Movies Books

The story Hot Plastic centers on a boy named Kevin, in the late 1980's. Kevin's father, Jerry, is a small-time con artist, ripping off department stores, and the occasional unsuspecting old lady. Kevin Helps him in this, playing major roles, but he strives for bigger things, and imagines that he is only stealing from people who don't deserve what they have.

Early in the story Jerry hires a girl named Colette from an associate of his to watch Kevin when he is very sick. Kevin secretly falls in love with Colette, and she becomes Jerry's young lover. She also shoves Kevin down a rung in their criminal troupe, taking Kevin's original spot.

The book really was a bit confusing at first, and I found myself setting it down often, taking breaks. Soon I got adjusted to Peter Craig's interesting writing style and couldn't put this book down. The confusing part, at first, was how the story jumped around at odd places to show different times in Kevin's life, I soon begun to rather enjoy this artsy structure.

I suggest this book to anyone that enjoys an immensely satisfying criminal suspense novel, and wants some tricks on how to survive underground. This is also a book you can judge by its gorgeous cover design by Allison J. Warner; she did a simply stunning job.

I'm a huge fan of classic noir novels, and a good friend of mine urged me to give this book a chance. I must admit to a great deal of skepticism, mostly because I'd heard that the author was the offspring of one America's best known actresses. But I must say, after finishing the book, that I'm extremely impressed with Craig's talent and his grasp of the genre. There is a slight self-consciousness to the book--an intentional one, a kind of acknowlegement that he's working in solid Jim Thompson territory; but the writing is far more extravagant. The end result feels partly like an homage to old hustler novels, and partly like a renewing of the genre, a mixture of pulp and literary sensibilities. For one thing, Craig's dialogue is a perfect contemporary version of the kind of quick, clipped banter in old James Cain and Jim Thompson books. The twists are surprising, but heavily rooted in this tradition as well. In the end, I was surprised by the weight of the book, considering how fast and shiny it all seemed on the surface: it was a book about lost kids, contemporary America, the ills of our system, commerce, love and loss, and it advanced all of these themes with an amazingly effortless quality, all the while serving mostly as a fun read about grifters. I'm very pleased that I read this book, and I'll continue to follow Craig's career.

Line by line, this book has some of the best writing I've seen in a while. This is an amazing thing, since it's still very fast-moving and not at all overwritten. The author just has an amazing eye for detail and a very crafty sense of humor. The book surprised me constantly with its insights, and these characters were so real to me by the end that I missed them for a week. I read Craig's first book, and it doesn't stand up to this at all. It's exciting to see how much the writer has improved, and I can't wait for the next one.

Facinating view into the life of a con artist and family. Hot Plastic is an exciting, well written story with rich diverse characters. It's suspenseful and action packed with a few good love stories thrown in for good measure. It's easy to lose yourself in this book.

Loved it. Seems to me like where Mr. Craig may have been a little hesitant in Martini Shot, he's really hit his stride in this one. A great story. Great writing. Both books have palpable characters, but this one is truly a page-turner. Can't wait for the next one.

This book is the bomb! The art is amazing and facinates the imagination, the quality of the book is perfect, The cross-sections are the best and are getting bigger... and better than the last book and I can expect the next one to be the best of them all. Excellent job, Curtis J. Saxton. I am most pleased. Star Wars rules and may the force be with you!

P.S. This book is DEFINITLY WORTH The money! Bye!

Ep 2's turn to have it's spaceships and other craft pulled apart and exposed in all their glory. Once again the foldout format is still the best and great for childern and grownups alike.

This Star Wars Cross-sections book is a must-have for Star Wars fans. The detailed renderings of all the main vehicles in AOTC is as impressive as the companion for The Phantom Menace. The writer, Curtis Saxon, has obviously done a great deal of investigation for everything, with so many detailed drawings and fascinating notes. For curios of the inner workings of all the speeders and starships, this is indespensible. Great stuff.

I just recently received this book and all I can say is that it's the bomb! The pages are full of intricate details about both the vehicles and story of Episode II. The foldout of the Republic Dropship is definitely a highlight of the series. If you like Star Wars and want to know more than you can possibly imagine about Star Wars engineering, pick this book up right away.

really ignites a kid's imagination. i got this for my nephew and he loves it!

How different would Leni Riefenstahl's life have been had she not filmed Triumph of the Will? One can only speculate what films she would have directed and starred in after World War II were it not for Hitler insisting she do the film.

Riefenstahl has been referred to as a Renaissance woman, and she most certainly was. She was a creative being and expressed her creativity in dance, acting, directing, photography and ocean diving. These five areas, spanning her entire long life, are the subject of this sumptuous coffee table book.

Editor Taschen Angelica is to be commended on compiling this life-work on Riefenstahl while Leni was still alive to assist in the selection and arrangement of the photographs. The segment on the mountain films is worth the price of the book alone, but the color images of the Nuba are also amazing.

Riefenstahl's revenge against those who denied her her cinematic craft after World War II was being able to live to 101, and seeing her life-long accomplishments compliled into this book. Rumor has it Jody Foster is at work on a film project about Riefenstahl. One hopes Foster will get it right and cover her entire life, not just the years that caused so much controversy.

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

As gifted as she is controversial, Leni Riefenstahl's "five" lives are imminently fascinating as this impressive book will prove! Even to the uninformed or casual observer, this edition will entrance. A great addition to your library, especially if you are impressed by the 102 year old dynamo who continues to prove filmmaking and photography as an art form. A living testament to the fact that "bodies in motion, stay in motion!"

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

The striking front cover on this book is a publicity still as Junta, in the movie "The Blue Light" 1932. As impressive as the cover is, it gets better when you open it to reveal hundreds of artistically shot photos. Dr. Ruth says bigger is not necessarily better. However in this case it is; something about the size of the photographs add to their striking appearance. Most are in grainy black and white with some color sections. This book is just a wee to large to fit in my oversized bookshelf. So I am making a larger shelf to display the books front view.

Just as you assume that this is a great coffee table book you will find that there is more too it. Luckily the pictures are not cluttered or distracted by alpha pneumonics. All the descriptions are in a separate section. The title of the book is appropriate as it portray s the different vocations of Leni. (Dancer, Actress, Director, Photographer, Diver)

This book also enhances the viewing experience of Leni's films.

THE GERMAN CENTURY.

A very moving book. I knew Joel from a distance, all we would say is "Hi" to each other. Nothing more. Reading this book should be a school requirement. It does not get any better. What a fascinating man he was. He will be MISSED!

Who ever suspected Joel Siegel led such an interesting life? I couldn't believe all of the experiences he wrote about and the funny insights into his family. He included a chapter on Yiddish words which was informative and amusing. Of course throughout the book was the touching message to his son.

A man, approaching fatherhood late in life finds that he has cancer. What can he give his very young son that would impact the child's life. This book is Joel Siegel's legacy to his young son.

It could have been overly-sentimmental or morbid. Instead it is funny, profound, and deeply moving. Those of us who have faced the same eventuality that Joel Siegel has faced, will find great wisdom here, and solace.

The only quibble I have with the book, is that there are a few chapters that seem to have been added to flesh out the size of the book. A chapter on Yiddish phrases, for example, seems a bit "fluffy," though quite funny.

In all, a wonderful legacy for Dylan... and us all.

This book is a treasure in the fact that a man who has a young son (who should have been his grandson) at that age realizes that he may not be around to share all of these stories and this valuable insight to Dylan in person, and he put in print the things he would have told him (maybe) had he been a young father. The last twenty-five (27) years were a trial for him, as they were for me, as a divorced woman with a son the same age at the time of the divorce. You feel that you've just got to be there to see that son grown, then get on with your life.

He is funny. The Jewish jokes were okay, and the one he had Bobby Kennedy tell about the price of meat was okay, but this whole book is written in the joking way he thinks. Serious times about lowering the flag to half-mast on the UCLA campus the day JFK was assassinated. He was there when brother Bobby died and heard the shots. He and Dylan's mother lived in an area of New York where they were able to watch the Twin Towers burn on 9-11. This is history he passes down to his son in intimate terms.

He writes fondly "some of my best memories of my father are of him laughing while he and I watched TV. We didn't go to movies much; most families didn't in the early '50s." My sister Evelyn took me to my first movie about that time (before she ran off and eloped, ending up spending the rest of her life up North) and I marveled at the beauty and splendor of Tennessee Theater. I don't remember the movie, but I will never forget how I felt looking up at the mural on the interior dome. In the middle and later Fifties, I went to many movies there and even sang in a local talent show on that stage. It was no big deal.

As a film critic, he explains that movies are a fraud and goes into detail about how they are made. But, those he chose for viewing with Dylan were a varied and motlely group, not my choices at all. He tells how old he was when he saw them and how he felt. He dishes the dirt about some of the big movie stars. The index is full of big names. You think of one, he has met him or her and has a funny anecdote to share. TO KILL A MOCKINGBIRD, I can understand why he would want to explain to his son what is happening and why. Since he is such a funny man, I guess he would choose the Marx brothers' films. I did enjoy Groucho on the t.v. game show!

Of course, he wants 'I Love Lucy' and 'The Honeymooners' to be available for Dylan to enjoy and share a few laughs. His remembrance of live t.v. in Los Angeles, 'Time for Beanie,' brought back memories of 'Your Startime' hosted by Bob Lobertini for me as I was one of his regulars, and later he had a 'Popeye' show in Nashville where I took my sons. He told them on the air that he and I had appeared on t.v. together in Knoxville; that was stretching it -- he was the star, I the adorer.

During the 1958 Winter/Spring, one of my best friends was the young Jewish usher, Joe Feldman, at the Tennessee Theater. I had moved to the YWCA to finish high school and, that Easter, he took me to eat Easter dinner at the S&W Cafeteria on Gay Street. I still have his senior picture from Young High School.

Dylan is a darling child and so much like Ken Young when he was younger. I sincerely hope they will share many good times as he grows up -- and away. That time will come before you know it.

There are no athiests in foxholes or in an oncologist's office. Siegel, an entertainment critic for ABC's GMA, faced a terminal illness, and created this story of his first 58 years of life. (He passed away on June 29, 2007 at the age of 63).

At the age of 54, Siegel became a father for the first time and learned that he had cancer. In "Lessons for Dylan," Siegel shares all the things he wants his son to know, in case he is not around to tell him, things about his family history and Jewish heritage, life's pleasures and disappointments, the challenges of growing up (at any age), and, most important, who his father is and what Joel values. As Joel and Rabbi Larry Rafael discussed, Joel wants his son to be normal (but not average).

Siegel was born in East Los Angeles in 1943. His Romanian Jewish grandmother survived the Triangle Shirtwaist Factory fire in March 1911. (Her father banned her from going that day.) His father, a Levite, was an electrician, and he got the first African American and the first Mexican American into his local IBEW union. In 1965, Joel delivered a bag containing $800 in cash to a minister named Martin Luther King at a UCLA luncheon. ("Dr. King, I've come with dessert.") He ended up spending the Summer working for King. Siegel says he invented the names of several Baskin Robbins flavors, including German Chocolate Cake (my favorite) and Pralines and Cream. Siegel was nominated for a Tony Award for his work on a musical about Jackie Robinson. Siegel was a joke writer Senator Robert F. Kennedy in 1968, and witnessed Kennedy's assassination in the Ambassador Hotel in Los Angeles. He is co-founder (with Gene Wilder) and president of Gilda's Club, a non-profit support facility for cancer patients.

Only Siegel can make the story of his chemo sessions and a colostomy funny. Siegel candidly writes about the end of his marriage (his third) to Dylan's mother and the experience of having cancer. The famous ad man and partier Jerry Della Femina bought pot for Siegel during his chemotherapy. Siegel also shares great stories from show biz (featuring Orson Welles, Marlene Dietrich, Paul Newman, Brad Pitt, Stevie Wonder, all four Beatles, and more); lays out the History of the Jewish People in Four Jokes ("Why make trouble?"); and offers fatherly advice on sex ("ask your mother"), work, what to cook for Rosh Hashanah (recipes included), and a list of movies he would like to see with his son.

One of his letters:
Dear Dylan,
One day you might remember--maybe triggered by a photograph, or a sense memory of a texture or a color--the soft, grey cashmere sweater I bought for you for your second birthday. As an adult you may wonder, "What kind of schmuck buys a cashmere sweater for a two year-old boy?"

The answer is: A schmuck who tempts fate.

The Birth to Five Book: Confident Childrearing Right from the Start

Mr. Rogers was always a soothing voice on TV. My children watched and enjoyed his programs. Now I have the privilege of reading his books. You can almost hear his soothing, calm voice in each passage. I love the insights and candor of this man and recommend this book.

Just a great book to have to thumb through. Just neat thoughts from a great person.

I have been gripped recently, nearly 5 years after his death, with a wave of Mr. Rogers nostalgia. After reading Tim Madigan's wonderful "I'm Proud of You," about his friendship with Fred Rogers, I wanted more. It seems that this 1-CD tribute would do the trick, slaking my thirst for words of wisdom from this warm, sweet man, while perhaps not overdoing it. I was disappointed. The CD consists of a series of short snippets gathered from Fred's writings, read by Lily Tomlin and others. This sounds like a wonderful way to pay tribute to the man, but comes off wrong. Fred had a way of making even the most treacly saying seem profound. Then there was his stance of complete acceptance, non-judgment and kindness that made his words seem salving and utterly non-threatening. In the voices of others, these sayings lose their power and become simply "nice," and even trite.

The best parts of the CD were where Fred himself appeared, in recordings of music from his shows ("I'm Proud of You, "I'm Still Myself Inside") and in his words to the graduating class of his alma mater, Latrobe University. Here, in extended segments, Fred's warmth and humanity had time to take root.

Beautiful as the sentiment may have seemed to the participants, the essence of Fred Rogers cannot be removed from his slow, gentle delivery or his meek and inviting persona. I would NOT recommend this product for anyone who wants to experience the extraordinary person who was Fred Rogers. Madigan's book helps, but as for me, I am still seeking a relatively short volume or CD that lets me experience the affirming and healing grace of God that was Mr. Fred Rogers.

I was a bit apprehensive when I first picked this up at the library because I was afraid that Fred might concentrate more on the religious side of things.actually,he only mentioned god a few times in it and each of those times he mentioned god unforcefully,which was both smart and caring of him.I liked it so much I'm going to buy a copy!it was uncanny to see that his writing style(although compiled by others)in this book was very simmillar to that of david lynch in his "catching the big fish" book--short and to the point/abstract for a purpose:I love books which demand that the reader think things out themselves rather than have it served up american-style on a big silver platter!

Such joy in living simply. Mr. Rogers had a way of bringing people in with his ordinariness. His philosophy is one of love and positive thinking. He separates true happiness from temporary satisfactions. This is a must read.

This book is as beautiful as the background watercolors of the original movie The book takes a personal look at the stories behind the movie. Not necessarily linear in presentation, the chapters are broken into narrations by different creators of the film and either how they came to be involved or how they added to the film. The art that is scattered throughout each chapter is often beautiful.

I personally have two favorite images from the film, one a watercolor of a drainage in Hawaii, overgrown with native plants and the second is drawings of how the alien creature, experiment 626, would work showing his skeleton and structure.

This book is listed as for ages 4-8, total mistake. this is not a kids book but would be appropriate for early teens through adult. It is an excellent book for those interested in animation, or as myself, a fan of Lilo and Stitch.

I could not put this book down...I read it all in one sitting. If you're a fan of the movie this is the book for you...strong recommended!

this is a must have for any fan of the "art of" series books. it is as beautiful as the movie itself. it is splashed with all the beautiful rough drawings and amazing watercolor paintings that take your breath away. i wouldnt have asked for any more!!!!!!!!

A charming, lovely book, a great compliment to the movie, and the perfect gift for any fan of Lilo & Stitch. If you count this gem among your favorite films (as I do), this book is a must-have for you, as it's filled with gorgeous sketches and watercolors, showcasing the development of the characters and setting. (I'm gushing, yes, but I can't help it.) And it's filled with little stories from all the key members who worked behind the scenes, reminding you of how very human animated films are. Personally, I think this is the best of the Disney "Art of..." books, but I'm biased, as Lilo & Stitch is my favorite Disney film. It's not hardcover, but it hardly matters. The book is unique, just like the film.

"Lilo and Stitch" was the perfect summer family film. Lighthearted and heart warming, it contained all the elements of the best Disney has to offer. The great thing about this film is that it did this without all the fanfare and majesty that, as of recently, has been dragging down the Disney films. This pseudo-making-of book offers the same unpretentious vision. As most fans of Disney animation know, this type of book is released for every feature. While quite a few have been really nicely done, most have been bogged down in the technical aspects of animation. While it is an awe-inspiring and often misunderstood process, hearing and re-hearing about the animation process gets a bit stale. These publications began to feel like the same book with different pictures. Thank goodness the creators of this book have taken a refreshingly different approach to telling the story behind the story of Lilo and Stitch. Personal accounts and artistic insights prove to be just as entertaining and engaging as the sketches and watercolors that fill this slim addition to the Disney Making Of Library. Like the film, the book doesn't feel the need to show off the technical merrits of the production. Too often authors of animation books come across defensive about the medium, forcing comparrisons with other more respected mediums (film, fine art, literature) as if there is a need to defend animation. In a way they are preaching to the choir. Most people who purchase these books already respect the process, the amazing artists, and the mountains of work that goes into each production. Lilo and Stitch the book finally offers some insight into the creative minds and, more importantly, hearts of the creative forces behind the magic. Let's just hope that Disney, particularly their Florida unit, continues to produce animated features with this simple charm and storytelling. With more films and books like Lilo and Stitch it would make it easier to overlook the occasional "Atlantis" or "Treasure Planet".

Though the other stories have much cinematic potential, my favorite of this collection has to be "Dirk Snigby's Guide To The Afterlife." Funny and snarkily irreverent, it is full of the absurdities that is the currency of organized religion. In the right hands, "Dirk" could be the next "Dr. Strangelove" -- a chilling satire on what we fear most after taking that final breath in this life as we open the door to the next. Who knows, perhaps Dirk might in fact be our Guide. Pick up a copy of this anthology for this story alone.

an excellent collection of short stories that will make wonderful movies. standouts :gone to mum's
dirk snigby
some pig
waltzing matilda.
sit back with a long cool drink and enjoy.

_The Hustler, It Happened One Night, High Noon, Minority Report_ and _All About Eve._ Quite an impressive list, but what do these movies all have in common? Give up? They all started as a short story.

Next Stop Hollywood is the brainchild of Steve Cohen and Jonathan Davis. Each year they partner with St. Martin's Press to publish original short stories that are judged by a panel of Hollywood insiders via an international contest, with winning entries compiled into the anthology. Their criteria? Finding stories that would make a great movie or TV project. More than 600 entries were submitted and narrowed down to a mere 15.

Using the same judging criteria, I chose three stories from Next Stop Hollywood to highlight.

Perry Glasser's "An Age of Marvels and Wonders," tells the story of a lonely old man slowly going blind and the young woman who comes into his life. Raylene is a walking hard luck story--with two kids, no money and an abusive ex-husband. Is it any wonder she's skeptical of an offer of help? Bob may slowly be going blind, but he sees far more than mere eyesight allows.

"Gone to Mum's" by Barry Simiana is a richly detailed and poignant story of missed chances, stolen moments, heartbreak and redemption. Simiana's narrator takes readers along on his journey of self-discovery amid the rugged backdrop of Australia. The author paints emotion on his canvas, stunning the reader with the simplicity and honesty of his prose.

"The Good Kid" by Brian Richmond, is a clever tale of deception. Marty is a bank robber on the run with nowhere to go. The kid is more than willing to help. But is he helping himself or Marty? O. Henry would have approved.

With Hollywood scrambling for fresh ideas, it's nice to know that the art of the short story is not completely forgotten.

Armchair Interviews says: Kudos to Cohen and Davis for their part in reviving an endangered genre.

I thoroughly enjoyed these short stories, especially "Dirk Snigby's Guide to the Afterlife". Dirk and the devil would be a hit on the silver screen!

Perry Glasser is a wonderful writer and an inspiration in my own writing. His forthright yet crafty style will leave you complete. You won't be disappointed!

Another fantastic book from Focal Press. This book by Jason J. Tomaric is a fantastic resource guide, covering all aspects of filmmaking from start to finish. Well written, and a DVD loaded with extras! Don't make an independent movie without it! Highly recommended!

Newer thought that I would be considering working on a feature film, but reading and viewing Jason great material just gave me the feeling that I also could do it.

Books like this promise a lot but I have to say that Jason has done an excellent job of condensing the complex task of movie making into concise and accurate descriptions of each discipline. I've experienced quite a bit in the film business over 30 years and time and again as I read this book I kept saying "Oh yes, that's true." It is also a great reference for those noodly details one needs from time to time like proper script format. There is no need to hunt through your library for the answer, script format is right here on page 27. The other good thing about Jason's breakdown is the responsibility associated with film making regarding money,permissions, safety and insurance. I cringe when I think back on how we made 16mm indie films back in the 70s. In some cases we were lucky to be alive afterward much less sued! The Power Filmmaking Kit is terrific primer for those who wish to make a movie in the classic tradition for very little money.

Mark Sawicki
Motion Picture Effects Cameraman/Actor and Author.

I was so frustrated with the lack of practical filmmaking instruction that I took two years out of my life to write and illustrate "The Shut Up and Shoot Documentary Guide", so I speak from the heart when I say that Jason Tomaric's "Power Filmmaking Kit" is a rare wonder of practicality, conciseness, and valuable filmmaking wisdom.

There are two ways you learn the things in a solid practical film book like this:

1) the hard way- by doing it and learning from your mistakes (fine if you've got the time and the money) or

2) by being smart enough to study and learn from a book like this how to stretch your time and money and get better results.

After fifteen years in this business, I still found plenty of valuable tidbits, forms, and practical wisdom in Jason's book and the jam-packed DVD lessons to make it more than worth the cover price. I only wish I had access to a book like this back in my film school days.

Yet another big shot in the DV Revolution. Well done, Jason.

Author Jason Tomaric has written, directed and distributed several minor independent features which is a laudable feat. Yet, Tomaric has surprisingly little to say about the filmmaking process. Sure, there's a lot of information here, but nothing you couldn't get anywhere else. Even the skimpy material on his own productions generally amounts to one thought--"Need something for free? Just ask!" What makes similar books like the Complete Guide to Low-Budget filmmaking (Josh Becker) or Make Your Own Damn Movie! (Lloyd Kaufman) interesting is the authors' willingness to share their personal views and stories of their triumphs and failures. Other books like The DV Rebel's Guide (Stu Maschwitz) and Digital Filmmaking (Mike Figgis) are authored by highly-regarded professionals who describe how low-budget technology potentially transforms mainstream filmmaking processes. Tomaric, on the other hand, opts for an encyclopedic "wide as an ocean but shallow as a water basin" approach. The result is a paint-by-numbers text that reads less like a book and more like a reasonably executed career move.

If you're a fan of Heath Ledger(or have seen the TV series) you'll know basically what this book is all about. I've always believed that a movie can never capture the magic of a good book, and this is a good example of just that. Through reading this masterpice by Sean Kiernan, you become much more aquainted with the characters and their feelings,and are given much more information of the relationship between Conor and Claire(how they first met, etc). Well worth reading.

I have never seen the show ROAR, but the book was awesome! Sean Kiernan is now one of my favorite authors, and I can't wait to read the sequel. It was great literature, very descriptive. I couldn't put it down. It had a different sort of plot, but very interesting. I recommend it! Great book!

I've been a fan of the series since it first aired and was extremely disappointed when Fox cancelled it without airing the last 5 episodes. I then heard about the books coming out, but could not get my hands on them till now. I finished Roar yesterday and all I can is wow! I love that they included the story behind the story with Gar as a young man and Conor not even born yet. I also liked the allusions that were made about Catlin's father. Overall I thought this book ran true to form and I'm glad that nothing was cut out that was in the pilot episode.

the Roar book was great because it gives you all the background for the show in great detail. (even if it is a little late for that) i loved the show and was upset when it went off the air in '97. this book was like a breath of fresh air to my stifling passion for Roar. i thoroughly enjoyed it and will read it again and fully intend to read the sequel. A must for any Roarior!

I had watched the T.V. show befor I read this book ( and before the show was canceled) and had thought it was great. As soon as I read Roar I thought it was great. The characters in the book were a great match for each other. If you like fantsy and Scifi, you'll love this book. And the sequal is really, really good to. It is almost better! (Sorry if there is any spelling mistakes!)

oh man i just finished this for a book report and this books AWESOME. it keeps u guessing till the end but the auther gives little clues along they way. READ THIS BOOK!!!!ITS AWESOME!!!!!!!!

man i just finished it. that was awesome! u have no clue till the end. its SICK. READ IT!

i LOVED this book!!! it is wonderfully written and i couldnt put it down. seriously!!! i read it in one day!!! it has suspense, adventure, murder, shakespear, imposters, hostages... EVERYTHING!!! (...)

The Ruby Raven is the best book I have ever read. It kept me guessing until the very last word! If you are looking for an exciting, easy to read novel, the Ruby Raven is for you!

The book The Ruby Raven by Michael Dahl is a Suspensful and fun to read.This book starts out with a boy named Finn and his uncle Stoppard.They were entered in a contest for the ruby raven and a million dollars.They had to write a mystery book to enter.They traveled everywhere like Paris and Africa.Someone tries to kill uncle Stoppard in the story.
When I started it was a little boring.As I went through it got a lot better.I learned stuff about places.There were sooo much mystery and red herrings.If you like mystery you'll love this book!!!!!!!!!!!!!