Movies Books

I am watching the I Love Lucy DVD sets right now. I loved to watch the TV show when I was a little kid right up through adulthood. This book is a great help while watching the DVDs. I can look up an episode that I really loved and read more about it. Memories can be stirred up or I can find out more about the show for the first time. My only regret is that the book isn't comprehensive. It deals with the best episodes and not all of them. I would love a book that deals with all the episodes but maybe it would be too big.

This is a really nice look at I Love Lucy. The pictures are great. I just wish they would have been able to include more episodes.

" I LOVE LUCY " WAS 1 OF THE BEST TV SHOWS IN THE 1950'S AND IS THE BEST SHOW EVER." I LOVE LUCY" CLASSIC MOMENTS BOOK IS A MUST FOR ANY "I LOVE LUCY" FAN. IT SHOWS YOU THE CLASSIC MOMENTS IN WHAT THE BEST TV SHOW THAT WAS EVER MADE.LUCILLE BALL AND DESI ARNAZ MADE WHAT THE SHOW WAS,ALSO VIVIAN VANCE AND WILLIAM FRAWLEY WILL ALWAYS BE REMEMBERED AS FRED AND ETHEL MERTZ AT 323 E.68TH ST. I FINSHED THIS BOOK AND I TRULY ENJOYED IT.

This is a great book for behind the scenes pictures of the cast and the stage they worked on. I have owned this book for about a year, and come back to look at it all the time. Lucille Ball is my favorite actress, and I just love her to pieces! This book contains photos of their set and everyday life. It also conatains some stories of their lives, so if you are a Lucy fan like me, don't miss this book!

this book is a must have for every LUCY-DESI fan all over the world. it contains beautiful pictures and a lot of information about each episode. it is part of my collection and I see myself coming back to it everytime to look something up.is one of the most complete books I have ever encountered.

I purchased this novel after hearing that the BET cable station plans to adapt it to a made-for-tv movie. Money well spent! Excellent suspenseful story, strong unforgettable characters. I like Ms Ray's style and plan to go out and buy the rest of her novels.

First of all let me compliment Francis on a job well done. This book was a masterpiece. The storyline has shown that true love between two stubborn minded persons can develop into a beautiful, fun-filled relationship. Jake, better known as Hunter was willing to not let his feelings or his anatomy *wink* get in the way of his work. He was determined to solve the case without falling victim to the strong attraction between himself and Erin. Erin, determined not to let her pride be destroyed by Hunter's touch soon realised that it was no use hiding from the affectionate feelings towards Hunter growing inside of her heart. I also love the way the story ended, what Hunter was avoiding was exactly what happened...i.e the woman who cared for him was willing to risk her life to save his. I'm also glad that Hunter was able to react quick with Scanlon. Great story and i can't wait to watch in on film.

I am presently a member of the arabesque book club, I have several books written by Francis Ray, I loved them all. Unfortunately, I have not had the opportunity to read Incognito, but I did get to see the Movie version on BET, and I enjoyed it just as much...Please continue to bring to life more of the wonderful arabesque love stories to your readers. "Keep up the good work". And please "Continue" writing those wonderful Novels.

WE ALL HAVE OUR DIFFERENT WAYS OF ATTAINING/ GETTING THERE, BUT MS. RAY HAS DEMONSTRATED A WAY IN WHICH YOU CAN REACH THE MOUNTAIN TOPS OF JOY BY JUST PICKING UP ANY BOOK SHE HAS WRITTEN.

WHEN YOU READ ABOUT HUNTER AND ERIN'S STORY OF LOVE YOU WILL EXPERIENCE THAT WORD CALLED ECTASY.

I'LL ADMIT THAT WHEN I FIRST STARTED THIS BOOK, I GOT ANGRY AT THE WAY HE CHOSE TO SHOW HIS ATTRACTION TO HER. I SAID THIS "_____" HAS GOT TO BE CRAZY.

THIS LOVE STORY IS ONE FOR THE "ARCHIVES OF LOVE." MS RAY SURE KNOWS HOW TO KEEP YOU BUYING HER BOOKS. HER LOVE SCENCES ARE INCREDIBLE AND SHE DOESN'T SPARE THE ASSAULT ON YOUR EMOTIONS. SHE IS A DIVA OF SUSPENSE/ROMANCE WRITING. HURRY HURRY PICK THIS ONE UP AND ASCEND TO THE MOUNTAIN OF E C T A S S S S S S Y!! YOU WON'T REGRET IT!

WE ALL MAY HAVE OUR ADDICTIONS WHICH WE USE TO GET TO A HIGHER LEVEL OF ECTASY. WE ROMANCE READERS USE THE WRITINGS THAT COME FROM THE PEN OF MS FRANCIS RAY. GIRLFRIEND HAS ONCE AGAIN THRILLED US TO THE BOTTOM OF OUR TOES WITH "INCOGNITO." SHE'S GOT ME LOOKING FOR "HUNTER" WHEREVER I GO!! MS. RAY HAS ONCE AGAIN DELIVERED US TO THE "MOUNTAIN OF JOY," WITH THE STORY OF JAKE HUNTER (AKA "HUNTER") AND ERIN CORTLAND, THIS NOVEL SHOULD EASILY CLIMB THE LADDER AND HOLD THE #1 SPOT ON BLACKBOARD'S LIST OF NOVELS. MS. RAY, MS. RAY, MS. RAY, HOW CAN I TELL MY HEART "BE STILL" WHEN YOU CONTINUALLY KEEP IT PUMPING BEYOND ENDURANCE WITH THE BOOKS YOU KEEP PUTTING OUT? THIS BOOK WAS TOO GOOD TO PUT DOWN. THE EMOTIONAL UPHEAVALS I EXPERIENCED WERE WELL WORTH IT.

I ENJOYED THIS BOOK SO MUCH THAT I POSTPONED READING THE LAST 20 PAGES UNTIL THE FOLLOWING MORNING, IN ORDER TO PROLONG THE JOY!!. AND THEN AFTER READING IT IN ITS ENTIRETY, I REREAD IT AGAIN.

I THEN PICKED UP "SILKEN BETRAYAL" AND STARTED AGAIN ON AN EMOTIONAL ROLLER COASTER. EVERYTIME I SAY, "GIRLFRIEND CAN'T OUTDO THIS BOOK," SHE MAKES A LIER OUT OF ME.

NOW, I'M LOST IN THE PAGES OF "SILKEN BETRAYAL" WITH LAUREN BENNETT AND JORDAN HAMILTON AND BELIEVE ME READERS, RUN RUN RUN AND RUN GET THIS ONE ALSO. IF YOU'VE NEVER EXPERIENCED MS RAY, YOU'LL HAVE TO BEGIN IN SMALL DOSES AND WORK YOURSELF UP OR YOU WILL LOSE YOUR MIND. THANKS AGAIN FOR SUCH A GREAT BOOK, I'M LOOKING FORWARD TO AUGUST 1999 TO GET "UNTIL THERE WAS YOU."

MAY GOD CONTINUE TO BLESS YOUR PEN.

AGAIN, TO YOU ROMANCE READERS, TRY TO GET ANYTHING SHE'S PUT PEN TO PAPER ON, YOU TOO WILL BECOME A BELIEVER. SEE YA!

If you were born in the 1950's this book is for you! All the great shows are here (U.N.C.L.E., Wild, Wild West, Mission Impossible, etc) The book is nicely illustrated and features the author's incredible collection of props from many different shows. Much of the author's prose illustrates his considerable knowledge and love of the subject. I wonder if the former Soviet Union has books like this one? It is my theory that the Soviet Blok collapsed because it simply wasn't very fun. This book is fun. Buy it, or you will be shot with a sleep dart (while you are sleeping, of course, so you will never know that you have been shot with a sleep dart)

Danny Biederman is the actual author--the forward was by Robert W. Wallace. Biederman's collection of fictional spy artifacts is interesting to both movie buffs and to those involved in real-world espionage. I hadn't heard of most of the movies in "the Incredible World of Spy Fi," so I'll be looking them up on DVD. The spy gadgets and props are almost as important as the actor--the gimmicks are characters, too! Who can forget John Steed's steel-lined bowler, Maxwell Smart's shoe phone, the U.N.C.L.E. Special, James Bond's PPK and tricked-out sports cars, or Jim Phelp's self-destructing tape recorders? I enjoyed reading this book and it will be a valuable reference in my personal library.

Christmas present, birthday present, valentine's present, no-special-occasion present: this book makes me HAPPY! I can't imagine anyone not falling in love with it. It brought back floods of ecstatic memories -- and of course, I had to read it while drinking a shaken/not/stirred martini! BRAVO! MORE BOOKS from Mr. Biederman's archives -- and WOW, can he write! Wry, witty, charming, impeccably researched -- 10 STARS!

Danny Biederman's THE INCREDIBLE WORLD OF SPY-FI is not only the perfect coffee table book for those of us who grew up wanting to be James Bond (and maybe still DO want to be James Bond), it's also a brilliant and deeply enjoyable work of scholarship and pop-culture history. Biederman's personal collection of props, costumes, and other arcana from the Bond films, TV shows like THE MAN FROM UNCLE, and even spoofs like AUSTIN POWERS, has been justifiably legendary for years; now he's given us the gift of an intense look at just a fraction of that collection. One word of warning: Don't just get lost in the incredible photos, because Biederman's insightful, humorous, and intelligent prose (which accompanies the pics) is every bit as pleasurable as the visuals. My only complaint? I just wished this book was six times longer. Can we hope for a SPY-FI 2 sometime in the future, Mr. Biederman? Sure hope so.

This book should be in the library, or, more likely, on the coffee table of every aficionado of espionage. Most of us of a certain generation were weaned, so to speak, on the exploits of the imaginative and edgy TV spy series of the 1960s, so there's much here to bring one back to one's formative years. Danny Biederman gives it all his intelligent, informed, and indulgent commentary. There is simply no book like this.

Mary-Kate wants to throw a surprise party for Michelle but Ashley is having one for Jennifer the same day. Mary-Kate invites all of her friends and the same wiht AShley but then something bad happens for the both of them and they need help fast.

Mary-Kate and Ashley are in big trouble. Mary-Kate planned a surprise party for her friend which is great, but unfortunately Ashley planned a surprise party for her best friend the same night at their house. They came for the biggest surprise. A great book!

Ashley is throwing a party for her friend, Jennifer Dilber but Mary Kate wanted to throw a party for her best friend, Amanda Bennet. Her friend, Amanda got mad at her for not calling her back when Mary Kate's supposed to. In the ending, they both got a surprise party for their friends and everyone felt happy!

Another pretty cool Two of a Kind novelette.Mary-Kate and Ashley are planning a party each,for the same night.Now the competition is on as to who will recieve the most guests!

Mary-Kate plans a suprise party for her best friend Amanda on the same night Ashley plans a suprise party for her best friend Jennifer. Even though Mary-Kate and Ashley are twin sisters, they have totally different personalities so major arguments arise, not only with each other but with their best friends. I'd have to say this is the best book in the whole series that I've read so far because these kinds of problems are what everyday kids would probably have.

This book is awesome!!(although im biased, my uncle wrote it..

This book totally kicks butt dudes !!!!! Specially if you are a true Ghostbusters fan or should I say Ghosthead !!!!!!!!! It has like a hundred pictures in it !!!!! I recommend this book to all Ghostbusters fans around the WORLD !!!!!!!!!

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Imagine yourself back in New York in 1983. It's about 5:30 in the morning. You're a regular pedestrian walking down the street near the New York Public Library. A large crowd of people are gathered there. Equipment such as cameras, lights, and microphones are everywhere. Soon you find yourself standing next to Bill Murray.

You ask, "What's this production?"

Bill says, "Production? This is a madhouse! These cameras are just getting in the way!"

You step back and see odd statues and robots crafted into obscene and terrifying figures. Suddenly, a voice shouts, "Action!" and you're pushed aside while Bill Murray and Dan Aykroyd walk into the magnificent library with a huge camera dolly following them.

Finally, you spot a small card table packed with coffee, donuts, and Styrofoam cups. Tired and thirsty, you pour yourself some hot coffee from an electric pot hooked up to a small generator. As soon as you touch the pot, a kid jumps from behind the shadows and screams, "Don't move!"

"I just want a sip of coffee!"

"This is Dan Aykroyd's coffee table. Only he gets anything on it, ya' hear? I'm his assistant!"

"You've got to be kidding!"

The kid whips his arm from the shadow of a tall streetlight and points with a shaking hand, "And that table is Bill Murray's!"

Not willing to argue with this crazed assistant, you begin to walk away from the mass of moviemaking paraphernalia and out of the area. Before leaving, you spot a short, nerdy man sitting at a small card table by some sound equipment. The table is filled with art supplies, and the man works on carefully molding a green goblin the shape of a spud. "I've got to get out of here," you think to yourself as you skip over a roadblock and scuffle back into the reality of non-fiction.

In 1984, the next summer, not knowing what to do with your friends, you go to a movie called GHOSTBUSTERS, for it's been getting a lot of hype in the media and you want to see what the fuss is about. As the first scene comes into focus, you let out an involuntary shout of amazement. That was the New York Public Library! Soon enough, the pieces fall into place. You had witnessed the partial filming of one of the greatest comedy films in history!

After the movie, as you walk into a bookstore to kill time before a party, there in front of you is a large book entitled, "Making Ghostbusters: The Screenplay." Ecstatic, you pass up cab fare to attend your party and buy this magnificent book, pouring over it until dawn. You realize that you're a Ghostbuster fan for life. The book is a possession you cherish, for it's like a souvenir of time you spent unknowingly with some of the greatest moviemakers in film history, not including that overprotective assistant.

The movie GHOSTBUSTERS means a lot to many people. One way to sum up their incredible fondness of the movie is "pure cinema magic." Most first impressions of the movie quantify its resounding quality: the wizardry of the special effects, the amazing cast, and the taught, well-written script. And it's largely a comedy! How many comedies have accumulated such a fan base? It's almost unheard of! How many comedies are enjoyed as thoroughly and extensively fifteen years after their original release? Almost none, I'd bet.

Here, in Making Ghostbusters: The Screenplay, the behind-the-scenes secrets and the complete shooting script are here, but the book is more than that. It's a complete sentimental scrapbook that materializes the movie's greatness and encapsulates its craftsmanship and artistry like a time capsule of moviemaking blood, sweat, tears, and creativity.

What this classic volume needs badly is a reprint, but for now, Amazon.com is probably your only hope. With the magnificent re-release of the movie on DVD, this book in its entirety would be a wonderful companion. So let's get this message out; let this be the manifesto! Hear that? Get those printing presses cranking, and bring back the magic!

Making Ghostbusters contains hundreds of exclusive concept sketches (many by legendary horror artist Bernie Wrightson), details of which scenes were deleted and why, color photos (though not nearly enough), and more. The book is built around an annotated script, with enlightening comments from Harold Ramis, Ivan Reitman, and others from the creative team. Few hit movies have had their creative process so wonderfully documented from genesis to box office--for Ghostheads, it's a must-have.

Back when there was little else written about Star Trek, before David Gerrold's great "World of Star Trek" analysis or Franz Joseph's blueprints, "The Making of Star Trek" was the ultimate. I devoured it as a boy in the early '70s. To this day I don't think anyone can consider themselves a true original series die-hard without having read this book. It really does take you inside the making of the show, but keeps it on a professional level, without salaciousness. That's because the book wasn't written as something for the few Star Trek fans that were known of then, but as a book about how to write for TV, as older printings stated on the cover. That does leave some things out, but those details have been covered since by other books and memoirs.

Since this was written while the series was in production, it's a good view into how people felt then, even refreshing because Trek had yet to become a pop culture colossus, so the book doesn't have any of that built-in reverence. They were making a good TV show that aspired to be something better than most everything else on then, but in the end it was considered just another TV job, certainly not anything that would become legendary.

For instance, "The Defenders," one of the highest praised, most thoughtful and well-written dramas of the '60s, is scarecely remembered by anyone not old enough to have seen it. Part of the issue with that series had to do with rerun-rights issues, but another part had to do with the times then, when TV was still rather young, and shows were thought of as rather disposable, coming and going without much of an afterlife except for "Lucy" and "Honeymooners" reruns. When you think of it in that context, it's easy to see why Gene Roddenberry bailed on Star Trek after it became clear NBC was out to kill it, even though the letter campaign forced them to bring it back for a third year.

The pics and blueprints within the book are cool but may not be as impressive today. At least the blueprints, while not "accurate" by today's standards, were drawn by Matt Jefferies himself. Remember, though, for a long time this was all the reference stuff available. However, if you want what is still a good insider's look into the making of the show, plus Gene Roddenberry's take before even he got sucked into the myth, this is a must-read.

hey Spouk

the capitalization of quotes from Roddenberry (aka the Great Bird of the Galazy) give one "the bizarre impression that he is a god" because for the series, he was :-)

i have a copy of the original publication, read it then and howled, still think it is a great read.

BTW Terry Pratchett uses the same literary device of all caps for Death, in the Discworld series.

Harlan Ellison's memories of the show are fascinating reading as well. As are David Gerrold's.

I read this in the Seventies and thoroughly enjoyed it. Now I've bought it again and enjoyed it all over again. Fascinating behind-the-scenes look at TOS. You have to read this book to understand what a groundbreaking series Star Trek was. You also learn how grueling a TV series is to work on. This book is fascinating, and sometimes hilarious!

This is a classic. It is the first book of its kind, and probably the first book about Star Trek at all. But The Making of Star Trek is much more than any of the later books with similar names. This book doesn't idealize or simplify the making of the series. It doesn't enthusiastically praise everything and everyone involved in its production. It is an authentic and meticulous report on how TOS in particular and a TV series in general comes to life. It shows that it is a process of try and error, that aspects have to be taken into account the viewers wouldn't think of, and that the responsible persons don't always know exactly what they want ("I need some device that does something...").

The story how Stephen E. Whitfield (aka Stephen E. Poe) asked Gene Roddenberry if he could write a book about the series sounds like a fairy tale, but is true. The Great Bird was very forthcoming, and Whitfield was granted access to everything behind the scenes of the still running show, seemingly without any restriction. The book shows production schedules, budgets, private notes, script drafts, production sketches, all things that are usually kept secret or simplified for a larger public. I don't think that something like this would be still possible today. Compared to The Making of Star Trek, Whitfield's last book (he passed away in 2000) on Voyager seems rather superficial.

The Making of Star Trek may be over 30 years old, but it is of more than only historical value. It demonstrates that TV is a business that sometimes doesn't allow technical or artistic perfection. It also shows how many things we may take for granted and that are essential parts of the Star Trek Universe today have taken a rather surprising course change. Who would like Vulcans with names like "Spook, Spork, Splak, ..." as frequently suggested in the early days, or who would think that one race was originally described with the words, "Honor is a despicable trait.", namely the Klingons?

There are probably loads of 'Making of Star Trek' books out there, but this is particularly interesting as it was written in 1968, between the second and third series, before the show had become a phenomenon. Which is odd at first - everything is in the present tense, and there's nothing about the cultural impact of the show because that was all in the future. Doubly odd is the fact that all of the many quotes from Gene Roddenberry are reported IN BLOCK CAPITALS, giving the bizarre impression that he is not a television producer, but God Himself.

It's extremely detailed, and is as much about the making of any TV late-60s series as it is 'Star Trek'. There are bits from shooting scripts, set plans, photographs of noted theatre actor William Shatner in old-age makeup (looking nothing like he looks in genuine old age), profiles of production staff, and programme budgets which, translated dollar-for-dollar, would just about cover the catering bill on 'Star Trek : The Next Generation'. It's worth it for the stream of memos about Vulcan names alone.

DJ's and Chowder's life was simple. They woke up, had breakfast, went to school, came home, ate dinner and did homework. But DJ had better things to do than homework. Across the street from him was a shattered, non-painted old house. And in it was an old man know as Mr. Nebbercraker. One day DJ and Chowder where spying on Mr. Nebbercraker when a girl named Jenny came into the scene. She was about their age and was pulling a red wagon full of cookie boxes. She was probably selling them as a fundraiser for her school. She walked up to Mr. Nebbercraker's door and was about to ring the doorbell when DJ and Chowder came running down after her screaming not to. As she rang the doorbell a low echoing sound that seemed to go miles into the center of the earth boomed and the two large parallel windows above her turn bright red and turned into a pair of evil red glowing eyes. The door swung open and razor sharp shards of wood came out of the top and bottom of it, and then the rug leading to the back of the house turned into a tongue and soon it looked much like a face. All of the sudden the walkway to Mr.Nebbercraker's front door turned into an inclined plane and then Jenny started to almost roll down right to the razor sharp teeth. Just as she was about to be devoured by this "monster house" DJ and Chowder caught her and ran back across the street and back to their room. Of course Jenny was stunned and knew they had to stop this evil house. Ever since that day DJ watches Mr. Nebbercraker's house to get some proof that this house is... ALIVE! But Halloween was coming up and all of the people that trick-or-treated Mr.Nebbercraker's house will be eaten. So begins a battle of three kids and a living house nightmare!





Opinion
Monster House was a fun and entertaining book about three kids and a living nightmare. I recommend Monster House for people who like suspenseful, action scenes. It was a very good book, and every night I was tempted to read more and more of it. It was just like I was watching the movie right in my bed!

DJ's and Chowder's life was simple. They woke up, had breakfast, went to school, came home, ate dinner and did homework. But DJ had better things to do than homework. Across the street from him was a shattered, non-painted old house. And in it was an old man know as Mr. Nebbercraker. One day DJ and Chowder where spying on Mr. Nebbercraker when a girl named Jenny came into the scene. She was about their age and was pulling a red wagon full of cookie boxes. She was probably selling them as a fundraiser for her school. She walked up to Mr. Nebbercraker's door and was about to ring the doorbell when DJ and Chowder came running down after her screaming not to. As she rang the doorbell a low echoing sound that seemed to go miles into the center of the earth boomed and the two large parallel windows above her turn bright red and turned into a pair of evil red glowing eyes. The door swung open and razor sharp shards of wood came out of the top and bottom of it, and then the rug leading to the back of the house turned into a tongue and soon it looked much like a face. All of the sudden the walkway to Mr.Nebbercraker's front door turned into an inclined plane and then Jenny started to almost roll down right to the razor sharp teeth. Just as she was about to be devoured by this "monster house" DJ and Chowder caught her and ran back across the street and back to their room. Of course Jenny was stunned and knew they had to stop this evil house. Ever since that day DJ watches Mr. Nebbercraker's house to get some proof that this house is... ALIVE! But Halloween was coming up and all of the people that trick-or-treated Mr.Nebbercraker's house will be eaten. So begins a battle of three kids and a living house nightmare!





Opinion
Monster House was a fun and entertaining book about three kids and a living nightmare. I recommend Monster House for people who like suspenseful, action scenes. It was a very good book, and every night I was tempted to read more and more of it. It was just like I was watching the movie right in my bed!

I read the book "Monster House", adapted by Tom Hughes. This story takes place in a neighborhood in the town of Mayville. A kid named DJ knew something was wrong with the house across the street. The house was alive and would eat anything or anyone that stepped on its lawn. When the house came alive, the front door was its mouth, the porch was its teeth, the foyer rug was its tounge, the upstairs windows were its eyes, and the trees on the side of the house were its arms. The biggest problem was DJ and his friends were the only ones that could see the house alive. DJ and his friends, Chowder and Jenny, were going to spy on the house and find out what was going on with it. They also wanted to find out why the house became alive after its owner, Mr. Nebbercracker disappeared. After spying on the house with their telescope, the 3 friends realized that the house was really alive and the furnace was the heart and soul of the house that kept it alive. The friends made a plan to get inside the house and put out the fire in its furnace.
The three friends went onto the lawn and up to the house. When the house "woke up" it stared to chase them. DJ, Chowder, and Jenny ran down the street and the house chased after them. They led the house to the back of the neighborhood to a construction sight they called "The Danger Zone". While the house chased the kids, Mr. Nebbercracker showed up. He had been sick and was at the hospital. Mr. Nebbercracker was trying to calm the house down. DJ finally climbed to the top of a crane and dropped dynamite into the house's chimney. The house exploded and destroyed the furnace. While the house was burning, the kids and Mr. Nebbercracker saw a spirit floating up from the ashes. It was Mr. Nebbercracker's wife, Constance, who had died years before. Her spirit was trapped in the house and when Mr. Nebbercracker went to the hospital, she thought that he had died and left her alone. She was released when the kids destroyed the house. Mr. and Mrs. Nebbercracker were able to say good-bye and Mrs. Nebbercracker's spirit was finally free.
I loved this book because its details. The description of the house was great. I could actually envision the house in my mind. I also loved the suspense.

I read the book "Monster House", adapted by Tom Hughes. This story takes place in a neighborhood in the town of Mayville. A kid named DJ knew something was wrong with the house across the street. The house was alive and would eat anything or anyone that stepped on its lawn. When the house came alive, the front door was its mouth, the porch was its teeth, the foyer rug was its tounge, the upstairs windows were its eyes, and the trees on the side of the house were its arms. The biggest problem was DJ and his friends were the only ones that could see the house alive. DJ and his friends, Chowder and Jenny, were going to spy on the house and find out what was going on with it. They also wanted to find out why the house became alive after its owner, Mr. Nebbercracker disappeared. After spying on the house with their telescope, the 3 friends realized that the house was really alive and the furnace was the heart and soul of the house that kept it alive. The friends made a plan to get inside the house and put out the fire in its furnace.
The three friends went onto the lawn and up to the house. When the house "woke up" it stared to chase them. DJ, Chowder, and Jenny ran down the street and the house chased after them. They led the house to the back of the neighborhood to a construction sight they called "The Danger Zone". While the house chased the kids, Mr. Nebbercracker showed up. He had been sick and was at the hospital. Mr. Nebbercracker was trying to calm the house down. DJ finally climbed to the top of a crane and dropped dynamite into the house's chimney. The house exploded and destroyed the furnace. While the house was burning, the kids and Mr. Nebbercracker saw a spirit floating up from the ashes. It was Mr. Nebbercracker's wife, Constance, who had died years before. Her spirit was trapped in the house and when Mr. Nebbercracker went to the hospital, she thought that he had died and left her alone. She was released when the kids destroyed the house. Mr. and Mrs. Nebbercracker were able to say good-bye and Mrs. Nebbercracker's spirit was finally free.
I loved this book because its details. The description of the house was great. I could actually envision the house in my mind. I also loved the suspense.

The book Monster House is really cool, it's all about these three children spy on the house next door. The house is alive and lots of things happen to the kids, if you want to know you could read the book. There are three main characters, they are DJ, Chawder, and Jenny. If you like action books you will like this. The book is not really scary. The auther is Simon Spotlight. Good work Simon! I hope you like it.

Beautifully written novel about fame and it's price. Clementine is sent on her final assignment for Flame magazine about the rise of current 'hot' actress Allegra Coleman. The car carrying the two women, which Allegra is driving, is involved in an accident. Clementine loses an eye and Allegra disappears. The resulting media frenzy that follows is deeply explored, Allegra is hotter than ever and Clementine, being the last human to see her alive, is suddenly thrust into the spotlight, eye patch and all.
Sherrill writes with such intelligence and insight on the evanescence of celebrity that I came to look at this Hollywood hyped world in a different way. Heavy quotes such as "Every star is born of a conspiracy of sorts." stick with me still.
The inclusion of ghosts of movie stars past is deftly executed and adds glamour and intrigue and got me interested in these women (Loretta Young, Tallulah Bankhead, Myrna Loy, Mae Busch) and their movies.
A finely crafted novel you won't regret spending time with.

My Last Movie Star by Martha Sherrill is a clever, funny send-up of Hollywood that will suit those who've succumbed the glamour of Tinseltown, as well those cynics that view Hollywood Fame as a force wholly independent of the deserts of its victims.

Elements of the book read as truth. Sherrill presents an authentic insider's view of the star-making machinery that occasionally turns interesting, quirky personalities into genuine Hollywood Stars. The story line and characters are as real as anything you might find in the magazine racks at the grocery store checkout line. Lest the reader confuse Hollywood truth with reality, however, the book is punctuated with supernatural visits from Stars of the past, providing an effective and comical vehicle for examining the nature of Fame.

For those that revel in the fiction of the real Movie Star world, Sherrill is respectful of history, and pays homage to the oeuvres of forgotten Stars. For those who choose to laugh at the self-importance of Hollywood, the story is told through the jaded eyes of an outsider journalist that cuts through sycophantic phoniness like a laser. And provides plenty of belly laughs along the way!

Truth or fiction, Hollywood idol or idiot, My Last Movie Star will appeal to just about anyone the relishes a good story well-told.

My Last Movie Star by Martha Sherrill is a clever, funny send-up of Hollywood that will suit those who've succumbed the glamour of Tinseltown, as well those cynics that view Hollywood Fame as a force wholly independent of the deserts of its victims.

Elements of the book read as truth. Sherrill presents an authentic insider's view of the star-making machinery that occasionally turns interesting, quirky personalities into genuine Hollywood Stars. The story line and characters are as real as anything you might find in the magazine racks at the grocery store checkout line. Lest the reader confuse Hollywood truth with reality, however, the book is punctuated with supernatural visits from Stars of the past, providing an effective and comical vehicle for examining the nature of Fame.

For those that revel in the fiction of the real Movie Star world, Sherrill is respectful of history, and pays homage to the oeuvres of forgotten Stars. For those who choose to laugh at the self-importance of Hollywood, the story is told through the jaded eyes of an outsider journalist that cuts through sycophantic phoniness like a laser. And provides plenty of belly laughs along the way!

Truth or fiction, Hollywood idol or ..., My Last Movie Star will appeal to just about anyone the relishes a good story well-told.

Clementine James, journalist to the stars, embarks on her last celebrity interview with up-and-comer Allegra Coleman. After the interview, Clementine has plans to retire from movie star journalism and live with her stable, steady boyfriend Ned on his farm in Virginia.

But her plans go awry when Allegra crashes the car they're driving in - Clementine winds up in the hospital minus an eye, and Allegra disappears. Instead of going to Virginia to mend, Clementine becomes wrapped up in Allegra's disappearance and southern California culture, attending vigils and having one night stands with TV sitcom stars. Meanwhile, she's getting visits from yesterday's silver screen sirens - Myrna Loy, Loretta Young and Gloria Swanson, just to name a few.

Sherrill really seems to know this territory - stars and the culture of fame - and she writes very believably and farcically about it. Mostly, I found this to be an enjoyable read about the cult of celebrity, but after a while I grew tired of her "encounters" with dead movie stars; it was just kind of annoying quirk that didn't really move the story along. And if you're not familiar with old movies, you may have no idea who most of these women are. But the back of the book does include a cheeky "filmography" that offers a brief synopsis and critique of the movies mentioned throughout.

...and it turns out it goes down a little too smoothly. If you've ever wondered what it might be like to suddenly have the world's celebrity spotlight searching you relentlessly out, My Last Movie Star is a must read.

This book, about a cynical celebrity journalist who accidentally crosses over to become a celebrity in her own right, gives hilarious insight into the seductive but ephemeral allure of sudden fame.

My favorite sub-theme is the author's biting description of the self-important self-adulation of movieland's beautiful elite. The story's protagonist, Clementine James, ends up making some surprising choices when she is thrust into the glare of Hollywood's klieg lights.

One of the inventions that makes this book an original and a great read is the way the writer effortlessly weaves in appearances from the spirits of formerly-exalted-but-now-forgotten movie divas. You'll find out why Demi Moore named her unfortunate daughter Tallulah, among other tidbits.

MLMS will appeal to the serious movie buff, as well as anyone who has wondered about the ridiculous--and lucrative-- conniving that goes on behind the fame-making machine.

Hilarious. Entertaining. Soon to be made into a major motion picture, no doubt directed by Robert Altman, with Renee Zellweger cast as Clementine and Tim Robbins as the manipulative publisher Ed.

Mark Feeney's book provides a more intelligent examination of Richard Nixon, the movies and the twentieth century than anyone writing. That he blends them all together in a seamless narrative is just amazing. He is fair minded and, rare for an intellectual, brimming with common sense.

That doesn't mean that I agree with his analysis of Nixon. In particular, there are three substantive events of the Nixon era on which it is easy to disagree with Feeney:
1. Cambodia: Feeney seems to buy the line that Nixon brought about the fall of Cambodia. He should have read less Anthony Summers and more Lewis Sorley. No respectable historian believes Summers, William Shawcross and their ilk anymore. Sorley (no friend of Nixon) shows just how nearly we came to winning. A quick glance at the map should show anyone that once South Vietnam fell, so would Cambodia. Blaming Nixon is just the way the left avoids its responsibility for genocide.
2. Yom Kippur: Feeney treats Nixon's rescue of Israel in a couple of subordinate clauses, but this was one of the great moments of his Presidency and it was Nixon's personal peculiarities that brought it about. The military tried to block him, his advisors were unenthusiastic ("Get off your fat ass and get those planes in the air, Henry," Nixon is quoted as saying) and the left accused Nixon of organizing a coup d'etat. Only Nixon made it happen and saved Israel in the process.
3. Civil Rights: there have only been 5 US Presidents who furthered civil rights (Grant, Harding, Truman, LBJ and Nixon). Interestingly, they all left office at the bottom of the list of Presidential reputations and they all have revisionist cheerleaders, although only Truman has been pulled out of the gutter so far (Grant will be next). Nixon's signal acheivement was to pursue a liberal civil rights program (integrating the schools in the South, affirmative action, etc.) while winning white southerners to the Republicans. This depoliticized civil rights to such an extent that today the most conservative institution in America - the military - is also the least racist.

There is far too much emphasis generally on Nixon's anger and poverty creating the "Nixon Era" of break-ins and wiretaps (Feeney does a better job than most). The "Nixon Era" began in 1931 when Herbert Hoover used Naval Intelligence to break into the office of an unfriendly biographer (see Conflict of Duty by Dorwert). FDR, JFK and LBJ expanded the "Nixon Era" until, about the time Bill Moyers, then LBJ's aide, ordered the FBI to dig up dirt on Republican homosexuals for blackmail purposes, the FBI decided to go freelance, setting up COINTELPRO and assorted other programs without outside knowledge (possibly even without J. Edgar's knowledge). Ironically, it was Nixon's efforts to make the FBI more responsive to elected officials that turned Mark Felt into Deep Throat and brought Nixon down.

Nixon ended the Nixon Era by being so uncharismatic. Just as OJ, Robert Blake and Michael Jackson could get away with their crimes because of their celebrity, FDR and JFK could, too. The growth of government has not been ended but the growth of its shadier bits is firmly under control thanks to Nixon, because when he fell, so did a lot of average people. The rules changed for public servants. "Just following orders" no longer got you a gig on public television the way it did Bill Moyers (just compare the good Charles Colson has done for society with what Moyers, a premature angry old man has failed to do). Bill Clinton's sale of technological secrets to China for private gain was made known by the Director of the FBI, because he knew that if he stonewalled, he would be punished.

And Nixon's contempt for the Ivy League was far healthier than LBJ's awe of them. LBJ had big doubts about Vietnam but yielded to the "Harvards" in his administration who ran the war into the ground. Nixon's contempt for their intellect kept them in line ("Get off your fat ass, Henry"). Nixon may have been angry at Kissinger's attempt to steal credit for his own ideas, but he must have gained a certain satisfaction out of it, too. What better way to prove your superiority than to have a Harvard professor cheat by copying from your exam?

Today, it is obvious that Nixon really won. Richard Ben-Veniste, the golden boy of Watergate, was last seen engineering a crude and sordid coverup of a scandal in which, unlike Watergate, Americans did die, thousands of them. The media now is rated by the public [another irony!] on a par with used car salesmen. Dan Rather, the newsreader who delighted in tormenting Nixon, was forced to resign, proving himself to be both unethical and stupid to boot. And for the first time since 1930, conservatives control all three branches of the government.

It is that last point with which Nixon would not take so much satisfaction. Nixon was the most leftist President we ever had, the "last liberal," Garry Wills called him. "I gave them a sword," Nixon told David Frost. But he didn't give it to the Democrats; he gave it to the right wing of his own party. It was Barry Goldwater and Howard Baker who told Nixon that he had to resign because the rightwing wouldn't stand by him. The right took Nixon's sword and gave us the modern world of Reagan and Bush2 by thrusting it into the belly of liberal Republicanism.

Bill Clinton was a bigger crook than Nixon (beginning with Hillary's shortsales of pharmaceutical stocks as a newly appointed health care czar and ending with a wholesale auction of pardons to any gangster with enough Benjamins). He was also as rightwing as Nixon was leftwing, with his main accomplishment being the shutting down of the SEC, turning Wall Street over to crooks who cost the economy a larger share of the national wealth than was lost in the Great Depression. Clinton gave the leftwing of his party a sword too, but the left, fools that they are, committed hari kiri with it.

Feeney may disagree with the above, but his splendid book shows how we got here nonetheless.

This is an incredible book, approaching Nixon's life through the movies he was known to have seen and liked. The result is an overlapping portrait that is both unexpected and insightful--in one chapter he's being likened to Walter Neff from Double Indemnity; in the next he's seen wishing desperately (yet a touch ambivalently) to be John Wayne. I'm entranced--something I never thought I'd say about anything related to Nixon.

There should be equal time for a book about JFK and the movies. JFK appears everywhere in the American cinema, from THE MANCHURIAN CANDIDATE to PT-109 to THE GREEK TYCOON, not to mention his own real life romances with movie stars like Gene Tierney. His father made a pass at becoming a tycoon during his own affair with silent star Gloria Swanson. It might be, however, as Feeney suggests, that Nixon is a more natural film subject, if only because the shadows are darker when it comes to Nixon, and the contrasts between the light of California and the darkness of Watergate and Cambodia is more shocking.

We knew that Nixon watched a lot of movies while he was President, but it's startling indeed to see him attending several movies a week even when he was "in between jobs." Feeney shows how Nixon and American film grew up at the same time, even though he may be stretching a point to cite De Mille's SQUAW MAN (1913) as the first American full length film, that's simply wrong. You might as well call John Waters' SERIAL MOM the last American movie, since bizarrely enough that was the number one movie at the box office the day Nixon died (April 22, 1994).

I liked Feeney's writing throughout, and the parallels he makes between Nixon's character, and the character of several American film heroes (like the part Jack Lemmon plays in THE APARTMENT) is always clever and rings surprisingly true. There is something, perhaps, about identifying oneself as a member of the moviegoing audience, as Nixon did, that makes you a little more --what, passive? -- than other US politicians.

Did Nixon miss his calling? Should he have been a Hollywood film reviewer? Nixon was born near Hollywood, where characters were reshaped and manufactured, in 1913, the same year that Hollywood produced its first film, Cecil B. DeMille's "The Squaw Man." In a time before DVD's and VHS/Betamax (when "R" rating meant Regular, not Restricted (hehe)), he watched 538 films during his 67 months in the Presidency (not counting his Vice Presidency under Eisenhower); he was screening about two 35mm films per week, sitting in a darkened room. But aside telling us that Nixon viewed PATTON three times during the VietNam War and Cambodian incursion (both Patton and Nixon suffered the indignities of serving under Eisenhower), or that he loved the works of John FOrd, and in his last White House years, more classic films were selected for him, the author creates a fascinating portrayal of Nixon and a cultural history of America's hopes and dreams and myths and realities, specifically through the metaphors of some of the following films: THE CONVERSATION (1974, Gene Hackman is filled with guilt and secrets, hidden away); PATTON (1970, war, leadership, and Eisenhower); MISTER ROBERTS (1955, the banality of being an administrator); DARK VICTORY (1939, Reagan plays a playboy as Bette David is dying and George Brent is trying to sure her, contrasting Nixon's ambitions to those of a playboy); and DOUBLE INDEMNITY (1944, growing up in Southern California)

I absolutely loved this book! Every chapter is full of insights into Nixon and the movies. Mark Feeney takes five movies Nixon is known to have enjoyed, and wrings out all kinds of fascinating connections between the story line and Nixon's own personality. Not only politics, but culture and sex and money and ambition and pain -- this book teaches amazing lessons on everything that shaped Nixon. Don't miss the sections on Elvis and Nixon as twin icons of un-cool!

My only complaint is that Feeney never brings Humphrey Bogart into the mix. The amazing and authentic "movie diary" at the end of the book makes it clear that Nixon screened both THE CAINE MUTINY and THE TREASURE OF THE SIERRA MADRE while in the White House. Why didn't Mark Feeney jump on the SCREAMINGLY obvious ties between Nixon and Bogey?

Look at Humphrey Bogart's face -- the mean, kicked around face of Richard Nixon. Look at the unshaved beard, the shifty, beady little eyes. Look at how every man Bogart ever played was a cold, paranoid loner at heart, often with a homicidal streak. It's much easier for me to see Nixon as the vicious small time prospector Fred C. Dobbs (in TREASURE) or as the frightened, incompetent naval officer Philip Queeg (in CAINE) than as the smooth, sexually confident insurance salesman played by Fred MacMurray in DOUBLE INDEMNITY.

Note how Fred C. Dobbs is convinced everyone is after him. Note how he's capable of holding on to sanity -- just barely -- until he finally strikes it rich. The fact of finally having gold is what makes him lose his fragile grip on reality -- just the way Nixon survived years of political exile but cracked up the moment all his dreams were within his grasp. By turning on his buddies in bandit country, Dobbs ensures his own downfall systematically. He commits all the most horrifying acts of betrayal, but in his tortured mind it's always a matter of self-preservation. ("No, not murder, partner, not murder, your mistake! I'm saving my life that you'd be taking from me!")Sound familiar?

And how could Feeney have skipped writing a chapter on Bogart's role as Commander Philip Queeg in THE CAINE MUTINY? Nixon is so obviously Queeg it's like the movie was an eerie prophecy. Queeg is a weak, shifty eyed nervous wreck pathetically masquerading as a heroic military commander. Queeg knows he's not the John Wayne type. And he knows his officers know it. He constantly feels menaced by "disloyal officers" and insists "from the first they were all against me." Queeg routinely lies and cheats in order to avoid taking responsibility for his own ineptness as a commander. ("Take the towline . . . defective equipment . . . nothing more!")Queeg longs to rouse and inspire with his speeches, but his attempts at frank man to man talk are pathetically hollow. ("I kid you not.")THE CAINE MUTINY is the best movie ever made about Watergate.

Humphrey Bogart would have been the most logical choice to play Nixon in a major motion picture. He understood Nixon and acted out his tragedy back when Nixon himself was just a young congressman from California. How did the brilliant Mark Feeney miss the Bogart connection?

Cute and adorable and gentle, just like the TV show. Has fun words for kids to say, "Splinkie, splinkie" for the piano, "Hoo-wee" for Daisy, etc. Introduces all the main characters.

The illustration style and plot is well done. I only wish I could have some of that quaint music from the TV series included herein.

I have not read this book, but the TV show (starring same Octopus and airing on the cable channel Nickelodeon) is wonderful. It is very gentle and promotes good values. Most importantly, it is not drawn in that weird "hurky-jerky" style that so many cartoons are drawn in today. My kids love the show, and will probably love this book after it arrives. PS to the previous reviewer, a CD of music from the show is available on the nickjr.com website. An interesting note: Fred Savage (from the Wonder Years) is the voice of Oswald, and other notables are: Squiggy from Laverne and Shirley as the Penguin, Lorraine Newman, Mac Davis, and Tony Orlando as other characters. The show is great, check it out!!

My children love the show and so I bought this book for them. They love it. It is repeative as Oswald keeps meeting more and more neighbors in Big City. This type of repeative reading is good for young children. Funny sounds and friendly characters adds to the charm of this tale of how Oswald meets all of his friends.

I have to read it before nap and bedtime. If your child loves watching Oswald, they will love this book. It's written so you have to act out sounds and, of course, imitate the character voices. The illustration is just like the show. Great book for any child.