Television Books

A sneak peek behind the Green Acres phenomenon. Contains exclusive interviews, publicity photos, trivia & episode guide.

Once again Stephen Cox writes an amazing book! Like its "siblings", this book is full of incredible photographs, rare trivia and interesting tid-bits. The painstaking research is always evident in this author's books. If you love Oliver, Lisa, Fred Ziffel and gang, then you're going to love this book!

The Hooterville Handbook gives the reader unknown knowledge about the creation, and development of one of the kookiest sitcoms, "Green Acres". It supplies various essays regarding the impact of and interesting things about Hootervile (also Green Acres) and all of its locals. What was so special about Arnold the pig? WAS that salesman married or not? Such pressing questions are masterfully answered by Mr. Cox. Only one glitch, that seems to occur in most of Cox's Classic TV books; he doesn't seem to enjoy writing, watching, or doing anything involving his profession. He writes with a cold air of superiority, which could come across as professional, or rudely distant. Overall, however, this book was fascinating, a good read, and had the insights of the cast, crew, and random essay writers.

I saw Eddie Albert signing a copy of this book at a nostalgia event in Los Angeles in 1998 and I had to go out and buy this book. It's fantastic. You will need no other book to find out about this surreal and wonderful TV classic. Author Steve Cox has done a great job covering the bizarre characters and the exquisite cast of actors who made up this neat show. The photos are rare and presented in the book with a nice design and the Foreword by my favorite character, Hank Kimball, is hilarious. If you want a book about a Sixties TV show and you like Paul Henning's programs ( The Beverly Hillbillies and Petticoat Junction) then you'll love this book. Don't pass it up.

I have had this book in my possession for a long time. It is a necessary tool for any one that wants to know all there is to know about "Green Acres". All of the episode descriptions, guest star information and original dates of airing are listed. There are also interviews with the cast members. Again this is a must have item.

Shel and Neville's book should be required reading for anyone who does a podcast, everyone who's thinking about doing a podcast, even for anyone who listens to podcasts.

They cover all the "nuts and bolts" in an easy-to-read, conversational style. They cover all the tech stuff, like hardware and software, making it understandable for even the non-techies among us. They explain the actual recording and editing process as well as how to get your efforts heard.

More important, at least for me, they go into great detail about the reasons WHY to podcast. They discuss podcasting as a business tool and how it fits into the overall communication plan.

If you wonder about Shel and Neville's credentials, check out their "For Immediate Release" podcast. It's produced twice each week (Monday and Thursday) with Shel normally being in California and Neville in England. But, both men travel for their respective businesses, so they're likely to both be in hotel rooms, halfway around the globe from each other. Yet their podcasts come off without a hitch (usually).

I can't imagine anyone getting into podcasting without reading this book.

This is an excellent, valuable, thorough, well-written resource. No reflection on the authors or the book, but I made the mistake of paying for an "Amazon Upgrade" for this title (supposedly enabling online reading and use of the book in addition to the physical book). The text looks like somebody hosed it down (blurry, and the more you zoom, the blurrier it gets). Ditto for the images (text within the images is totally illegible.

What can podcasting do for a business? That's the wrong question to ask, say Shel Holtz and Neville Hobson. Like any communication tool, podcasting should be applied as a solution, not as a goal in and of itself. "Podcasting ought to come up in larger discussions about ways to reach audiences, to convey particular messages, or to address specific situations and problems," they advise.
Hobson and Holtz are internationally known business communicators, bloggers, and consultants.
Besides detailing all the technical aspects of podcasting, Hobson and Holtz preach the gospel of strategic planning. Thinking about producing a podcast? First, address the question: What outcomes are you trying to achieve? Would it serve as a marketing vehicle, or to supplement public relations and financial communications, or to enhance customer relations, or to enhance customer support? And how will you measure the success of your efforts?
They offer many examples of podcasting done well. Purina's Animal Advice podcast, for example, provides information pet owners can use; it does not `sell product.' Stanford University podcasts offer faculty lectures, interviews, music, and sports content. Target groups include students and alums. IBM's The Future Of .... Podcast reaches investors and features interviews with engineers, product managers, and others in the trenches--not with PR or marketing staff.

This book was all I needed to get set up for my first podcast. I am one of those types who can't just settle for the basics, which can be an expensive problem. But this book will get anyone who is budget-conscious up and running with less than $100 out of pocket, assuming you at least have a computer.

If you are looking for some expertise about equipment or how to set up your rig in the studio, this is not the book for you. You might want to look for a book about home recording or even professional broadcasting. I have to give these authors big kudos though, this really is everything you need to know about *the basics* of podcasting. If that's what you need to know, you won't go wrong with this book. Oh yeah, it is very well-written and easy to read also.

Disclaimer: As a contributor to the authors' podcast, For Immediate Release, I might be expected to have a biased opinion. I do, but I also held the book to the standards of their podcast and their blogs. If it hadn't been good, I would have been seriously disappointed.

But not to worry, it's good.

Naming a book "How to Do Everything with Podcasting" is ambitious, but that was the publisher's choice. They have a whole series of "How to Do Everything" books. And while there might be things you can do with podcasting that aren't covered in the book, it's impressively comprehensive.

I particularly appreciated the details about sound editing in Chapter 9 when I had to assemble the interviews from the iMeme conference. (It helped, but with background noise as bad as that, there's not a lot you can do if you don't use a directional mic in the first place.) The only omission I'm aware of in that section is a reference to the Levelator, an amazing tool every podcaster should have. (It's free, too. Gigavox invented it in self-defense.)

I imagine many people will head straight to Part IV, "Make Money with Your Podcast," but I really appreciated Part V, "Use a Podcast as a Business Communication Tool." These 65 pages are pure gold for any podcast evangelist operating in either the corporate or small-business world. Shel and Neville start by pointing out that creating a podcast is not a business goal. Rather, podcasting is a tool that can serve a purpose in the business' overall strategy. If your company starts podcasting "because everyone else is doing it," the podcast is not likely to be a success.

There's also an appendix about legal considerations for podcasters, one listing podcasting resources, and a podcasting glossary to help you sort out the jargon. And to keep up to date (because things on the Web change so quickly), there's a website for the book at EverythingwithPodcasting.com. You can find Shel's mix-minus instructional video (for recording Skype calls without echoes) and a whole lot of other good stuff--including a long list of links to podcasts.

Three cheers and five stars, guys.

SRG

As a baby boomer who grew up watching Lucy, this book is a treasured companion to all those nostalgic memories.

Lucy fans: You have to see it to really appreciate it. No question, you must have this book for your collection. It is phenominal -- a treasure that you will enjoy forever.

This book is great. I think it's like Lucille Ball's actual scrapbook about the show. It has really cool reproductions of things that you pull out of envelopes - like tickets to things and certificates and contracts. You feel like you are really reading her scrapbook.

For the collector, this is a must and so much fun!

Great book and interesting facts. I am a huge fan of Lucy and a great book about her show.

product was ordered on 11/27,but do to canada post office,i finally receive a few days before christmas.wonderful book,which made the person very happy.thank-you

All's I can say is I forgot that this book was just reproductions of the actual items and I could look at this book for hours.

I am watching the I Love Lucy DVD sets right now. I loved to watch the TV show when I was a little kid right up through adulthood. This book is a great help while watching the DVDs. I can look up an episode that I really loved and read more about it. Memories can be stirred up or I can find out more about the show for the first time. My only regret is that the book isn't comprehensive. It deals with the best episodes and not all of them. I would love a book that deals with all the episodes but maybe it would be too big.

This is a really nice look at I Love Lucy. The pictures are great. I just wish they would have been able to include more episodes.

" I LOVE LUCY " WAS 1 OF THE BEST TV SHOWS IN THE 1950'S AND IS THE BEST SHOW EVER." I LOVE LUCY" CLASSIC MOMENTS BOOK IS A MUST FOR ANY "I LOVE LUCY" FAN. IT SHOWS YOU THE CLASSIC MOMENTS IN WHAT THE BEST TV SHOW THAT WAS EVER MADE.LUCILLE BALL AND DESI ARNAZ MADE WHAT THE SHOW WAS,ALSO VIVIAN VANCE AND WILLIAM FRAWLEY WILL ALWAYS BE REMEMBERED AS FRED AND ETHEL MERTZ AT 323 E.68TH ST. I FINSHED THIS BOOK AND I TRULY ENJOYED IT.

This is a great book for behind the scenes pictures of the cast and the stage they worked on. I have owned this book for about a year, and come back to look at it all the time. Lucille Ball is my favorite actress, and I just love her to pieces! This book contains photos of their set and everyday life. It also conatains some stories of their lives, so if you are a Lucy fan like me, don't miss this book!

this book is a must have for every LUCY-DESI fan all over the world. it contains beautiful pictures and a lot of information about each episode. it is part of my collection and I see myself coming back to it everytime to look something up.is one of the most complete books I have ever encountered.

If you were born in the 1950's this book is for you! All the great shows are here (U.N.C.L.E., Wild, Wild West, Mission Impossible, etc) The book is nicely illustrated and features the author's incredible collection of props from many different shows. Much of the author's prose illustrates his considerable knowledge and love of the subject. I wonder if the former Soviet Union has books like this one? It is my theory that the Soviet Blok collapsed because it simply wasn't very fun. This book is fun. Buy it, or you will be shot with a sleep dart (while you are sleeping, of course, so you will never know that you have been shot with a sleep dart)

Danny Biederman is the actual author--the forward was by Robert W. Wallace. Biederman's collection of fictional spy artifacts is interesting to both movie buffs and to those involved in real-world espionage. I hadn't heard of most of the movies in "the Incredible World of Spy Fi," so I'll be looking them up on DVD. The spy gadgets and props are almost as important as the actor--the gimmicks are characters, too! Who can forget John Steed's steel-lined bowler, Maxwell Smart's shoe phone, the U.N.C.L.E. Special, James Bond's PPK and tricked-out sports cars, or Jim Phelp's self-destructing tape recorders? I enjoyed reading this book and it will be a valuable reference in my personal library.

This book should be in the library, or, more likely, on the coffee table of every aficionado of espionage. Most of us of a certain generation were weaned, so to speak, on the exploits of the imaginative and edgy TV spy series of the 1960s, so there's much here to bring one back to one's formative years. Danny Biederman gives it all his intelligent, informed, and indulgent commentary. There is simply no book like this.

Christmas present, birthday present, valentine's present, no-special-occasion present: this book makes me HAPPY! I can't imagine anyone not falling in love with it. It brought back floods of ecstatic memories -- and of course, I had to read it while drinking a shaken/not/stirred martini! BRAVO! MORE BOOKS from Mr. Biederman's archives -- and WOW, can he write! Wry, witty, charming, impeccably researched -- 10 STARS!

Danny Biederman's THE INCREDIBLE WORLD OF SPY-FI is not only the perfect coffee table book for those of us who grew up wanting to be James Bond (and maybe still DO want to be James Bond), it's also a brilliant and deeply enjoyable work of scholarship and pop-culture history. Biederman's personal collection of props, costumes, and other arcana from the Bond films, TV shows like THE MAN FROM UNCLE, and even spoofs like AUSTIN POWERS, has been justifiably legendary for years; now he's given us the gift of an intense look at just a fraction of that collection. One word of warning: Don't just get lost in the incredible photos, because Biederman's insightful, humorous, and intelligent prose (which accompanies the pics) is every bit as pleasurable as the visuals. My only complaint? I just wished this book was six times longer. Can we hope for a SPY-FI 2 sometime in the future, Mr. Biederman? Sure hope so.

I read this book in one go. Once I started, I just could not put it down. Besides giving the reader a great inside look behind the scene of the 1972 tour madness of the Rolling Stones, the author also provieds us with an excellent snapshot of the political and social situation in the USA during the early seventies. Of course, you get all the juicy details of groupies, drugs and playboy bunnies - but you also get a feel for how depressing at times the isolation of a major tour can be. You should definitely buy this book, if you love Rock'n'Roll, no matter if you are a Rolling Stones fan or not !

I think I know this book by heart. I can still recite the tour cities and dates. And... ahem, ahem, I really believe the reason they got Keith out of jail in Warwick, RI was not because of "the show must go on" (please!), but because Keith would've started heroin withdrawl. Get it?

This could easily be subtitled "Fear and Loathing on the Concert Trail." A fantastic book that features intelligent writing and an unsentimental look at the cast of characters that accompanied the Rolling Stones on their tour of America in '72. I just finished re-reading it and I still think its the best look at life on the road. Highly recommended even if you're not a stones fan.

I purchased and read this book when it was first published in the 1970s. It is a no-holds barred account of a rock band at its creative and decadent zenith during the legendary 1972 tour of America. Greenfield intersperses his blow-by-blow description of life on the road with vignettes of the interesting and off-beat fans and groupies that swirl around the vortex of the world's greatest rock and roll band. Particularly interesting is the drama surrounding the arrest of Keith Richards at a Boston airport prior to a concert, the scramble to get him out of jail thanks to the intervention of the mayor of Boston, and Keith's triumphant return to the stage. This is a Stones legend and this book tells it like you are there. Well-written and informative, I think I may just re-read this classic for the Nth time. A must for any Stones fan's bookshelf.

Full of casual sex and violence, this is a salacious account of life on the road with the Rolling Stones. Greenfield excels at nailing personalities and describing the fishbowl the band lived in. The Stones begin the tour in a vulnerable state of mind, scared that their glory days are behind them. Their braggadocio picks up considerably as the tour progresses. Near the end we have 16 year old girls doing "favors", beatings are given to anyone who steps out of line, groupies being filmed "in action" (despite Bill Wyman's 10 yr old kid hanging around!) for that infamous tour movie who's title I can't even mention here. Plenty of cruel nihilism. Oh well, I didn't read this expecting a nursery rhyme! This book delivers, warts and all.

If you are discovering or reliving the music of the master composer, the epitome of tango, Astor Piazzolla , than you have to have this book. I cannot over emphasize the clarity it lends to the music La Camorra as you listen Tango: Zero Hour and read simultaneously about one of the great 20th century musical figures. This book is fantastic. It is a journey that begins in Mar del Plata, south of Buenos Aries and traverses the globe, highlighting the life of Astor Piazzolla as he spread and expanded his musical vision of the tango worldwide. The authors present a book that begins somewhat dense and challenging at first but than draws you into the magical world of Astor's humble beginnings, continues as he he spreads his tango vigor with evangelical zeal and an untiring work ethic that resulted in over 3,000 compositions; all the while as he rubs elbows with all the major dignitaries and artists of his time and goes through several mariages and many bands with different musicians from different genres.. The authors who colloborated on this great book, about an even greater man, Maria Susana Azzi and Simon Collier, give us a glimpse into Astor Piazzolla that is both intimate and scholary at once; the balance lends itself to the character of the subject. They both have extensive credentials when it comes to tango and Latin America. The portrait of the man revealed is not sugar coated, as the various first hand accounts of dealing with the sometimes troublesome and difficult genius indicates. This is a complete book and a great compliment to Natalio Gorin's Astor Piazzolla: A Memoir that is even more detailed. The book is divided neatly into three parts, Part I Struggle, Part II Man and musician and Part III Fame. the first part deals with his early life up to the mid-seventies and fame takes it from the mid-seventies until his death in 1992. As you can see, from the years indicated, that most of his life was a struggle. As there are many different versions of his compositions recorded, the book serves as a good reference point to distinguish the players or different groups that made the recordings. This is one of the interesting , strong points of the book that helps you understand the music of Astor Piazzolla. The classical-jazz-avant garde-traditional sound of maestro Piazzolla's tango is brought to the forefront with explanations as to the goings on in his life that resulted in such wonderful compositions and the varied interpretations. The book also has several "extras" like a foreward by Yo-Yo Ma Soul of the Tango: The Music of Astor Piazzolla, a family tree, a glossary of South American terms, sources and notes and some great photographs that include some from the family archives. Essentially, this is about as a complete a book as you can find on Maestro Piazzolla and not to be be missed. If you are fan of the tango and the man who furthered the evolution of the soul of the music of Argentina than you need this book. Recommennded for people who want to know more about the controversies and music associated with Maestro Astor Piazzolla's tango.

Piazzola means tango for many people. The first tango music I ever purchased was Piazzola's music. His music dominated Sally Porter's movie, "Tango Lesson." This is a man that you must know about if you like tango, the dance and the music. Even if your interest is 20th century music, you will be fascinated. The story of Piazzola's life is a story of how cultures, music, and people are interrelated. As a person who was born in Argentina, his music was tango; as a kid named "Lefty" who grew up in Manhattan, he felt the influence of jazz. As a musician known as "El Gato," he built on the tango traditions of Troilo, Sarli, and Pugliese.

He began his musical career as a musician who could not read music. Anibal Troilo hired Piazzola because he had memorized the band's repertoire. He studied music and composition while playing in tango groups, and went on for more formal training in Paris. Piazzola loved everything from the classical music of Rubenstein to the jazz of Gershwin. Although we think of Piazzola in terms of tango, many of his contemporary tango aficionados hated his music because it was nontraditional, evolutionary, and avant gard.

This book was of value to me because it increased my understanding not just of Piazzola, but also of the major twentieth century tango musicians and composers. It may not make me a better dancer, but the increase of knowledge added to my appreciation of the music not just of Piazzola, but also of Pablo Ziegler, Romulo Larrea, and Felix Leclerc. It was a fitting complement to "Tango!" a collaborative book by Simon Collier, Artemis Cooper, Maria Susana Azzi, and Richard Martin. You don't have to be a serious student of music to enjoy either book. It will add to your appreciation of tango.

This is the best and most complete document about the life and work of Astor Piazzolla. The authors inter-link Piazzolla's work with the major events of his life and the artistic and political context of the time. If you are really interested in learning about Piazzolla, you should go ahead and buy this book.

Nearly ten years after Astor Piazzolla's death, the debate still rages about whether or not his music is "tango". Well, some of it is, and some of it isn't. But the roots of all his music lie deep in the tango tradition and whether or not a particular piece is or isn't tango is of no real importance. The fact is that Astor Piazzolla composed some of the finest music in any genre and all Argentines can take pride in that. I have been a fan of Astor Piazzolla for nearly 30 years but only knew the music. After having read Le Grand Tango, I now feel as though I know the man. Having "met" him, my understanding and admiration of both the music and the man has increased exponentially. Azzi and Collier have authored an easy to follow, entertaining and informative book about El Maestro. One learns not only about his music but about his forceful personality and the forces which shaped Piazzolla and drove him to be the most dazzling musician of the 20th century. His life, his loves, his triumphs and his failures all spring to life here. Though most readers will likely be hardcore fans of Piazzolla, its flowing style makes it an engaging hagiographical read for anyone who has even a mild interest in music history or in the forces and personalities which have shaped and regenerated tango throughout second half of the 20th century.

Piazzola means tango for many people. The first tango music I ever purchased was Piazzola's music. His music dominated Sally Porter's movie, "Tango Lesson." This is a man that you must know about if you like tango, the dance and the music. Even if your interest is 20th century music, you will be fascinated. The story of Piazzola's life is a story of how cultures, music, and people are interrelated. As a person who was born in Argentina, his music was tango; as a kid named "Lefty" who grew up in Manhattan, he felt the influence of jazz. As a musician known as "El Gato," he built on the tango traditions of Troilo, Sarli, and Pugliese.

He began his musical career as a musician who could not read music. Anibal Troilo hired Piazzola because he had memorized the band's repertoire. He studied music and composition while playing in tango groups, and went on for more formal training in Paris. Piazzola loved everything from the classical music of Rubenstein to the jazz of Gershwin. Although we think of Piazzola in terms of tango, many of his contemporary tango aficionados hated his music because it was nontraditional, evolutionary, and avant gard.

This book was of value to me because it increased my understanding not just of Piazzola, but also of the major twentieth century tango musicians and composers. It may not make me a better dancer, but the increase of knowledge added to my appreciation of the music not just of Piazzola, but also of Pablo Ziegler, Romulo Larrea, and Felix Leclerc. It was a fitting complement to "Tango!" a collaborative book by Simon Collier, Artemis Cooper, Maria Susana Azzi, and Richard Martin. You don't have to be a serious student of music to enjoy either book. It will add to your appreciation of tango.

Mary-Kate wants to throw a surprise party for Michelle but Ashley is having one for Jennifer the same day. Mary-Kate invites all of her friends and the same wiht AShley but then something bad happens for the both of them and they need help fast.

Mary-Kate and Ashley are in big trouble. Mary-Kate planned a surprise party for her friend which is great, but unfortunately Ashley planned a surprise party for her best friend the same night at their house. They came for the biggest surprise. A great book!

Ashley is throwing a party for her friend, Jennifer Dilber but Mary Kate wanted to throw a party for her best friend, Amanda Bennet. Her friend, Amanda got mad at her for not calling her back when Mary Kate's supposed to. In the ending, they both got a surprise party for their friends and everyone felt happy!

Another pretty cool Two of a Kind novelette.Mary-Kate and Ashley are planning a party each,for the same night.Now the competition is on as to who will recieve the most guests!

Mary-Kate plans a suprise party for her best friend Amanda on the same night Ashley plans a suprise party for her best friend Jennifer. Even though Mary-Kate and Ashley are twin sisters, they have totally different personalities so major arguments arise, not only with each other but with their best friends. I'd have to say this is the best book in the whole series that I've read so far because these kinds of problems are what everyday kids would probably have.

Linkin Park is my favorite , I just adore them. I ordered there book and I'm waiting for it to arrive , but I have to tell you , if LP rules so much there book MUST be cool , I mean it features my favorite 6 guys. LP fans , based on previous reviews this is the book for you AND me. :)

With more than fifty pages of in-depth text,this book tells you the history of Linki Park.Many pictures I have never seen before are also in this book.Highly recommend this to all LP fans.

if you want to know it, this book has it. This book tells the history of the band, even a little about Chester's old band! It's got awesome information and great pictures. Every LP fan should own this

All in all, this book was 5/5, but the problem was, when I was starting the hang of it, i thought it had more pages to be read, but its only less information, oh well.. this explains the forming of the band, where they met, how they started, the Hybrid Theory days..... Chester's band called _xero_ was also mentioned on the book, i really recommend this!!!

This book is awesome. I was up all night readin this. Linkin park die hards this is the book for u. Keep it, tresure it, do whatever u have to. I know i will.

This is such a treasure! It shows life inside Termite Terrace and preserves the history like a textbook. The author shares stories that aren't covered in other books and talks about the people who weren't in the spotlight of the Golden Era. I was amazed to find someone who had lived through it and been there had written this. Any students of Looney Tunes, animation, or cartoon history should read this book.

If you've read any other animation history books, you've gotten a basic idea of how things were during "Golden Age" of the 30's and 40's. But not only is Living Life Inside The Lines one of the few books written someone who actually worked in animation during that period, it's the only book I've seen written by an ink & paint artist, which gives it a point of view of the animation world that other books never mention.

Sigall also tells stories of people like Irv Spence and Phil Monroe who were a big part of animation history, but have never gotten much mention in books. And having worked at numerous studios and ink & paint houses, she has very broad perspective on how the animation industry has changed from the 30's thorough to the 80's. Plus her pleasant demeanor makes for a nice, easy-going read.

If you're interested in animation, this book is a perfect supplement to your library.

I know the son of the writer and was eager to read her book. I have done computer animation and presently am in involved in video production. I found this personal history of the early days of animation to be fun, informative, and came away feeling I had a better knowledge of the people involved in this wonderful form of visual art!

If you love animation, history of early animation days...this book is a wonderful read!

I love reading stories from animations golden age and this book is especially charming.
Most people don't know it, but the ink and paint departments in all the major and minor studios were the real unsung heroes of the cartoon business-many ladies being accomplished artists in their own right and having the ability to take well drawn line drawings and just adding the right touch to each cel that the scenes would really shine. Water effects being one of the areas of animation that without great inkers and painters could tend to look "hokey".
I give this book 5 stars, but I wish it had more pictures!!

When Chuck Jones received his special Academy Award in the mid-1990s, he wondered aloud from the stage where all the "laughing faces of Termite Terrace" had gone. They're right here in Martha Goldman Sigall's wonderful book. Martha was a central participant in the Golden Age of the animated short: she inked and painted on timeless, classic films directed by Chuck Jones, Tex Avery, Bob Clampett, Friz Freleng, Bob McKimson, Frank Tashlin, Bill Hanna and Joe Barbera, and others, and almost certainly contributed to more animated films than all of them combined, probably without receiving a single screen credit in that era. But she sketches the men and women who sketched Bugs Bunny and Tom and Jerry masterfully in this extremely well-written book, which, like Martha herself, is very warm, funny, and people-oriented. Her personal portraits of artists like Treg Brown, Virgil Ross, Ben Washam, and many others are a crucial contribution to animation history as well as a fun and funny reading experience.

This is the best book on the Schlesinger studio (birthplace of Bugs Bunny, Daffy Duck, Porky Pig, and many others), and provides perhaps a thousand important details about that historic cartoon studio and MGM's that aren't found elsewhere. Martha sketches the 1941 strike, the Red Scare, wartime Hollywood, and other events from the animation community's perspective, and also sheds light on the historic industry locations such as 861 Seward, where six different studios sought shelter through the years; the neat and clean (but long gone) MGM building in Culver City, and the shabby Van Ness home of Leon Schlesinger and his "kids".

In what may be the last major eyewitness account of the classic era of animation, Martha raises the spirit of those long-gone laughing faces, and humanizes the creation of the great cartoons and timeless characters that will last forever. The joy she obviously felt in her career infuses the book and the reader.

Martha and her husband Sol, who, happily, is also heard from here, have always been like beloved grandparents to animators in Southern California (one of which this author was for a few years), but in 1996 they kindly donated themselves to the Warner Brothers Museum and are now officially public treasures. If you're not in the area, you can claim your share of them right here in this wonderful book. They should designate a rating higher than five stars for it.