Television Books

Although I wasn't born yet (at the time of the premier), I did in fact grow up seeing the program on syndication, during the early 60s'. Of course, I was one of billions who had a crush on Annette (Funicello).So when I saw the book at a Barnes & Noble store, I quickly purchased it!I must say, it really brought back memories. Not only were the photos great, the personal stories relating tothe mouseketeers (on a past to present experience) was just fantastic. I hope that, maybe, another book will be published in the near future.

The Mickey Mouse Club was the first show my parents turned on to keep me quiet for an hour back when I was a toddler.Disney and his works have a very important significance to me.The Mickey Mouse Club became a classic-and is such a milestone among children's television,it's hard to believe it originaly only ran three years.Yet,it is so fondly remembered by viewers that it will last forever in our minds.And,to Leonard Maltin,I was also one of the many who learned how to spell Encyclopedia from Jiminy Cricket.

If you're a Mousekefan, and I mean a fan of the REAL Club, the 50s Club, you'll love this book. There's so much info, background, and lots of nice photos from behind the scenes. I'd like to have read much more about what happened to the rest of the Mouseketeers, but this is still a delight to read.

This was an excellent book! I couldn't put it down. I read the book in two days. It told about the lives of the Mousekeeters and even about some who didn't make it. I really know more about the Mousekeeters and about the show now. It was exactly what I was looking for.

Although I wasn't born yet (at the time of the premier), I did in fact grow up seeing the program on syndication, during the early 60s'. Of course, I was one of billions who had a crush on Annette (Funicello).So when I saw the book at a Barnes & Noble store, I quickly purchased it!I must say, it really brought back memories. Not only were the photos great, the personal stories relating tothe mouseketeers (on a past to present experience) was just fantastic. I hope that, maybe, another book will be published in the near future.

I got this books as a present for my kind who loves Evanescence and has followed in pretty much detail their story and tracking. It provides very good background information and interesting notes on the group.
A must-have for the die-hard fans.

This is a really good book for fans of Evanescence and Amy Lee. It has some nice pictures of Amy in it. The written part of the book isn't really anything special. There's nothing unusual about the man's story and there's nothing wrong with that. A person or band doesn't need a story of suffering and starving if their art is as good as that of Evanescence. I got the impression that someone had photos that they wanted to turn into a book to make money and that the writer is just someone who was contracted to write the thing and had no personal interest in the subject matter. Almost everything written has an annoying habits of saying "In SO AND SO MAGAZINE ON SEPT 13, 2002 it was said that...". I give the book five stars for the pictures. If I were reviewing only the written part I would probably give it a 3 star rating.

I picked up this book at Hot Topic when i was just browsing. So i bought it. I started reading it the next night, it was well written. I just couldn't put it down because i wanted to know "everything" about my favorite band. They have some great photos too. I read this twice then put some of the pictures up on my wall. It covered almost everything you would want to know about this band, past and present. It was full of great facts that i've never heard before. So i recommend you read this book, its very interesting and if everyone could only read this, it would probably put an end to all the Evanescence rumors.

Great awesome book about Evanescence. The author did a really good job explaining Evanescence's roots, background, history, etc. And there are lots of cool pictures of Amy and the band. Overall, just a really cool book. Defintley recommend to any Evanescence fan.

I picked up this paperback while staying in Florida. It was hard to find on the shelf because it's actually very small. I paid 12 bucks for it and it was worth every penny.
I'm a knowledgeable fan of Evanescence I was very happy to find a few tidbits here and there I didn't know already. If you're like me, you're tired of reading/hearing "Ben and Amy met at summer camp" and "Bring Me To Life is about this" etc. The book had some great light reading covering the bands humble beginnings all the way thru the last stop of their tour. It's very easy to read and the pictures included are quite nice. I was hoping for some rare images, maybe like some early photos of Ben, Amy and David but no luck there. Most of the photos are recents, in black and white and a few color photos are thrown into the middle of the book.
My favorite part was the timeline in the back. Here the reader can see specific albums, track listings, locations of shows etc. Pick this book up if you like Evanescence, it's like having your own Evanescence scrapbook.

I grew up watching Ms. Holly on OLTL in the 70's. I remember the Ebony magazine cover that had her and Al Freeman, Jr. being married on the show. I read this powerful book many years ago and felt her pain from the first page. When she spoke of being passed for White, she stood her ground and her position was clear. She made it firm in every role she played that she was Black and proud. This sista is a Queen on all fronts. When I finished her book (which is a powerful read), I was so disguted with the way OLTL treated her I stopped watching the show in protest. To see some of the actors on that show win award after award with no talent at all turned my stomach. This woman deserves a Lifetime Achievement Award from the Daytime Emmys because she put her dues in. She laid the groundwork for the Debbi Morgans, Bianca Fergusons, Shari Headleys, and Veronica Webbs of Daytime TV. If it wasn't for Ellen Holly puttin' it down the way she did, none of the other African-American daytime actresses I just mentioned would have had a chance at achieving success at a career in the soaps. Thank you Ms. Holly for your sacrifices and your triumphs. You are a quality talent that I have nothin' but respect for. God bless Ellen Holly for being the Queen that she is and thank you for this phenomenal book. It should be required reading! Wherever you are Ellen Holly, I pray that you are well. You are respected and loved by the real fans of OLTL that know what REAL talent is.

I initially bought Ellen's book because I was an avid OLTL fan. I wanted to read about the years that she spent as "Carly Gray" on my favorite soap opera. Ellen Holly is such an eloquent writer that she had me enthralled with her life from page one. I forgot why I first bought the book and I didn't want it to end.

If Ms. Holly wrote another book, I would buy it the minute it hit the stands; that is how great I think her writing is.

I have to say that I first saw Ellen Holly playing Judge Frances Collier on Guiding Light. As a caucasian american woman and a lifelong soap fan, I was shocked to learn that she was dismissed from One Life to Life. I wanted her role on Guiding Light to be expanded. Ellen added a touch of class to the show. At least that job provided income to pay some bills, besides Ellen Holly is an intelligent resourceful woman. It took me only a couple of hours to read this magnificient book. I still think Ellen Holly is a very attractive and talented woman. I was glad that finally somebody broke the image of the happy loving family in the soaps. The soaps have never been an easy environment. I have to say that Ellen deserved more than being dismissed and the pitiful salary that she and her co-stars like Al Freeman and Lillian Hayman received is awful. I would say that Agnes Nixon should have done more for Ellen. Despite the bitterness and anger, Ellen maintains her dignity and most of all, she is proud to be who and what she is. She could have easily passed herself off to get work and roles but she chose to lead her career with honoring her family history and ancestry. Still, I would like to see Ellen act whether on stage, television or film. I wish Ellen the best of luck. I don't care what the race of the character is as long as it's played appropriately. Ellen fought for Carla Gray. Sure, people think that soap couples become boring after a while but I don't think so. I think they could be just as interesting. As a soap fan, I love watching familiar characters like Carla and Ed Hall but their departures were just awful. I still wish the best for Ellen and this book is quite an interesting read. Ellen is true to herself and to her readers. I think she has mixed feelings about playing Carla but she is grateful to her fans and people who fondly remember her. No, she never made stardom that she deserved but she is in many ways a star.

I am a voracious reader, but never have I been so captivated by the style and well chosen words of this mesmerizing writer. I felt Ellen's feelings and found myself hanging on her every word, as she guided me through the events of her life. I was especially taken by her strength as she received the many attacks on her African background. She responded with pride and dignity and always seemed to leave the attacker disarmed. I was so taken by her genealogy, I felt compelled to travel the road to the African prince who escaped from the slave ship. I have validated most of the genealogical information on her prince ancestor and have enjoyed the exercise.
This book is a must read for anyone who is interested in history, the theatre, or just want to get to know this beautiful, charming, and well educated lady.

billnell@fibervision.com

If you are an actress or screenwriter in Hollywood or New York, read this and think about it. This is not just another "who I slept with" tell all. Ellen Holly's life is really a cautionary tale about the perils intelligent, ambitious, talented black women face in the entertainment industry (and in life and love of course). Dorothy Dandridge wasn't the only black actress trying to make it in the 1950's and Diahann Carroll is not the only survivor. Ellen Holly, who has written for the New York Times and still writes screenplays, is truly one of the faceless pioneers that opened the door for the Halle Berrys, the Vanessa L.Williams, the Angela Bassetts and the Tina Andrews in Hollywood today.

I enjoy reading books written by celebrities. It helps you understand who they really are and whether they are genuine or not. Carol Burnett definitely is. This book is about her life from when she was a child to when she got her break. She had a very rough childhood but she also had love. Her mother was definitely dysfunctional. Her Dad was not in the picture due to her parents divorce, his illness and booze. But when she did see him, he was very sweet to her. Her mother had her own demons. Pregnant with Carol's sister Chrissy by a married man (Tony), she had the baby and kept it. Carol's mom also dealt with alcoholism. Nanny was the root of her childhood memories. She came off as weak and elderly but she really was the rock that held the family together. She did everything she could to keep food on the table and a roof over their head when Carol's parents couldn't. Nowadays, if someone grew up in this type of situation, they would probably end up dysfunctional themselves. Not Carol. Carol, no matter how bad her childhood was, she played by the rules. She received money from an unnamed elite in Holllywood to go to New York and have a shot at Broadway and she appreciated it. She wrote letters to this person to let him know how she was doing and when she finally earned enough money, she paid him back. She rescued her sister Chrissy when things got tough at home and raised her from her teenage years. I admire Carol for her success but more importantly for how she has handled her fame. She sets a great example for people who have become famous. Especially for those who have started from nothing. I am so glad I read this book. I'm now off to find the TVLand schedule to see if there are any Carol Burnette Show re-runs to watch.

Carol Burnett is probably best known for her television show where she performed in various skits with a talented cast. One might not realize just how shy she was as a kid, or that she never dreamed of being a movie star until college. However, it is all here in this autobiography, a charming and personal account of a life filled with entertaining characters. We learn about Nanny, the woman who raised Carol and her younger sister Chrissy. We find out about Carol's alcoholic parents Jody and Louise, very different people and different influences on Burnett's life. There are many stories of growing up, school, various jobs, and family, each incredibly relatable and great fun to read. It is hard to put this book down. It is written to constantly leave the reader wanting more and never disappointing.

It is obvious that Burnett has a great love for her childhood although she wasn't always the most popular or the richest. She is an ordinary woman with a life that anyone can latch onto. The only disappointment is that it is so short. Burnett skips talking about her famous tv show as well as the marriage that brought her the three children she wrote the book for. It leaves the reader wanting more. Perhaps there will be a sequel one day; it will no doubt be as good as the first.

Carol Burnett hit the bullseye with the re-telling of her now familiar life story. The pacing is gentle and flowing while the anecdotes and stories are vivid and well written. Reading this, one can really appreciate "destiny" because the truth is that someone who had her experiences should never have even had the gumption to get herself into UCLA -- let alone take the rest of her journey.

Yet she did it all, with both verve and aplomb and for those of us who are fans, we're grateful that she was able to share her natural gifts with us. Singer, comedienne, actress, entertainer -- she's all of them and more -- and how she got there is a wonderful reminder to everyone that you can't ever stop believing in the power you have to imagine your own life and destiny.

If you're a Carol Burnett fan, you'll acquire a deeper appreciation for her after reading this autobiographical account of her early years. Her parents were divorced alcoholics who died young. She was reared by a grandmother with her own checkered past, sharing a one-room, flophouse apartment with her until she finally moved out to try to make it as an actress. Their story was one of constant struggle and seemingly relentless poverty. Yet Burnett is living proof that, though we are all products of our past, we should never abandon hope. Despite her personal tragedies, she has become someone we all associate with laughter and love. She, like her personal story, is simply inspirational and amazing. A worthwhile read that you won't ever forget!

I enjoyed this autobiography so much. I'm not American, and cannot even remember ever seeing Carol Burnett on TV, but reading the auto I felt I was really sharing her life. I got to know her family so well. They came to life for me.
Just after I finished CB's book, I started reading one about Jackie Onassis. JO's life seemed so empty, worthless, and dull by comparison.
I also know that CB was telling the truth. I could feel it. I once read Shelley Winter's autobiographies, and I sensed that there were incidents that she either made up or distorted, so I wasn't surprised when people came forward and said SW hadn't been, to put in mildly, accurate in some of her accounts.

If you need a way to get employees, vendors, customers or anyone else up to speed quickly on how cable television networks are being re-designed for digital and interactive services, this is the book for you. It clearly and concisely covers the widely varying technical issues involved in designing broadband systems. I think it will a handy reference tool to both technical and non-technical readers.

Although I have been reading a lot of documents related to OpenCable, I was looking forward to a comprising work, where all was coming together. That book is now available. The good structure and well managed balance between the bigger picture and the details makes this is a very interesting book for a wide audience in the North American cable community.

No kidding. Michael Adams has taken very complex technical subject matter and crystallized it in a conversational, easy-to-read manner, injecting personality and humor to make the text thoroughly enjoyable. Very refreshing approach to material that is usually inaccessable to non-engineers. Highly recommended for anyone in the broadband networking arena. Calculus is not a prerequisite!

The opencable industry has great promise and potential. In its early formative stage, various industry participants (hardware and software developers, service providers, cable MSO engineers, etc.) really need and will benefit greatly from this book.

Michael Adams has done a great job of pulling together various information pieces in a coherent framework in an understandable and easy to read manner: history, rationale, process, market and technical details of the OpenCable architecture; current status and future direction. I recommend this book highly.

Satish Thatte, Director, Product Management & Standards LG Electronics Research Center of America Princeton Junction, NJ

Although I have been reading a lot of OpenCable documents, there was a wish to have a book that gave the overview and connected the pieces together. That book has now arrived. I can recommend it to all that like to have more knowledge on digital cable and the overview of opencable.

Being a film buff, and the latest Phantom of the Opera now my favorite flick, I wanted to garner some history of the various film adaptations and this was very interesting.

This is THE MOST comprehensive book to date on the 1925 film, 'The Phantom of the Opera'. It has countless articles, interviews, facts, newspaper clippings, screencaps, photographs, etc. Amazing. 'Nuff said.

Shame on the editor of this book! The incredible research that went into this book is belittled by the fact that it is not very well written. Spelling and grammatical errors abound in this otherwise-excellent volume. This is the only book I own from this series; I sincerely hope that these problems were absent in other titles.

Other than that, I can say that this is the definitive book about Chaney's Phantom. Facts in this book are repeated in the "ultimate edition" 2-disc DVD, which includes the best-they-could-do of the 1925 original, which eluded the original authors of this book.

Regardless of my own personal pickiness, if you are a fan of silent films and/or Chaney's Phantom, please get this book. It's a wonderfully immersive read.

I had thought Riley's work on MagicImage's THE BRIDE OF FRANKENSTEIN was the be-all end all coverage of a classic film until I'd picked this up. And just like the other reviews have stated, this is comprehensive and *THE* book on the original Phantom whether for casual interest or serious study. It's like compiling EVERY single article that you've seen or heard of on the film into this one rather large compendium. Forget Famous Monsters (Devil rest its soul) . This ... is serious and you will walk away with a new appreciation for the craft that was involved in creating this and other old films. Yes, the pressbook is here, scripts, interviews and other insights to this film that would otherwise be lost. There's a ton of stills that are quite rare and just as rarely seen. The pressbook is just incredible, being a total movie-promo snapshot of times gone by. It was cool to see, albeit small, a shot of Chaney and his wife (!) showing up at the premiere. There are scene comparisons betweeen the releases via text and pictures (the unmasking scene) as well as visual reconstruction of scenes deleted from the movie premier that none will ever see in moving form (likely) EVER again, but here, we see them sequentially by way of actual stills, adding some understanding as to why the reissue is oftimes a confusing flick. Another really welcome part was the overview of Chaney's changing makeup throughout the film to accomadate the drama. This is the first time I think I've ever seen a commentary (AND with photos) on what I'd noticed while watching the film, at least one this thorough. But here, stills illustrate the changing nose, forehead, cheekbones, and totally puts into perspective Chaney's mastery of the medium that he'd worked in and what he was trying to convey with these changes. If you want in-depth, this is it. If you are a Chaney Phantom geek, this is it. Pick it up, and don't think about it too long, since this will likely go out of print and be a pain to find, much like the BRIDE OF FRANKENSTEIN edition. If you're serious about Chaney, also check out LON OF 1000 FACES, by Forrest J Ackerman, which is a rerelease of the title, that just came out (9/03). It provides a VISUAL/PHOTOGRAPHIC overview of Chaney's films that would be a good companion to Riley's or any other Chaney book. That one draws from Ackerman's massive stills collection, ...

THE PHANTOM OF THE OPERA (1925) is one of the most famous silent films ever made, and this book follows the making of the film from beginning to end. Riley starts with the story of the Paris Opera house, Gaston LeRoux, and the novel. Then he follows the complicated production, with problems over Lon Chaney's participation, many rewrites, previews, and re-edited versions. When sound films came along, it was re-cut and opera sequences were added. This book has reprinted the entire pressbook, the original script, plus sections of the different script versions. Riley interviewed heroine Mary Philbin and several of the technical crew-members for this book. If you are a fan of Lon Chaney Sr., you will want this book.

Photojournalism reached its peak in the years immediately following the Second World War. These were the years when Robert Capa, Henri Cartier-Bresson, David Seymour, Ernst Haas and Werner Bischoff wandered the world taking photos for the Magnum Photo Agency. David Douglas Duncan was one of their contemporaries. Instead of taking photos for the more glamorous Magnum, he worked for Life Magazine. Interestingly, his reputation is not as great as the Magnum photographers. One has to wonder whether it was his talent or the place he worked for that caused him to be consigned to the role of a lesser master of Twentieth Century photography.

"Photo Nomad" is a collection of Duncan's work from the late 1930's to the late 1970's. Duncan like his peers was everywhere during this time period. If something important was happening in the world, Duncan was there taking photographs. His photographs of the Korean and Vietnam Wars are especially powerful. However, if he will be remembered for any images, it will be for his wonderful photographs of Pablo Picasso. "Photo Nomad" is as much a history book as it is a collection of first rate photographs. Highly recommended.

Great photo history of the wars and their effect on our country. A good book for young audience viewing.

The photographs in this book are fantastic and fascinating. However,the author's wordiness (comments on almost every page, written in a sort of notehand style) detracted from them. I would have liked to have seen a lot fewer words, letting these marvelous photographs speak for themselves.

David Douglas Duncan's book is an extraordinary collection of photographs documenting a range of events in this interesting man's life. Of special interest to me were the photographs and images he captured in Korea during the war. That was a place I served during the last year of that conflict,and the book brought back many memories of a time long ago.

This book I treasure, and it is my intent to return to it often in the years that remain in my life.

How happy I am that I was able to locate it through Amazon.com.

David Douglas Duncan LIVED the twentieth century. The wars, the celebrations and celebrities, the places and times--HE WAS THERE, and he captured it on film. As page twenty-four introduces, "My 20th Century". Photo Nomad is a photographic autobiography of his life, a life of such far-reaching adventures, experiences, and travels that is almost impossible to fully comprehend. In a time when most photo books have the lifespan of the latest pop song, this book is an epic. Beautifully printed in Italy, it is a quality volume that will last many lifetimes and provide endless inspiration.

The end, on post-production, is priceless. Especially the material about adding the score. But I think Louis B. Mayer comes out as the true hero, because of his skill at balancing commercial and artistic considerations.

Lillian Ross's books "Picture" and "Portrait of Hemingway" were listed as two of the top 100 best-of-the-century works of Journalism compiled by 36 judges working under the aegis of New York University.

Lillian Ross made her name with this New Yorker series about a half century ago. It was startling in its cynical and very humerous view of the self important and self delusional power players at MGM. With all that we have learned about this industry during the intervening 50 years the story has lost much of its potency, but is still a classic of the genre.

I read it in its original form all those years ago. It was a wonderful and hilarious read. But the protagonists, of course, were extremely upset and hated it. Happily,Lillian has survived; still writing for New Yorker.

Lillian Ross has given movie fans and those with a serious interest in film an extraordinary book about the final days of the studio system--and shows exactly why it collapsed. A few years later the independent film-maker emerged, and another book details that experience. Interestingly enough, both books deal with Audie Murphy. Like the Ross book, A THINKER'S DAMN by William Russo recounts the foibles of movie-making, this time in Saigon with Joe Mankiewicz in 1957. Each provides a timeless impression of a bygone movie era.

Lillian Ross, a writer for the New Yorker, heads to Hollywood in 1950 to watch John Huston make his next picture, "The Red Badge of Courage" at MGM, and manages to capture a horrifying snapshot of the studio system at its worst during a difficult time of transition for the film industry. She happens to be on hand to see Louis B. Mayer forced out and Dore Schary installed as studio head while the film is in mid-production. There are several scenes of Huston grinning and bearing it as Schary pompously lectures the great director of "The Maltese Falcon," "Treasure of the Sierra Madre" and "The African Queen" on how to make a movie. Schary pompously cites how he "solved story problems" in several of his own stodgy, now-forgotten pet projects as producer, like "The Next Voice You Hear." In one hillarious scene we see Arthur Freed, MGM's great producer of musicals, playing yes-man to Schary, and we glean, perhaps, how Freed, by appeasing the new boss, managed to keep some autonomy for his own expensive production unit through much of Schary's cost-cutting reign.

Then come the ill-conceived (or deliberately rigged) sneak previews. This serious war drama is screened at a local theater for an audience that came to see a Ginger Rogers romantic comedy, and the audience response is... (surprise!) vociferously negative. They find the film depressing, and many walk out. The old adage that new executives try to kill the projects put into the works by their predecessors may apply. Schary uses these preview results to justify having the movie re-cut while Huston is out of the country working on another film.

Anyone who suspects that there never was a golden age of Hollywood without inept executives and corporate committees will enjoy this book. You wonder how anything good ever gets made. Cynics will chuckle, film lovers will just shake their heads in sorrow. Of course, there is that other adage about not wanting to see how the sausage gets made...

If you are a I Love Lucy fan this is the book for you.
It has some of the neatest quotes, Funniest quotes, and your favorite quotes. It may be short but it is worth long time and effort. So this is the book for you Lucy fans !!!!!!!!

I was out finishing the very LAST of my Christmas shopping when what do my wonderous eyes see? This Quotable "I Love Lucy Book"! What a treasure!!

I leafed through the book and immediately had to get it as a Christmas gift to myself! Any Lucy fan whether it is yourself or a friend or family member will LOVE to get this book!

Although it is by no means a hard read and is full of quotes from Lucy, Ricky, Ethel and Fred with wonderful clear pictures, the Lucy afficenado can tell a lot of time went in picking the quotes out of the many episodes and formatting them into this handy book (129 pages for those who like page counts). I should say a lot of time and a lot of Lucy TLC for the fans of "I Love Lucy" were given from the compiler (Stephanie Chizek)of this work.

As a Lucy fan, I was taken very much by this little golden nugget of Lucy quotes and highly recommend this book for the many Lucy fans and for those with Lucy libraries. This is a MUST and you won't regret one minute for buying this book!

"The Quotable I Love Lucy" is an absolute treasure! With hilarious pictures and quotes, how can one not love Lucy and the gang? The style of the book is great and the introduction is insightful. If you ever wondered what Lucy was saying during "Vitmeatavegamin," wonder no more, as they have that quote in here! I must have for Lucy lovers - I recommend.

With its informative introduction by Tom Watson, The Quotable "I Love Lucy" is a wonderfully presented, memorable volume filled with a superb selection of the best moments and wittiest verbal gags of a truly classic television show that has become an icon of American popular culture from the 1950s down to the present day (thanks to perpetual reruns on Nick At Night). Black-and-white photographs of the unforgettable Lucy and Ricky Ricardo spice up this hilarious selection of classic vignette quotes and mini-scenes. The Quotable "I Love Lucy" is a welcome giftbook for fans of one of the greatest comedy series of all time and a "must" for all Lucy fans everywhere!

I loved this!! i saw it at the store and i was like "o my gosh i gotta have this!!" so i bought it and read thru it. its a bunch of quotes, some of them are really cute, and pictures from episodes. its a nice hard cover and i just loved it! Recently i have seen episodes that i hadn't seen before and just reading that book i knew a dialouge by heart and could recite it along with the person saying it. such as when lucy is asking Ricky to be in the show at the Palladium and she says "...if you dont let me be in that show at the Palladium i'll give you such a punch you'll talk funnier than you do now!" and "Do you know how many times i'll have to sing 'Babalu' to pay for that house?"~Ricky. its really an adorable book that i treasure. they also include the entire Vitameatavegamin speech before and after she is drunk. its definetly for ANY Lucy fan. And i am definetly a Lucy fan!!!
"Its not the gift that counts. Its the lack of thought behind it." ~ Lucy

This is one of those rare books once you begin reading it, it is impossible to put it down. The bright and vivid image of Rachmaninov appears clearly with myriads of subtle details in his noble character. His compositions and his own recordings are presented in the context of his life, which makes the reading very enjoyable; writing stile is non-pretentious, intelligent and adds to overall experience of rediscovering Rachmaninov's legacy. The grand scope in exposition of biographical material is simply stunning. I would hearty recommend reading this work to anyone who loves Rachmaninov's music.

Max Harrison's expertise as a top-notch musicologist is used to full advantage in this masterfully-researched and written biography of Rachmaninov. Like other reviewers, I found Harrison's very detailed assessments of each of Rachmaninov's published works to be incredibly informative. Take, for example, his view that Rachmaninov was, despite popular wisdom to the contrary, an excellent composer of large-scale symphonies. That the shoddy treatment given his first symphony reflected far more the narrow-mindedness and incompetence of the conductor, orchestra, and critics than any real shortcomings in this grand and beautiful work by a young and very talented composer.

Rachmaninoff has never had the authoritative biography that he deserves as one of the greatest composers and pianists of the last two centuries. Nor is this that definitive book. However, it is the most recent, and in many ways it supersedes all previous biographies, although there is still value in the Bertensson-Leyda and (to a lesser extent) the Martyn and Walker books.

It has some great strengths. First, it covers Rachmaninoff's life and career in some (not exhaustive) detail. Second, it discusses his entire compositional career more thoroughly and accurately than any previous book. Third, unlike some other biographies, it unashamedly defends Rachmaninoff's music and style from the foolish and ignorant criticisms that were common for much of the 20th century. Record collectors and piano aficionados will also find it valuable for its thorough discussion of Rachmaninoff's recordings as both pianist and conductor.

The book's major weakness, as with most previous biographies, lies in its analyses. Harrison offers many insights into Rachmaninoff's works, but he also repeats some of the stale and superficial clichés of Rachmaninoff criticism. For example, he finds quotations of the Dies Irae chant in dozens of pieces, when in fact Rachmaninoff only quoted the Dies Irae in four: Isle of the Dead, Paganini Rhapsody, Third Symphony, and Symphonic Dances. Themes in other works, such as the First Symphony, may resemble Dies Irae, but analysis shows clearly that they are different and are treated differently. And because Harrison clings to this shallow and inaccurate "insight," he misses some of the real strengths of Rachmaninoff's music--for instance, that the entire First Symphony is obsessively based on just two themes and one melodic turn. To be fair, no previous Rachmaninoff book has been strong in analysis. And despite these weaknesses, this is still the best that has yet appeared.

Harrison's book is brilliant. Since my first exposure to Rachmaninoff's music, I have been a collector of recordings of his music, the scores, and the composer's own recordings. Having read just about everything written about the composer, including the biographies written by Bertensson and Leyda, Bazhanov, Haylock, Lyle, Martyn et al, I came away from Harrison's book with a fresh image of the composer. It was one of those books that one reads looking forward to each page and almost dreading that the book, as did the composer's life, would end too soon.

Harrison clearly knows the music and all of the recordings. While he obviously places great value in the music, he is not unconditional in his appreciation. He provides a highly informed contemporary critical perspective and places the music within the context of the composer's life. It is the sort of writing that can be appreciated by an informed musician and musicologist, while also being understood and valued by the informed listener.

As I read the book I found myself returning to the Rachmaninoff operas, works which I had not really valued as much until reading Harrison's discussions.

I came away from my reading with a renewed appreciation for the music and recordings of this man who gave us all so much with his creative expression.

In this biography Max Harrison reminds us that Rachmaninoff excelled as a fine composer, one of the greatest pianists in the history of an instrument that has never lacked outstanding players, and he was also a fine conductor. Yet he was basically shy and retiring, insecure and extremely self critical. His portraits show a tall serious figure, his music often demonstrating a morbid fascination with death, through recurring references to the Dies Irae. Yet his music is supremely warm and melodic, and for this Rachmaninoff was often mercilessly slated by the critics who ought to have know better as Harrison states, when analyzing the beautiful Second Symphony, "Rachmaninoff's symphonies should be assessed, not in relation to precepts derived from Beethoven and Brahms. With Rachmaninoff different types of thematic material and musical processes, of moods and feelings, are brought into varying degrees of conflict and finally resolved in ways that are personal and formally satisfying. Logically sustained argument has its role but an instinctive drama of the emotions is this music's chief thrust, its final import being the struggle between representations of the forces of life and death." Like Elgar, Rachmaninoff in the 1920s, felt himself and his music to be out of joint with the times, romanticism was out of fashion, swept away on a tide of vulgarity and atonality. Harrison offers detailed analyses of all the works and does not hesitate to shoot down critics and writers who wrote negatively about his music. Harrison's style of writing is very easy to follow for those who have difficulty comprehending technical terms in music. The book unfortunately has no pictures, but it does include a chronological list of works, an extensive bibliography, two indexes, one of the composer's works and over 50 musical examples. This is one of the best biographies available today and I think any one who reads it will have so much more appreciation for of one of the 20th century's greatest composers, first and foremost, but also Rachmaninoff should be remembered as a brilliant pianist and a fine conductor.