H Books

I can't say enough about how valuable this book is. If I could meet the author myself to get down on my knees and thank him, I would. He has given such wise advice about the importance of caring about children's feelings. He has taught me more effectively than anyone else in my life what it really means to respect other people. I try to keep his principles in mind every day when raising my three children, ages six, four and sixteen months. Demonstrating the fact that I care about their feelings has helped me tremendously in disciplining them. They are well-behaved and happy children (most of the time!) Excellent, superb. The wisdom is sound and deserves much more than a quick glance. The more time you invest in internalizing the principles, the more you will get out of it. I am forever indebted to Dr. Ginott!!

Ginott's "Between Parent and Child" played an important role for my family as I reared my daughter in the 1960's and 1970's. It is a thoughtful book that affirms the dignity of the child and fosters the parents' understanding of child development. My daughter will have her first child this summer and I purchased this book for her. It is relevant today as it was 40 years ago.

The book arrived in a timely manner and was in excellent condition. It was what I was hoping for.

I have never felt strongly enough about a product to rate it or recommend it online, but this is hands-down the best parenting book I have read (and there have been many) Every parent (or caregiver) can benefit from reading and re-reading this book.

This book was recommended to me by an elementary school counselor after a child in my son's school experienced violent death at the hands of her father; my son was having a very difficult time dealing with it. I was feeling so helpless and felt compelled to fix, fix, fix my child's pain. This book helped me truly understand that sometimes I need to be quiet and just listen. It gave me practical, ready-to-use words and phrases that encourage communication and allow for the parent to facilitate and guide, rather than moralize or give advice. Before my reading, my son said, "You keep trying to teach me lessons in this, Mom...." and I thought I was doing the right thing. Between Parent and Child had sections dealing exactly with this type of dialogue and how to work through difficult conversations without the lecture. IT WORKED for our immediate problem and continues to work. I am using its lessons in my marriage and at work and find that my communication overall has improved. Highly readable and thought-provoking.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

when i first picked up this book i assumed it would be living on my bedside table for several weeks as i read a chapter here and there. i was surprised to find that once i began reading i just couldn't put it down. the book captivated me on three levels: the array of characters about whom dr. helfant writes are fascinating and run the gamut from a mafia kingpin to a tortured catholic priest; helfant also explains in some detail the various symptoms of cardiac disease as well as the limitations faced by the practioner and finally, and perhaps most important as indicated by the title, the transformative impact that life threatening illness has had on the seven patients about whom he has so eloquently written. each vignette offered a real-life drama which helfant has conveyed with a style one would expect from a first rate novelist rather than someone who has spent his life in the medical profession. this book was a wonderful surprise package.

Wow. Dr. Helfant's book is absolutely amazing. He is those rarest of doctors; one who cares deeply about his patients.

His stories of his patients' suffering, recovery, and life-changes were so heartfelt and touching. I'll remember those people for years to come. Don't miss this book. It's a must-read.

Dr. Helfant's accounts of courageous patients surviving near fatal illness and going on to change their lives for the better is truly inspirational. I was moved by each story, and for a different reason. This is a distinctly powerful book, and is sure to be a bestseller.

What is remarkable about "Courageous Confrontations" is the philosophy of hope offered by this dedicated and highly skilled physician. He explains in language easily understood by a layman the medical factors relating to diseases of the heart, and then demonstrates how one's fate is not solely limited to medical factors, how one's will and character can affect the medical outcome of the most serious condition. He vividly descibes his cases so that each person seems universally human and yet unique. The description and dialogue make this book as enjoyable as a novel to read, yet the fact that this is a work of non fiction makes the ideas expressed much more meaningful. I read this book on the recommendation of a friend and have recommended it to every one I know. It is amazing that a skilled physician like Dr. Helfant is also gifted with ability to write a book in which each case fascinates the reader while teaching the importance of the human spirit in the outcome of any disease.

As an Internist and Gastroenterologist with 36 years of practice experience, I have to confess that Dr. Helfant has written the book that I always wanted to write. Every physician, with any length of experience, has patient interactions that leave him amazed, astonished and enlightened. I can't tell you how often I've told friends and family, "I should write a book". Well, I never have, but Dick Helfant has, and it is a fabulous read. He is clearly, not only an excellent Cardiologist, but a marvelous story-teller. I heartily recommend his book to medical students, young physicians, and anyone else who just enjoys a good read.

Hal Kaplan, MD

I read this book to my fourth grade students every year. The storyline is exciting and enjoyable for students of all backgrounds. Bruce Coville writes this novel in a way that keeps the children engaged and always wanting more. Each chapter ends with a "cliffhanger", leading to choruses of "Read more! Read more!" The characters in this story are well-loved by myself, and my current and former students. They are all able to sing Igor's bear bopping song long after the last word is read. This is an absolutely fantastic book~one of Bruce Coville's best!

Goblins In the Castle

What would you do if you found a secret passage in your room that led down to a dungeon filled with evil marauding goblins?

Goblins in the Castle is about a boy who does just that. He opens a door he shouldn't, letting out the spirits of a Goblin army. Now he needs to leave the castle and take down the goblins for good. During his adventure he meets people and asks if they will join in his great adventure to defeat the goblins. Oh, did I mention his best friend is a hunchback who whacks people with his teddy bear?

Goblins in the Castle was written by Bruce Coville and illustrated by Katherine Coville. Bruce has written many books you might know like: "Space Brat" and "My Teacher is An Alien."

THE GOBLINS IN THE CASTLE

By: Bruce Coville
The book I'm doing this report on is The Goblins in the Castle. It's about a boy named William, a girl named Fuana, and a thing named Igor. In the book William lived in a castle and finds a hidden passage and meets Igor. On Halloween he accidentally let the goblins out of the north tower. Igor said they needed to see Granny Pinch Bottoms. They go and on the way Igor was stolen by goblins and William falls in a pit and meets Fuana, then goes to Granny Pinch Bottom, she gives him items to save the goblin's land. He went and did what she told him and saves goblin land.
I think William is the kind of kid that just wants some attention. He is brave to do what he's told. He's friendly to his friends. He's kind of crazy.
The problem was William opened the north tower door and let the goblins out. Another one is that he doesn't know what to do. The most important one is trying to find the courage to save the goblins.
The solution was the goblins roamed free because William made them good. He finds out what to do from Granny Pinch Bottom. He finds the courage by figuring out what at stake.
I would recommend this book to people that likes a good mystery. I would rate it at a five star book and because it's cool.

I first purchased this book when I was seven years old at a school book fair because I was raised by my father on The Hobbit and the Lord of the Rings and the cover, title and description looked cool.

I remember vividly being in second grade and being absolutely tantalized by the day or two it took for me to finish it. It was just a wonderful tale of charming adventure that immediately struck the right chord with me. I'm 21 years old now and I still find myself taking time every year or so to pick up the very copy of the book I purchased when I was 7 to re-aquaint myself with the characters and the adventure and the feeling of being so completely absorbed with a story that can't really be captured beyond grammar school levels that the rest of the world doesn't matter.

This book has stood the test of time for me. It served as a fantastical escape when I was a wee lad and can still provide that exact same charm now as I finish college that I don't believe I'll ever be able to find anywhere else.

Stellar book that will do nothing but encourage young people to read; it's something that's really needed today.

This is a great book. I have read it to my 4th and 5th grade students and to my own children and they have all loved it. It has just the right mix of "scary" and funny to keep the reader's (or listener's!) interest. This book is not one of Bruce Coville's best known stories, but once you read it, it WILL be one of your favorites!

Judith Sherman's Say the Name can be seen as a theodicy that arises out of the Jewish tradition and in response to the events of the Holocaust. In poetry and prose we see, on the one hand, the horror of human evil, and on the other, the hope and meaning that arises out of tragedy in the form of poetic expression and imagination. Sherman a provides vivid and horrific account of physical pain, mental suffering, and moral wickedness. In a moving passage, Sherman recounts:

Today a woman runs suddenly from the Appell line--she runs towards the electrified fence. The dogs get to her before she reaches it. Screaming, she tries to put push the dog away...The animal is not called back, he attacks until there is no more movement. Every horrified one of us wants to rush and help--no one does. Silence. There are so many of us here, how are we so crushed into silence and inaction? The reason right there, in front of us--they watch us closely, provocatively, hand on the trigger and dogs at the ready--hoping for another futile sacrifice...We are filled with rage and pity and helplessness and are paralyzed by their brutality (102).

This passage confronts us with the reality of evil as experienced by Jewish women in German concentration camps. Based on this reality, it is not difficult to see how people who believe in God, and have a particular image of God, can question or call into account the God in whom they believe. Sherman's account reveals a questioning of the divine. Is God not outraged? Does God not hear what is going on? Indeed, where is God? "Where is the judge? Where are you, judge? Is there a judge?" (117).

Her response to these questions is to invoke biblical imagery and to invite God to come and witness, and account for the tragedy that has taken place. In her poem, "The Invitation," she invokes the imagery of Jacob's ladder and asks that God come down the ladder and witness the sights "not fit/ for Godly eyes/ not fit for thee/ is it for me?/ who will make it fit for Thee?" (118). Or again, having experienced so much pain, she requests that God take on her pain, "You have it/ and be/ branded" (122). Does God identify with our pain? Is God in solidarity with those who suffer? It seems that Sherman is inviting God to be present with the women beaten down by guards, chased by dogs, shot to death, and with those who have to witness these events without the ability to respond. It is a moving book in which the author has mustered up the courage to recount her experiences and to "say the name."

How can there be so much evil in the world? More pointedly, how can an all powerful and loving God allow such evil? Where is God? These and other tough questions are asked by Judith Sherman as she reflects on her time spent at the Nazi concentration camp Ravensbruck at the young age of fourteen. Combining narrative prose with short poignant poetry, Sherman walks the reader through the painful and emotional events, describing her sense of frustration at a God who has abandoned her and the rest of the Jewish people. Most accounts of the Holocaust elicit deep emotions and feelings and this book certainly does that, but in a unique way. The prose unfolds the details of her story and then all of a sudden you become struck by the overwhelming emotion and powerful insight of a short three or four line poem. This combination has a strong effect and throughout the book the poems remain clearly in your memory and serve to give more meaning to the details and descriptions of the horrendous struggles of a concentration camp.

With detailed descriptions, Sherman focuses on everyday objects, such as a pair of shoes, and transforms them from their ordinary status into things that have a greater significance and meaning. The transformation and emphasis on objects shows how Sherman's outlook on life has changed and through this outlook Sherman has finally been given the voice to tell her story, giving the reader the chance to connect to it in a moving and profound way. Reading this book will give new meaning to the themes of theodocy, family, memory, the human spirit, and most of all will give you a new outlook on life.

After having learned at length about the atrocities of the Holocaust in history class every year of middle and high school, and after hearing personal accounts from my many Jewish classmates about their grandparents in concentration camps, I felt almost overloaded with news of the horrors and wasn't particularly excited about reading another book about the Holocaust.

But Say the Name is different. Judith Sherman manages to convey the depths of despair and suffering that occurred during her time in hiding, in concentration camps, on a death march without any trace of stridency, but rather with her own quiet and simple words that are humbly defiant and moving. She communicated to me, for the first time really, how it feels to not have any control over what happens to your body, to be stripped of a voice, to be robbed of a name. This poetic novel, more than any other I have read on the topic, speaks to the psychological death as well as the physical one that the Nazis inflicted on so many millions. Judith Sherman resists both, however, and her spirit is evident in the fact that she was able to share in writing her deepest and most agonizing thoughts and memories about her experience.

Another aspect of the book is Sherman's relationship with God, which is a complex and vacillating one. In some passages it almost seems as if she is referring to a lover who has betryaed her, and she is filled with sadness, anger, longing, and ultimately a love that she will not forsake. She does not, however, blindly accept "the will of God," instead demanding over and over, "where are you?" If God should be praised for the blessings he gave her, then he should also be held accountable for his apparent abandonment of his people.

To read this book is to explore memory, theodicy, religion, family, genocide, the human spirit, and will leave you saying its name.

Say the Name is a powerful and poignant account of a young woman's experience in Nazi imprisonment during WWII. After years of silence, Judith Sherman was compelled to come out and tell her story, not only for herself and her family, but for the millions of other who had no voice. The unnamed victims of human suffering in camps like Ravensbruck cannot be put away with the history books. They are people who were made to be things, but they were not things. Sherman describes in her prose and poetry how the life that they had known before the war melted away, and was replaced by a reality that terrorized, brutalized, and destroyed. This reality was the dehumanizing force of the Nazi regime.

I wonder how an author who is so modest with her prose, who even wrote that "words fail" to capture the "monumental horror" of the Holocaust, is able to to move the reader with her words with such remarkable ease. Her voice resonates with the child, the daughter, the mother, the friend, and the person who had to ask God, "Why?". Sherman's writing, and especially her poetry, are evocative and elegant for sure, but I think that it is the place that she is writing from that creates this feeling of "being there' with her. Her pain and the pain of those she names is human pain. Their loss is human loss. As people we have lost something by allowing evil like this to exist in the world. It doesn't have to.

Her tale is not one of Jewish suffering but human suffering and survival. She recalls the ways she resisted the forces that sought to destroy her. Sherman's life was never the name when the war was over, which is to say that the experience never ended. However, she is able to take her pain and wordlessness and make something that helps others understand. I thank her for that. Sherman's book would be good for students of all ages and particularly those interested in the stories and history of the Holocaust. I guarantee this courageous little book will move you no matter what you're looking at it for. Her connections with human suffering are particularly intense regarding family loss, motherhood, friendship, the struggle with divine over the existence of evil, and the loss of the "ordinary things" we take for granted when we're home.

Judith Sherman's Say the Name is a survivor's account of a teenage girl's struggle with God and humanity in Ravensbruck concentration camp during the Holocaust. Sherman, now a wife, mother and grandmother living in the United States, writes her memoir some 50 to 60 years after the Nazi's carried out their "Final Solution."

Sherman's poetry and prose in this book reflect a loss of people, places and things that make up the fabric of a person's life, culture and beliefs. She is, at turns, angry and bewildered. She demands an accounting for these atrocities. But ultimately Sherman's quest for survival and her insistence on remembering the names of women who were killed conveys a sense of humanity and even of hope. This is Sherman's first book, and she is not a polished writer. She writes in fragments and one has the sense of poetry scribbled on napkins over the years and then included in the memoir. Her book is all the stronger for this.

Keith Melton is well known in the community of espionage students and scholars for his interest in collecting artifacts and devices used in espionage. The work is beautifully illustrated with hundreds of photographs of spy gear, weapons, listening devices, concealed cameras, as well as famous and infamous agents, traitors, and informants. The informative text combined with the high-quality illustrations make this book itself a collectible item. A great gift item or personal purchase for anyone interested in the history of espionage.

This book is the best of its kind and a must for any armchair spy or intelligence agent. The amount of knowledge in this book is amazing and I can not wait for his new book "Ultimate Spy" to come out. If you like real spy stories or real James Bond style gadgets, buy this book.

Great collection but what surprised me was how long it actually took to read all of the text. Packed full of useful information.

This is really more a correction than a review. "Bagman" states in his review that the Nagant revolver shown in the book could not be silenced because of the cylinder gap typical of most revolvers, which would let noisy expanding gases escape. With any other revolver, this would hold true, but the Nagant revolver's unique feature is its gas-seal design. All revolvers, upon firing, leak gas from between the chamber mouth and the forcing cone. The Nagant, however, was gas-tight, because of a unique mechanical arrangement where the cylinder is cammed forward upon cocking -- tucking the coned breach end of the barrel into the mouth of the aligned chamber and enclosing the mouth of the cartridge casing. The expanding super-hot gases generated by the discharge of the round would cause the case mouth to expand against the inside of the forcing cone, forming a gas-tight seal, conserving the expanding gases propelling the bullet, improving muzzle velocity, and allowing use of a muzzle-mounted noise suppressor or "silencer."

It is remarkable that the author has apparently accepted at "face value' representations of those from whom he has procured equipment that was represented as having been used by O.S.S., etc. For example, on page 13,and twice thereafter, he describes a ring used to conceal microdots. I do not know if he has ever handled microdots, but I have. They are tiny, hence the name, and are bleached so that they are utterly transparent to the naked eye,or even under 10x magnification. If they were to be concealed in such a cavernous device the chances of safe location and retrieval would be nil. Melton goes on to picture and describe a "silenced" Nagant revolver(page 27). Of course it is not possible to silence a revolver of this type as the explosive noise of the cartridge would seep out of the considerable space between the end of the cylinder housing the cartridges and the barrel. A silencer on the end of such a revolver would have no effect on noise reduction (obviously this fact escaped Melton's attention). The aluminum casting "brass knuckles" featured on page 145, were actually manufactured for the former Public Sport Shops in Philadelphia in 1957, where they were offered for public sale @ .50 cents each. The tear gas pen on page 149 was a commercial product available at shops in the U.S. through the late 60s. The mechanical pencil pistol pictured on page 151, where it is stated by the author that it fires the 6.35 mm cartridge, is actually a simple tear gas gun with a mechanical pencil on one end and the firing chamber on the other end. The one in the illustration is actually missing the end piece that holds the tear gas shell(no bullet)in place. These were actually made in the U.S. by Hagen Tear Gas Co.with U.S. Patents. If one were to attempt to fire the pistol with a full round, one one experience severe injuries. To be sure, there are many bona fide devices listed in the book, but one thing is clear, the author is merely a spectator and not a person with any real knowledge of the craft. I would refer those who seek authentic information on the subject to Dr. John Brunner, a retired O.S.S officer, and the author of several books on the subject of O.S.S. Weaponry. Brunner is truly an authority, who has done extensive personal research to complement his own acquired knowledge; he understands the trade craft in extraordinary detail, having lived it. I fear that Mr. Melton's credentials are far, far more limited, irrespective of his claims.

The first time I read this book was in 2001, and it made a tremendous inpact on me. It's about an English woman in her early twenties being called to go to Hong Kong and start working among the drug addicts in the so called "Walled City". A couple of years later she met someone telling her about the importance of speaking in tongues, and she started praying in tongues 15 minutes each day. She had been talking to people in the "Walled City" about Jesus from the time she got there, but after 6 weeks of praying in tongues each day, the people she was talking to started believing what she was saying and received Jesus. She also saw that there was no way the drug addicts were able to get off drugs, if they didn't imediately started praying in tongues. "Each had his fascinating story and all without exception came off heroin without pain and trauma." This book is not only a story about what happened to Jackie Pullinger, but also a great teaching about the power source we have on the inside of us. Before she started praying in the Spirit she said: "Lord, I don't know how to pray, or whom to pray for. Will You pray through me - and will you lead me to the people who want You?" All of us who are baptized in the Spirit and received the gift of speaking in tongues can say the same thing and then start using what He has given us. We have "dynamite" on the inside. Let it "explode" each day, and people around us will want to have what we have!

I LOVE this book so much because it is one woman's testimony of what GOD did & is doing with her-through her.
HIS HOLY WORD IS TRUE!
HE IS With Us, and just as HE did with the first Disciples of JESUS,
THE HOLY SPIRIT still works with those who preach the Gospel with signs and wonders following, confirming THE WORD.
I must confess, I don't have the book now - I gave it to my daughter.
I actually came in search for another copy for myself.
:) Well, for me until I give it away again. :)

My wife and I could not put this book down as we read it together. It is filled with excitement as the author battles against opium and drug abuse as well as every other kind of demonic evil. In every case, she wins the battle for the souls, minds, bodies and spirits of men and women in Hong Kong. There is one victory after another as men and women are set free by the power of God's Holy Spirit. We highly recommend this book for those seeking release from drugs, alcohol and demonic bondage.
Sincerely, Rev. Richard and Holly Lang

The testimony of Jackie Pullinger, and her life among the poor and addicted in Hong Kong. This is a reality to be in touch with.

Finally, a woman follows Jesus with ALL her heart. Then, she lets Him teach her how to win the desperate and depraved that she has been trying to do without the power of the Holy Spirit. She receives the Baptism of the Holy Spirit, follows advice to pray in tounges 15 minutes a day and miracles start happening. She has lived by the Lord leading her already, but now she shifts into high speed Holy Spirit action. Mostly boys and men are saved, delivered from (Satan's kindom into The Kindom of God,) are baptized (in the sea,) and are given a prayer language, usually immediately upon conversion. Then follows healing and deliverance from herion and opium addictions through prayer. She is often catnapping in buses and on ferries because she is available day and night to help these guys. She helps many women too, but it is men whom she really has an impact with.
Well, the story is so amazing everyone should read it.

Excellent Deal! Very cute and well made books. My son who is 2 loves them!

I purchased this boxed set of 4 board books for my 18 mos old and he loves all of these books. "George goes Fishing" is his (and my) favorite out of the bunch, but they are all good.

Excellent books for the younger George lovers. My son is only 3 and a bit too rough on "real" books still, but this little set is sturdy and even has a little case that holds all four.

I gave this box set to my 3 year old nephew and he really loves to hear the stories about Curious George; however, I was a little disappointed that these were not the same stories that I remember as a child. The one book "Curious George Rides" takes tiny pieces from several stories to make one book. I would have been good to have known that before I purchased the set.

My mother got this set for my 16 month old daughter (her nursery is in a Curious George theme). She loves them! The books are nice and sturdy and hold up very nicely, in spite of her trying to bite chunks out of them. She loves all the stories, especially Curious George and the Bunnies! It's a very nice addition to her collection.

This work of fiction looks, feels and reads like a real journal, full of love, tender memories, and feels to me like it captured some tiny sense of what it must have been like to be Miss Potter. I search for words to express how highly I recommend this book; every one in my family that has enjoyed it felt a sense of excitement and wonder and awe. And the photos are so endearing!

Entralling book at an incredibly low price, fully worth much more! A beautiful and wondrous work of art and whimsy, a joy for all ages! I will be reading and admiring this over and over again. This book is far too lovely to be shelved into a bookcase- do display it and enjoy the sweet memories that viewing it often will invoke! I thank the publishers for an inspired, dedicated, dear, devoted, honorable bestowment to the legacy of Beatrix Potter.

The biggest question I have about this book is how in the world can it be put on the market for only $13.59? The book is a complete delight. As some of the other reviews have mentioned; it has reproductions of letters, notes, and other items that give inside glimpses into the life and times of Beatrix Potter. There is something on almost every page to surprise and delight the reader.

This book can be enjoyed by both adults and children; it does need to be handled carefully as the reproductions of the notes and letters deserve special care.

Hidden inside the back cover is a reproduction of Beatriz Potter's privately printed edition of 250 copies of "The Tale of Peter Rabbit"; what a delightful finish to a tour of the life of a remarkable woman.

This is a wonderful addition to any Beatrix Potter collection and an amazing value as well!

A simply gorgeous book that you must add to your collection. Lots of little pockets and fun stuff within the book. Being a full grown adult...I was very happy to find this colorful and interesting book. Large, thick cover. High quality construction and excellent arrangement.

This is a delightful book for any Beatrix Potter lover. It is along the same lines as the "Wizardology" books. Each page is filled with bits of information, drawings, photos, and memerobilia from Beatrix Potter's life. Great for any age. It is not a blank book that you can write your own journal entries in, it is more like a Scrapbook of Beatrix Potters life.

This book is just awesome....one can read it over and over and it has such a simple , sweet ending that you're left satisfied and happy....

the characterization is just apt and there are not to many characters to confuse the readers... the best part is David himself...

this is a must read.. hope u all njoy

My mother told me about this book shortly after I began my studies to become a school teacher. It had been one of her favorite books and she had loved reading it to my older brother and sister when they were children. She tried to find a copy in local book stores but had no luck. My sister, upon hearing about Mama's search, got caught up in the nostalgia and located two copies of the book from the original printing in good condition and had them shipped right away. It turned out to be money very well spent.

David is a most unusually happy, contented, naive, talented and loving boy. Almost everyone tries to change him, but the only one to stay the same is 'Just David'. Not as famous as her great 'Pollyanna' but nothing more perfectly typifies this wonderful author's warm and tender work. Eleonar Porter writes characters that do not exist - but should.

When I was young my mother told me that I was named after the boy in the title of this book. My mother loved this book and wanted her only son to be like its title character, whom she admired greatly. It pleased me to be named after someone who was the subject of a book but, for some reason, I never bothered to ask my mother for details about either the book or its principal character, although she often spoke glowingly about the David for whom I was named. After my mother's death I regretted not having queried her for more details about Just David and its hero whom she so admired. When I found that Just David was available from Amazon.com I immediately ordered a copy and read it as soon as it arrived. To my pleasant surprise I found that I shared my mother's love both for the book and for its hero. I also understood for the first time why my mother had raised me as she had. I won't pretend to have all of the virtues possessed by the hero of this wonderful book, but I believe that I have more virtues than I would have if my mother hadn't used Just David's hero as a template for rearing me. I'm deeply grateful to my mother and to this special book which I recommend highly to others. I'm also grateful that in my career as a NASA scientist I had occasion to edit a book, Heterogeneous Atmospheric Chemistry, which is also available from Amazon.com. Although my mother was not alive when this book was published I like to think that she knows of its existence and is pleased by it.

As the other reviewers, I was given the book, by an aunt, back in the 60's when I was in seventh grade. She said she had been searching for a copy for me to read because she had loved it. I remember doing a book report on it for my 7th grade English class (I got an A)--and it was one book I never forgot. I thought it was out of print & had been looking for it for years at garage sales and used book stores. Now I will have a copy to pass on to my new grandson. It is a special treasure of a book!