H Books

I have always been a museum addict. If the Metropolitan Museum of Art would let me place a cot somewhere, I would probably take up housekeeping. So, it was extremely rewarding to read this story of how so much of the stolen art from WW2 was found, protected, recovered and finally returned to rightful owners. These "Monuments Men" should all have received medals. The world owes much to them for making so many artistic marvels again available.

The illustrations are quite good. Many are available in other sources but so many, at least for me, were viewed here for the first time. The attempts to protect many objects - e.g., St. Marks in Venice - were also interesting. When I visited there a few years ago I was very appreciative.

Mr. Edsel is to be commended.

Excellent book with many historical pictures and historical comments of the war's effect on the art of many countries.

This book shows and tells another side of war. It is the story told in picture of Hitler and his Nazi thugs pillaging Europe and stealing priceless art objects, painting, statures, books, even ancient scrolls then hiding them in caves and bunkers in Germany. What I loved about this book were the photos of US Army units rescuing those stolen art treasures then returned them to the towns, churches and cities. The author has done an exemplary job of finding photos and stories which has made this an important work. Photos I've never seen and story I have never heard about. I think this book needs to be in every high school library in the country. Students need to be shown how our American Army worked to recover all this lost art. His book made me proud to have serviced in the US army.

Thank you for writing this book

I was really surprised by this book. I thought it was going to contain more text but it's really all about the art and the people who rescued it. The result is a very impressive, easily readable 'coffee table' style book that's beautiful and informative. Teachers should grab this up for the classroom and it also would make a great gift for anyone interested in WWII and it's aftermath. I can't say enough about the photos and the story they tell. Bravo!

This is one of the most fascinating books i have ever read. The period images are amazing, just the photo of italian masons bricking up Michaelangelo's iconic David is worth the purchase. After reading this book I was stunned that so few art treasures were destroyed. I had no idea that much of the treasures at the National Gallery of Art in D.C. was stored at Biltmore because of its remote setting. I was also blown away to see the images of workman removing winged victory from the Louvre, I just had no idea all of this went on leading up to the war and during the war. The German pillaging of the great European art treasures is disgusting of course, especially the art they looted from the weathy Jewry like the Rothchilds and others, some of which even to this day are trying to get back art work that is rightly theirs. I highly recommend this great book to anyone interested in art, history, art history, or frankly has an inquisive mind. I want to thank the authors for a job well done.

This work is a very extensive examination of the tactics used by Arab small units. It goes into vivid detail about their ambush techniques as well as other aspects of how they fight. The only serious issue I have with it is it is difficult to read at times. Mr. Poole uses many quotes especially block quotes which are very useful and come from legitimate sources. However, these quotes hurt the flow of the book and make it very choppy to read. If you can work past this flaw though it is a great resource.

This book is excellent. It should be required reading for both military Officers and Non Commissioned Officers. This book gives an ever day insight into the tatics used by Mid-Eastern terrorist.

If you want to truly understand how difficult it is to fight and win in the Middle East, then this book is required reading. Far too often we get watered-down information out of the press and on the Internet but the tactics of our Eastern adversaries go unmentioned. We know of suicide bombs, but where did this tactic originate? Which group in the Middle East is the most proficient at close-range combat? Where does Al Qaeda excel and what is the role of the Iranian Revolutionary Guard? Are Sunni and Shia groups always adversaries, or will they work together when faced with a common enemy?

This book gives countless examples of diffent tactics in different areas of the world from Afghanistan to Chechnya to the Levant. It illustrates the strengths of our adversaries and addresses our own weaknesses as a "Western" army. Finally, Poole makes recommendations on how we can win this fight through better light infantry tactics and restrained use of preparatory fire and air power.

It is in my opinion the best book yet on this "4th Generation" warfare. It is an outstanding read and will make you an expert amongst your friends when discussing the current state of military affairs in the Middle East.

I would highly encourage any person who is Battalion staff or lower to read this book. All Army and Marine personnel should read this book on the jet flying them to Iraq or Afghanistan. This book will give a typical soldier or marine a good snap shot of how the Eastern combat mind thinks. Also, unlike much propaganda to the contrary, the Islamic soldiers fight using Eastern techniques. There is more hand-to-hand fighting than in the past. American's just can't call in their massive fire support because the targets may not be easy to hit.

This book is great for privates, sergeants, lieutenants, and captains. I don't know if the advice will be taken if it's read at the level of battalion or above. That is where the "rubber no longer meets the road". The staff disconnect from the soldiers begins.

For all war fighters this book is a must read. All ROTC departments, Marine, and Army infantry should have this book as required reading.

During seven months in Falluja in 2005 I spent approximately 150 days in the city. The history alone in this book showed us just how much we may have been underestimating our enemies, and that if they followed their classical influences they could have done much more damage.

The history is priceless dating back to influences of the Samarai and how it came to bring the original Middle Eastern assassins, and how today's suicide bombers are like those in the past, only they have explosives instead of knives, and do not need as much skill.

John Poole had spent close to 30 years in the Marine Corps leading men as both a gunnery sergeant (when enlisted) and a Lt Colonel (when commissioned). He saw Vietnam first hand, and left feeling that he could have done more for the men he'd led. Although the officers that are in charge of teaching battle field skills are not fast to accept his methods the men on the ground who deal with the enemies in the streets of Iraqi cities know he is right.

The U-boat war off America's coast "Operation Drumbeat" was merely one of Germany's U-boat operations. This book is an interesting read. I, like others, wasn't aware of the magnitude of U-boat operations off America's coast. It's a great account. It's limited to that operation. There's hardly anything beyond Operation Drumbeat...but that was the book's intent. It's a good account.

Ultimately how good I like a book is if I'm committed to finish it. Torpedo Junction by Homer Hickman is a book I had to finish, but I was so interested in what it revealed I hardly wanted it to end. Many factors were at work here. First, Mr. Hickman's writing is so clear and linear that it belies the painstaking research such an easy to read factual narrative requires. Thank you Mr. Hickman for doing the work so I could both be reviled and astonished!

This little known yet very tragic part of World War II played out right at our doorstep. Because of Japan's audacity to hit us with one massive surprise salvo the even more insideous U-Boat war on the U.S. coastline played out largely unknown to the general public. For months that seemed to drag on and on the Germans sank boat after boat after boat. Maybe for our protection or maybe because we couldn't quite get a handle on how to stop the German U-Boat threat the mounting damage was kept quiet. It was a tremendous tragedy which caused great loss of life as well as massive destruction of resources. With Torpedo Junction we can finally see how close to home death truly came. Also, we get to know the true courage of those who protected our home shores so we could both support the war effort as well as keep that all important semblance of a "normal life" at home. To know the facts surrounding the North Atlantic U-Boat war helps to rectify those long years of not talking about it.

I recommend this book as both educational and entertaining. As with Rocket Boys I was pulled inside a time and place as if I was there. Storytelling really doesn't get better than this.

As the U. S. Coast Guard Cutter Dione's lead soundman during period of Hickman's book I can attest that he did a wonderful job telling our story about some real hazardous duty. Homer's collaboration with our Radioman 1st, Swede Larson really paints the futility and danger of our sub chasing before and after convoys. I'm so glad Homer wrote about us. Now maybe we won't be forgotten.

Reads like a Clancy thriller. I recommend this book along with Michael Gannon's "Operation Drumbeat" so one can understand the havoc wreaked by German U boats along the Eastern seaboard against totally unprepared and in many cases complacent ships in the early days of World War II.

I KNOW NOW FOR SURE THAT I WOULD NEVER WANT TO BE A MILITARY OR MERCHANT SAILOR OFF THE ATLANTIC COAST IN 1942. TORPEDO JUNCTION WAS EXTREMELY WELL DOCCUMENTED AND RESEARCHED, BUT ALSO DESCRIPIBED BY SURVIVORS FROM U-BOATS, NAVY AND COASTGUARD SHIPS AS WELL AS MERCHANTMARINES. MY LOWER RATEING COMES FROM THE FACT THAT IT MADE ME UNCOMFORTABLE TO ACCEPT THE FACT THAT THE U S WAS ALMOST HELPLESS AGAINST THE STEALTHY GERMAN U-BOATS, AND THAT THE DATA WAS HARD TO STOMACH (I'M NOT A BEAN COUNTER). THE MOST VALUE I SEE HERE IS SOME BASIS FOR HICKAM'S LATER BOOKS, ESPECIALLY "THE KEEPER'S SON".

This book held my interest and gave me good insite in and about the drug dealers in Hong Kong. I strongly recommend it.

The first time I read this book was in 2001, and it made a tremendous inpact on me. It's about an English woman in her early twenties being called to go to Hong Kong and start working among the drug addicts in the so called "Walled City". A couple of years later she met someone telling her about the importance of speaking in tongues, and she started praying in tongues 15 minutes each day. She had been talking to people in the "Walled City" about Jesus from the time she got there, but after 6 weeks of praying in tongues each day, the people she was talking to started believing what she was saying and received Jesus. She also saw that there was no way the drug addicts were able to get off drugs, if they didn't imediately started praying in tongues. "Each had his fascinating story and all without exception came off heroin without pain and trauma." This book is not only a story about what happened to Jackie Pullinger, but also a great teaching about the power source we have on the inside of us. Before she started praying in the Spirit she said: "Lord, I don't know how to pray, or whom to pray for. Will You pray through me - and will you lead me to the people who want You?" All of us who are baptized in the Spirit and received the gift of speaking in tongues can say the same thing and then start using what He has given us. We have "dynamite" on the inside. Let it "explode" each day, and people around us will want to have what we have!

I LOVE this book so much because it is one woman's testimony of what GOD did & is doing with her-through her.
HIS HOLY WORD IS TRUE!
HE IS With Us, and just as HE did with the first Disciples of JESUS,
THE HOLY SPIRIT still works with those who preach the Gospel with signs and wonders following, confirming THE WORD.
I must confess, I don't have the book now - I gave it to my daughter.
I actually came in search for another copy for myself.
:) Well, for me until I give it away again. :)

My wife and I could not put this book down as we read it together. It is filled with excitement as the author battles against opium and drug abuse as well as every other kind of demonic evil. In every case, she wins the battle for the souls, minds, bodies and spirits of men and women in Hong Kong. There is one victory after another as men and women are set free by the power of God's Holy Spirit. We highly recommend this book for those seeking release from drugs, alcohol and demonic bondage.
Sincerely, Rev. Richard and Holly Lang

The testimony of Jackie Pullinger, and her life among the poor and addicted in Hong Kong. This is a reality to be in touch with.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

when i first picked up this book i assumed it would be living on my bedside table for several weeks as i read a chapter here and there. i was surprised to find that once i began reading i just couldn't put it down. the book captivated me on three levels: the array of characters about whom dr. helfant writes are fascinating and run the gamut from a mafia kingpin to a tortured catholic priest; helfant also explains in some detail the various symptoms of cardiac disease as well as the limitations faced by the practioner and finally, and perhaps most important as indicated by the title, the transformative impact that life threatening illness has had on the seven patients about whom he has so eloquently written. each vignette offered a real-life drama which helfant has conveyed with a style one would expect from a first rate novelist rather than someone who has spent his life in the medical profession. this book was a wonderful surprise package.

Wow. Dr. Helfant's book is absolutely amazing. He is those rarest of doctors; one who cares deeply about his patients.

His stories of his patients' suffering, recovery, and life-changes were so heartfelt and touching. I'll remember those people for years to come. Don't miss this book. It's a must-read.

Dr. Helfant's accounts of courageous patients surviving near fatal illness and going on to change their lives for the better is truly inspirational. I was moved by each story, and for a different reason. This is a distinctly powerful book, and is sure to be a bestseller.

What is remarkable about "Courageous Confrontations" is the philosophy of hope offered by this dedicated and highly skilled physician. He explains in language easily understood by a layman the medical factors relating to diseases of the heart, and then demonstrates how one's fate is not solely limited to medical factors, how one's will and character can affect the medical outcome of the most serious condition. He vividly descibes his cases so that each person seems universally human and yet unique. The description and dialogue make this book as enjoyable as a novel to read, yet the fact that this is a work of non fiction makes the ideas expressed much more meaningful. I read this book on the recommendation of a friend and have recommended it to every one I know. It is amazing that a skilled physician like Dr. Helfant is also gifted with ability to write a book in which each case fascinates the reader while teaching the importance of the human spirit in the outcome of any disease.

As an Internist and Gastroenterologist with 36 years of practice experience, I have to confess that Dr. Helfant has written the book that I always wanted to write. Every physician, with any length of experience, has patient interactions that leave him amazed, astonished and enlightened. I can't tell you how often I've told friends and family, "I should write a book". Well, I never have, but Dick Helfant has, and it is a fabulous read. He is clearly, not only an excellent Cardiologist, but a marvelous story-teller. I heartily recommend his book to medical students, young physicians, and anyone else who just enjoys a good read.

Hal Kaplan, MD

This was a great buy. Four board books for a low price. My 3 LOVES them.

Excellent Deal! Very cute and well made books. My son who is 2 loves them!

I purchased this boxed set of 4 board books for my 18 mos old and he loves all of these books. "George goes Fishing" is his (and my) favorite out of the bunch, but they are all good.

Excellent books for the younger George lovers. My son is only 3 and a bit too rough on "real" books still, but this little set is sturdy and even has a little case that holds all four.

I gave this box set to my 3 year old nephew and he really loves to hear the stories about Curious George; however, I was a little disappointed that these were not the same stories that I remember as a child. The one book "Curious George Rides" takes tiny pieces from several stories to make one book. I would have been good to have known that before I purchased the set.

This is a great children's book. I have read a few of this author's books and I like this one the best.

Simple, yet profound. Many lessons can be learned from this story. The Dot is encouraging and uplifting and I recommend it to everyone.

I love how this book helps kids make their mark. I use this book in my class rooms and it goes great with my little ones who are just learning how to make art for the first time.

This is one of the greatest kids books ever! Especially for my son, who always thinks he has to be perfect. This book shows kids that everyone has their own talents; it might not be what you thought was perfect, but it can still be beautiful and amazing, unique and yours. I hope this book gives more children the courage to do their own thing and express themselves.

How do you teach a child confidence?
You could put their work on the refrigerator, frame it, or talk about it with others. In this story the teacher frames a small dot drawn by a child who claims she is unable to draw. The little girl is also asked to sign her work, which emphasizes value.

Society values signatures. We want the signed book, the signed football pendant, the autograph, etc. because we perceive it is more valuable. Children can relate to signatures. Children understand signatures mean something (whether it is a report card that needs signing, an illness note for school, or the need to sign a "take home" folder). Thus, immediately the little girl realizes when asked to sign her work that her dot, her creation, is also valuable.

This wonderful story teaches children about trying, about at least starting, at least making an effort, and then seeing where that start can take you... This lesson is taught through art in this storybook but reminded me of what we were always told in writing, "Write, just start.... "

Henry Ford said, "If you think you can... or if you think you can't... you're right." This simple story illustrates a message of positive "can do" type thinking.

I also especially like that the little girl passes on what she learns at the end of the story by asking a little boy to sign his work. Setting a good example and passing on your knowledge to help others is a lesson for all children!

I read this book to my fourth grade students every year. The storyline is exciting and enjoyable for students of all backgrounds. Bruce Coville writes this novel in a way that keeps the children engaged and always wanting more. Each chapter ends with a "cliffhanger", leading to choruses of "Read more! Read more!" The characters in this story are well-loved by myself, and my current and former students. They are all able to sing Igor's bear bopping song long after the last word is read. This is an absolutely fantastic book~one of Bruce Coville's best!

Goblins In the Castle

What would you do if you found a secret passage in your room that led down to a dungeon filled with evil marauding goblins?

Goblins in the Castle is about a boy who does just that. He opens a door he shouldn't, letting out the spirits of a Goblin army. Now he needs to leave the castle and take down the goblins for good. During his adventure he meets people and asks if they will join in his great adventure to defeat the goblins. Oh, did I mention his best friend is a hunchback who whacks people with his teddy bear?

Goblins in the Castle was written by Bruce Coville and illustrated by Katherine Coville. Bruce has written many books you might know like: "Space Brat" and "My Teacher is An Alien."

THE GOBLINS IN THE CASTLE

By: Bruce Coville
The book I'm doing this report on is The Goblins in the Castle. It's about a boy named William, a girl named Fuana, and a thing named Igor. In the book William lived in a castle and finds a hidden passage and meets Igor. On Halloween he accidentally let the goblins out of the north tower. Igor said they needed to see Granny Pinch Bottoms. They go and on the way Igor was stolen by goblins and William falls in a pit and meets Fuana, then goes to Granny Pinch Bottom, she gives him items to save the goblin's land. He went and did what she told him and saves goblin land.
I think William is the kind of kid that just wants some attention. He is brave to do what he's told. He's friendly to his friends. He's kind of crazy.
The problem was William opened the north tower door and let the goblins out. Another one is that he doesn't know what to do. The most important one is trying to find the courage to save the goblins.
The solution was the goblins roamed free because William made them good. He finds out what to do from Granny Pinch Bottom. He finds the courage by figuring out what at stake.
I would recommend this book to people that likes a good mystery. I would rate it at a five star book and because it's cool.

I first purchased this book when I was seven years old at a school book fair because I was raised by my father on The Hobbit and the Lord of the Rings and the cover, title and description looked cool.

I remember vividly being in second grade and being absolutely tantalized by the day or two it took for me to finish it. It was just a wonderful tale of charming adventure that immediately struck the right chord with me. I'm 21 years old now and I still find myself taking time every year or so to pick up the very copy of the book I purchased when I was 7 to re-aquaint myself with the characters and the adventure and the feeling of being so completely absorbed with a story that can't really be captured beyond grammar school levels that the rest of the world doesn't matter.

This book has stood the test of time for me. It served as a fantastical escape when I was a wee lad and can still provide that exact same charm now as I finish college that I don't believe I'll ever be able to find anywhere else.

Stellar book that will do nothing but encourage young people to read; it's something that's really needed today.

This is a great book. I have read it to my 4th and 5th grade students and to my own children and they have all loved it. It has just the right mix of "scary" and funny to keep the reader's (or listener's!) interest. This book is not one of Bruce Coville's best known stories, but once you read it, it WILL be one of your favorites!

This work of fiction looks, feels and reads like a real journal, full of love, tender memories, and feels to me like it captured some tiny sense of what it must have been like to be Miss Potter. I search for words to express how highly I recommend this book; every one in my family that has enjoyed it felt a sense of excitement and wonder and awe. And the photos are so endearing!

Entralling book at an incredibly low price, fully worth much more! A beautiful and wondrous work of art and whimsy, a joy for all ages! I will be reading and admiring this over and over again. This book is far too lovely to be shelved into a bookcase- do display it and enjoy the sweet memories that viewing it often will invoke! I thank the publishers for an inspired, dedicated, dear, devoted, honorable bestowment to the legacy of Beatrix Potter.

A simply gorgeous book that you must add to your collection. Lots of little pockets and fun stuff within the book. Being a full grown adult...I was very happy to find this colorful and interesting book. Large, thick cover. High quality construction and excellent arrangement.

The biggest question I have about this book is how in the world can it be put on the market for only $13.59? The book is a complete delight. As some of the other reviews have mentioned; it has reproductions of letters, notes, and other items that give inside glimpses into the life and times of Beatrix Potter. There is something on almost every page to surprise and delight the reader.

This book can be enjoyed by both adults and children; it does need to be handled carefully as the reproductions of the notes and letters deserve special care.

Hidden inside the back cover is a reproduction of Beatriz Potter's privately printed edition of 250 copies of "The Tale of Peter Rabbit"; what a delightful finish to a tour of the life of a remarkable woman.

This is a wonderful addition to any Beatrix Potter collection and an amazing value as well!

'Beatrix Potter: A Journal" is a beautifully bound keepsake that Beatirx Potter fans will cherish for years to come. It is presented in the form of a journal or rather an album, and basically contains journal entries dating back to when Beatrix was 16 years old and had begun discovering wonderful things that helped her evolve into the creative writer and creator of Peter Rabbit and friends.

The journal is beautifully put together - there are old family pictures, reproductions of Beatrix's original sketches and drawings, personal documents [e.g. Beatrix's old report card] - what a delight to peruse these treasures. The journal entries themselves make for absorbing reading - though they are in cursive form and younger reders may need help with deciphering what is written. There are reproductions of letters to family and friends,delightful illustrations throughout the journal. Of interest is information as to how certain characters in The Tale of Peter Rabbit and Friends was inspired by real-life people, such as the character of Farmer McGregor.

There are many lift-the-flap features in this journal that makes it even more of a treat - there's an envelope containing a reproduction of the letter which contains the story of Peter Rabbit complete with illustrations, a map of the beautiful Lake District, a paper version of the game of Peter Rabbit, and the prize jewel in this journal - right at the end of the journal, embedded into it, is a little book "The Tale of Peter Rabbit"! One would not know it, for it is concealed so well - and indeed a delight to peruse.

I can't recommend this highly enough. I am a life-long fan of Beatrix Potter and my three-year old daughter is following in my footsteps. It is such a treat to be able to share this book with her!