Movies Books

James Agee was a great writer (his book about the Dust Bowl is a classic). He continued to be a brilliant writer in his film reviews and his scripts. Thank you, Modern Library, for returning these collections of writing to us. They are wonderful to read and they make you think!

James Agee was short for this world, having died in his mid 40s. In that span of time he wrote a famous book, Let Us Now Praise Famous Men, and a couple of classic screenplays, AFRICAN QUEEN and NIGHT OF THE HUNTER. This collection of magazine film reviews and essays is in many ways the leftover part of his work, and yet it feels like enough to make a reputation on. His reviews span just one decade, the 1940s. Many of them tackle foreign films that may be unavailable for all I know.

Interesting to me is that he spends three weeks discussing Chaplin's MONSIEUR VERDOUX, which is a most unusual movie and mostly forgotten today. This might be because he saw it as his only chance to write a poignant piece on the greatest living film artist, or it may be because he identified with the plight of mankind theme that Chaplin was reaching for. You can pick another reason, yourself, but it was a bold decision, because most critics panned the film (according to him) and most readers probably couldn't even see the movie in their small towns. It was as if he knew he would be writing for posterity. Like all critics, he cultivated his darlings. He saw much in the work of John Huston and was very skillful in his sizing up of TREASURE OF THE SIERRA MADRE. I was impressed that he predicted the all-time classic nature of the film, but also understood the studio system gimmicks that took away from the genius.

You don't have to be literary minded like W. H. Auden to enjoy this book. You'll like it, if you like movies.

James Agee wrote film criticism in America at a time when the American film industry hardly deserved his attention. His celebrations of silent film comedy, of Preston Sturges, of John Huston [for whom he later wrote the script for The African Queen], and of the handful of worthy foreign films that he managed to see are what make this volume worth reading. Besides Agee's beautiful prose and above all his compassion. Interestingly, Agee was a fan of Frank Capra's comedies (It Happened One Night) and bemoaned the director's decent into serious social films (Mr Smith Goes To Washington, Meet John Doe). His negative review of It's a Wonderful Life, which has never been in print since it appeared in 1946, reveals the extent to which Agee was perhaps too far ahead of his time, and even of ours.

Ever wonder what causes a movie reviewer to *become* a movie reviewer? When I was a ten-year-old kid just getting into classic movie comedies, I went to the library and checked out the book AGEE ON FILM solely because it had references to Charlie Chaplin and W.C. Fields. Thus was my introduction to high-quality film criticism.

James Agee made his reputation writing sterling movie reviews for Time and The Nation magazines in the 1940's. Among other glories, he wrote a much-heralded essay titled "Comedy's Greatest Era" that helped to bring silent-comedy icons (most notably Harry Langdon) out of mothballs and caused them to be re-viewed and discussed seriously among film historians. He later went on to work on the screenplays of a couple of gems titled The African Queen and Night of the Hunter.

Unfortunately, many people who regard the critics Pauline Kael and Stanley Kauffmann have either forgotten Agee's work entirely or have assigned his own work to mothballs. But among the faithful are film director Martin Scorsese, who serves as editor of the "Modern Library: The Movies" series of film books. The series has recently reissued the AGEE ON FILM book, and re-reading Agee's work (or reading it for the first time, if you're lucky enough) proves that film criticism can make for reading material as compelling as any fictional novel.

Agee passes the acid test for any film critic: Even if you don't agree with him, his writing is so lively that you can't help enjoying it. His work ranges from three separate columns (three weeks' worth, in print terms) to Chaplin's much-maligned (at the time) MONSIEUR VERDOUX, to the most concise, funniest review ever: Reviewing a musical potboiler titled YOU WERE MEANT FOR ME, Agee replied in four simple words, "That's what *you* think."

If you want to see what high-caliber movie criticism meant in the pre-Siskel & Ebert days, engross yourself in this sprawling book. It'll make you appreciate the decades before every newspaper, newsletter, and Internet site had its own minor-league deconstructionist of Hollywood blockbusters.

I still have my first edition copy of Agee on Film.

A production on the stage is seen once and then is gone forever. Curiously, despite the fact that a film can be viewed repeatedly, once upon a time revivals were rare, and most audiences saw a film once, talked about it, then forgot about it.

Even the film studios only half-heartedly treated their products as permanent, allowing many of them to deteriorate irretrievably and others nearly so (eventually giving rise to an entire industry devoted to film restoration).

Films were given a new life with the advent of television. Growing up on old movies on the tube in the 1950s, I found that repeated viewing of the same film could be a rich experience, and nothing enhanced this experience more than the appearance in the early 1960s of Agee on Film.

Agee took film seriously as a cultural experience, a molder of public opinion, a tool that might be useful or dangerous. Just how much he differs from mainstream reviewers who regarded the movies primarily as entertainment can be seen in the two different sets of reviews in this book.

His reviews in the liberal The Nation are extended analyses of the films and the sensibilities of the filmmakers, withering critiques of the limitations of the studio system, and manifestos on how good films could have been made better. Agee interpolates in his reviews his opinions about everything: The War (WWII, of course), politics, race, education, religion, psychology, philosophy ... the list goes on.

In contrast, his reviews for Time, constrained by that magazine's conservatism, are truncated and absent the depth and bite that distinguishes Agee from all other critics. His beautiful use of language keeps him afloat, but were it not for The Nation, I doubt Agee would have the reputation of Greatest Film Critic of All Time.

Agee on Film was originally in two volumes. The first was the current book. The second was a collection of Agee's own screenplays, including the classic The Night of the Hunter; Noa Noa, a fascinating teleplay about Gaugin (very different from Maughams' The Moon and Sixpence); and his magnificent adaptation of the The African Queen. Thus, he was able, unlike most critics, and with admirable results, to put his pen where his critique was.

James Agee almost single-handedly popularized the appreciation of film as an art form. The writing in this book is how he did it.

I first read the book "Alice" when I was about 13 or 14. It remains one of my favorite books of all time. The expression of unconditional love that is shown is something everyone could be reminded of now and again. I hope to read it to my children someday.

Hi my name is Kate and I'm in the 6th grade when my fellow classmates and I went to our school Library to check out books I saw "Alice". When I picked it up I saw the great reviews on the cover. When I started to read the book I thought it was amazing and could'nt put it down! I like the Southern accent that Ellie and Sammy have and how it is so realistict, triumphant and touching. When I heard it was a cable Lifetime movie I wanted to watch it. Now my mom wants to read Alice,and I reccomended Alice to my friends. Now I'm going to try to find "Sudie" at my local Library. I really hope that Sara Flanigan will come out with another wonderful book!

I remember reading this book, and thinking it was the most beautiful book ever written. Im pretty sure I read it at the age of 12 or 13, just picking up it out of the shelf... I didn't expect the book to capture me the way it did. I remember trying to look for the book at a bookstore, and being dissappointed when I didn't find it. I was sure amazon would have it, but im saddened that its currently unavailiable. All I have to say is that this book will not dissapoint.

I discovered Alice through one of those bookclubs my children brought home from school each month. What a treasure. So profound. Such an allegory of Love & sacrifice! I agree with those reviewers who wonder why this and Sudie (also by Sara Flanigan)are out of print. Publisher, reprint them! Market them! They are jewels. Sara Flanigan, I feel a kinship with you. I hope you are deeply engrossed in your next book and that I will soon be reading it!

Ellie Perkins lives a hard life with a drunken father and her confused brother. Her mother is deceased and so her Aunt Bessie takes on the role of both mother and aunt. Then Ellie finds Alice, a beautiful girl who is deaf and locked away in a shed by her ignorant mother and abusive step-father. Ellie and her brother Sammy sneak her out of the tiny shed and teach her to read, play, count, speak, hear, laugh and to cry. This is a wonderful story that will break your heart. A book you'll never forget!

Amanda Bynes is my favorite actress. She rocks in this book. So does Penelope. Although, I wish there were more pictures of Amanda in it.

Hi. I had no idea that there was a book on Amanda but I found this on the web and ordered it. It's really phat! I brought it to school and spent the whole lunch hour doing the games with my friends. We were rolling. I hope there's another book on the way! Penelope is great and Jenny Kilgen must be an Amanda fanatic too to write a whole book togethre. GO AMANDA AND MORE BOOKS----PLEASE!

I love the show but this book was totally awesome. The games and puzzles are really fun but the best is getting all the great information on Amanda. Anyone who loves Amanda MUST get this book. It's like bringing the show with you where ever you go. I would definitely buy this for a great stocking stuffer for anyone who loves Nickelodeon and THE AMANDA SHOW.

i love Amanda! i've totally been looking everywhere to find a book on her. i read this book and think it is 'da bomb, so phat, and really cool!

Penelope Taynt amanda bynes's #1 fan tells the story of how she
has loved amanda since she was 1 second old.You will see how much
penelope loves amanda and how she should be amanda's best friend
to why amanda should eat lunch with penelope!Discover what it is like to film a episode of the amanda show to what is in amanda's
garbage to how penelope tries to break up amanda's friend ship
with a girl named Annie.
this book is soo funny and i hope you like it!!

I tend to do things without paying as much attention as I should, like buying this book without researching it's details.

I bought the book because my 5 year old daugher loves to draw, and because she's nuts over the Lion King at the moment. I figured it would be great for her to see not just finished work (like what winds up on television) but to also see sketches, concept drawing and paintings, and the like.

So I bought it. When I received it and saw it's pocket size I was so happy! It's absolutely the perfect size for a little kiddo like her, but the content is professional, serious and mature as I had expected. It's hard cover, totally full of pictures, and has glossy pages printed on high-quality paper. Some folks might have been put off by the size but for my purposes it was more than perfect!

We have great fun looking through it together and looking at all the different styles of artwork. If you or your kid likes to draw or paint, and likes this movie, You'll really be sorry if you don't buy a copy. No I don't work for Disney or Amazon. I just like to encourage and support my childs love for art any chance I get, and boy was this a great addition to her library.

Apart from the fact that my copy was close to pocket size, i thought that this book was fantastic. Not only does it come filled with amazing concepts, it also is accompanied with the Lion King Storyline. As an illustrator and student animator, it is a wonderful addition to my resources. The sketches through to the complete full colour images are for any Lion King fan, artists or just someone wanting a beautiful coffee table book. If your from overseas like myself and cannot get these kind of books in Australia, i reccommend Amazon and their associate stores. Buy this, its great.

I received this book as a birthday present last month. To say the least, I was overwhelmed with all the artwork in this book. I love it! The artwork and production animation is breathtaking! It's a really awesome book, I'd get it if I were you! You can't go wrong with "The Art of The Lion King"!!!

This book is one of the most exquisite things to come out of The Lion King. The graphics are beautiful. Most of the pictures are ones that are used for the storyboard and layout scenes. I reccommend it to anyone who loves The Lion King, or just Disney in general. Order with confidence - the book is worth much more than its price tag. It is also much more convient than the larger, more expensive version which I believe is no longer being produced.

"The Lion King," Disney's 32nd animated film proved to be a smashing success, appealing to young, old, and those in between. As it filled movie houses, Disney mania swept the country again. The breathtaking visual effects that fascinated so many are brought to stunning life in "The Art of the Lion King" by Christopher Finch.

This lavish folio-size volume traces the creative process utilized in making the film, from black and white sketches to glorious full-color reproductions and even splendid fold-outs, one exhibiting the surreal beauty of the African natural world.

Actor James Earl Jones, the voice of Mufasa the Lion King in the film, contributes the foreword, while the text is by Christopher Finch, author of "The Art of Walt Disney."

Those fascinated by the art of animation and those touched by the story of Mufasa, Simba and Scar will treasure this color and fact filled memento.

- Gail Cooke

Most Oscar-related books offer only limited pictures and focus on winners, not also rans. This excellent reference volume corrects those two oversights. It is filled with pictures representing the best of Hollywood--all contenders for Oscar's Best Picture are featured with a movie poster representation. Includes some rarely seen poster art, foreign posters, and multiple sized images. Excellent reference and enjoyable volume to pick up over and over.

A must-have volume for any cine-buff and film historian! This book, along with its companion first volume, "Academy Award Winners' Movie Posters" is part of movie poster maven Bruce Hershenson's exhaustive multi-volume series of books highlighting the history and beauty of what much of mainstream America has only in the last ten years begun to recognize. And that is movie posters are a "popular art" form that can stand proudly next to all other styles of art from gothic to modern, from expressionist to impressionist. Great film art borrows from all of these styles and this volume, which focuses only on posters associated with Academy Award-nominated films, illustrates innumerable examples. A fine book for any collector (get the hardcover edition if you can, it's harder to find; if Amazon doesn't have it, it's available from Mr. Hershenson directly at mail@brucehershenson.com)!

All of Bruce's books are full of wonderful images, but this one offers something extra - a history of ALL the films nominated for the Best Picture Academy Award. If you are a film buff, or you just like beautiful images you will love this book. Every year since the inception of the awards is listed and each nominee is displayed in brilliant color. A wonderful refrence source.

This beautiful collection of colorful poster art provides a history of Hollywood and American popular culture in a volume that's a delight to leaf through. As with all of Bruce Hershenson's poster books, this one is a tremendous value!

Like all of Mr Hershenson's books of film posters, this one is full of great reproductions of classic film posters. Movie poster collecting is both popular hobby and big business. For dealers and collectors alike, Mr Hershenon's books give all those interested in the hobby and business of movie poster collecting a ready-reference to images of great film posters for great and sometimes not-so-great films.

Easy to read in spite of some horrible graphic images. Boy A's story exemplifies the harm that parents create for their children when they don't like themselves or don't love each other. Little sins, like little pebbles in a quiet lake making widening circles, become greater sins. Finishing the story led me to think maybe little sins should be dealt with instead of being waved away with a permissive hand.

I couldn't put this book down. Loosely based on the real life James Bulger murder (which was, dare I say it, even more horrific than the crime Boy A has committed) it is both harrowing and thought provoking, and I found myself feeling optimistic for Jack at the end.

Jack at twenty four years old has just been released from prison, he is in the company of Terry, his long assigned care officer, ahead he has a new life invented for him; only the name Jack did he choose for himself. But can he make a success of it? He has grown up in juvenile institutions having committee as a child, along with an accomplice, an horrendous crime. All seems to go well, he has work, makes good friends, even a girlfriend who loves him; yet he finds it a struggle to live as this invented person, and of course there are those, including the tabloid press, who cannot forget what happened in the past.

By introducing us to Jack as a young man before we know the extent of his crime, it is easy to accept him without judgement, and he comes across as a friendly, slightly naïve, but very likeable young guy. As we learn more about his unhappy upbringing, for we jump back and forth in time chapter by chapter, we are even more endeared to him. Having so endeared Jack to us, what subsequently transpires is all the more involving, for our heart goes out to the youngster and especially when everything appears to be falling apart for him.

The other characters are well drawn and very believable, including Terry, his devoted carer, his fun loving friends and workmates, and his attractive and slightly voluptuous girlfriend.

Jonathan Trigell writes eminently readable prose which captures just the right intimate mood. It is a thought provoking, cleverly yet subtly constructed story, with a touch of irony, and great humanity. Boy A is heart rending tale that could as easily be fact as fiction, and all the more moving for that.

Sometimes the new worlds revealed in small-press crime stories are those other writers hesitate to enter. BOY A (Serpent's Tail, paper, $14), a shocker of a first novel by Jonathan Trigell, is the unnerving account of a young man (''Jack's his name. He chose it himself'') who has been released from prison after years of confinement for a crime so hideous the tabloids named him the ''Evilest Boy in Britain.'' Although it's told with extraordinary restraint, the story of Jack's life unfolds with a gathering horror that invites as much compassion as revulsion and leaves the reader (this one, anyway) in need of air.

In Luton, England Boy A and Boy B were convicted of murdering a young girl Angela Milton. Being teens there names were suppressed and their sentence relatively short for the heinous crime they committed.

A decade later Boy A is freed and uses Jack Burridge as his new name; a fight in the bar gives him the nickname "Bruiser". His probation officer Uncle Terry arranges a place to live for Jack and finds the young man a job as a map reader. As Boy A, Jack learned how to survive brutal incarceration by fitting in and being amiable with everyone. He is doing well until he begins an affair with a woman at work at the same time the media announces Boy A is free to kill again.

Although the alphabetizing of each subsequent chapter is gimmicky, it works as it accentuates the dilemma of society dealing with violent youths committing crimes. Jack is a fascinating character as he knows he will be insecure for the rest of his life looking back at who will point the finger at Boy A. Readers will see how he got to the situation he is in as Jonathan Trigell takes the audience back through the lead character's life that led to his joining Boy B to commit a homicide. Jack knows first hand that society pretends to rehab convicts, but expects revenge any moment. Fans will appreciate this strong character study of a young man who has no future, lives to barely survive the present, and cannot forget the past as no one (including himself) will ever let that occur.

Harriet Klausner

This book helped my daughter get ready to say "bye bye" to her
pacifier. She still likes to read the book even now that the pacifier is gone.

I bought my daughter this book two weeks ago. She is two months shy of 3 years old. She has always been tremendously comforted by her binky. We have been limiting her binky use to naps and bedtime and extreme distress for quite a while now, but have been anxious for her to get rid of it. After a week of reading this book, she turned to me and said, "I'm not ready, Mommy." I told her she'd be ready one day. One week later, yesterday morning, she woke up saying, "Mommy, I'm ready to say Bye Bye Binky!" I am convinced it's because of this book. I asked her what she wanted to do with the binky and she said "Throw it in the trash." And that she did. She was aware that Baby Miss Piggy doesn't throw hers in the trash, but we kind of glossed over that part. My daughter appreciated that the first time Nanny suggests that Baby Piggy is too old for the pacifier, she said she still wanted it and did get it back. I think it helps, too, that the book has a part where Baby Piggy says she feels kind of silly because her friends don't use a pacifier anymore. I know my daughter gave up her binky on her own two months ago at preschool for that very reason. At first I thought this book would be too babyish for my daughter, but it clearly wasn't.

Baby Piggy loves her pacifier. She uses it every day. Then, one day, her baby-sitter asks her if she can play without it. Piggy tries to play without it for a few minutes, but she gets upset, so her baby-sitter gives it back. Until one day, Piggy realizes that none of her friends use a pacifier. From that day on, Piggy gave up her pacifier and her baby-sitter took it away. I got this book from our old local library and it helped my sister to say bye-bye to her pacifier.

Santa sent this book to my son when he was three and still using his pacifier. When I read this cute book to my son that Santa sent, he imediatly threw away his pacie and never said anything about it again. I believe he made this decission because the book came from Santa. It was signed in the back of the book, " Dear Tony , you are a big boy now and it is time to say Bye Bye to your pacifier, Love, Santa Clause. Thanks Santa, for a wonderful book that helped solve a little problem.

Santa sent this book to my son when he was three and still using his pacifier. When I read this cute book to my son that Santa sent, he imediatly threw away his pacie and never said anything about it again. I believe he made this decission because the book came from Santa. Thanks Santa, for a wonderful book that helped solve a little problem.

After searching through the Spirituality section of my local Barnes & Noble, I finally found this book shelved under Film, keeping company with the Marilyn bios and Leonard Maltin guides. That sort of makes sense. Like Certs ("It's a breath mint AND a candy mint!"), "Cinema Nirvana" is an oddball but well-informed romp through the world of classic American film, as well as a savvy guide to meditation and spiritual growth. Sluyter writes like someone who's been around both of those blocks more than once. He excels at noticing the overlooked (the shark in "Jaws" has been terrorizing the beach, but the three heroes illogically hunt it down in deep water, out of sight of land) and squeezing epiphanies out of it (the ocean represents the deep waters of the infinite, where familiar moorings are left behind). Sluyter's brand of spirituality is mostly - but not dogmatically - Buddhist, with the plain-spoken, common-sense approach of the best Buddhist writers. His writing is extremely clear and often very funny. His wit and his skillful use of personal stories (his saga of involvement with a cultlike group in the "Invasion of the Body Snatchers" chapter, or his account of the psychedelic 60's in "Easy Rider") make for top-notch entertainment. But what's most entertaining is watching him make astonishing connections - his cosmic interpretation of the lyrics of "Jailhouse Rocks" will blow your socks off.

Thoroughly enjoyable capture of the nuggets of dharma illustrated in film. This was a grand gift of a book.

Reading Cinema Nirvana was an exceptionally gratifying experience. It was hard to put the book down, and every time I tried to do so, I was drawn back to it. The reading of it was a comforting experience, as well as being entertaining and making me laugh. When I poked my head out of its waters, I felt like I had been meditating for quite a while.

But it actually did more than that. Sluyter's life experience and committment to seeking consciousness infuses this book with a clear and cogent energy that passes on to the reader. Not many books have this magic. In the reading of it, I felt something in me unlock, taking me deeper within myself, a priceless experience.

Sluyter's ability to recognize and interpret the presence of spiritual guidance in the movies is amazing. But it is not just this skill, nor just the knowledge imparted, that makes this book shine. It is also his willingness to be real, to share his passion and to bare his heart. I highly recommend it.

Cinema Nirvana is a terrific book and a way fun read. I want to go over some of it again because it is quite thought provoking for me. I got a non-New-Age-Oh-Wow-How-Cosmic-Dude look at roots of some of my own beliefs and practices. Completely unexpected, and pleasantly surprising.

A lot of spiritual writing succumbs to the platitudes of new-asge mush. Not so with this book. Cinema Nirvana is extraordinarily well written, creative and insightful. Basically, Sluyter does an analysis of cinema in terms of Buddhist teaching. Each analysis made me think again about the movies I had taken at face value - I even ended up reading some of them twice. I have definitely reconsidered the way I approach popular culture as a result of Sluyter's critical technique. I would recommend this book to anyone who has an interest in Buddhist philosophy, wants to steer clear of the new age drivel, and enjoys well wrought, intellectually stimulating critical writing. Even those who don't have much knowledge of buddhist philosophy, but want fresh crticial insight into cinema should give this book a reading.

I love the Sesame Beginnings series, and this one is probably my (second) favorite, next to "How Big is Baby Elmo". The rhythm flows for an easy read and the rhyme makes sense. Not to mention, I love the pictures of Cookie Monster's mommy!

My daughter received this book at 4 1/2 months old and has been a favorite for the last 6 months. We read it everyday and sometimes recite the whole thing without the book. She loves the pictures and will pick this book out of many choices to look at it.

I read this book to my daughters a lot, they really liked it before bed. My one daughter especially liked it because her nickname is cookie!!

My son loves this book, it is all about kisses and features his favorite Sesame Street character, Cookie Monster. While there isn't a ton of background, with the focus being on the kisses of Cookie, there are cute additions like his pillow case has chocolate chip cookies on it. My son loved the page with the band-aid the best. This is an adorable book for infants, toddlers and I'd venture to say preschoolers might even like it too.

My daughter Rebeca (16 month old) loves this book. She brings the book to us to read it. My husband and I enjoy read it to her, and kiss her along we read. This book has got a lot of smiles, giggles and kisses. And she loves the touching surprise of the last page. I definetely recommend this book.

"Counting with Blue" is one of several books in the series "Baby Blue's Clues." This very basic board book teaches counting - numbers one through five. On one page it shows Blue with a certain number of something, and then on the right it has in text, such as "four little ladybugs crawling on the ground." The illustrations are very soft and cheerful.

A cute little Blues Clues story that rhymes. My daughter has enjoyed this book from the time she was 6 months old to the present (she's now 3).

My daughter, Lucy, really likes this book. She has Blue on her Luvs diapers and she is starting to recognize him now since we always read this book. She hasn't started counting yet, but we will use this book to re-inforce counting when she does start. This book is especially good for new babies because it has very few words. There isn't much of a story, so if you are looking for a story, look into other Blue's Clues books.

Many children like BLUES CLUES and my daughter enjoys counting with Blue. Great board book for early learners.

Our little one loves "Blue", and best of all vocabulary skills
have increased.