Movies Books

Toward the end of his 1971 conversation with Richard Meryman, easily the best interview in this collection, Bergman says that "to make a film is to try to open up the roof--so we can breathe" (p. 112). This is as good a one-line characterization of Bergman's project as I know. Bergman's films defy easy analysis, sometimes because they're poorly conceived, as Bergman himself admits (he thinks, for example, that "Through a Glass Darkly" is a prime example), sometimes because even Bergman in retrospect isn't quite sure what he was trying to do, but sometimes because there's simply a great deal of depth to them. How, for example, to collapse the message of loneliness, despair, human nature, and hope conveyed in "The Silence" into a couple of sentences? But what Bergman at his best does succeed in doing is expanding us, opening up the roofs of our worldviews, inviting us--sometimes forcing us--to breathe in an atmosphere that's crisp and thin and heady.

Readers who pick up Raphael Shargel's collection of Bergman interviews in the hope that the master will explain what his films are about will be disappointed. Bergman tells us that he wants to elicit emotional experiences first and cerebral ones second in his films; that dreams have influenced his scripts and his director's eye; that he works best when his days are rigorously scheduled; that he thinks a film is "selected reality" (p. 106), which reminds me of Tarkovksy's beautiful characterization of film-making as "sculpting time"; that he thinks a certain "childishness"--a naivete, an openness to experience--is essential for good art. But what Bergman doesn't do, appropriately enough, is tell us how to interpret his films. So in many ways, his intervews are as mysterious as his artworks.

The interviews collected by Shargel vary in quality. As I've mentioned, Richard Meryman's is the best of the lot, closely followed by A. Alvarez's. The "Playboy" interview conducted by Cynthia Grenier is worse than worthless, and seems intent on focusing on little else than sex in "The Silence" (the interview was conducted shortly after the film's American debut). There are numerous typos in the text. "Feeling" is consistently spelled "felling," for example, and at one point Bergman is referred to as the "15 year old creator of 'The Silence'"! The only other book I've read by the University of Mississippi Press was also poorly proofed. Strange that an academic press is so careless in its copyediting.

Shargel's collection is a decent starting point for readers new to Bergman, but better ones include Bergman's memoirs, The Magic Lantern (2007) and Images (1995). Jesse Kalin's The Films of Ingmar Bergman (2003) is highly recommended for serious students.

This collection of interviews with Ingmar Bergman gives the reader almost a definitive view of not only the great director's vision, but of his constantly evolving artistry. As a teacher, I found the discussions of individual films invaluable.

No film critic could have approached Bergman with such passionate understanding and insight as Raphael Shargel. Following his film reviews in The New Leader for years, I am not surprised by his far reaching ability to grasp a life's work as he does his movies, always interested in their impact on society and us as individuals as well as the history that produced them in our time. When you get to it, your understanding of Bergman and appreciation for the value of interviews across a lifetime will be as rich as this book's index.

I'm a big fan of Bergman, and I was thrilled to see these interviews come back into print. They tell you so much about Bergman's life, films, and his personal opinions. Organized chronologically, this book reveals a development of Bergman both as an artist and as a person. I highly recommend this book to anyone who is interested in learning about Bergman's genius or film in general. The introduction offers terrific insight into the mind of an artist.

We love this book. Since my daugher was two weeks old we would sit and watch this show. The colors are great for them to watch at that age. Even now she will stop in her tracks to watch it. The book is great she sits with it each day and pushes the buttons to listen to hear the character voices and sounds. Definitely reccommend this book.

Exactly as it looks. My daughter loves to push the buttons and hear the characters speak / make noise.

My niece just turned one and she loves Big Big World. There are not a lot of toys out there with this theme, so I was very excited to find this sound book. I got her this book and the dancing snook for her birthday. Both items she absolutely loved. She can hit the sound buttons on the book, even though she's not quite ready to sit and listen to us reading a whole book yet. She carries the dancing snook like it is a stuffed animal, randomly hugging it when she gets the urge. I recommend both for a child who really likes Big, Big World.

I BOUGHT THIS BOOK FOR MY ONE YEAR OLD GRANDSON WHO LOVES THIS SHOW, IT'S A BIG BIG WORLD AND HE LOVES THE BUTTON ON IT AND LOVES HEARING THE VOICES OF THE CHARACTERS FROM THIS SHOW. I KNOW WHEN HE GETS OLDER THE BOOK WILL BE MORE INTERESTING FOR HIM BUT FOR RIGHT NOW THE BUTTONS ARE ENOUGH FOR HIM.

the book was good it was kinda like the movie all about the
benjamins you know what im sayin mooney money bling bling

I rated this book five stars.
Why?
I enjoyed reading about how
they all felt about each other.
What I really liked was they finally
got record deal.
The character I liked the most was Chanel
because she was the nice and pretty type.
So that's why I rated this book five stars.

Of all the books I've read I have to say this is the best. The series alone is great! In this book Galleria tries to be the leader of the group and bosses them around. So Chanel tells her it's not happening. (But I like the old Aqua and Angie better, They are featured in the series 1-4)

Well I am a big fan of all types of books and when I first sawthe Cheetah Girls book I had to get it (the first edition). I am inlove with them! They are so adorable. Although, it took me awhile for me to understand what they were saying. This book is recomended for kids age 8 & up. Anyone can enjoy this book. If you want to be a star or don't think you can make it just read this (and other books) to let you know you can.

This volume of articles and tidbits about the great Jackie Chan is definitely worth a read if not great. There are many fine insights into the man and the legend Jackie Chan, and indeed a lot of interesting photographs, which makes it so much the more enjoyable.

The format of the book, however, does not really agree with me. I don't like the article form, it seems cheap and mean. In my opinion it would have been better to write a uniform, coherent text based on the interviews and articles instead. The information is still there, it just seems a bit disorganized (which it really is not, it just seems that way).

It is still highly recommendable for all the information in there. Sure to please any fan.

This book is awesome! John Little's interview with Jackie Chan is worth the price alone. The photographs are the best, particularly the one of Jackie climbing a flag pole that looks like it has to be 50 feet off the ground! I learned so much about Jackie Chan, his martial arts training, his fitness methods and his personal philosophy. Having read all the other books on Jackie, I can easily say that this is - by far - the best! A must for everyone who loves his stunts or have been awed by his physical talent in martial art.

I loved this book. Anyone into the arts will love this book to. Its great and i personally like Jackie Chan.

This book is a fabulous read. I couldn't put it down until I finished it. It is not a narrative, but rather a compiled series of interviews between the author(s) and Jackie Chan that have taken place over the past ten years or so. The chapters are split up into sections on his childhood, martial arts training, philosophy, health and fitness, career and film making, stunt coordinating etc. Each chapter has an introduction and then goes straight into an indepth interview with Jackie Chan himself! There is a small overview at the beginning of the book on his life (a mini "My Life in Action"!) and at the end a filmography and a chapter containing what the author considers are Jackie's ten best stunts in a short paragraph format. There is a treasure trove of pictures from Jackie's films (all black and white unfortunately), many not before seen. I consider this book belongs on the shelf with Jackie's autobiography as it is contains personal insights and comments from "The Man" himself. My respect for Jackie Chan, already high after reading "My Life in Action", has risen even higher. The man is phenomenal and makes the so-called "Hollywood Stars" shine rather pale in comparison. If the many who dismiss Jackie as "just an action actor" could only read this book, how their eyes would be opened! Highly recommended - a must read!

Or maybe a Sharon Stone (she is not spared in these pages). Quite simply, this book is impossible to put down. James Ulmer's clever rating system is interesting enough in itself -- but the best part of the book is his personal stamp. He makes no bones about being star-struck, yet his mission is the demystification of the gods, and he does it with gimlet-eyed clarity and intelligence. A dirt-filled riff will turn on a phrase into a sharp insight into the celebrity cult and our fascination with it. Some of his observations of actors are priceless. My image of Marlon Brando struggling up the Brooklyn waterfront ramp will now forever be juxtaposed with him struggling up the aisle of an L.A. supermarket, dressed in a muumuu and eating from an as-yet-unbought gallon of Breyers ice cream. This is a great summer (or winter) read, but don't take it to anyplace where you're self-conscious about laughing out loud. Because you will.

For anyone who enjoys following the cult of celebrity -- go backstage with James Ulmer and find all of the behind-the-scenes gossip (ok really thruths) about today's biggest stars. Ulmer has been compiling this list for industry insiders for years and this is the first time he's published his info for the general public -- can't wait for the next installment!

It's fun and funny to see how the industry perceives itself, this book is a hoot. The information they based the ratings on is already outdated, (Russell Crowe's career trajectory arrow is going sideways? Hello?) but it's still worth the $$ for the essays, especially the one on star perks, (you will not believe the story about a certain actress and a baby opposum) and the "inside dirt" remarks.

The title only tells half the story. The lists are fun to browse (the 200 top stars), especially the inside dirt on each star. But the essays are really hilarious: weird twisted perks, gossip and insecurity, naughty inside references - a pretty amazing picture of business and culture in Hollywood, where Ulmer says nothing binds people together like money, tribal membership "and the desire to see your best friend fail." Yikes. This book definitely goes on my holiday gift list.

If Ernest Hemingway had made movies, they would have looked something like John Huston's. The passion, intelligence, and joie de vivre of Huston's films are reflected in this set of articulate interviews. Pour yourself a good drink, and listen as one of Hollywood's best raconteurs spins yarn after yarn in this splendid volume of a valuable series.

Ably edited by independent scholar and freelance writer Robert Long, John Huston: Interviews is an informative and insightful compilation of interviews with the late John Huston (which took place from 1952 to 1985) in which he personally comments on his life and projects as an acclaimed filmmaker. Among the movies that are surveyed within this context are The Maltese Falcon, Key Largo, The Treasure of the Sierra Madre, The African Queen, The Night of the Iguana, Prizzi's Honor, and The Dead. The observations range from his approach to directing; the influence of painting upon his camera work, and his association with stellar actors, to his beginnings in Hollywood as a screenwriter, and the influences of James Joyce and Ernest Hemingway upon his movies. Replete with numerous anecdotes about writers, directors, and actors with whom he collaborated, we are presented with a body of work and a filmmaker's life that will be immensely appreciated by students of his work and a man whose personal life was as prodigious as his professional career.

This is a terrific book. It consists of interviews with John Huston from 1952-85. Not only does the reader find out about Huston's ideas on filmmaking and get some inside info on the making of classic films, but he will find out about the breadth of Huston's interests, which extended beyond filmmaking to art and philosophy. Here, truly, was an intelligent man.

The most interesting thing to me about Huston was that he started in the classic studio age and survived its downfall to make films that were fresh, interesting and important even in the Eighties. These interviews show Huston's mental flexibility. He admires "McCabe and Mrs. Miller," "Rocky," and "Taxi Driver." Huston is also quite frank about his own films. I will never be tempted to see "Roots of Heaven" or "Barbarian and the Geisha." I have to see "Moby Dick," which he considered one of his films that never got its due.

I was sorry when this book ended.

Ably edited by independent scholar and freelance writer Robert Long, John Huston: Interviews is an informative and insightful compilation of interviews with the late John Huston (which took place from 1952 to 1985) in which he personally comments on his life and projects as an acclaimed filmmaker. Among the movies that are surveyed within this context are The Maltese Falcon, Key Largo, The Treasure of the Sierra Madre, The African Queen, The Night of the Iguana, Prizzi's Honor, and The Dead. The observations range from his approach to directing; the influence of painting upon his camera work, and his association with stellar actors, to his beginnings in Hollywood as a screenwriter, and the influences of James Joyce and Ernest Hemingway upon his movies. Replete with numerous anecdotes about writers, directors, and actors with whom he collaborated, we are presented with a body of work and a filmmaker's life that will be immensely appreciated by students of his work and a man whose personal life was as prodigious as his professional career. John Huston: Interviews is also available in paperback ..., [price]

The Journey of August King is a novel rich in description of the Appalachian Mountains of North Carolina. This book very well illustrates slavery and how it was dealt with as well as the kindness of the mountain people of that time.

Being from North Carolina myself, I am fully aware of how accurate the description is. The scenery makes you feel as if you are actually there with August King.

Also, I particularly enjoyed the portrayl of August King. He is showed as a very kind man, not unlike his neighbors, just having a bit more sympathy. He is not unhuman, either. He is portrayed as a man who has known hurt, loss, and love, though he does not recognize it.

As noted, his journey is a spiritual one to finally come to terms with the death of his wife. I like the way this is done, using tears even, to help us understand how he is accomplishing this.

Ehle's descriptions are both surreal and earthy. The characters are complex entities, they are not perfect. August is a hero almost by accident, and an ambigious one at that. The struggles August experiences with his attitudes vis-a-vis race forms a major catalyst in the story.

For individuals interested in historical fiction about Appalachia this is a must read.

On a historical sidenote, I've always liked Ehle's inclusion of Germans in his stories. It is a refreshing multiethnic approach from the general Scotch-Irish dominated stereotype of Appalachia history.

John Ehle makes you remember the NC mountains like no one else can. The roads and trails seem familiar because some of them still exist and perhaps you have been there. The people haven't changed all that much even though Ehle covers the time near the civil war. Yes, the story is good and keeps you interested. Yes, his writing flows well. But Ehle has always been somewhat of a regional writer because he understands the locals. I would love to go back to the black mountains, walk the trails and talk to the people there. Reading John Ehle is a close second.

I loved this book. I've read it many times. Each time I appreciate the beauty of the prose, the skillful character development, and the suspense of the plot. I like the contrast between the main characters' thought patterns and conversation: August's thoughts and words free-flow; Annalees' are more grounded and practical. I like the subtle differences in their speech patterns: it's like listening to a conversation. I also like the way Mr. Ehle has peppered his character's words with idioms and phrases from the time in which the book takes place. The scenes unfold with drama and picture-perfect description

I wasn't disappointed in the movie and the novel didn't either! It has all the action and science- fiction bits combined in one! You might be even surprised that this was actually one of the first drafts of the script for the top-notch movie.

Judge Dredd was a great book! It's highly recommended to those who have not read it. Buy it today

The Judge Dredd book was as exciting as the movie.Although the format might be different,it is still a great book you don't want to miss!

Judge Dredd the book had everything the movie had and even a little more. Don't plan on just picking this book up and reading it for a minute, once you start reading it, you're hooked and you can't put it down.

This book is one of the greatest! (Along with the second one in the series) If you've ever seen the PBSkids show, (I watch it every day!), you'll love these books! They help you understand the shows a lot better.
In this book, it contains the first three episodes of the series.
Ok, heres the summary part. Its kinda weird, because on the site they say James is 14 and Sarah is 15, on here they say they are BOTH 15. Oh well, I prefer them both being 15.Ok, here it goes:
15 year old Sarah Phillips is a green-eyed redheaded tall pretty daughter of a Major for the King. Meaning she is loyal to the crown. But her father left England to scout new lands in the Ohio Territorys. (...).

Intolerable Acts-In this episode, the four are staying at Phillis Wheatleys home, hiding from the British redcoats. But the Quartering Act is passed, and soldiers are staying at Ms. Wheatleys home! Sarah is confused at how Phillis is somebodys property, its an outrage! James and Henri find a way to get the word out that the Intolerable Acts were passed, but not without putting them all in grave danger. A danger that only SARAH could free them from, but she has to choose. Lie to a commanding officer in the King's Navy and save her friends, or rat them out and have them all sent to jail? (...)

The third episode thingy, I forgot the title-Sarah and Henri head for Boston to deliver supplies and meet up with Abigail Adams. James stays in Philadelphia to report on the continental congress thingy. But to him, theres an EVEN BIGGER story going on! After the three witnessed a merchant sailor get tarred and feathered after doing nothing wrong, James thinks of it as a patriotic and humorous act, one that he wants to report on. Will he learn his lesson? And will Sarah and Henri get the supplies to their destination safely?

Wow! A book that is fun for kids to read and educational. My 10 year old son really liked this book. It has sparked his interest in the history of our country. I will definately be buying more in this series.

It was a really good book. I could read it 10000000 times and still not predict the next page. It was so much fun to read, and it shows that human nature hasn't changed at all since then. I'm a big fan of the show and I loved reading and watching it!

This is a great read-aloud chapter book for those kids ready to hear more than they can read. The text flows smooothly so reading it aloud is easy. No he said, she said text commonly found in easier chapter books.

My son loves the series on TV but we don't always get to see it and a lot of the story line is missed so this is helping to fill in the gaps. And while I agree, it is 21st century characters, it still does bring history to life especially for the younger grades. I think the grade level of 5-8 is high. I think that age group would be bored with this. Although the writing is at that level which is making it enjoyable for me to read.

I highly recommend it as a read aloud with grades K-3. It is a great introduction to the American Revolution filled with enough action and suspense to keep my 5yr asking for one more chapter please???

Larry Clark books? how many are in print? 1. Tulsa 2. Teenage Lust 3. Kids 4. Heroine (Jan. 2000) 5, anything else? please help...i'm desparate! thanks. peony@compac.net

I think that this book was great.it tells about the dangers of sex and drugs....me being a teenager it really tought me a lesson.

When I saw "Kids", it really hit home. About a year later, I was clawing my way around a library, and I found the book, "Kids". I looked at work inside there, and it was great. Unlike most books made from movies, you HAVE to have seen the film to enjoy the book, because the book is the screenplay. I couldn't get enough of it. It was wonderful. I think it's a great piece of art.

When a book or a movie can both be as true as the world that we live in, than you know that it has succeeded. Such is the case with KIDS. As a teenager growing up in the rural life, you don't see very many pieces of art that reflect upon what truly is happening in society with the younger generations. While critics might say that it is too "touchy" or "sick", they don't realize that this is what is really happening in America today and must either deal with it, orchange their opinion on it because what they call this movie or book, is what they call American teenage society.