Television Books

I've been a fan of "real-world" fantasy fiction before I even knew the term, and as a queer male, I have to implore Tanya Huff to keep writing this series. I'm currently researching a potential series that I want to write, and I've found no one else who is willing to work within the "everyday life" perspective - I have flat out not found anyone else who has been willing (or able) to approach fantasy fiction from an "altered now" perspective. We've got several authors who are willing to retreat into a world of their own making, but there isn't anyone else brave enough to take a contemporary context into their writing. And the fact that Ms. Huff is able to write from the opposite gender-perspective for the romantic-relations? Outstanding! (I can relate-- most of my friends are dykes, hags, and bi-chicks - I try to excel at avoiding gay drama...) I hope that I'm equal at writing a conflicted (parallel) female heroine. I'd be a poor reviewer if I off-sited a review of the book ("say 'hi' to Library School") - but this series is a mega-read for queer-teens, and a gratifying and better-than-beach-novel-read (harder to find in sci-fi/fantasy genre) for inclined gay men, and (as a veteran of the original Henry Fitz-Roy series)something that as a now aspiring-writer & English Professor (adjunct) I'd be beside myself if Ms. Huff chose to continue. We can only be so favored... How much intelligent gay fiction occurs involving the modern world rather than someone's not-so-attached-to-current-reality world? This is where some of us want Hamilton and Harrison to go to...

(N.B.: if you haven't read the original series with Vicki Nelson, *read them*! - well worth it! - mh.)

Interesting characters, witty humor and sex scenes done right (which is to say, not overdone) the Smoke series really does it for me. The third book is definitely the strongest of the series and they have gotten progressively better. My only complaint is that I wish there were more in the recent future, as I'd much rather be reading more Smoke books than more Valor books as I much more enjoy the wit Smoke contains.

This is the last part of Huff's Smoke trilogy and also the best one. Whereas the first book was "only" interesting and the second one immensely suspenseful, the third one is one amazing ride, from the very first page to the last one.

To sum it up...
-> Tony's inner monologue is simply hilarious! I laughed so hard that there were tears running down my face!
-> Huff creates the best female characters, strong but not ornery.
-> There were no "empty spaces" where the reader would get bored, there was always something going on.
-> I love the relationship between Tony and Henry. They are ex-lovers but you don't feel bad about them breaking up because they actually didn't. Break up, I mean. Henry is still a huge part of Tony!s life and Tony wouldn't want it any other way.
-> Victory had a small cameo and she still kicked butt!
-> The CB Production's crew is a bunch of hilarious, lovable nutjobs with their own little oddities.
-> And lets not forget the budding relationship between Tony and Lee that progressed at the right pace, considering the mayhem in these three books!

Overall, a must-read and one of the best books that I read in years!

Another fine book by Tanya Huff. Interesting characters and a really dangerous enemy they face. I would not be upset if I see these characters again. Tony Foster seems to develop with each book, Henry Fitzroy stays the same, letting Tony look more impressive as the books progress

The third and up to the moment last book of the "smoke" series has left me somewhat unsatisfied.

As of now I tend to ascribe this to the plot, sort of a remix of the one in volume one, that is demons invading the world and Tony fighting them. I felt less suspense than I would have liked and even if I never got bored I am not able to say the usual "I couldn't put it down".

In spite of this rather annoying limit this book is quite fun all the same, an entertaining read.

Side characters here tend to step backward and spotlights close on Tony who is likeable to the point of being adorable, uneducated but now, finally, mature and the main tool for the author's puns: Tony's dialogues with himself are outrageously funny, those with Henry hardly less so.
Henry here is quite likeable too. Ms Huff slightly alters his general attitude and he turns from a possessive demon more concerned to safeguard his property from harm to an affectionate if not a little possessive ex lover. He cares for Tony a lot but in this volume he seems to have given up any hope of being with him again. Whether this was an author's deliberate choice or simply an inconsistency in characterization I cannot tell.
Even the romance between Tony and Lee takes a new turn. Gone is the angst of the first two book where Tony was caught up with Lee and the latter behaved ambiguously enough to make the reader scream.
Even in this case I got the very strong impression this was no more a meditated progress than Ms Huff's giving up consistent character development for the sake of building up a good story. I appreciate the characters here more than in the former two episodes but this also keeps me from giving a five star rating.

The writing is proficient and proficiently pushes the story forward: the 400+ pages flow unhindered to a nice if not really memorable ending.

Other reviewers keep on mentioning sex scenes: I have found them quite tame and unlikely to cause any reaction except from very prudish readers; a rather generous amount of four letter words again can only disturb above mentioned readers.
This book can be read by teens too, if mature enough even from the age of 14 or so. They will probably miss some of the interpersonal depth (especially the subtext of the relationship between Tony and Henry) but they will not miss the fun.

Kurosawa illuminates for us his whole life, warts and all. Upon reading this I never knew what a sensitve person this man was, from the time he was an early member of the Japanese Communist Party to his older brother's tragic suicide, Kurosawa leaves no stone unturned in this revealing autobiography. Although it does not cover his whole life (I believe in stops in 1980) he spends a great deal discussing each of his film projects all the way from his early days at the Toho Studios. I am reminded of my favorite quote from Kagemusha, "The shadow of a man can never desert that man. I was my brother's shadow. Now that I have lost him, it is as though I am nothing."

The book got into Kurosawa's mind and laid down the roots of his philosophy in filmmaking. It showed his genesis as a filmmaker. It gave insight into how his films happen. A beautiful work -- I loved it.

Kurosawa's insistence on the need for a good script in his films is inspiring to future script writers. I have not written any of these yet his book makes me want to write scripts when I am more of a travel writer. If you want insight into why this man made the beautiful and provocative films that he did, this is the book for you.

One of the greatest pleasures imaginable is to investigate a body of cinematic work, and then, to learn about its creator from his own persepective on his life and art.

There is tremendous satisfaction in seeing the personality of the director reveal itself in the work and to re-view the films with new knowledge of the creator. This may not be a false track, although auteur theory has a bad rap right now. Kurosawa, in the conclusion of his autobiography said, "look for me in my films".

Kurosawa was a genius, his films full of life and compassion, and strength. He did not look away from ugly truths in his life or art. (Read the autobiography and understand the significance of this approach!)

I recommend this book as the touchstone for a deeper appreciation of the art of Kurosawa, for an understanding of his complex personality, and for the human warmth that comes across in his reminiscences. By the end of the book, you will want more, of course. It will seem to end abruptly and too soon. You will have many questions that you will wish to have answered. But then, we'll take Kuroswa's advice. We'll look for the man in his films.

Some people have criticized this book, saying Kurosawa does not go deep enough into his films, particularly his later ones, and why he did what he did. In all honesty, maybe the popularity over this book is poorly done - all the reviews on the front and back cover talk about it like Kurosawa will explain his movies in detail, and most often advertisements will talk about how if you like his movies you should read the book. But as Kurosawa himself says in the preface, he did it really out of encouragement from friends and in an effort perhaps to do what Jean Renoir did do and John Ford did not. As the title suggests, it is really a more personal, casual, reflection upon his life from his birth to the filming of "Rashomon," his first international success, in 1950. In a way, the personal route may be a humbling experience to the film guru or the Kurosawa fanatic. Too often directors or filmmakers are treated - as many artists are, in fact - more like a synopsis of their latest work. We constantly hear about how masterful Stanley Kubrick was and what his methods were, but who was he really? What school did he go to? Who were his friends? His teachers? What was his family like? What were his boyhood passions? Who is this man behind the camera?

Kurosawa tells us that in his story from his first memories as a child ("I was in a washtub naked," page 3) through his school years and through a tough young adulthood. It is all very well written, and actually quite interesting, particularly the segments on Mr. Tachikawa, who we can probably thank for Kurosawa's love of painting, his brother forcing him to face his fears, (not only of water, but of death as well) and two daring but stupid moments in a mountain village where he almost killed himself to impress the local children.

Kurosawa's growth is nearly coincidental with Japanese history. Just as Japan was constantly changing through out the 20th century, so to was Kurosawa. Forced to participate in a military program at his school, he takes every opportunity to belittle or make a fool of his army captain. His venture into art is like an odd adventure, going from joining a socialist art movement (nearly being captured by the Japanese secret police!) to living on his own to writing scripts and eventually joining Photo Chemical Laboratory. (later Toho Studios) He discusses marrying an actress because he was afraid of never being married before the "Honorable Death of the Hundred Million" many Japanese believed they would commit if invasion seemed immenant. This eventually goes on to his work as an Assistant Director, and later making his very own films through Toho and later Daiei after the Toho Studio strikes. These parts will be more to the liking of the film guru, as Kurosawa does give backstory to the inspirations behind his early work.

During this time period he speaks a lot of his family and the friends he got to know. His brother is such a remarkable and likeable character that when he commits suicide you really do feel sad. I took a particular love for Kurosawa's father: although some may see him as a bit harsh when he berates his wife for placing fish wrong or getting upset with his son for failing courses, one shouldn't dismiss him with the simple western stereotype of the tough father for he does have a heart. When Kurosawa's wife becomes pregnant and he pays a visit to his family, his father gives him a large bag of rice and says it is for his pregnant wife, not wanting her to go hungry in a time when food was scarce in Japan.

Perhaps, in the end, it is really fitting that Kurosawa focus so much on his personal feelings rather than his film. If you have watched his films and studied them, you will see the influences from his past life in those very films. "Something Like an Autobiography" was written long before Kurosawa made "Dreams," yet I found myself recalling the film reading this book. Besides his references to mountain climbing, he also talks about how in his father's village children would place flowers over a rock, and he learned that long ago a warrior had been killed and the villagers buried him there out of pity and placed the rock over his grave, so now children place flowers on it whenever they pass out of respect. Sound familiar? I also smiled at the section near the end when he discusses a Daiei studio executive - one who had been so steadfastly against making "Rashomon" - coming on TV and speaking for the film as if he was the mastermind behind it. I was thinking of the Deputy Mayor in "Ikiru," who is against the park project from the beginning yet after Watanabe's death takes all the credit. Maybe Kurosawa alludes to this kind of art reflecting life on page 163 when he mentions the oddly impeccable timing of "The Cuckoo Waltz" while dubbing "Drunken Angel."

This is a recommended read for any one interested in film or Akira Kurosawa's life - it is easy to read, full of wisdom, and is very frank and personal. As I said, it's not a 198 page thesis on his films, but as Kurosawa says in the book he does not enjoy explaining his films - he puts into his films what he has to say and leaves it at that. As the last line of the book says, "There is nothing that says more about its creator than the work itself."

Stories From Someone Older Than Television by Margie Zats with illustrations from Jerry Fearing is an eclectic collection of peculiar stories and creative oddities, Including eight fun and tasty recipes. Stories From Someone Older Than Television is a unique and humorous telling of tales drawn from Margie Zats' own life and memories. With a text that is occasionally enhanced with illustrations by cartoonist Jerry Faring, Stories From Someone Older Than Television is very highly recommended to all readers with an interest in funny biographical short-stories -- as well as those with an interest in hearty home-style cooking.

Stories From Someone Older Than Television by Margie Zats with illustrations from Jerry Fearing is an eclectic collection of peculiar stories and creative oddities, Including eight fun and tasty recipes. Stories From Someone Older Than Television is a unique and humorous telling of tales drawn from Margie Zats' own life and memories. With a text that is occasionally enhanced with illustrations by cartoonist Jerry Faring, Stories From Someone Older Than Television is very highly recommended to all readers with an interest in funny biographical short-stories -- as well as those with an interest in hearty home-style cooking.

A clever and fun read and perfect gift book. Margie's many offbeat interests and her self-deprecating style make for lively "chuckle outloud" reading.

Lookin' at the outside cover, and I'm smilin' already ~ I know it's gonna be a great book! With admiration, Kay

Stories From Someone Older Than Television by Margie Zats with illustrations from Jerry Fearing is an eclectic collection of peculiar stories and creative oddities, Including eight fun and tasty recipes. Stories From Someone Older Than Television is a unique and humorous telling of tales drawn from Margie Zats' own life and memories. With a text that is occasionally enhanced with illustrations by cartoonist Jerry Faring, Stories From Someone Older Than Television is very highly recommended to all readers with an interest in funny biographical short-stories -- as well as those with an interest in hearty home-style cooking.

I wouldn't consider myself a huge fan of Adrienne Barbeau, but this book was a great read. In fact, I had a hard time putting it down! The book was very engaging, genuine, and fun to read. Ms. Barbeau is a definitely a class act; and she seems like a good, down to earth person. That's hard to say about many actresses these days.

I have always enjoyed Adrienne Barbeau's acting, but this book has transformed me into a bona-fide fan. Ms. Barbeau shares stories of her Hollywood travels and her journeys toward personal identity and healthy relationships. It's an amazing read -- I hated putting it down!

This book is definitely of a higher caliber than most Hollywood tell-alls, and Ms. Barbeau exudes class, authenticity and humor throughout. After reading it, one will want to sit down and get to know this remarkable lady.

Also, Ms. Barbeau has signed a book deal to write mystery novels! So we will have more books from this amazing writer. Yay!

Adrienne Barbeau's first book is a wonderful testament to a life lived. Good, bad or indifferent she propels her readers to LIVE.

Memoirs are always tough, and Barbeau nailed it! Even if I did not know her voice, from the many films, plays and TV shows she has been a part of, her written voice comes through so clearly. It is simultaneously kind, comic and sad without ever being maudlin.

Barbeau has a wonderful ability to take the reader in as if writing each reader a note about the day to day, and then she turns things that note around. You are reading a note from a friend and then realize that: Yes she was married to one of the most notable directors of horror in the U.S, yes she had an affair with Burt Reynolds. And yes she has had many loves in her time. Wow! But rather than delivering a tell all revealing the warts of others - although we do read a bit about those warts - Barbeau manages to undauntingly keep the focus on herself. While laughing at herself, and her foibles as a person with loves gained and lost, she takes the comic and imbues it with such heart the reader can visualize how double sided comedy is within each us; as when we laugh at ourselves, there tends to be some sadness lurking - conversely she explores her own tragedies such as the passing of her mother and her best friend, and reveals hope.

When reading this book, I was reminded of being lost on occasion. In THERE ARE WORSE THINGS I COULD DO, the reader, along with Adrienne, takes a journey. Barbeau reminds us that when we are lost we seek acceptance, regardless of what that acceptance might mean. But as we lose ourselves amidst gaining acceptance, we discover how within that losing, we can all find ourselves anew.

What is so fantastic about this read is Barbeau's refusal to be consumed by circumstance.
She keeps on going, keeps living, and keeps growing. For me as a woman, what is so particularly compelling about this book, is that she lets all women know that age truly, does not matter. And she does this simply by revealing her life, not by being pedantic. This is a message to all of us, to keep on keeping on. Ultimately she finds the love she so deserves, and rediscovers her muses: her children. Still, Barbeau reminds us that each day is a blank slate. and although Adrienne has found her muses, she keeps working at her life - understanding that with each day, ones life may need some reconfiguring. And that reconfiguring is a good thing...

I was lucky enough to hear Barbeau read passages from the book, and the reading added a wonderful dimension to my understanding of her experiences. Her timing is impeccable, and I hope her publisher will push extensively for a nationwide tour with the author.

Adrienne Barbeau's "There are Worst Things I Could Do" is not your standard kiss-and-tell Hollywood memoir. Although she writes wittily about her affair with Burt Reynolds, her marriage to cult filmmaker John Carpenter, her liaisons with various Hollywood personalities, and behind the scenes mayhem during the filming of "The Fog", "The Swamp Thing", "The Cannonball Run", and her hit television sitcom "Maude", her memoir is more about her personal journey as a wounded woman who ached for peace and joy in her relationships with men.

Her candor is refreshing. She does not flinch from sharing with the reader intimate details about sex, psychics, gurus, and her quest to heal the trauma of being abandoned by her father when she was still a child. The forty or so chapters around which she has arranged her material reveal a vibrant woman who wanted to experience life fully, to learn from her experiences, to heal her wounds, and to grow as an actress and woman.

Though she deals candidly with "heavy" subjects, her style is never maudlin or judgmental or self-pitying. She is able to find humor and farce even in the most intense situations of life.

So read this book as a Hollywood memoir full of juicy revelations if you wish. But the pleasure I got from it was not reading about her career arc but her personal journey as a woman through the rapidly shifting zeitgeist of the past five decades.

In time, her well-rounded memoir will grow in stature.

+++++

"I went from being a musical comedy performer to a sitcom actress to a scream queen to a mother and a TV talk-show host and a book reviewer and a voice-over performer, and then back to the stage and back to musical comedy and back to television and concert halls and more films, and even into the recording studio for a CD and into my office to write this book."

This is an excerpt from this page-turning autobiography by Adrienne Barbeau, a candid, funny, and self-deprecating autobiography that covers sixty years of her life. It is based on the journals she kept which she "began in 1955." She "wrote every day for the next forty years."

The above excerpt tells you generally what the book is about. Along the way, Barbeau tells us about "relationships and love affairs, emotional highs and lows, friendships and loss."

Highlights of this book include talking about her two hit TV shows ("Maude" and "Carnivale"), her major movies ("The Fog," "Escape from New York," "Swamp Thing," and "Creepshow"), her relationship with 1970's superstar Burt Reynolds, and her two marriages (the first to horror and science fiction director John Carpenter).

The title of this book is the title of a major song Barbeau sung in the original Broadway production of "Grease" which was "a major turning point in [her] life."

This autobiography is well written. What I especially liked was Barbeau's directness and the fact that you could easily follow the timeline of her life story.

Included in the book's approximate center are over forty black and white photographs. My favorite is the one that has her character in the movie "The Convent" gunning down nuns (or as she says "blowing away nuns").

Barbeau throughout her book doesn't come off as self-absorbed or an airhead. Instead she comes off as a smart, witty, loving, and giving person who, as this book chronicles, is a survivor.

Finally, I did find a few problems:

(1) I felt that Barbeau was holding back on certain details of her life story. For example, we are not told anything about the book's provocative cover photograph (shown above by Amazon). I learned that this is Barbeau's 1978 pin-up poster that actually rivaled Farrah Fawcett's poster of the same decade. Why are we not told anything about this?
(2) Many of the stories in her book are not followed up and this might be frustrating for some readers.
(3) She tends to sometimes flip-flop back and forth between present and past tense.

In conclusion, this is a good, solid, witty, and revealing autobiography about an actor who has been in the "biz" for more than four decades. It is definitely better than the standard actor autobiography!!

(first published 2006; introduction {entitled "The Journals"}; 40 chapters; main narrative 335 pages; acknowledgements {entitled "Thank You"})

+++++

If you, like me, didn't know much about this great guitarist...read this book.

The fact that he never got famous is really his own fault....but you'll want to hear his music.

Very satisfied with product purchased from this seller. Fast delivery, honest description of product per seller and packaging was great. I bought this book for my husband and he enjoyed reading it. Thank you!

"Unfinished Business" by Ralph Heibutzki is a great read and provides great insight into the life of a not-so-well-known American guitarist. I was a fan of Danny Gatton before his untimely death and own 8 CDs by him. After reading Ralph's book, I ordered the other half of Gatton's canon (8 CDs and an instructional DVD) including a live soundboard recording by Evan Johns from the period when Danny was playing with Evan.

As I was one that always wondered what would cause a "normal" guy like Danny to take his life, on the heels of Roy Buchanan taking his own life, the book provided much insight into those dark days. It also provided insight into his glory days, his love of classic cars, and his struggles with the music industry.

The book was so captivating that I took it everywhere with me. I doing so, many folks inquired about it ... and more people in my town knew of Danny than I ever imagined. One friend was so impressed with my overview of the book, he requested to read it when I finished with it. Because I want to keep my signed copy intact, I'm buying him a copy as a gift.

If you have any interest in Danny Gatton or any interest in an amazing American guitar hero, "Unfinished Business" is his story.

The book reinvigorated my interest in DG. I had a couple cds of his and knew him to be a hot shot guitarist, but never concentrated much focused listening time on his music. Reading the book has gotten me on a DG binge, and I've picked up a few more cds and some live recordings (Fat Boys 1974!) and have listened alot more closely. Before reading this book, I didn't know about his death or anything about any interfamilial squabbles, but the author presented them very even-handedly. I knew Gatton was a well respected and influential guitarist but I was still surprised to read about some of the other musicians who were influenced by or impressed by his music. And being a guitar player myself (big surprise) I feel motivated to try to learn a lick or two of his myself. Thanks for the great book!

As a musician, I was very fortunate to know Danny personally as he played in one of his earliest DC bands with my uncle, Rick Harmel. I recall that he took time to show me a few practice scales almost everytime I ran into him - no matter how busy he appeeared - and he was a warm-hearted, generous guy to the core.

This book balances the abrupt, tragic end of Danny's life with the highs and motivations that made Gatton a player's player. It also spotlights many of the people (like Arlen Roth) that contributed their loyalty and friendship to Danny. Thank you Ralph for a great homage and superb, thorough account of the life of the Master of the Telecaster. A "must read" for all guitarists - and anyone else who enjoys a moving account of an accomplished human being.

Klein has written a definitive bio of Woody Guthrie. He portrays Guthrie in his full humanity with flaws and all. As a result, this is a rich real portrait in which Guthrie is illuminated as a human that was able to achieve in-human feats during his life time. This book is a must for anyone interested in understanding this seminal figure of American history and culture.

Woodrow Wilson Guthrie wasn't the most talented of musicians, but few people have had more influence on the landscape of American music. He was an incredibly prolific writer and the grandfather of the 1960s folk music revival, hero to the Dylan, Baez and the like.

Woody was to music what Steinbeck was to literature, capturing the California story of the thousands of "Okies" who emigrated to California looking for employment when dust storms devastated their farms during the Depression. But unlike Steinbeck, Guthrie was one of the people he sang about, leaving his poor Texas panhandle home and hitch-hiking, riding the rails, and singing his way across the country. Along the way, he listened to stories and felt the disenchantment of the other wayward wanderers. He captured those stories and sentiments, then put them to music. Woody quickly found an audience in his fellow immigrants, first around campfires, then on the radio. His character was more authentic than the slick corn-pone caricatures Hollywood had created. The large new audience could relate to Woody. And more importantly, he was voicing frustrations they could relate to.
Woody Guthrie's life was situated at the nexus of American music and American politics. He spent much of his life as a Communist (most people forget that, though not a threat to take office, the Communist Party had a sizable membership in America pre-WWII), and was one of the first people to use music to encourage political rebellion. He played the picket lines, helped organize rallies and played at Communist party meetings.

While his songs sound happy and simple to us today, the lyrics are often packed with anger and irony, expressing frustration at an America not living up to its promises. There was talk, for a while, of making Guthrie's "This Land is My Land" the national anthem. But in truth, the original "This Land is My Land" is far from the patriotic ditty schoolchildren learn today. It was actually a response to Irving Berlin's "God Bless America," a song Woody found to be full of false hope. Along with the fourth verse, the final verse of Woody's version is typically exorcized:

"One bright sunny morning, in the shadow of the steeple
By the Relief Office, I saw my people -
As they stood hungry, I stood there wondering if
This land was made for you and me."

Personally, Woody was a complex guy, full of good intentions, but falling short on many counts. For all his success as a musician, he was a terrible husband to several women and an absentee father, often leaving his families for months at a time on wandering cross-country trips. He drank too much, was unpredictable and often a pain in the side of some of his closest friends. Only later in his life, when he was diagnosed with Huntington's disease, the genetic nervous disorder that killed his mother, did it seem like there may have been an explanation beyond selfishness for Woody's unpredictable behavior.

Joe Klein tells Woody's story with the kind of craft and poetry that such a story deserves. He paints a vivid portrait of Woody that jumps off the page with life, all quirky and charming and lovable and maddening and irresponsible and admirable and stupefying and brilliant. But WOODY GUTHRIE: A LIFE is more than the story of one man's life-it is the story of America in the last century, of its changing social climate, of its musical maturation, of its dreams and realities. All of these themes can be found in the songs of Woody Guthrie, and the only thing he ever sang about was what he saw in his lifetime.

....and I'd recommend this book even to those not especially interested in Woody Guthrie. The writing is superb, and Klein's reporting skills are without peer. The book also stands as a fine social history of Depression Era America.

This biography is stunningly and painfully intimate. Joe Klein did a fantastic job. This is a great read.

Guthrie is a tremendous American icon who not enough of us actually know about or perhaps have even heard of. He was a thousand contradictions. In his art and in his life, in his outrageous, childlike, precocious, brooding, energetic, and endlessly subversive behavior... he was just utterly himself, he embodied a particular American brand of freedom in life, outlook, and sense of possibility.

Even if you haven't got time to read this book, make sure the kids around you know all the verses to "This Land Is Your Land". You may not agree with the politics but it's worth knowing what the man actually said, it makes you think.

Every Christmas, I buy multiple copies of this book and give it away to friends and family. Every spring/summer, I receive multiple messages of enthusiastic thanks and gratitude. No one who reads it comes away unaffected.

Basically, I will just say this is the most riveting biography I've ever read, and I've read it many times (am rereading it now actually).

There are two primary reasons why this book is so far above all other biographies:

1.) Joe Klein's writing is fantastic. His research is thorough, but his ability to communicate to an audience complex historical, socio-political, medical, and psychological concepts is virtually without peer.

2.) Woody Guthrie's life simply is one of the most fascinating lives I've ever read about. From his birth (even before his birth) straight through to his death, his life never gets boring. There is no plateau, where a great artist achieves his best work and then self destructs or mellows, etc etc.....every single period of Woody's life is equally fascinating. He was an incredible human being, a very complex artist and man-and he happened to straddle many periods of history. You will be constantly surprised. Sometimes you want to strangle him and then he turns around and does something so unbelievabely heroic, that you can hardly believe it actually happened. There is NO ONE like Woody Guthrie today....nor was there ever another in any other time period, the guy was truly a one and only.

I couldn't recommend this book enough. It's so good that not until 2004 was another biography attempted on Woody, and I can't imagine it could be any better than this.

Besides discovering my kid, he has been an invaluable resource with both his books and his coaching! He makes acting fun and easy to learn for kids! All his books are highly recommended.

This book really helped my auditioning skills. Just learn a commercial each day and you will be ready to book.

Reading this book has greatly enhanced my auditioning skills. After working some of the commercials from this book, I was able to book a national public service announcement! I had the opportunity to train in person with Chambers Stevens and believe he is an acting genius. This book includes all the secrets on how to land commercial jobs and has worked wonders for my career. I would highly recommend this book to any aspiring actor who wishes to master the art of performing a commercial.

When my son started acting he was nervous going to an audition.
The good thing about this book is the author shows you what happens at an audition.
He takes you through the process step by step.
The author's style of writing is very funny. My son and I were laughing and then when he got his first audition we found it happening just like in the book.

I bought this for my son, as well as the scene book for kids, and he hasn't put them down! They're a really good resource for kids who are interested in acting. I've also noticed that his memorization skills have improved since I got him these books. If you have a child interested in acting, I highly recommend both books.

This is a good group of interviews and conversations done with Al Pacino. It isn't a biography, although it has bigraphical information. What it does is give the reader a small glimpse of a man who normally stays well hidden. If you like Al Pacino it is a good read, and gives insight into the behind the curtain reasons for some of his "quirks". The Kindle editon is formatted without problems. The only complaint is the pictures are small, but that is a kindle limitation. The words carry the book. So this isn't an issue for me. I have looked for the print edition and it was out a few days, sold out in book stores, and I haven't seen it since. It may be available on Amazon, I was checking when I found this edition. And didn't continue to look, the pictures aren't that important to me - I know what Pacino looks like.

Mr. Grobel's relationship with Al Pacino grows throughout this book. The book consists of numerous interviews by the author as well as magazine articles. Pacino talks about his many successful films, actors he admires, the Godfather III disaster, and his obsession with Richard III. This was a great read and allowed me to see inside the mind of one of my favorite actors.

Lawrence Grobel is a master interviewer and get some original and surprising answers of Al Pacino. There is no flattery for the celebrity here and if there's some is only in small doses. Pacino reveals himself as a down to earth guy who cares
a lot about his craft and about doing his job well(no more,no less) and shows an amazing sense of humour at times.This is the portrait of a true artist who loves his art.
Lawrence Grobel many times insist in questions that Mr. Pacino does not want to answer and many times out of insistence get an answer from the actor.
I truly find this book entertaining ,didactic and intelligent.

This is a great book for several reasons:

1. Pacino gives insight on many of his movies, discussing why he feels they were hit or miss.

2. Pacino talks about off-the-camera stuff, such as his childhood, his struggles in trying to become an accomplished actor and much more.

3. Pacino elaborates on his true passion and where he returns when his career is in a slump.

The introduction is very strong and interesting because it summarizes his career work. If you like Al Pacino, you gotta have this book.

Excellent book in interview form which delves deep into the fascinating and complex psyche of one of the most accomplished and gifted actors in cinema history. Reknown journalist and writer Lawrence Grobel goes to where no other interviewer/reporter has gone before:deep into the mind and thought process of legendary film and stage actor extraordinaire Al Pacino. This fantastic and thorough book explains in great depth the complex and brilliant acting career of Al Pacino. If you love Pacino's work like I do you will love this book. Highly recommended and entertaining. Al is widely known not only for his remarkable work on film and in the theater but for his passion for his craft. He is passionate about acting and is a very serious actor but who would of thought that this dark and intense actor would have a sense of humor. Some of the answers that he gives to Lawrence Grobel are actually quite funny. He can be serious when he needs to be and quite amusing when he feels the need. Get this book and you will not be disappointed. He discusses in great detail his entire career from his humble beginnings when he was a homeless struggling actor to his defining status as an icon of American cinema.

This is a compilation, like the previous works by Mr. Magruder, but it retains its vitality and insight. Although his work continues to show a liberal bias, he doesn't hesitate to point out the fallacies and misrepresentations of all sides in the political and social arenas. Worth buying, reading, and keeping.

All The Rage covers the different formats that Aaron McGruder's comic has undergone as it transitioned from a newpaper strip to animation. In this reviewer's humble opinion, some of his very best strips are included in this volume. I own all of the Boondocks books and this is by far my favorite.

I love the strip and I'm sad that it's over.
That being said, this pieces all the "best of" non-comic moments together. I read that it was 200+ pages, and thought, "Wow! That's a lot of comics!"
Well, the current comics comprise about 1/2 of the book, 1/4 goes to interviews, and 1/4 are "controversial" strips. Ooh, controversy!
These are great. If you have seen the first or second season of the shows, you will recognize some story arcs a little too well, even down to the line. Awesome.

All the Rage: The Boondocks Past and Present is more than just the latest collection of the politically charged, African-American culture-centric newspaper comic strip - it also gathers a massive assortment of interviews with comic creator, writer and cartoonist Aaron McGruder, and even prints some of the most controversial strips for the first time. Young, unsmiling radical leftist Huey gives his cynical take on everything from McDonald's ridiculous attempts to emulate hiphop culture to high-level political hypocrisy, while his gangsta-wannabe little brother Riley represents the aspect of modern rap culture that is blindly obsessed criminality: "Man, I'd never steal music off the internet... it's easier to just steal it from the store." No cow is too sacred in All the Rage; there are jabs galore for the more questionable aspects of black and white culture alike. The interviews reveal a passionate side to McGruder, embedded in his desire to do more than make his readers laugh; he also wants to make them think, and in that All the Rage is a resounding success. Highly recommended.

This is the final installment of McGruder's Boondocks comic strip. It's a bit weaker than the other two large volumes, but still very strong. There were some strips from the first collections scattered throughout, and not necessarily in order. That threw me off here and there. There's a large section of articles and interviews which are quite interesting. And finally there is an anticlimatic "controversy" section. We've seen these before and McGruder adds nothing new. Still, even though this is a weaker collection than we've seen before, it's still worth reading.

I have to rate this book highly, due to one thing in particular; a load of photos NEW to someone who's been buying all things Marx since the 1970's. Some of the candid, on-set shots; some of the very rare shots of Zeppo; and some shots from scenes that were later cut...these are the stuff of dreams. Crazy dreams, but dreams, nonetheless.

It just misses five stars for two reasons: a nice crop of pictures we've all seen a thousand times and, worse, a number of well-known, yet misquoted, lines.

Did someone proof this? There's not much writing, so it couldn't have taken long...and, after all, Arthur's an author in good standing.

You'd think he could take some of the money he's made off his pop over the past forty years and buy a complete set of Marx CD's. Then he could nab the quotes directly. No excuse for this.

Yet I, for one, still recommend it for the visual treasure it is. A great "coffee table book" - and on a hilarious subject that makes you long to crack it open and take it all in, as opposed to some of those paper paperweights you've typically seen gathering dust in living rooms various and sundry.

The best Groucho book to come around in years. I loved it!

I've owned this book for several weeks now and it continues to have this strange affect on me: every time I pick it up, my mouth opens wide in awe and then twists into a grin that runs from ear to ear!! I just can't stop smiling! This is not your average picture book on the Marx Brothers.

Make no mistake....this book is first and foremost about the pictures and all have been STUNNINGLY reproduced. There is a richness and depth to the photos that you find in, say, coffee table photography books (Ansel Adams comes to mind). Some of the photos have been published before, but the majority of them are being seen here for the first time in book form. But even if you've seen some of the photos before, you've never seen them like this! This truly must've been a labor of love.

Accompanying the photos is a casual running commentary supplied by Arthur Marx which is at once charming, engaging, revealing and entertaining. You can almost imagine yourself thumbing through a Marx family photo album with Arthur stopping here and there to share the memories he associates with each picture.

This book satisfies on so many levels, but don't expect it to be a primer on the life and times of Julius H. Marx. For that find a copy of Hector Arce's GROUCHO (if you can!) but keep a copy of this book nearby because it wonderfully illustrates yet another facet of the man we know as Groucho.

I give this 5 stars (and 4 hard-boiled eggs!)!!!

Initially the quality of the photos is striking. Then you look at the subject - a man who brings joy through his art of comedy - and some of the most emotionally moving images of Groucho emerge. And some gorgeous photos of the rest of the brothers also.

What fans of a dead artist always encounter is the lack of anything "new" out there. This fills a gap. I have been a Marx fan since my youth and have found the expenditure on this book, and the wait, worth it. The best picture book on the Marx brothers to date.

This book allows you to be in the Marx Family and experience what it must have been like to have a Father who was none other than the "One and Only, GROUCHO!!!"

I have nothing but the utmost respect for Arthur and thank him for sharing his memories and ALL of his fantastic photo's of his Father and Family.

If a picture is worth a million words then this book is worth at least two million ("or three for a dollar").