Movies Books

The Best Review Yet by Kourtney Howard







Full House the Substitute Teacher
By: Cathy East Dubowski

Michelle Tanner is your normal average girl. She's really nice and cool. Michelle loves to spell.


When Michelle gets to school she has a sub. So she asks her friends if they want to sink the sub. So when they take roll they all say the wrong names. Then after a few more pranks he quits and makes Michelle the teacher. Then she had to teach three kids how to spell their spelling words. When she gets home she tells her dad what a good day she had.


Michelle Tanner's school


Michelle and her class pull pranks on the substitute.


I loved this book because it took me on a lot of adventures.

Full House The Substitute Teacher
By:Cathy East Dubowski


Michelle Tanner is your regulare avrage girl.Shes smart and realy good in spelling.Shes realy nice to her friends and is cool.


When Michelle gets home from schoolshe tells her Uncle Jesse,that she is going to have a substitute teacher for the next few days.So he tells her how they would always try to sink the sub.So she tells her friends about that. Now they want to do that so they switch names. When he calls role they all say the wrong names. Then after a few more pranks, Mr. Kalowskie quites and makes Michelle and Lee teach the class. Then she has to teach three second grade kids how to spell their splelling words. When she gets home she tells her dad what a great day she had.


Michelle Tanner's school


They have a sub and they pull pranks on him.

I love this story because it was entertaning and takes you on alot of adventures.

Michelle and her friends try to trick the substitute teacher and then find out it's his first time substituting. They keep doing it. I thought it was an excellent book. You should read it.

Read this if you enjoy school like I do.. Or if you are the type who likes to play tricks on substitutes...

I recommend everyone this book because it tells us about we should not be bad to a teacher even if it's a substitute. We should not play tricks on them. And we should not listen to Uncle Jesse and Joey.

Well written and easy to read, Dawn Steel combines key events in her life with key strategies to make it in today's entertainment world. The book is humorous and enlightening. It may not be The Art of War, but it's a great read none-the-less. It's just too bad the book was so hard to find. No longer available as a new buy, it is readily available in the used book market. Although Dawn left us in 1997, her spirit lives on within each page read. A recommended read for those looking to learn the basic principals of succeeding in this industry.

Dawn Steel, Hollywood's first female movie mogul, died in Cedars-Mount Sinai Hospital on December 20, 1997,of a brain tumor after a long battle with cancer. She was 51. Steel was named president of Columbia in 1987, leaving two years later when Sony took over. Commenting on Steel's death in the New York Times, writer-director Nora Ephron said, "Dawn certainly wasn't the first woman to become powerful in Hollywood, but she was the first woman to understand that part of her responsibility was to make sure that eventually there were lots of other powerful women. ... The situation we have today, with a huge number of women in powerful positions, is largely because of Dawn Steel."

I happened upon Dawn Steel's book and fell for the title. She speaks honestly and with humor about her triumphs and her trials, demonstrating that to succeed, you must first take some risks. I was saddened to learn of her death a couple of years ago--she's someone I wish I'd known in person.

i just liked this book alot. i fell in love with dawn steel. she was a mover and a shaker. her energy jumps to you from the book. i recommend this book to any female who feels lost, misdirected, or going nowhere in her career. this book ought to be everywhere.

They Can Kill You...But They Can't Eat You (Lessons From the Front) by Dawn Steel. Some might call this a book strictly for women...but it's not. Dawn Steel, former, first, and only woman who ever became president of Columbia Pictures, gives us a fast-paced peek into the world behind motion pictures, sharing so many names of stars, producers, directors, writers, who was and is the "in crowd," that you can't possibly grasp the magnitude of what it takes to have those new movies appear before us each week.

The book, according to the inside cover, was written "For every woman (or man) who knows there's a great person in there dying to escape, but lacks the confidence or tools to truly express oneself...for every woman trying to get out of the typing pool...for every woman who wants to be valued for cherishing her role as a mother...for corporate vice-presidents who are as sick as Dawn Steel was of wanting to be one of the boys...for every woman who, just as she conquers the next step, wonders, "so what do I do now?" Dawn Steel offers hard-won insights to help accelerate the trip, eliminate some of the angst and pain, and create a spirit of optimism and hope."

Dawn Steel's book is fun--it makes you cry, it makes you angry, it makes you cheer when she succeeds. It makes you sad when one more job is lost, but over it all, it makes you realize your own potential. You realize that others have had those wild entrepreneurial schemes, and that they have gone out and did them! Dawn sold amaryllis as "penis plants" and created the advertisement headline to "Grow Your Own Penis. All it takes is $6.98 and a lot of love." Now, when you read about someone who comes up with such ideas, you just got to love her...right?

Dawn's life is anything but normal and traditional. Her book opens as she overhears in the "second-floor ladies' room in the Administration Building at Paramount" that "She's dead." While her first reaction is to paraphrase Mark Train, "The reports of my death had been greatly exaggerated," she shares that it actually "took another six months for them to kill" her.

From Paramount to Penthouse, to Columbia, to selling her own ideas, Dawn tells all of us that we can survive anything--being fired, having someone come in over or under us in the corporate ladder and sabotage us, being chased out because of being pregnant, or being referred to as "The Queen of Mean" in newspapers.

The life of Dawn Steel started in 1946 and as her story is told, Dawn highlights for the reader what was happening at that time. These little references takes us back through our own lives and we live her life along with her as songs like "Zip-a-Dee-Do-Dah" that year, on through to Whitney Houston's "I Wanna Dance with Somebody" in 1987, play through our minds. She helps us recall how the last thirty or so of our lives have gone, and you find you quietly do a comparison of where you could be if you had dared to "risk."

Underlying the story line of her life, the glamour of working at major motion pictures and for "men's magazines," Dawn inserts, casually, but effectively, all the lessons learned in these fascinating arenas. So in the midst of learning about the problems of making the movies, Fatal Attraction or Flashdance, or while negotiating or going to events with Harrison Ford, John Travolta, Sylvester Stallone, Eddie Murphy, et. Al., Dawn drops in her sage advice, like:

Sometimes you have to accept that there are bosses and colleagues whom you can never turn around. Instead of going home frustrated and torturing yourself and the people around you, move on and find another way. There are people with whom you pass a point of no return and you should give up on them...

You can't let your competition sway you. On of the most important things I learned is that you must be willing not to get it. You must be willing to let go. Then it will come back to you...or

Set your boundaries ahead of time. Set your appetite ahead of time. Then be ready to let go...I learned my job by doing and watching...

As these little nuggets sink in, you realize that this book is about power, personal power. But after all she accomplished, Dawn Steel closes the book with an image..."I had this image of my mother. She was going off to work, dressed in one of her suits. She had to go to work. She had to take care of her family. She didn't have a job with a fancy title, or a plush office, or her own parking space. The guard didn't know her; in fact, there probably wasn't even a guard where she worked. She didn't have a hundred calls a day to define her status. She wasn't looking for anyone to rescue her. She wasn't looking for power. My mother did what had to be done because the power was already in her." And Dawn shares her own realization that she, too, didn't want to look for power anymore...that it had been there, inside her, all along.

This book makes you feel good. It's definitely written for those in the business world, but is written from such a personal slant, where even how potty training for your daughter is handled during the work day, that you don't realize until you've completed the book how it has elevated your spirits and challenged you to look at your life and use that power that is there within us.

Take a trip to Hollywood with Ms. Steel--you'll have a wonderful time!

This is the first (and one of the best) Christine McGuire books that I have read - she has a new book coming out in two weeks, can hardly wait! Ms. McGuire's books are easy to read and usually contain several plots in one book.

I am a serious and fussy reader of crime stories. This is one of the very best of its type I have had the pleasure to read. Ms McGuire writes with style, substance and verve. There is not a single weak moment in the entire book. I hope she writes many, many more as good

I was looking for something to read at my local library yesterday, checked out this book and was up all night reading it! What a super writer! I loved the fact that there were a couple of stories going on at once and how I had no idea "who" the person responsible for the brutal murders of the men were until the very end. Now that to me makes it a great read right there! Also, Ms. McGuire has a way of explaining legal terms so that it is understood by a normal person, like myself. It would make a great movie! I am now off to the bookstore to read all of the other Christine McGuire books!!!

Christine Mcguire is one if not the best author I have ever read. She captivates you, she keeps you extremely interested and it's so hard to put her novels down. I work in a bookstore and if a customer asks for my opinion I always recommend her. I quite often receive the same response and regard that I have for her. Until Proven Guilty was an outstanding novel. Kathryn Mackay is a nineties women (whom we all need) who is raising a daughter while maintaining a highly stressful and successful career. Her life is in danger when a serial killer targets her as his next "Little Pig". She outsmarts him and out manouvers him in novel that'll keep you on the edge of your seat! Excellent work.

Until the bough breaks was my first book of Christine McGuires, but it definitely will not be my last. My only regret is that I did not read the others first. But that will not stop me from going out to find the others. Keep up the good work. You have another devoted fan.

When I first saw Visions of Armageddon on sale at the bookstore, I often found myself looking at it more and more. So, finally, I bought it.

This has to be a great book on the 1998 blockbuster film. It contains information on all subjects from the film's genesis to final production. Hundreds of lavish photographs and drawing make it even better. It includes interviews with the cast and crew.

However, for people looking for a good book to read, ignore this. The information skips back and forth. One moment they are telling you about how the film began. Then they are telling you about how the special effects were made. Then they are telling about the genesis and so forth. But the lack of definite timeline does not at all hurt the story of the most overcritized film of all time. As Michael Bay said "There is nothing wrong with entertaining people."

If you love the movie, you might want to have it as one of your book collections. It shows the making of the movie & its illustrations. There are also some nice pictures of the cast for those fans who love Bruce, Ben & Liv. Don't miss it!!!

i love this book. it is printed on wonderful paper. it
will last & the fotos are GORGEOUSE! it explains a lot
the stuff behind the scenes & how it was done. more than
just a quickie movie-tie-in. it is worth having on it's
own!

One word on the movie: bad. Still even though the movie sucked, I found myself just peeking at the book while at bookstores. Needless to say I bought the book, and I enjoyed it ten times more then I did the movie. So if you have a choice between the book and the movie, buy the book. You won't regret it.

If you saw the movie, and loved it, go get Visions of Armageddon because it was so good and shows Dreamquest and Vfx how they did those spectacular Special FX. Great pictures from the movie. Jerry Bruckheimer and Michael Bay makes a great team for a fun, high-paced, action-packed movie for the summer! One of my favorite movies of the summer, IF YOU HAVEN'T SEEN ARMAGEDDON GO SEE IT AND YOU'LL BE FEELIN' LIKED YOU GOT OUT OF AN KICK ASS ROLLER COASTER RIDE!!!!

Along the cinema's history - from time to time - the lucid conscious tends to appear in certain regions of the world. If Griffith gave the first step with (Intolerance and the Birth of a nation), Stroheim made the same with Greed , Robert Wiene with Dr. Caligari, Lang with Metropolis, while the comedy counted with Chaplin and Keaton, then Renoir with The rules of game and The grand illusion and Jean Cocteau emerged as if the same spirits of the Greek dramaturges would have reappeared with his wild mythic expression. Then came Orson Welles , while Kurosawa, Ozu and Mizoguchi showed us unknown facets of Japan, Luis Buñuel , the lavish son of the Surrealism in the cinema, half Spanish, half Mexican but France would have among his most sharp and talented artists as the portentous and unique Robert Bresson, and other not less relevant figures such as Marcel Carne, Max Ophlus, Rene Clement; Denmark with Dreyer, Italy would count with De Sica, Visconti and Fellini , Russia with Tarkovsky, Sweden with Bergman and Germany would have to wait until the early sixties for Scholondoff, Fassbinder, Wenders, Herzog, Von Trotta sisters and Hauff. And so, during the early eighties in Italy the brothers Taviani, Bernard Tavernier in France, Kaurismaki in Finland, The Coen brothers in North America , Quedraogo in Africa, Angelopoulos in Greece, Jarmush, Lars von Triers, Kim Ki Duk, Shohei Imamura and more recently Alexander Sokurov in Russia. Because more than artists this constellation of artists-filmmakers had something to say and how they did it.

But the case of Wells is particularly worthy to pay attention, because he embodied like nobody else the status of Shakesperian tragic personage, his ceaseless mind, his countless projects that never became materialized, the enormous efforts he had to do to make a film without abdicating in his ethic principles.

His devotion and everlasting admiration by Griffith, his sharp opinions, profane irreverence, mordacious opinions, his gastronomic excesses, among other singularities gained him respectable and unsaid enemies who neither didn't share nor understand his vision of the world. It's not easy to fit his hat, but the true of the case is he appealed to many filmmakers around the world, (Fuller, Casavettes, Allen, Saura, Almodovar, Waters, Loach, Huston, Roeg among so many others) to make the humanity would be aware (and I borrow a famous Buñuel's statement) we are not living in the best of the possible worlds. A biography that will absorb you from start to finish.

This excel essay allows us to approach the creative universe and the effervescent mind of a propulsive human being, who refused to accept outer impositions, filming what he wanted along his lifetime.

"A filmmaker is really great when the camera is an eye in the mind of a poet."
ORSON WELLES

I have always been a fan of Orson Welles on radio and television. Having collected a ton of radio broadcasts on CD and audio cassette and having watched most of his movies, I appreciate the genius of his work. I picked up a copy of this book recently and am amazed at the amount of research put into it. An aspect of Welles rarely discussed is his magic career. At the Mid-Atlantic Nostalgia Convention this September in Aberdeen, Maryland, I plan to attend the presentation about Orson Welles and his magic career so I can watch rare footage and films with Welles, and get an even deeper insight to his trickery. Book comes recommended.

Everyone knows that Orson Welles made _Citizen Kane_, possibly the most audacious and most analyzed movie to come out of Hollywood. And then what happened? He had been called a "boy genius", having made the movie (co-written, directed, and starred) when he was but twenty-five years old, but within a decade the term was used with sarcasm, and Walter Kerr wrote that Welles had become "an international joke, and possibly the youngest living has-been." Welles had been knocked down, and in the view of many, he never got up. Certainly, he never made anything like a _Kane_ again, but that isn't really fair: no one has. It is true that he never produced the sorts of films that were Hollywood-popular, but he did not at all disappear. Joseph McBride, a film historian who knew Welles, has answered the title question in his book _What Ever Happened to Orson Welles? A Portrait of an Independent Career_ (The University Press of Kentucky). The answer, quite simply, is that Welles worked and worked for decades in film, writing scripts, making movies, and (perhaps because few would bankroll him) doing things his own way. It's a sad story, in many ways. No one could doubt Welles's genius, and there are so many "if only" episodes in this book that it is often a depressing account. But Welles was not a tragic figure; he reflected years later that he might have made a mistake in staying in films (rather than, say, returning to the theater in which he had previously made his mark). But he would not have had it any other way: "I'm just in love with making movies," he said, and indeed, it was only death that stopped him.

McBride necessarily describes the problems that beset Welles immediately after _Kane_, when Welles could no longer get anything close to the full control of a film which he had practiced on his first movie. Still wanting to make movies, he left Hollywood to continue in Europe. McBride makes the case that contributing to Welles's decision for self-exile was his fear that he would be called to testify in the Communist witch-hunts. Welles loved shooting films and he especially loved editing them (as anyone who has seen _Kane_ can tell). There are plenty of pictures Welles worked on whose footage has been lost, but many others have the footage saved by fans or by creditors, and they frequently propose bringing out a finished version, hiring someone to pull the scenes together into a finished movie even so long after Welles's death in 1985. One producer mentioned she'd like to see a particular film screened not as an unfinished work by Welles, but as a film the way he might have finished it; but she says, "Finished by whom? Who can you substitute for Orson Welles?"

McBride does not go deeply into Welles's inability to finish things. Certainly it was attributable in a large part to Welles's way of skin-of-his-teeth filmmaking, whether or not it was some deep-set psychological disability. Welles could have written a magnificent autobiography, but when he got advances for such a work, he always returned them to the publishers. McBride writes, "Welles was deeply ambivalent about reminiscing, perhaps because he would have had to address issues he usually found too painful or delicate, such as his sexuality, his family life and some of his more traumatic experiences in Hollywood." Some of the stories of incompletion here, however, are extraordinary. His finished negative of _The Merchant of Venice_ was simply stolen from Welles's production office in Rome. The Iranians held funding for his meditation on filmmaking in the sixties, _The Other Side of the Wind_, and then the Shah was overthrown. "It's hard to imagine a movie career more littered with sensational catastrophes than mine," Welles admitted. He seldom admitted that he was the source of the less sensational catastrophes; a cameraman who worked with Welles late in his career said that Don Quixote was never completed because Welles "moved around too much, stuff got lost." For sensational and unsensational reasons, the losses recounted here are staggering. Nonetheless, McBride shows that they cannot be blamed, as some critics say, on Welles's being lazy or dilatory. The decades were filled with work for him, and he was pounding out a manuscript for a brand-new project on the night he died. As an independent filmmaker, Welles may have never fully lived up to his potential, but with a record of films that includes _Touch of Evil_ or the supremely weird _Lady from Shanghai_, his pattern of incompletion must be a minor sin. Much of McBride's personal account comes from his being an actor in _The Other Side of the Wind_ (of course, never finished) as were such droppable names as John Huston and Dennis Hopper. McBride's story won't re-make Welles's post-1950 career, but it isn't just a story of loss and lost opportunities; it is one of real movie history and at least some genuine artistic success.

Mention the name Orson Welles and his most famous involvement - with the radio scare 'War of the Worlds' - immediately comes to mind; but for a deeper understanding of Welles' life and career you need What Ever Happened to Orson Welles?: A Portrait of an Independent Career. His later projects were largely self-financed and erratically distributed, but film critic and biographer Joseph McBride has a personal familiarity with Welles from previous projects worked on with him and here shows how the Hollywood studio system forced Welles out of the industry. Its value thus is twofold: as a biography for Welles fans, and as a history of film industry operations and politics.

Diane C. Donovan
California Bookwatch

While I might be biased because a many parts of this book included stories about my father, Gary Graver, this is not something you want to miss out on if you have any interest in Orson Welles or the inner workings of the Hollywood movie industry. I knew Orson when I was a young boy and teenager during the time my father worked with him, but my memories are nothing compared to the vivid details and thoroughness of Joe's writings.

This book taught me a lot about a man whom I admired and feared. He was rather scary from the perspective of a ten year old, but he often took time to have me sit with him while he taught me card tricks. I am so grateful that these stories are now available for everyone to read. Thank you Joe for your commitment in documenting what no one else ever has and sharing these wonderful stories.

This is an adorable love movie for anyone. It's witty humor and charming story combine into making it the perfect romantic-comedy! It's great for watching any time, or even when you're feeling blue! It's sure to lift the spirits!!!!

I have been a fan of this movie for years and have seen it well over 500 times. Although I found three minor erros in the transcript while I read the book, It was still great.

...and will never be surpassed. There's nothing i can add. This simply has to be seen to be believed.

I have seen this movie several times, and I still like it. Each time I review this movie, I can gain different thinking. You'll love it if you have it.

As a screenwriting instructor, I'm always looking for material that will help my students understand the language of story. This is it!

Lola and Charlie are among my favorites as a traveling nanny. I put them in my nanny bag and children like them so much I must often buy another copy as I have left them with the children!

The books have a gentle way of covering values and Charlie is the ideal model of a big brother. I have even used him as an example with a bossy older sibling with "I wonder how Charlie would have handled this?"!

The DVDs are great, making the stories come to life. No fancy graphics, no intricate or soupy sweet over dramatizing here! Just a simple story line with that great little "english" accent we all try to imitate later!

As always Amazon ships quickly and efficiently!

My kids love these books, which is a great selling point, I love these books which is great if you have to read them all the time, but even better, they have a great message which is told in a fun way. If you have sibling children who are fighting over the same stuff, or interfering with one another's toys and games, this is a wonderful book with a message.

Lola, who is ever such a little bit, not quite naughty is the little sister of Charlie. Charlie helps look after her, but sometimes it is not that easy becasue she is very small and very funny. Charlie makes a rocket using recycled junk, and wins a prize at school. He asks Lola not to play with it. However Lola waits until charlie is gone out and starts playing with her imaginery friend, Soren Lorensen. Soren suggests that they use the rocket to play with the elephant and two hyenas (who has hyenas in their games!!!!!!) The rocket breaks and when Charlie gets back Lola is left to explain what has happened to the rocket. It is very funny watching Lola talk to Soren Lorensen and finding new excuses, you can really hear the child's voice. In the end Lola is forced to fess up and everything is fixed up and ok.

I love Charlie and Lola Books, and also Lauren's other books on Clarice Bean (gorgeous!)The illustrations are amazing, a mixture of appealing child like art and collage. There are some great interlinking pictures with the text for early readers too.

A wonderful series and great on DVD too.

I purchased the book "Whoop!But It Wasn't Me(Charlie & Lola)" for my neice who is 21/2 years old & who absolutley love Charlie and Lola. On receipt of this book she would not put it down and even took a nap with the book. The only down side if you want to call it that is she wants me to read it every day 2-3 times a day.

Charlie and his little sister Lola share another totally believable story with us, excellent illustrations, nice blend of images. Dialog accurately reflects young children's speech and draws them into listening as they enjoy the pictures.

My granddaughters in Australia are keen fans of the Charlie and Lola books. In their case life imitates art since they have a big brother who's just as nurturing as Charlie is!

In fact I first heard this book read to the girls by their teen-aged brother, and the experience brought a smile to my face.

Lola's impulse control is not great, and in WHOOPS! BUT IT WASN'T ME she again tries Charlie's patience -- this time by breaking his handmade, prize-winning rocket. But the details of the story aren't so important as the gentle example for little ones. Kids see that Lola is loved no matter how outrageous she is, and Charlie models patience, negotiation and resourcefulness. Nice lessons slipped in with a fun story.

Lauren Child's sweet stories and delightful illustrations charm children and adults alike. This is my favorite (so far) of the Charlie and Lola books.

I was visiting New York City from Tempe, and I really really was looking forward to seeing where a lot of my favorite films and shows took place. This guide helped me out a whole lot!!! I recommend it to any and all show and film buffs out there!!!!!!!

I heard about this guide on the radio and bought it. I love it, it has most of my favorite movies like Maid in Manhattan and Sleepless in Seattle. There are a couple of other movie guides out there but this has newer movies and is easier to use. My friends who go to New York all ask to borrow my guide.

I came across this book one day and it is so fun. I am a huge film buff and have lived in NYC for years but didn't know anything about these locations except for the obvious ones like the Empire State Building in Sleepless in Seattle. Little did I know that I live down the street from where the Friends characters live...and Friends is my favorite show! Now when people coem to visit I always point out locations that I got from the guide.

I also like that the guide is lightweight and easy to carry around, and the map is not a huge embarrassing pullout so I don't look like a tourist when I whip it out.

I think anyone who loves movies and entertainment (and NYC) should get this guide.

I am obsessed with Sex and the City and this guide has tons of the clubs and restaruants that you see on the show. My girlfriends and I like dressing up and checking these places out on the weekend.

I went to New York this summer and used this guide. It was great. I have been to the city a few times so I was tired of doing the same old touristy things. With this I was able to find places from movies I loved. Plus it's really easy to use.

I have been looking for this book for my grand daughter for about a year. It's not in print anymore so the stores don't carry it. I finally went to Amazon.com, and there it was. Thanks for your help. She was delighted.

Madeline

this book was brand new, my granddaughter loves it as her old book has fallen apart from reading it so much. it arrived in record time, before i even thought "when will that book arrive?"

Walt Disney's 101 Dalmatians

101 Dalmatians is a very good book. Its about 15 puppies that get kidnapped by a cruel Cruella Di Vil. They are tooken to her mansion where there were a lot more dalmatians. They then go through a lot of trouble getting home. I think that any age of kids would like this book. I really like how Pongo and Perdita save there kids. I think that this book teaches kids that if they steal that bad things will happen.

This beautiful book is a full color adaptation from the disney movie of the same name. The illustrations captured my child's attention and made for great story time. Timeless tale of good vs. evil. A great read for any generation!

Well i think that this book was GREAT it takes me back to 4th grade were this would have been my favorite book becaues it as exitment and love.It just was a wounderful story and i see why they make more of theses not alone dose it show right from wronge but it tell you about how the family love the doge weather there where 13 dogs or 101 dogs it was great!

I have several books along these lines, and this is probably one of the easiest to follow. It is a good general overview to the business of acting. The DVD enhances the book as you watch Christina talk with her students about the seven steps; I felt I was right in the class with them. At the end of each step is a brief recap of the key points by Wink Martindale. Thanks to Christina's examples of good and bad photos and resumes, I now know what to do at my next headshot session and I've already redone my resume. I will be taking some classes from The Actor's Edge after I move, and I will definitely be submitting myself to her casting agency!

This book is really well put-together - easy to use. Some of the tips and suggestions may seem like no-brainers, but there are a lot of little things you may not think of when marketing yourself in the entertainment industry. Resumes, agents, your photo, Ferra-Gilmore breaks it all down and gets you to rack your brain for other attributes you can use. A reference/workbook in one, with a two hour DVD.

Co-written by founder and president of "The Acting Edge", one of Hollywood's leading acting schools for 15 years, The 7 Steps To Stardom: How To Become A Working Actor In Movies, TV, And Commercials is an easy-to-use workbook-and-DVD set that gives the practical advice on earning success in the entertainment business. Printed in color with photographs and a number of consumable pages, the workbook covers how to network and find an agent, avoiding scams, taking appropriate headshot photographs, writing an actor's resume, the business side of acting, honing one's acting skills and more. The two-hour DVD is divided into seven lesson segments: You are the Product, Acting Skills, Your Photograph, Your Resume, Your Agent, Your Unions, and Networking. Written in a direct, no-nonsense instructional, The 7 Steps To Stardom is a "must-have" for anyone contemplating or getting started in a profitable career in acting.

Usually, when one is looking for information on what you need to really make it in Hollywood costs a lot of money. This little book with a 2-hour DVD is amazing for what it costs! Sure, the production is a bit cheesy, but the content is amazing.

Now that I have redone my headshot, and worked out my resume, I feel that I am much better prepared to deal with what I will be up against at my next audition.

Thanks Christina!

This book is a very quick read yet its pages contain some very helpful, specific tips to enhance your resume, headshots and acting skills.

I am grateful that Ms. Ferra-Gilmore is willing to share her expersites with up and coming actors.