targeted Shepherd because he was gay. After much legal wrangling, Henderson pled guilty and testified against McKinney, who was convicted; after still more legal wrangling, and at the request of Shepherd's parents, McKinney escaped the death penalty but has no chance of parole.

The case made headlines from end of the United States to the other and prompted numerous calls for Hate Crimes legislation, which had long been stalled both at the state and federal level. And in the midst of the confusion, chaos, and controversy, Moises Kaufman and the members of The Tectonic Theatre Project arrived on the scene, interviewing more than two hundred people about their thoughts and feelings on the case. These were shaped into THE LARAMIE PROJECT, a drama that debuted in 2000 and which has since shocked, impressed, and deeply moved audiences from coast to coast.

Playscripts are not really intended to be read; they are intended to be performed, and there can be a significant difference between how a script and how it plays. This is particularly true of THE LARAMIE PROJECT, which doesn't consist of scenes or acts but of "moments"--bits and pieces of monologue and dialogue and staging that non-play-readers will likely find difficult to envision. When performed, all those bits and pieces become like tiles in a mosaic: they may seem to mean different things individually, but when performed one right after another they become a unified whole.

Perhaps the single most impressive thing about THE LARAMIE PROJECT is its refusal to "take sides." The play presents its characters and their words with commenting in favor of them or against them; you are instead allowed to interpret for yourself. The result is uniquely powerful. Strongly recommended.

GFT, Amazon Reviewer

Like a quilt, each little piece of play is woven together beautifully. Some pieces are juxtaposed next to contrasting pieces, but step back -- the entire piece is a sight to see, and touch, and feel.

What a sad, revealing, fearful, fearless, exasperating and lovely work of theatre.

This truly is an American quilt -- the ugly, the bittersweet, the glorious.

Absolutely recommended for anyone mature enough to deal with a tragedy of hate.