Judy Garland Books

Do get this book. And you'll be swept-away into another world where a crazy-girl named Francis, aka Judy Garland, got away with all kinds of mischief and adventure. Somewhere in her kooky, chaotic, vaudeville life, she surely got the idea that it was all a show about nothing.

Judy was a passionate person, and Gerold Frank captures her spirit, her sense of humor, her highs, her dark-side and the range of her anger and inspirations. "If you ever want to know who I was, listen to my songs," she said. What does one do with all that talent and energy? Frank gets into it. I think Gerold Frank does a fabulous job of filling-out the life of a human being. We sometimes forget that Judy was more than a performer. It is stunning to watch her films, knowing what was going on behind the scenes, how she was consistently exploited. She was young. People never had psychological terms for boundaries in those days, so she continued to remain a somewhat open and exploited person, "performing" right up to her death. And she was damn-angry in the end.

Judy had no outlet for her anger, except to strike out at things, objects and people. She was at a loss to know how to care, because she was never taught or given models of respect. So she stopped caring and began to take advantage of situations and people as a method of personal survival. This was the thing that alienated her from her children. Deep down, she didn't want to be this. So she let them go, and consequentially, a little bit of her self, as well. Bipolar disease is very difficult to manage without these psychological skills.

Judy never really had much of a chance to be anything than what she was. This happens to actors and people who need to showcase themselves in public: they get stuck. She learned how to play the victim. She just reached a point where she quit defending herself about it, that's all. Was Judy a bitch and a diva? Those were roles she took on, in the victim-mode. Women in those days were acculturated to be subservient, and therefore victims and blamers. If one is physically and mentally challenged, one needs help. Judy never got the right help and couldn't find it. Yet she always reserved a soft spot in her heart. She held on to her theme song, Over the Rainbow, and cherished it. So we have to look to someone like Gerold Frank, who is able to dig down under all this, and finds her; a woman who had a heart, and who was aching to share it with us, in spite of everything.

This is an "early" review since I haven't finished this very long book yet, but I will say that I don't like very long books (I find them daunting and time-consuming) but this one is good and holds your interest despite its detail and depth. However, I know that it leaves out certain parts already about her early life. For example, various sources (such as Marcella Rabwin, who is featured in the book prominently, and a family friend of Garland for many years) said on the E! True Hollywood Story TV program, that Judy and her sisters, mother, and father left Grand Rapids because Judy's father, Frank, had an affair with "a young man" and in those days that was "scandalous" and they "had to" move away. This story is nowhere in the book. This book also supposedly had the cooperation and the blessing of Liza and Lorna (not sure about Joe), Judy's children, so you know that despite the book's detail and depth, it's going to be "safe" with nothing too controversial that the children didn't want published. That's too bad, because for a biography to be truly inspirational (let alone just plain "accurate"), you have to include the skeletons in the closet (sorry for the pun, there, Frank). I haven't read Gerald Clarke's "Get Happy", which might include more scandalous stories. It's funny how there are 2 major Judy biographies that are very very long with authors named "Gerald"; easy to confuse the two, as I did at first. What a remarkable life; what a remarkable book. I still recommend book this highly, for Judy fans and also because I recommend biographies in general as a way for people to put their troubles in perspective, to gain inspiration from people we all "know", and as a parable to learn what to do, and not to do, to be happy in life. This would also be a great "primer" for young people to understand the history of Hollywood, or if you want a case study of a great American if you're patriotic, a great woman if you're a feminist, an unfortunate addict if you have an interest in drug and alcohol abuse issues, and a great musician/actress if you're an artist.

Gerold Frank's biography is probably the single most comprehensive book written concerning Judy Garland: meticulously researched, debunking many myths, and richly detailed, it is certainly a standard for any one seriously interested in Garland. Even so, I have several issues with the book.

My single greatest complaint about the book is that Frank often seems to include detail for the sake of detail, and at times these details don't seem to make any cohesive statement. That aside, while Frank places Garland under a microscope, he never really quite delivers any sense of the world in which she moved; consequently, we never really have any background against which we may judge her. There is no context.

These are serious flaws, and while the book is certainly readable and enjoyable, I do not think it is one to which the average reader would return, nor would I particularly recommend it to any but the toughest of hard-core Garland fans.

Gerold Frank has taken a subject of innumerable facets, a larger-than-life personality, and an almost indescribable talent and has put the history of her life to words as no writer before or since has been able to accomplish. Judy Garland, one of the silver screen's most beloved stars, is accurately and honestly conveyed in this biography. Frank's style is unique: when he tells of the tradgedies or failures of the star, he is not incriminating against the subject. Frank's book is one as written by an observer, sometimes voyueristically so. His thorough research bring Garland through in all her glory: as the vaudeville headliner, the little girl on the rise to stardom, the MGM superstar, loving wife and mother, and the sometimes self-destructive woman, taken from this earth too soon by the disease brought on by a lifetime of pills, but most of all, the woman trying to find her place in the world and the love she always craved and needed. Judy Garland is a human being, not a media figure, in this book. Gerold Frank is to be well commended for his excellent portrayal of Judy Garland, and readers will also be delighted or surprised by the informative tidbits along this Yellow Brick Road into the life of the great Judy Garland.

Never mind other books on the subject, icluding Lorna Luft`s "Me and My Shadows - living with the legacy of Judy Garland"...

THIS IS IT! This is the definitive biography. The detail is amazing and Gerald Frank is by far the only one who has captured Judy the woman and not ONLY the star. John Fricke`s "The World`s Greatest Entertainer" is good, but a tribute to a star, up there somewhere..... It`s written by a fan and good as it is, it sadly looks perspective.

This must NEVER be out of print and belongs to every library in the world. Indeed, I thought I knew evrything about Judy(I`ve been a fan since 1977), but THIS book is filling in holes I NEVER KNEW EXCISTED!

Thanks a LOT, Gerald Frank:-) This book i s of Pulitzer Prize calibre, although I realise a biography will never be given that honour...

I saw Seven Brides for Seven Brothers for the first time after reading about it in John DiLeo's Screen Savers. I would not have bothered to see it had I not first read DiLeo's analysis and insights regarding this underappreciated film. His essay led me to a much fuller understanding of its beauty, craft and surprising depth, making me want to see what I had previously considered an old-fashioned and uninteresting musical. Upon completing each chapter, I find myself scanning the upcoming programming for Turner Classic Movies, hoping they will soon be showing one of DiLeo's selections, so that I can use my new "behind the scenes" information while watching the film. It is clear that the movies the author selects for rediscovery are on a personal list of favorites, they moved or inspired him. But while he clearly loves movies, the tone never sinks to that of a fawning fan. He backs up his choices with detailed analyses and thorough research, convincing the reader of their rightful rank among films that should be reexamined. The joy of this book is that he educates the reader while imparting some of his obvious infatuation and love for his subject. And like any satisfyingly juicy critical discussion, the author allows a dialogue to develop with his reader. You may even find yourself disagreeing with him about a favorite star or director (c'mon, Lana Turner wasn't that untalented) and that is part of the fun. This book has rekindled in this reader a new enthusiasm for older and "gently used" movies. I can't wait for my first viewings of The Man Who Laughs and The Iron Giant.

This book is a joy to read. Aside from John Dileo's amazing scope of knowledge about film, he is a terrific writer. Dileo has an uncanny ability to fully and clearly describe story lines, performances and a variety of other details about each movie. I guarantee that anyone who reads this book will come away wanting to see most, if not all, of the movies discussed here so eloquently.

Having purchased Mr. DiLeo's previous books, I was delighted to discover he had a new one on the shelves. After planning some time off for the holidays, I overnighted this book -- eager to reacquaint myself with this author's clever and keen insight into classic motion pictures. By the time Christmas came, I had gobbled it up -- cover to cover. And... what a surprise to see my co-worker bought the very same book for me at this year's Secret Santa. I didn't let on that I had already purchased it but loved that fact that he was so eager to tell me that "SCREEN SAVERS is the type of book that all the TCM watchers should love!" Do yourself a favor and buy John DiLeo's new book.

I was thoroughly delighted to read John DiLeo's third book, Screen Savers.

His quirky takes on actors and directors are refreshing and novel. He opens new insights when viewing and reviewing films that have been forgotten or have never received the accolades they deserved.

Mr. DiLeo has a wonderful way with words, a lovely sense of humor and a pleasant and breezy style.

Screen Savers makes for terrific reading whether sitting in front of a fireplace on a cold evening or while enjoying an iced tea on a summery afternoon.

I highly recommend Screen Savers to any movie buff or would-be movie buff. It opens new paths to understanding the magic of film and the skills of the actors and directors involved.

Netflix should send a thank you note to Mr. DiLeo for his artful awakening of our appreciation for some half-remembered and some totally forgotten films.

I bought this book because I've enjoyed John DiLeo's other books for their informed, but casual, approach to movie love. At a time when so many movie books are either earnestly academic (you know, political readings of gender performance in Nikkatsu gangster movies of the 60s,) or infinitely culty-geeky (do I really need the whole history of Philippine horror movies?), DiLeo assumes the existence of a readership that is, like him, informed and serious, but not obsessive-compulsive, and in it for the entertainment.
The book is divided into eight chapters, each devoted to a separate genre. (For the record, the eight genres are "Musicals Written Directly For The Screen," "Film Noir and Variations," "Love Stories," "Westerns," "Fantasy and Horror," "War," "Vintage Comedy," and the vague catch-all "Life and Times in America," which basically means "drama." The focus is exclusively American, but the time frame is from the silent era to the present. The presumption is that you've already seen the rote classics, and he therefore offers five movies in each genre that he feels have received insufficient attention, and that you therefore might have reasonably overlooked.
You can agree or disagree with the choices, but none are eccentric, deliberately provocative, or contrived to display mere cleverness. The real joy of this book, though, is in the wealth of background information. DiLeo will, for example, in describing "Comanche Station," give an overview of Randolph Scott's career, the placement of his "amiability and lean beauty" in two decades worth of decent but unnoteworthy roles in diverse genres, as a way of positioning the surprise of his late-career flowering in the films of Budd Boetticher, and their collaboration on seven morally complex westerns. Being a movie fan, DiLeo doesn't fail to mention the final triumph of the comic hommage to Scott in "Blazing Saddles." This precise positioning and career review is done not only for stars and directors, but screenwriters, cinematographers, character actors, even the evolution of genre conventions themselves. And it's presented in a chatty, highly readable style. The net effect is that "Screen Savers" is like an encyclopedia in friendly conversation.
I expect that I'll be using this book as a reference work for a long time to come. It is, I think, DiLeo's best book yet.

An absolutely fascinating book detailing all that happened in front of and behind the CBS cameras of the ill-fated Judy Garland Show. Also, every episode of the show is examined in detail, and the author takes a straight-down-the-middle approach to the book's subject matter.

The Judy Garland Show consisted of twenty-six shows that aired in the CBS Sunday night line up in the 1963-1964 season. The network considered it an immediate and expensive failure and the series was canceled as soon as contractual obligation allowed. Isolated exceptions aside, the series was neither syndicated nor re-run and, with the exception of various "art" screenings it seemed to vanish completely.

Nonetheless, The Judy Garland remains one of the single most discussed and written-about series in broadcast history. Garland biographies aside, it is inevitably touched upon--and often focused upon--in histories of broadcast television, where it is usually held up as an example of how even the greatest talents, biggest budgets, and best intentions can be exploded by mismanagement, network politics, and in some instances pure spite.

Two major publications have focused on the series. The first was the 1970 OVER THE RAINBOW WITH JUDY GARLAND ON THE DAWN PATROL by Mel Torme, the respected singer-songwriter-composer, who contracted to write and arrange special musical material and make three guest appearances during the first season. Torme places blame for the series' failure squarely upon the shoulders of Garland herself, painting a frightening portrait of a greatly talented but extremely unstable and often vicious star self-destructing through booze and pills and determined to drag all those around her down with her. Although denounced as grossly inaccurate by many associated with the series, it was for many years generally accepted as authoritative.

The second was 1990's RAINBOW'S END by Coyne Steven Sanders. Amassed from meticulous research and seventy-five interviews with individuals directly involved in the series, it explodes DAWN PATROL with the force of an atomic bomb. Sanders freely acknowledges that Garland was a tempestuous individual with profound chemical dependencies--but his interview subjects note that, far from being difficult, she actually withstood a great deal more unpleasantness from others than she actually caused herself.

What ultimately emerges is a story of Garland's mismanagement, first at the hands of agents Begelman and Fields, then at the hands of such employees as Mel Torme, but ultimately and most destructively at the hands of CBS executives James Aubrey and Hunt Stromberg--each with their own self-serving agendas and all determined to drain The Judy Garland Show to further them. It is also a story of great talents and opportunities simply thrown away.

With the advent of DVD, The Judy Garland Show at last began to reach a wide audience, and the actual product bears out Sanders' contentions. At its best, it was extraordinary, offering not only Garland very near the peak of her vocal talents, but a host of great performers that read like a Who's Who of 1960s show business--June Allyson, Tony Bennett, Vic Damone, Bobbin Darrin, Lena Horne, Ethel Merman, Peggy Lee, Jane Powell, and Barbra Streisand, to name but the most obvious, most of whom Sanders interviews to great effect. But the program was "fiddled to death" by constant CBS reformatting, too often saddled with inept writing and insipid guest stars booked on studio demand, and ultimately unable to establish any consistent formula acceptable to both Garland and CBS.

According to Sanders, Garland did indeed spiral out of control toward the end of the series--but given the madhouse into which she was thrown it is amazing that she did not run screaming down the street at the very beginning. And, as Sanders so astutely points out, she has had the last laugh after all. Few series television programs of the early 1960s, including those that bested The Judy Garland show in ratings, have survived in the public memory. But The Judy Garland Show, for all its flaws and faults, seems to become more greatly respected with each passing year.

After reading Sander's meticulously documented assessment of The Judy Garland Show, you'll never again look at broadcast television with quite the same eye. Very strongly recommended, not only for Garland fans, but for any one with an interest in the medium.

GFT, Amazon Reviewer

Over the years I have read every book about JUDY and excluding the 'book' written by Mel Torme' many have been decent. But, not until this book has the talent, the class, the POWER that was JUDY GARLAND been properly conveyed!The book is informative about what went on in front of and behind the scenes of THE JUDY GARLAND SHOW. But also, it shows how at certain points JUDY wanted certain things done a certain way for a specific reason!!! Case in point, her singing 'THE BATTLE HYMM OF THE REPUBLIC'. She knew why it had to be done, she knew how it had to be done, and she knew that it had to be done!!!! AND SHE DID IT!!!! And what 'we' see on video during that performance is what JUDY was, is, and always will be!!! A performer who should have been left to do what she did-SING!And reading this book, you'll see why she is what she is, and how she got what will always be hers! LEGEND!!!!

This book, which accompanies the box set (Vol 1) of Judy's TV series, is an invaluable resource for any serious Judy Garland fan. The writing is clear and concise, the approach is objective (but with great empathy for Judy), and the research conducted by the author is impressive. Until this book was written, the only documented history of this landmark TV show was the book written by Mel Torme, which was mean-spirited and by no means a balanced account of what really went on. Congratulations and much gratitude to Mr. Sanders for a very memorable read.

Coyne Steven Sanders is, undeniably, _under_ the rainbow with this treatment of Ms. Judy Garland. In a good sense. First, one must respond to the treatment here of Micky Rooney, without whom we would still probably be responding to Ms. Garland in the same way. In the birth of the cliche, there is a moment when the idea itself is not a cliche but is instead an archetype. In this way cliches are to be honored as original ideas so fitting to such a large number of {events} that they become, through no fault of their own, a cliche. Sadly, this treatment of Micky Rooney in relation to Ms. Garland does not recognize the fact that Mr.Rooney was a cliche _from the beginning_. He personified the cliche by occupying one from the moment he embarked on his character--the same wide-eyed, over-eager, lifelessly hyperbolic grating dunce he dusted off every time the cameras were stupid enough to have him within their frame. If only Steven Sanders would have bitten into this none-too-tender tendril of the gas that was Micky Rooney! Instead, it is waived away like a bad odor that the reader imagined should have dissipated 5 minutes earlier. By failing to contextualize Ms. Garland within this necessary border, Coyne Steven Sanders renders a full quarter of this book into a wide pie of plums and pits; into a full line of outergarments best suited for intemperate climes. Three cheers for Coyne! Because, after all, this author is able to, in this book, show us why we should all, as I do, love Judy Garland with each breath we take. I love her. Yes. I love this book, and I love Judy Garland.

As a child, my very favorite movie was THE WIZARD of OZ. My favorite scene was when the tiny Muchkins "Came out ,came out, wherever they were".

I always wondered about the actors and actresses that played the parts of the delightful little Munchkins, & therefore I was thrilled to finally get this book (as a Christmas gift).

This book will not disappoint. Not only does it give a wonderful background as to where the Munchkin actors came from, but also this book goes into specifics, regarding the most famous of the Munchkins actors/actresses (eg: the Lollipop Boys, etc). Such endearing folks they were! (Sadly, most of them have passed away by now...sniff!)

After reading this book, you will forever love and appreciate the little people that were part of such a unique movie.

This is probably the most interesting Oz book in my collection. Finally someone reveals who these little people are, and in such an entertaining manner. I couldn't put this book down. I've read so many books about Prod. 1060, aka "The Wizard of Oz" (MGM) which are dry and stale. This book puts the whole experience into perspective and provides a human side to the Munchkin actors. I'm glad to hear some of them survive. The photographs in here are glorious. The color photography jumps out at you. Bravo to Steven Cox for doing such a handsome job and such a respectful job with "The Munchkins of Oz." If you want a book on Oz that is unique--this is the one.

We would certainly highly recommend this book! Meeting several little people throughout our years, our family found this book to be a Top 10 book! It is full of stories of the Munchkins, and what it was really like to be a part of OZ. We found out things we never knew, even after hearing so many personal stories of those who shared their experiences with us personally. We believe Meinhardt Raabe is the last of the Munchkins still alive, and would also highly recommend his book, Memories of a Munchkin: An Illustrated Walk Down the Yellow Brick Road.

I loved this book so much that this is the 3rd edition that I've bought. I bought the first edition back in 1989 and the revised edition many years later. When this one came out, I knew I had to have it too. With each revised edition, Stephen Cox really outdoes himself. I've found that any revised edition of this author's books are always even better than the original, as he adds more info and photographs!

This book is a must-have for all Oz-fans, young and old. It's filled with rare photographs, little-known trivia and fascinating tid-bits. There is also a section about bloopers (find out about a scene where Judy Garland can clearly be seen wearing brown bedroom slippers instead of the Ruby Slippers!) and "urban legends" (no, the Munchkins did not get drunk & disorderly every night as portrayed in the Chevy Chase/Carrie Fisher movie "Under the Rainbow"!! Nor did a Munchkin commit suicide on set during filming; F.Y.I.: it's a large, exotic bird moving its head & wings that people think is the hanging Munchkin).

Reading this book will increase your Oz-IQ several points! What are you waiting for? Buy this book now!

I first read this book when the first edition came out, and was really impressed with the depth in which the author went to gather the information for this book -- hours spent locating and contacting the surviving Munchkins, all the interviews that took place, etc. This is NOT one of my favorite movies, by any means, but I always liked the first seen in Oz, where Dorothy meets the Munchkins, and this book really showed you who these people were and how they managed to get into the movie. Alot of great pictures help make the book really stand out. With each reissue (this is the third edition of the book), the author is able to provide a little bit more information on the Munchkin actors and actresses, and provides additional pictures to keep the experience of the book fresh. I would highly recommend not just this edition, but the two previous editions if you are able to find them. A great read!

Turn on your CD of Judy at Carnegie Hall and play with Judy Garland through her major career achievements. There are 30 wonderful costumes, and the likeness to Judy is amazing.

Tom Tierney obviously devoted himself to producing a magnificent tribute to Judy's career. If you're a fan, you know that you have to have these Judy Garland Paper Dolls for your collection.

You don't have to be a Judy Garland fan to enjoy these paper dolls. The likenesses on all three dolls are superb. The last doll showing Miss Garland towards the end of her career captures the passion she expressed when performing.
Costumes from most of Judy Garland's famous films are included. Tom Tierney's drawings of the costumes from "The Wizard of Oz" (with her friends in the background), "Meet Me in St.Louis" and "The Pirate" were my favorites.

TOM TIERNEYS PAPER DOLLS OF JUDY ARE BEAUTIFUL.THE COSTUMES ARE DETAILED IF NOT ALL HER BEST.tHE WIZARD OF OZ DRAWING CONTAINS A LESSER BACKGROUND ADDITION OF HER OZ COHORTS THAT ISN'T AS WELL DRAWN AS THE COSTUME WHICH IS THE BOOKS ONLY FLAW.EACH DOLL WELL REPRESENTS EACH STAGE OF HER CAREER.IT IS A GEM FOR CELEBRITY COLLECTORS LIKE I AM TO FIND A LINE OF CELEBRITY DOLLS LIKE TIERNEY HAS DONE.HE IS A GIFTED ARTIST

These are really great and so much fun! There are costumes from each of her movies (including Every Sunday) included. They are vividly colored and match the actual costumes to a "T" Truly a great collectible. Buy two because you'll want to keep one nice and play with the other. :o)

Basil Nestor describes this book as "an unabashed celebration of the wonder of Judy Garland," and indeed that is exactly what Judy: A Life in Pictures is: a celebration of a remarkable woman and unsurpassed entertainer. The biography of Judy is told most tellingly in pictures ranging from a shot of two-year-old Francis Ethel "Baby" Gumm to a wearied, prematurely old Garland hovering on the brink of her premature death. The pictures, all 125+ included here in this over-sized book, offer a great deal of personal insight into the life of this lady who was larger than the life she suffered through. Some would scoff at the likelihood of a superstar such as Judy Garland being constantly unhappy, but anyone who knows the gist of her life's story knows that troubles forever haunted her. The movie studios treated her badly and got her started on drugs because they thought she was fat, she saw only ugliness in the mirror whereas many fans adored her for who she was; I myself see the young Judy Garland as a striking beauty that put the likes of Lana Turner to shame. These pictures clearly show the toll taken upon Judy by her continuing drug problems, unhappy if not disastrous relationships, constant self-doubt, economic straits, and overall depression, yet they also capture moments of true magic when the real Judy Garland floated to the surface and made everyone around her love her. The later pictures of Judy are sometimes heartbreaking to see, particularly those of her final year as she basically wasted away, but these pictures show Judy as she really was.

The pictures are accompanied by a short biography of Judy's life and career, and this makes for an excellent introduction to this most complicated and talented of performers. Her entertainment exploits are documented lovingly, and her failures and tragedies described with great respect. You will find none of the hurtful innuendoes other authors spitefully insert in their own economically-motivated hatchet jobs of Judy, yet Nestor does not portray her as an innocent angel by any means, acknowledging the fact that many of her troubles in life were a result of her own actions. Thus, what you get here is a short, respectfully honest peek into the life of the greatest female entertainer the world has ever known, with a sizable number of intimate pictures telling the story more keenly than the words accompanying them. This is a book sure to delight any fan of Judy Garland.

This book is very well put together, combining some excellent pictures and interesting and ACCURATE text. You'll see Judy at two years old in a white ruffled dress all ready to sing onstage, the original "Dorothy Gale" look, some lovely photos leading you through Judy's flourishing years at MGM, her life as a wife and mother, ready to embark on the concert circuit, and finally, the last years of this beloved legend. The pictures are beautifully subtle and never too revealing, always candid and mostly nostalgic. The text is never incriminating or bitter against its subject. It is, and I quote it, "an unabashed celebration of the wonder of Judy Garland", and is a charming addition to any Garland collection.

This book was beautiful. I was awed with the wonderful collection of famous and not-so-famous photos. If you're a fan of Judy this book is for you.

Though I had read Eric Bentley's compilation of the HUAC hearings ("Thirty Years of Treason"), it was not as chilling as this dramatic reenactment of some of the more intriguing testimony. I wish it were on a CD instead of an audio tape, however.

Spy's? History? Real life? What could be better? Beautifully acted!!

Gerold Frank has taken a subject of innumerable facets, a larger-than-life personality, and an almost indescribable talent and has put the history of her life to words as no writer before or since has been able to accomplish. Judy Garland, one of the silver screen's most beloved stars, is accurately and honestly conveyed in this biography. Frank's style is unique: when he tells of the tradgedies or failures of the star, he is not incriminating against the subject. Frank's book is one as written by an observer, sometimes voyueristically so. His thorough research bring Garland through in all her glory: as the vaudeville headliner, the little girl on the rise to stardom, the MGM superstar, loving wife and mother, and the sometimes self-destructive woman, taken from this earth too soon by the disease brought on by a lifetime of pills, but most of all, the woman trying to find her place in the world and the love she always craved and needed. Judy Garland is a human being, not a media figure, in this book. Gerold Frank is to be well commended for his excellent portrayal of Judy Garland, and readers will also be delighted or surprised by the informative tidbits along this Yellow Brick Road into the life of the great Judy Garland.

The Judy Garland Collector's Guide is a great book, especially for people who are just starting to collect Garland items. It has photographs of a good range of items from those that the beginner can easily obtain, to items such as original movie costumes, posters, and autographs for the more serious collector. This book, in my opinion, is better described as a reference guide rather than a price guide. If you are looking for exact prices for items, you won't find them here. Prices are set up in groups (Ex: $25 - $65). A few items do not have prices at all. Still, it is filled with both color and black & white photographs of memorabilia such as Wizard of Oz items, a wristwatch, writing tablets, sheet music, lobby cards, and includes a nice portrait gallery. I would recommend it to any Judy Garland or movie memorabilia collector!

I wish this book was more well known than what it is. It is a loving and affectionate look at Judy through the eyes of one of her closest friends Lorna Smith.

Smith portrays Garland as a kind hearted, caring soul who happened to have a mixed up life sometimes and yet through all of it never lost her humour, her strength and most of all her loving nature.

For all those people who still think Judy was a tragic figure and also a nasty creature, than read this book and tell me if you can't reach the end of the book without loving the wonderful person.