Television Books

As an engineer that is involved with ITS closed circuit television systems, "CCTV" is a great book to have on my desk. It provides me the information needed for my profession. You will find the book to be very technical, but easy to follow. The explaination of the CCTV system, from camera(s) to monitor(s), is complete and covers the most important hardware that a professional will encounter. "CCTV" helps me meet my goal to be one of the top experts of my profession. Engineers, technicians, consultants and installers involved with CCTV systems should definitely have a copy. Thank you, Mr. Damjanovski!!!

This is an Excellent book. It presents a lot of useful information and is perfect for professionals with a technical background. It doesn't go too deep into the theory but it tells just you what you need to know and gives you an idea of where to look for further information. It's expensive, but it's worth the money.

This is an excellent book for someone new to CCTV and who wants to know how things tick. I highly recommend this book for technicians, Security Managers and "techies".

Vlado does an excellent job explaining some very technical aspects of complex items in a way that is easy to follow.

If you are involved in the design of security CCTV systems, you would be remiss not to read this book. It clearly explains the physical and electronic science and how it relates to design theory.

The best book ,clear vivid pictures,precisely written.Each page is interesting,easy to read.It's a great book,every Celine fan should have,or even if this was not Celine,how this book compiled was IMPRESSIVE!!

Book is printed professionally, just like the pictures. You will find over 100 pictures of Céline Dion, sometimes with stars like Carole King, David Foster and Peabo Bryson. Captions are succinct without needless verbose descriptions. I particularly like the last few pictures which were taking more recently as Céline truely looked much better in. Not to say she's ugly when she was young, but in fact she has grown to look more sophisticated and elegant. One of the most celebrated of our modern artists... Perhaps one look at her you'll know what her vocals are made of :o) Buy the book! It's worth more than US$7.99.

Thsi book is terrific. It has great pictures of Celine, and any fan of hers would buy it!!

OK if u r a Celine fan as big as me get this book it is so good! It told some interesting facts and the pictures i had never seen any so cool. Don't take my word for it just buy it it is well worth the money and the wait to recieve it. this is the best book i have EVER read!!!!!!!!!!!!!

I'm not sure what I expected, but I assume that, when a book has a narrow focus, such as this one, there should be a very in depth discussion and understanding of the material covered. That, unfortunately, is not the case here. Some of these reviews are just as cursory as the ones in the 40 year old "Films of Charlie Chaplin" book. It's a shame, really, as all of these films are now available in some form (the Keystones on a multitude of cheap crummy ripoff dvds, and the Essanays on the superb series produced by David Shepard.).

Part of the problem with this book is that the audience is undefined. Is this book written for the rapidly diminishing group of fans who are still collecting 8mm films of Chaplin? Then a large portion of the book serves some purpose, as it is a listing of all the known films and their alternate titles. Most people, however, are content to watch this on dvds, so this section of the book is almost useless.

Also, I purchased this book expecting a new insight into the films as I watch them. Instead, many of films are quickly dismissed. I can dismiss a film quite easily by myself, thank you, I need help appreciating them!

It's a good read, but not really what I expected.

Perhaps the wierdest moment of all was realizing that several of my old Amazon reviews had been quoted (and fully acknowledged) in this book! It's a shame, really - they aren't even very good reviews!

Excellent book with great number of photographies and explained of very detailed form. I recommend them for buying futures.

The primitive Keystones and transitional Essanays have been terribly overlooked in studies of Chaplin when compared to coverage from the Mutual period and after. Ted Okuda and Dave Maska have done a nice job of examining this early period of Chaplin's career, when crude slapstick evolved into physical comedy with finesse, and primitive acting techniques evolved into a timeless character with substance. Their assessments and accompanying reviews from a variety of disparate sources for each film makes for a fascinating study about some very significant early movies. The only period of Chaplin's career that has gotten little analysis, the Keystone and Essanay films are essential early efforts from perhaps the single most important figure in the history of motion pictures.

Many books on Charlie Chaplin deal only summarily with his earliest (and often crudest) films, and authors almost apologize for having to mention them at all. This book reminds us that these Keystone and Essanay productions of 1913-16 represent more than half of Chaplin's output, and film buffs will enjoy reading so much new material.

When Ted Okuda and David Maska told this writer about the publication of this book, I was intrigued by their novel approach to the subject: concentrating entirely upon these often neglected comedies, Okuda and Maska viewed the films in chronological order. This is the first time, to my knowledge, that this simple and very effective approach has been applied to Chaplin. The results are praiseworthy.

We can follow Chaplin's screen character (and his own blossoming talents as a filmmaker) during its formative stages, in the proper sequence. The authors even offer some new evidence that certain films were produced or released in a different order than most Chaplin filmographies indicate.

Okuda and Maska examine the "body of evidence" with objective eyes. This isn't the usual pedantic Chaplin discourse; the tone is disarmingly casual, and meets the reader on common ground as a fellow viewer or a video enthusiast. There are so many alternate versions of the early Chaplin films, and so many bad bootleg prints and videos, that the authors take pains to steer readers toward the optimal viewing experience, and warn them about films that are incomplete or not well preserved.

Not everything Chaplin did was golden: Okuda and Maska are sometimes candid about those improvisational films that were simply haphazard fights or pants-kicking festivals. But the authors do show respect for other tastes, by following their own assessments with a variety of critical viewpoints.

Longtime collectors and home-movie enthusiasts will especially enjoy reading about the dozens and dozens of alternate versions of the Keystones and Essanays. There are also some excellent vintage illustrations, including a beauty of a one-sheet poster from the 1914 comedy "The Knockout" -- this 1920 reissue boldly promotes Chaplin over the actual star, Roscoe Arbuckle.

If you like Charlie Chaplin, you'll like this book. If you love Charlie Chaplin, it's essential reading.

" The charm of evil " is until today the most exhaustively documented book about the work and life of horror movies' master Terence Fisher -or as he prefered to named them " adult fairy tales " - the most influential film creator in the ground of the " fantastique " who took the genre into a more artistic and symbolic way. The book ( almost 600 pages ) contains comments of Fisher himself and from many members of Hammer about his filmwork, many photographs taken during his shootings, the plot of all his movies and his complete filmography chronologically arranged with technician remarks and the complete cast. The book is opened with a beautiful introduction by John Carpenter ( " The fog " ; " The thing " ). A must to have for all Fisher's fetishists.

Terence Fisher,--what more can i say or comment on who to me ismy all-time favorite director of film (thus,most notably the horrorfield) Terence Fisher not only gave birth to the modern horror film(The Curse of Frankenstein (1957), but his work enfluenced generationsto come,(people who we know today, martin Scorseasee, Steveinspeilberg ext,) with his masterful works of art. With supream reigningmasterpeices such as his 3 best(my opinion) Frankenstein must beDestroyed (1969), wich is a technical masterpeice, not have i seen afilm that clicks so well, in it's flawless compostion, and pacing, andstory narritive, it's whole cynical veiw of the world,. This with outdoubt is Fisher's most cynical piece. The Devil Rides out (1968), isanother prime example as being fisher at his very best, exploringhuman realationships, and his facination for the romantism that he hasbrought to most his best and personal works. And finnaly The Horror ofDracula (1958), often considered Hammer's crown jewl of horror. Thisperfectly captures the essence of the stoker novel, and his take onvictorian society is superaltive, and not to mention the execution inevery scene and shot is absolultely flawless (possiably D.P. JackAsher's best work). So if u have a great admiration for Terencefisher and his films this is the book to get, trust me, even if u knowquit a bit, there is with out a doubt that u will indeed learn moreabout One of the greatest British-film directors who ever made theirmark on the silver screen. "Long live the King!"-

Terence Fisher,--what more can i say or comment on who to me is my all-time favorite director of film (thus,most notably the horror field) Terence Fisher not only gave birth to the modern horror film (The Curse of Frankenstein (1957), but his work enfluenced generations to come,(people who we know today, martin Scorseasee, Stevein speilberg ext,) with his masterful works of art. With supream reigning masterpeices such as his 3 best(my opinion) Frankenstein must be Destroyed (1969), wich is a technical masterpeice, not have i seen a film that clicks so well, in it's flawless compostion, and pacing, and story narritive, it's whole cynical veiw of the world,. This with out doubt is Fisher's most cynical piece. The Devil Rides out (1968), is another prime example as being fisher at his very best, exploring human realationships, and his facination for the romantism that he has brought to most his best and personal works. And finnaly The Horror of Dracula (1958), often considered Hammer's crown jewl of horror. This perfectly captures the essence of the stoker novel, and his take on victorian society is superaltive, and not to mention the execution in every scene and shot is absolultely flawless (possiably D.P. Jack Asher's best work). So if u have a great admiration for Terence fisher and his films this is the book to get, trust me, even if u know quit a bit, there is with out a doubt that u will indeed learn more about One of the greatest British-film directors who ever made their mark on the silver screen. "Long live the King!"-

It's sad to think that there's only one book in English that deals with the life and work of Terence Fisher. Working within a limited form and exploitation industry, the best of Fisher's films transend craft. There is poetry in the economic way this director manipulates the conventions we take for granted in Horror Movies. Mr. Dixon's book takes Fisher's sense of craft and style seriously. He shows us that Fisher became one of the major artist working in the British film industry. Other well known directors became famous directing big budget projects. But what would a David Lean do if he had to work with the tight budgets, short shooting schedules, and often on the same sets from film to film the way Terence Fisher had to work? One of the most remarkable things about Fisher is that he took what others would consider limitations and created enduring works of art; visually stunning, compelling and poetic works of art. Dixon's book validates this fact. I learned a great deal from it and enjoyed the insider's view it communicates. Thank-you, Mr. Dixon.

Ms. Werts does an excellent job in taking scholarly research to new levels as she investigates how the medium of television has treated the most commercialized and well-loved holiday season of the year.

The text focuses on the basic history and various trends of the Christmas specials and episodes for the past forty some years of the genre. Segments include: the variety specials, the animated classics, the "anti-sentimental" specials, the mixed faith episodes, Dickens and A Christmas Carol, etc.

There's some great commentary on the classic Jack Benny-Mel Blanc seasonal skits that started on the radio and was eventually transplanted to television as Jack nearly drives a salesclerk (Mel) mad with constantly changing how he wants his Chistmas present wrapped. From such humble beginnings, Ms. Werts moves unto the black and white period of the fifties (Father Knows Best) to the golden age of the sixties (Rudolph, Charlie Brown, Grinch, etc). As the book evolves into the eighties, brief mentions are made of such episodes as the Nanny Christmas Special and the PeeWee Herman one.

Included is a pretty good summary of the infamous Bundy Christmas in "Married With Children" which may rank up there as one of the first "anti-Christmas" shows. I may even give the "Hebrew Hammer" a try, since its aroused my curiosity. How can it not? With a Jewish super hero trying to stop Santa's evil son from corrupting the holiday.

This closes the chapter, which examines the recent multicultural trend where couples of mixed faiths try to juggle a Christian celebration with a non-Christian faith such as Kwanzaa and Hannakah.

The text moves fast, and helps to refresh the holiday fan of all the different specials and episodes that we have seen over the years.

-- Ms. Werts knows her Christmas specials. An enjoyable read.

Some caveats:

At forty dollars, the book would do better in a paperback edition at about twenty.

There's enough material for a volume 2, even a chapter on forgotten tv specials such as The Great Santa Clause Caper with Art Carney.

The Christmas episodes of "Get Smart," and "The Six Million Dollar Man" were omitted. Ok. I'm being a bit of a stinker here, expecting her to include everything.

Lasty, it's a shame that Ms. Werts fails to recognize the genius that is the Star Wars Holiday Special from 1978. A sure fire classic that the author puts in the "worst" section.

Sincerely,

JThree
carolyn@dia.net

The first thing that struck me about Christmas on Television is that there was another person out there who has as much fondness for old holiday episodes of TV shows as I do. Each year I find myself watching Christmas episodes of TV shows that I do not even watch regularly. This wonderful book from Praeger Publishers and written by Diane Werts is the Holy Grail for fans of holiday themed TV. I don't know if she mentions every Christmas episode of every TV show but I bet she comes pretty darn close. Werts begins with a look at early shows such as Ozzie & Harriet and Father Knows Best, and early specials like the 1953 Liberace Holiday show where he is joined on the set by members of his family...which would become a common theme in many future specials.

Rather than just go chronologically through the years Werts takes a different tack, instead looking at these shows through the many different themes that were used over and over through the years such as shopping, decorating, feasting, being away from, or coming home for the holidays. Werts sites an unending supply of examples for the various themes such as the Partridge Family bus breaking down in a ghost town on Christmas Eve in a 1971 show or Tim Taylor being stuck in an airport during a storm in a 1995 holiday episode of Home Improvement. The theme of a working Christmas was explored in a 1970 Mary Tyler Moore show when Mary finds herself alone in the newsroom until the rest of the cast show up to bring the Christmas party to her.

One of my favorite themes is the one where Santa is proven to be real. In a 1964 Christmas episode of Bewitched, Samantha takes a little boy (played by Billy Mumy) all the way to the North Pole to prove to him that Santa is real. The same year also gave us the Flintsones show where Fred helped out an ailing Santa by delivering gifts but forgets his own family's presents. The desire for an old fashioned Christmas and lamenting commercialization has been a common theme from the days of A Charlie Brown Christmas right through the 2003 Christmas episode of Bernie Mac. And Dickens' A Christmas Carol has played out numerous times over the decades on shows like The Odd Couple, Sanford & Son, and The Simpsons. Thank God for TV land who runs blocks of these old Christmas shows every year!

Of course what would Christmas on TV be without mentioning the great, and regrettably now missing variety shows. Bob Hope did his first Christmas show on NBC in 1950 and continued for over forty years. His most famous shows were those he spent entertaining our armed forces throughout the Korean, Viet Nam, and first Gulf Wars. His 1970 and 1971 specials from Viet Nam are still ranked among Neilsen's Top 30 shows of all-time. Besides Bob there were so many other great variety shows...who can forget the annual Bing Crosby and Andy Williams shows, or even the Muppets. Werts also takes a look at the great animated shows like Frosty the Snowman, How the Grinch Stole Christmas, and Rudolf the Red-nosed Reindeer. While many classic Christmas episodes are forgotten and variety shows are no more, the classic animated specials never get old or lose their luster.

Werts' book is filled with a comprehensive bibliography and index making it easy to find your favorite old Christmas episode. There is also a short, but enjoyable photo section. Truly a fantastic book! My highest recommendation!

Reviewed by Tim Janson

Diane Werts' "Christmas on Television" is astonishingly well written, remarkably thorough, and utterly invaluable as a basis for future scholarship in this area. Every paragraph reads like the progeny of intense and loving research, yet the text flows and entertains in the manner of a first-rate episode of, say, "M*A*S*H." If the average pop culture survey were a tenth as good as this, mass-media scholarship would be sitting pretty. Such is hardly the case, but maybe if we're especially good, Santa will bring us more works of this quality.

This is a book that will be fun for both the casual television fan and the television historian. I found it informative and entertaining. There are no two stronger cultural icons in America than Christmas and television and the author did an extraordinary job weaving the two together.

A great book by Jack Hunter. Christopher Walken is a very gifted actor, and Hunter gives loads of insight into the many characters he has played throughout the years. You may even be inclined to view some of the movies, again after reading this book. It is obvious that Hunter recognizes talent when he sees it. Hunter goes beyond the typical type-casting, that many film critics are stuck on. This book has many nuggets of wisdom, and is laced with respect. Christopher Walkwn is very fortunate to have an insightful author, like Hunter, write about him. Thanks Chris for sharing your gift of acting. Thanks Jack for sharing your gift of writing. The pleasure has been mine from Indiana.

A great book by Jack Hunter. Christopher Walken is a very gifted actor, and Hunter gives loads of insight into the many characters he has played throughout the years. You may even be inclined to view some of the movies, again after reading this book. It is obvious that Hunter recognizes talent when he sees it. Hunter goes beyond the typical type-casting, that many film critics are stuck on. This book has many nuggets of wisdom, and is laced with respect. Christopher Walkwn is very fortunate to have an insightful author, like Hunter, write about him. Thanks Chris for sharing your gift of acting. Thanks Jack for sharing your gift of writing. The pleasure has been mine from Indiana.

This is a great source of information about Christopher Walken, his movies, and the themes that drive them - however - it does tend to overanalyze, and contains little information on Walken that you could not pick up yourself on the internet. It seems that Walken is not the chatty type. In his own words, he enjoys working and is not proud of all the 90+ features he has appeared in, but he does have his favorites. I have no idea after reading this book if one of these top ten are in fact the actors favorite - rather they are showcased as his best performances. This is a lot of speculation, as Walken has an incredible amount of work, including broadway shows to choose from. So if you are looking for that personal touch, it's not really there. You have to ask yourself though, is there really anything behind Walken as a person that would warrant a personal touch? From all appearences, he works, he goes home, he works some more. He has been married to the same woman for 30+ years, thinks he cooks really well, and aside from the really odd stab at screenwriting (he wants to do the John Holmes story - apparently he is fascinated with Holmes' life, and the attention paid to Holmes' member vs. the real man behind the porn - Okay Chris - you get the different award) he would appear to be reasonably stable (discounting the Natalie Wood thing, but even that is scandal of the most mundane variety.). Christopher Walken is a person who has lived his entire life on film (since the age of 3) and no doubt will die on film as is his wish. So perhaps there is no personal touch to be had and his films are the only window into his life, aside from the odd interview (such as his most recent wish - to host a cooking show). If you want to experience an exhaustive analysis of ten of what are his best well-known films by good reviewers that have never interacted personally with Walken himself - this is for you. If you want to read Walken on Walken, get the playboy interview.

I only rate this book with 4 stars because of its interesting subject - not for the editor Jack Hunter. Did Hunter actually read it? I was completely distracted from the material by the numerous spelling and grammatical errors. An actor like Christopher Walken deserves better treatment than this sloppily thrown together collection of essays. Though some of them were pretty interesting (Deer Hunter, Comfort of Strangers), I found myself wondering if Hunter actually watched all of the actor's major films. How could he include The Addiction and Suicide Kings in the Walken Top 10 but leave out the awesome performances in At Close Range and Biloxi Blues - both with gripping climax scenes that deserve essays of their own. A comparison of Walken in his stand-off with Sean Penn to Walken's flip-flop stand-off with Mathew Broderick (Walken is held at gunpoint by Penn/ Broderick held at gunpoint by Walken) sorely needed to be added to this collection. Will someone please re-write this book?!?!! Heck, give me a week; I could do better than this.

Nice book, lots of great photos! Top-notch compilation of pics from BG. The photos capture the mood and energy of the time. To all aficionados: Not to be missed.

This is just about the finest book there is on the almighty Clash, the only one that can really make you feel, if only for a white hot moment, that you're *there* while the band bashes out its masterpieces less than a dozen feet away, in some dank forgotten club a quarter century ago. You're so close for a second that you can read the phrases stenciled on Joe's military garb, count the zippers on Simmo's trousers, or feel the sweat from Jonesy's unshorn locks splashing on your face, not to mention the gob of a thousand punks flying over your head. And look who's in the crowd with you! Lester Bangs, Debbie Harry, Andy Warhol (altho' he's probably ligging about backstage), Martin Scorsese, that young ne'er-do-well of the NYC scene Harley Flanagan, even Johnny Thunders has stopped by on his way to cop.Man, could the Clash dress: from the Pollock-esque/Sex shop/Teddy/Rude boy of the early years, to the "collars-up mate"/perfect quiff & creepers days of 'London Calling,' to the quasi-military/cop fatigues of the final era. Check out the guys in an American supermarket, Joe counting out his "Yankee dollar"; or hanging out in Bob Gruen's NYC apartment watching NY Dolls' videos; or goofing off, in full rock leathers, at various airports round the globe. Really, please, and with all sincerity, can I go back and just *be* with those guys, come on, huh, please, just for a minute or two?But I can't, and you can't, and this book (along with Johnny Green's 'A Riot of Our Own' memoir) is the closest we're gonna get in these sore days. Bob Gruen's stunning, intimate, exhilirating photos over six years of the Clash's career are second to none, revealing them in all their raging glory. So open the book, grab a Guiness, blast the tunes, and relive the true punk era, and thank your lucky stars, bittersweet that they may be, that there was never any reunion. This is the best you're gonna get.

Rock photographer Bob Gruen does not fail to deliver one of the best rock photo books I have ever seen. Every Clash fan must get this book immediately! Pages and pages of never before seen Clash photos, including the boys in between shows, pics with family members, etc. An absolute masterpiece of a book. Excellent work Bob!

This book is fantastic! Although it may seem a bit expensive at first, it pays for itself and then some! It has some of the more common Clash photographs in it, but it is also loaded with rare ones. The pictures are big and clear, and captions are given on many of them by The Clash, Bob Gruen, and others associated with them. It's really cool to get their take on it, and you get some background stories too. I can't reccommend it more highly.

Lots of good recipes and that means GOOD EATING!!! A+ for the book...has lots of pictures too!

Who knew there was a right meal to eat with a certain movie? For people who like good movies and great food, this is the cookbook to have.

As another reviewer has said, this is the companion book to the tbs dinner and a movie weekly show. I am a big fan of the show and will actually make these recipes to watch with the movies. Some of my favorite movie and recipe combinations from this book are: The Cutting Edge, The Breakfast Club, The Outsiders, Fargo, Groundhog Day, and too many more to count. Hopefully, in a few years they will release another edition featuring even more of their wit, movies, and recipes.

Chef Claud Mann has turned cinematic cuisine into a television art form on his popular TBS Superstation weekly program, "Dinner & A Movie". Now with Claud Mann's TBS Superstation Dinner & A Movie Cookbook, he has brought together 100 of his favorite recipes in this third edition of an enduringly popular cookbook. From Beetlejuice - Dearly Departed Sole; Sleepless in Seattle - An Eclair to Remember; and U.S. Marshals - We always Get Our Manicotti; to Ferris Bueller's Day Off - Can't Go To School, I Falafel; Tootsie - What's Under Your Skirt Steak; and Conspiracy Theory - It's All In Your Headcheese, the individual recipes are served up with an on-air wit and an in-kitchen wisdom. If you like to combine watching movies with great do-it-yourself cooking, then Claud Mann's TBS Superstation Dinner & A Movie Cookbook is the one for you!

This book is exactly what it says, it is comprehensive (it covers his whole life in great detail). It's Illustrated (it has pictures and photographs throughout the book). It can most definitely be used as a reference to many things, Drama, The Arts, Claude rains, life in british poverty. Overall this is a very good book.

Another great biography from John Soister. Mr. Soister wrote the definitive book on Universal horror films from the 1930's a year ago, now he publishes the definitive biography of one of filmdon's acting giants, Claude Rains. A book on this wonderful actor was way overdue. Soister proves it was well worth the wait! Each of Rains' films is recounted in detail, with Soister's well informed opinion on each film, and Mr. Rains' performance. If you are a fan of Claude Rains, or Hollywood's Golden Era, THIS is a must book for you! He may have been short in physical stature, but Claude Rains was a towering giant when it came to talent, style, and film presence. You won't be disappointed in buying this great work!

Claude Rains, A Comprehensive Illustrated Reference is the book Claude Rains fans have been waiting for for years. It starts off with a wonderful mini bio from his daughter, Jessica. Especially nice, is a charming story about them going to see 'The Invisible Man' together. The reader gets a sense of Claude Rains, the man as well as Claude Rains, the actor. Both are well worth reading about. There is a detailed synopsis for each movie with lots of little backround tidbits and loads of great photos. Also discussed, in less detail, is his stage, tv and radio career. The author says that the book is a 'labor of love' and it shows. If your a Claude Rains fan, and who isn't,buy the book... you'll love every minute of it.

As a life-long film buff, I've long regarded Claude Rains as one of the finest screen actors in movie history. He stole every scene he was ever in and enlivened even the worst of his movies. His voice was incomparable, like "honey with a little gravel thrown in." In addition, there was his formal manner, the way he moved... the whole package was quite mesmerizing. Prior to this book, I had to glean my information on Claude from various Hollywood books and many interviews with the inimitable Bette Davis, who adored "my gorgeous Claude." I have to agree with Bette, Claude Rains was everything in a man that discerning women want: sweet, brilliant, a gentleman and sexy as hell. If you're a Claude-besotted soul, this book will please you enormously. The photos alone are worth the price, as are the all-too-brief recollections from his daughter. Excellent work on an essential actor.

Michael Donaldson has once again amazed me with his knowledge in the film copyrighting industry. I am so grateful for the up to date information in this third edition. This book is an excellent reference tool which I will refer to often.

I love this book. Donaldson takes an otherwise confusing topic and brings insight and clarity to an array of issues. As with his other books, Donaldson employs an easy to follow format with easy to read language. This book is a must for anyone trying to find answers to their copyright questions.

Clearance and Copyright is a must read for all filmmakers. It reads easy and is very informative.

This book is so full of useful information and it's so easy to read. Ever think you needed to clear the use of logo on someone's t-shirt that appears in your film? Well, this book answers that question and a lot more!