Television Books

At the end of this book, author Andy Hamilton reassures Konitz that it will become a classic of jazz literature. I guess Hamilton was speaking at least half tongue-in-cheek, but, for what it's worth, I also think he's probably right.

As it's been said elsewhere, the author's editorial prowess is phenomenal, and the proof is that the book is extremely easy to read, while, at the same time, it is packed with information and insight. Hamilton has also been able to engage Konitz in some interesting discussions, like his views on several musicians - Anthony Braxton, most memorably - or his assessment of his own playing, and on the actual physical and psychological aspects of the process of improvising music.

This is pretty close to my ideal book on a jazz musician, where the subject has the chance to tell his story while speaking freely to a knowledgeable counterpart.

Highly recommended.

I found this book to be one of the most clear, informative and honest books in jazz literature that I have ever read.
Lee comes across as a candid, humble man, a servant to his art.
Through the conversational and well researched style that the writer Andy Hamilton adopts, Lee Konitz offers many realistic, straightforward insights into his life and study: and the lives of those around him.
As a jazz musician myself, this book opens many doors of perception.
It cuts through the myth and hyperbole that often surround the lives of the truly great ones in this wonderful artform.
Highly recommended!

This is clearly one of the best books about jazz I ever red. I'd put it next to P.Pettinger's "How My Heart Sings", J Szwed's "Space Is The Place" or E.Jost's "Free Jazz".
Pretty differently, here author chooses an original, extensive interview format, augmented by short essays written with the complete approval -and corrections, is said- of Mr.Konitz himself. Many great insight and analisys of this great, epocal musician are offered for a good work of comprehension of the complexity of Lee Konitz music and his belonging to jazz tendencies such Cool Jazz and Tristano's and others, his relations to many major jazz figures.

Despite Lee Konitz's illustrious career, there had not been a book-length treatment of his music and life until Andy Hamilton's book appeared. There have been numerous published interviews with him, but none is as informative, thorough, or enlightening as this book. Considering that Mr. Konitz is much better known in other countries than in the U.S., it is no wonder that an Englishman decided to write a book on him. One of the things that I liked about the book is that the artist got involved in the process, for example, proofreading the text himself. This lends a high degree of authenticity to the book. In addition to the interviews with Mr. Konitz, there are a number of shorter interviews with other musicians, which are also intriguing. This is an exciting and enjoyable book and I highly recommend it.

In this book of lively conversations on the improviser's art, Lee Konitz talks about all aspects of his music, from his beginnings (as a student of the clarinet, during the late 1930s) to the early years of the new century, and he does so with great candour. There's lots about the Cool School of playing and Konitz's musical mentor, the blind pianist Lennie Tristano. Tristano's music ran on a parallel track to bebop, but because it wasn't such a hot, sweaty affair it's been dismissed as a pallid version of the real thing, cerebral and abstract, disconnected from feelings, a music to be analysed by beard-strokers rather than enjoyed by foot-tappers. Konitz dismisses these false distinctions and emphasises both the vitality and originality of Tristano's music - points supported by several musician-contributors to the book.

The criticisms and comments that Konitz offers are frank, thoughtful and well-argued. Several of the chapters cover specific decades in his career. Others include: Formative Influences; Working with Tristano; Early Collaborators; The Art of Improvisation; The Instrument; The Material. Embedded within each of the chapters is a series of brief interviews with musicians, most of whom have worked on the bandstand with Konitz or recorded with him, including John Zorn, Phil Woods, Mike Zwerin, George Russell, Clare Fischer, Sal Mosca, Alan Broadbent, Sonny Rollins, Rufus Reid, Ornette Coleman, Harold Danko, Wayne Shorter, Paul Bley, John Tchicai, Greg Osby, Martial Solal and Evan Parker. Although this is fundamentally a book of interviews, Andy Hamilton provides scene-setting introductions to each of the chapters, explanatory links between subsections, and brief comments that help the reader better to contextualise the interview material. His contributions are considerable, but they're done with such a light touch the attention remains firmly on Konitz throughout.

Although Konitz broke with the Tristano school, Tristano's foremost `disciple', tenor saxophonist Warne Marsh, remained in a strong creative partnership with him until the late 1970s. Marsh is undoubtedly the saxophonist whom Konitz admires most, and Konitz's aesthetic, sound and approach to improvisation owe perhaps more to Marsh than any other player. He contrasts Marsh's approach with that of several other major players, including Charlie Parker and John Coltrane, whose solos relied to some degree on pre-prepared material. Throughout the book, there's much useful discussion about the philosophy of music-making.

Konitz is a great talker, with lots of interesting things to say about his own music and the music of Marsh, Tristano, Ornette Coleman, Miles Davis, Gil Evans, Parker, Coltrane, Charles Mingus and a host of others, and the book is peppered with valuable comments about `the jazz life'.

This book is the best Xena book I have read, maybe even better than the official one. It contains their biographies and a complete script of one of Lucy and Renee's conventions. It also lists the most websites and groups. The episode guide was very informative. It contained some mistakes that the author found with the show. This book is worth every cent!

I was one of the people Nikki Stafford interviewed for this book. Sadly, the fan survey she conducted had to be cut from the final version, but a great deal of information was still included. Nikki's research into the show, its stars, and the fans who built an international community around Xena: Warrior Princess in the early years is unsurpassed.

Some other books have since come out which seemed to me to be nothing more than blatant attempts to capitalize on the success of one of the most popular syndicated television shows in history. This book always struck me as something different. But maybe that's just because the author took the time to see what the fans thought and cared about.

One thing in this book that stands out from the others is that Nikki bothered to comment on the different episodes. This is better than the official book!! I like the way that there is a personal voice in the comments, and the way that the author dared to criticse it, and add some suggestions as well. Brilliant work!!

I thoroughly enjoyed reading this book. It was very informative and by most accountants accurate. I would suggest this book to any Xenite! :) BATTLE ON!!

this book is great.it has every thing you need to know about xena.it has a chapter on the broodway production of grease that lucy was in.what lucy and renee were like as kids.it also has two or three pages of comics.if you love xena you'll live this book.

I've always felt this book had an unfortunate title and may have done much better without the "Screenwriter" addendum. The fact is that the advice and exercises that Seger gives is germane to all writers - the novelist, short story writer, as well as the screenwriter.

The "Creativity Workbook" aspect is a true title, however. This is a wonderful book for those of you who feel you're suffering from writer's block. The only solution, of course, is to just write. Even if you're writing "I don't know what to write...this is awful...I have no idea what to write..." still do it. Eventually you'll have a break through. Seger hides this simple fact into her ingenious exercises, giving you situation after to situation to write about, all the while developing characters and plot ideas.

Her focus is to truly help you develop as a writer, not merely beef up your script with cheap, dime-a-dozen plot methods. In that aspect, this book is rather unique and very successful. One of the better writing books available.

Linda Seger offers a number of ways to re-start the creative process; if only one of them works for you, the book is worth it.

Just reading through the exercises in this book was enough to get me through a serious case of writer's block. She includes an entire chapter on tapping into your religious/spiritual side to flesh out characters and deepen plot, but don't worry: If that won't work for you, she suggests skipping ahead -- there are plenty more idea-provoking suggestions to come.

It's a resource to turn to again and again, whenever a dead end looms.

This book combines craft and creativity and provides writers with the knowledge necessary to write at the highest artistic level. The exercises within can be reused time and again and push a writer to think outside the box.

Not a paint-by-numbers approach, instead this author guides you into unlocking and strengthening your own, original voice.

What are you waiting for? This is a great resource!

I've found so much inspiration in Making a Good Writer Great. Seger's words have helped me break through that brick wall. She is truly a light to see by. I can call myself a screenwriter once again.

I love and collect books on creativity and problem solving. One of my favorites is Dr. Linda Seger's, Making a Good Writer Great: A Creative Workbook for Screenwriters. The title, unfortunately, is too narrow for its own good. It should be: Unleashing Your Creative Genius: Screenwriting as a Metaphor for World Peace...or something just as ostentatious. I'm serious. First, using Linda's techniques just replace all forms of the term "writer" for whatever job you're in: "engineer," "teacher," "mother," "assembler," "unemployed," or "politician." (On second thought, strike that last example.) Second, insert YOURSELF as the protagonist of YOUR PERSONAL story. Third, pick the problem you're having difficulty solving. And finally, using Linda's techniques and exercises creatively think your way to a solution just as you would the fictional character in a story. The problems that face all of us--writer, repressed child, or okay, even world leader--can be solved by using Linda's 12-step program. Here they are in my own words. 1. Discover your mission (or goal). 2. Articulate your values. 3. List the obstacles. 4. Plot turning points around the obstacles. 5. Stick to your passions. 6. Master your powers of observation. 7. Attach meaning to your experiences. 8. Accept your flaws as reasons to persevere. 9. Leverage the opposing forces. 10. Purpose to change the world. 11. Ask God for supernatural inspiration. And 12. Use feedback to ever improve. Linda's book is a winning tool for everyone...including writers.

Linda's writing was very helpful in the writing of my own book on screenwriting published by Michael Wiese Productions: THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success.

The order was made and shipped very quickly so I got my book in no time. I would have no problem buying something from these guys again.

I thought MEMENTO was good, not great, and pretty much forgot about it right after seeing it. Someone bought me this book a while back and I just got around to reading it.

I have to say, I have a new found respect for Christopher Nolan and will another look at MEMENTO. These are two excellent screenplays that go well beyond experimentation in narrative structure to tell two solid (almost old-school film noir) stories.

I'll start with FOLLOWING, which I've never seen. It's a twisty little number about a would-be writer who likes to follow people. The writer makes the mistake of following a cat burglar one day and gets sucked into his world. The timeline is fractured, but it's a compelling read all the way through, and a great example of no-fat, pure-story screenwriting.

MEMENTO, for anyone who doesn't know, is a story told backwards to mimic the disability of the central protagonist, who is incapable of making new memories. It's a mystery told in reverse, not unlike the structure of OEDIPUS REX (think about it) albeit without patricide or incest. Ultimately what I got out of it by reading it not seeing it is the fun of trying to figure out the story, of using clues to work backwards to causes. Without the extraneous visual information of a film, the naked story on the page seemed to accumulate greater dramatic force. Since it was a while since I saw the movie, I found myself wondering what was going to happen next (i.e. before) -- it was the gripping mystery experience many people had who first acclaimed the film.

Even though the stories aren't told in a linear fashion, for aspiring writers this book is worth looking at for more than structure. This is quality writing. The stories are lean and full of metaphysical implications (in the least pretentious sense). Good stories, well told.

The book also includes an interesting interview about the making of FOLLOWING and a less interesting "piece" about MEMENTO's conception, which is just two juxtaposed paragraphs of Chris and his brother Jonah's conflicting memories (get it?). They are icing on the cake of what has to be one of my favorite recent Faber screenplay releases. 5/5 stars

I have been saying this for a few months: "Memento" is my favorite movie. As soon as I found out that you could buy the screenplay for the movie, I knew that I had to have it. Normally, I wouldn't care to see the screenplay for many movies, but this was a very big exception. I loved the movie so much that I wanted to see how it looked on paper.

A little warning: The script is NOT word for word to the movie. Some parts are different in many ways. The order of events are a little different and a lot of good lines that were in the movie were not included in the screenplay. Is this a bad thing? OF COURSE NOT! In fact, it was a great surprise. This was what the movie was going to eventually lead up to looking like. It was a rough layout of what could happen in what order. Of course, things change when you're filming the movie. Certain scenes are changed or cut out, lines are either trimmed or dramatically changed, and so on. The story in no way is changed and the resolution is still very much the same as the movie. The point is that it's fascinating to see how the script developed into the finished product, which is a masterpiece of a film that should go down as one of the greatest films in history. I loved reading the screenplay, and it makes me admire how the film turned out in the end even more.

Another movie that is included in this wonderful book, a movie you might have never even heard of, is "Following." This script was a little more similar to the movie in most parts than "Memento" was. I also enjoyed reading that part of the book. I have seen the movie before hand, so I kind of knew what I was in for. Again, this screenplay is filled with sharp and witty dialogue and life-shattering consequences that won't appear visible until the shocking conclusion.

Another cool feature of this book is that it includes an interview with Christopher Nolan and one of the stars from "Following." It also includes some photos from both movies and how the idea for "Memento" came about.

Christopher Nolan has a talent when it comes to forcing characters to face severe consequences and ugly truths, as well as coming up with great dialogue that can only be created by a pro. He can also manipulate time and make it confusing for us as well as for his characters. If you have seen the movie or movies, get this book as soon as you can. I recommend that you see them first, then read the book. All in all, this was a terrific read and I look forward into reading it again and again.

I picked up this book after seeing Memento and while waiting for it to be released on DVD. All I can say is that I enjoyed it just as much as watching the movie. Don't skip over Following to get to it though. It is just as engaging as Memento and you can catch a preview of it on the Memento DVD. Also, don't let the fact that these are screenplays deter you from making this purchase. If you are a true Christopher Nolan fan, this is the book for you.

In a conversation with a friend of mine a while back, he told me he didn't understand why people liked "Memento" so much, he said all the film had was a "gimmick."

To which I replied, "it may be a gimmick, but YOU try writing a script with a gimmick like that."

The "gimmick" is the non-linear progression of the story that Christopher Nolan uses in both of the scripts in this book, "Memento" and "Following." It's an experimental style of storytelling, to be certain, but it's a successful experiment. Both scripts, "Memento" in particular, show events not in the order they happen, but in the order of importance, and it's a brilliant way to tell the story. Nolan's a magnificent screenwriter -- can't wait for his next one.

In this book, the hypochondriac genius of movies, radio, television, and the concert stage delivers all the neurotic humor expected. But the author, a talented writer as well as one of the great pianists of the 20th century, also succeeds at conveying the ambience of the artistic world of the 1920s through 1950s. His insights about his contemporaries, including celebrated conductors, musicians, composers, and actors, are fascinating.

Luckily found this among my mother's books, the title caught my eye. When asked about it, my mother laughed softly. I thought, if it can make her laugh it must be funny; well it's the best humor, and I turned to a page and busted out laughing. It's more than that. I read the one I bought from time to time, and there is always a point of feeling I'm in the belly of a beast. Such integrity I'd never known, and never felt I could fit in this world 'til reading "Memoirs of an Amnesiac".

My son had to explain (to my wife) the joke behind the title. An amnesiac can't remember and a memoir is a written record of memories. Hence, a contradiction, but still a great title and an emblematic preview of what's to come when you read this book. And you do want to read this book because Oscar Levant is unique, funny, honest, interesting, and weird. He is the kind of person that you want to read about because he seemed to know everyone who was anyone in American music or in American film and of course he has the inside scoop on those people including Harpo Marx, Louis Mayer, Irving Berlin, Fanny Brice, Aaron Copland, Arnold Schoenberg, Dorothy Parker, Paul Whiteman, Judy Garland, Arturo Toscanini, and Harry Truman. Oscar Levant, as SN Behrman said, is the kind of person that if he had not existed, could not be imagined. Yes, he's that bad. Because he is brutally honest about his life, his loves, his obsessions and compulsions, his drug addictions and his music and friends, we have here a real-life true quill biography that takes no prisoners and lacks the usual apology or gloss or pastiche so common these days. Brutal honesty - that's the ticket. Oscar has to tap eight times to get water from the faucet. He has to tap eight times to shut the water off. He needs to name each street his limo passes and if he misses the name, his driver has to circle back to get the name. He will throw away a pack of cigarettes if someone talks while he is opening the pack. His wife, June, (her title should be Saint June) who picked up the pieces after each nervous breakdown, still must have a separate waste paper pail in each room so that she doesn't contaminate the waste paper in his pail. When Oscar had his heart attack, he had to go through all his night time rituals before he could get into bed for the doctor to check him. In short - a real nut case. And yet, and yet, a world-class pianist, composer, television and film personality who led a life well lived. You wouldn't want him in your home for dinner unless, of course, he kept his mouth shut and just played his marvelous interpretations of George Gershwin's Rhapsody in Blue, which, incidentally, I am listening to right now. Ah, genius, - it has its problems and it has its pleasures.

This has always been one of my favorite books. I recall reading it for the first time as a pre-teen, and chuckling at his OUTRAGEOUS stories. I'm probably among the last generation that remembers this brilliant man, which is a shame. In the days of the great "talk shows", like Jack Paar, etc.., Oscar Levant was always one of the most coveted, and controversial, guests. I remember seeing him on t.v., as a kid, & being fascinated by this odd looking man who, though I quite honestly didn't get 90% of what he was saying, was obviously someone truly unique. This book has all his irreverent humor, the humor even evident in his telling of his long battle with mental illness, and his extreme, then un-named "obsessive-compulsive" disorder. His brutal honesty about his ordeal was unheard of at that time, and was long before the trend of todays celebrities, who do everything but hawk their x-rays on informercials. There's many names in this book that you will recognize, and his telling of his encounters with various celebrities is not always in their favor, and will have you rolling on the floor. He was literally thrown off the air in the 1950's, for a remark he made on a live talk show, pertaining to Marilyn Monroe and her conversion to Judaism, which is recounted in this book, but can't be repeated here. But at the time, the staid 1950's, it must have had the audience awestruck in utter shock at his outrageous (and incredibly humorous) statement. This is just a fabulous book about one of the greatest wits of this century, the man who started out as an incredibly accomplished and respected pianist, he was most known for his rendition of good friend Gershwins "Rhapsody In Blue", and became something more than just a clown. Totally touching, hysterical, and honest, this book will have you falling in love with dear, lost, brilliant Oscar. In todays, for the most part, [dissapointing] "celebrity" climate, we sure could use the likes of him again.

This book was a disappointment although it covers the scope of Oscar Levant's life from Tin Pan Alley to Carnegie Hall to Hollywood to mental hospitals.

A major problem with the writing is that it consists of endless name dropping without context. If you aren't familiar with the names (which I wasn't for the most part) then a good deal of the story is lost.

Another feature of the writing is a constant stream of one-liners from Oscar and others. These were undoubtably funny when they were first said, but in the book they seem forced. For example, "I once said cynically of a politician, "He'll double-cross that bridge when he comes to it."" If you enjoy one-liners then this book showcases them throughout.

As a fan of Oscar Levant from movies like Rhythm on the River and An American In Paris, I was pleased that he was up front about many aspects of his life. However, the famous line, "Beneath this flabby exterior is an enormous lack of character" had a lot more truth to it than I had assumed. Oscar really does exhibit rude behavior, selfishness, cheating and drug addiction. And of course neurosis. He is honest to his faults.

A better (but far briefer) description of Oscar Levant is in Harpo Marx's book "Harpo Speaks". That book also has a lot of name dropping, but the literary style is rich so that it's fascinating even if you are not familiar with the Algonquin Round Table.

With Oscar's book, I was satisfied about the scope of the writing, but disappointed in the terse style although it's an easy read.

I did not think I would like this book when I started it. but as I got into it I found it to be very interesting. I loved the story about the twins and just how easy going life was back then it is a shame it is not still like that! this book will take you back to a very simple time when andy was growing up. you will learn a lot about Mt Airy. which is very very much like mayberry. any mayberry fan would like this book.

I recently moved to Mount Airy, the fabled Mayberry, and wanted a resource to help me learn a little bit about the "lore" behind this community. This was an excellent resource and a fun read at that. For me, it helped bring to life not only the ties of my new hometown to the TV show, but also to learn a little bit of history about this community.

My wife just purchased this book for me and it was very interesting, especially being in the first person from Jewell. Brings back so many memories from my wife's family. I will be sending it to my 92 year old mother-in-law to read and I know she will enjoy it. Thanks, Jewell, good talking with you. Bill Tarpley

Hardly anyone who has been exposed to television over the last forty years has not come in contact with the good people of Mayberry. Walk up to most people on the street and ask them to name three justices of the U.S. Supreme Court and you just might get a blank stare. Ask the same person to name three residents of Mayberry, North Carolina and very few people will have a problem. Andy, Barney, Opie, Aunt Bea, Otis, Goober and Floyd have become so much a part of American culture that to most of us they are just like family. Mayberry is as real to most people as Chicago or Los Angeles and almost everybody knows that you have to go to Mount Pilot to get Chinese food.

Mayberry of course is not a real place but is instead a product of Andy Griffith's mind. Griffith's mind was however heavily influenced by his hometown and Mount Airy, North Carolina has become to most people, the real Mayberry. Jewell Kutzer grew up in Mount Airy and is just a few years younger than Andy. This book therefore, depicts on a very personal level the Mount Airy that has become America's most famous small town.

Many of the stories that are related in this book had a very obvious influence on the happenings in Mayberry. One story involves a young man who went on a small crime spree that included throwing rocks through most of the windows at the school. The authorities kept catching the young man but he would escape from jail almost as quickly as they locked him up. It all sounds a lot like Earnest T. Bass to me. If you remember Barney's very off key rendition of, "Welcome Sweet Springtime" you will not be surprised to learn that this song was a favorite of Andy's grammar school music teacher. Over and over, as one reads this book, they will be reminded of some happening in Mayberry.

There are many stories in this book that do not relate to Mayberry at all but are personal reminiscences of the author. At first I felt like these stories should not have been included since I bought this book to learn about Mayberry. As I read however, I changed my mind for these stories add greatly to the reader's ability to relate to life in a small southern town. Thank you Mrs. Kutzer for giving us all the chance to feel like we grew up in Mayberry just like you and Andy.

Thousands and thousands of us faithfully watched the television classic, The Andy Griffith Show and its sequel, Mayberry RFD. We followed Sheriff Taylor, Barney, Aunt Bea, and the rest through 249 episodes from 1960 through 1968. From 1968 through 1971, we were treated to 78 episodes of Mayberry RFD. Watching these shows today is a heartwarming nostalgic experience. Why, there's even an active The Andy Griffith Show Rerun Watchers Club!

Mayberry has its roots firmly and deeply planted in Mt. Airy, North Carolina, a small town nestled in the mountains between Winston-Salem and the Virginia state line. Andy Griffith is celebrated there, along with all the traditions of hometown America, during community festivals and other events.

Jewell Kutzer grew up in Mayberry, just a couple of years behind Andy Griffith. She shares many of the memories that inspired Griffith to create Mayberry and the character of the popular television show. In Memories of Mayberry, she shares her experiences growing up in this now-famous small town. It's a pleasant, comfortable book to read, like having a conversation with a friend. Mt. Airy was a microcosm of life in a changing country, in a changing world. Lives were interwoven with the lives of others in the community. People were real, they were caring neighbors, they led simpler lives in the 1940s and 1950s. This book takes the reader back to those uncomplicated times.

Did I say uncomplicated? Well, compared to today's complex lifestyles. But for Jewell, growing up in a small town, life brought one adventure after another. Her tales of yesteryear are referenced to episodes in The Andy Griffith Show that relate to the memories. Readers will gain a deeper appreciation of how Griffith made the show so real in the earlier days of television.

Want a trip back to our roots? To the values on which our country was built? Pick up a copy of Memories of Mayberry to open your mind and heart to our wonderful past, not just in Mt. Airy, but in hundreds of other small towns across the land. Definitely designed for readers over 40 (we were there), but offers valuable insights for younger readers, too.

this book is basicaly a bunch of facts on the star with itntrevew tranacriptions and some nice pictures thown in although the way the book is set up is a little odd and the typing errors in the first few chapters lead me to belive that it was rushed to prir This book iss not a bio it was a book put togther by a big fan that becaily said michael jackson is cool and heres why after quickly going over his personal life (and not in much detail) it basicaly breaks down what hes done with somerarelly seen at least in some areas of the word intervieews printed

I purchased this book for my sister for her birthday because is is a Die-Hard MJ fan and she just loves everything about this book!!, The pictures, The Interviews she says that it even has MJ opinion about how he felt about the his earlier hits. So I say this is a very excellent book to purchase for yourself if you too are a die-hard fan of MJ'S or even if you know someonre who is they won't be disappointed.

P.S. It even has his lyrics to certain songs. So how can you go wrong? this book was worth every cent I sent to it knowing how happy it made my sister.

This is a beautiful book from the front cover to the back. It's a down-to-earth, no-non sense read on the entertainer. It's a keepsake for the bookself.

this Book is very Detailed&the world Owes Michael Jackson as does the Media a Big saying they are Sorry.He is One o fthe Greatest Musicians Ever. He has Broken down many barriers.Michael Jackson is a Civil Rights leader&Strogn Pressence that will never be denied.almost 40 year career.He is the King of Pop&this Book goes into many areas acknowledging His Genius&timeless Musical Qualitys.

This 300 page book is not just another book on Michael Jackson! This book is unique and a mile from the rest! It's packed with detailed information on the life and career of the entertainer. It's a well-written book that can be housed in any public library or on any high school bookshelf. Yet, I have noticed that this clean book on Michael Jackson doesn't appear to be selling as well as all the other books that are on the market about him. What a pity! This book is more of a literary work on the Superstar life and career than any of the others that I have read. But it's missing one main ingredient - Trash! It doesn't really get into throwing stones and pulling what-ifs opinions out of the wind.
But that's the world we're living in. Give the people what they want, and what they want is dirty laundry over good writing! Decent works like this one get left behind!

It was delightful to read and look at. Since I also enjoy reading movie scripts- it's even better to SEE what's going on in the movie at that time. Plus, there's a load of deleted scenes, and fantastic movie pictures as well. This is a MUST for all MirrorMask fans.

First of all, i must say that i'm a big fan of fantasy, horror, and sci-fi book's, film's and graphic novel's.
As a painter, short stories writer, and graphic novella's author i may say that the Mirrormask is a great ''drive trough'' the world of magic, fantasy, and imagination of today's acclaimed writer Neil Gaiman, and my favorite painter, photographer, and one of a kind artist Dave McKean.
I'll make this short.
All of you that are interested in a way of making a good scenario, and a great storyboard, you SHOULD have this amazing book!
It helped me to see and to realise how to think, and how to make my own ideas come true!
Dave McKean is one of my favorite artists, and trust me, you'll like this book!
Also, i want to recommend you his earlier work, such as Violent Cases, Black Orchid, and Batman - Arkham Asylum.
So much about this now, and be well my friends!
Greetings from wounded city of magic: Sarajevo!

...in black...

If I had to sum up MirrorMask in one sentence, I would describe it as 'an allegory about Individuation'. This was Jung's term for the process by which we integrate or align the personal with the universal consciousness and ultimately become whole.

If Neil's script seems lacking in emotional fluidity at times, it is probably a deliberate mechanism to convey the varying degrees of emotional shutdown that people experience when transitioning between developmental states.

Just as with Alice In Wonderland, Snow White, Peter Pan and The Wizard Of Oz, the story involves a young female's transition to womanhood and all of the pantheon of archetypal combatants that invokes.

While Dorothy needed the mechanism of the ruby slippers (the moonblood of the Sacred Feminine) to get back 'Home' and restore order - the sacrificed Feminine - it is the magic of the MirrorMask itself that enables the healing of spiritual wounds (identity/alienation) in Neil and Dave's visually striking masterpiece.

The bottom line? Oz is Kansas.

Lord knows when I'll get to see the film, but having read this stunning 'guide', I can't wait, damn it. Ten stars.

There's a light, over at the Gaiman place...

Writer Neil Gaiman has crafted dozens of dark fantasy books and graphic novels over the years; the only thing to expect from him is stuff that is a bit twisted and bizarre. In a good way, that is.

But in 2001, he embarked on a different kind of creative journey: Penning "Mirrormask," a Carroll-ian fantasy movie, directed by book illustrator (and Gaiman collaborator) Dave McKean. While the movie isn't yet out, the screenplay is a lavish affair with concept art, photos and background information.

Helena is a bored young girl in the circus, wanting a taste of real life. But then real life strikes: During a performance, her mother falls seriously ill and is hospitalized. Unhappy and directionless, Helena falls into another world -- a bizarre place full of masked people, griffins, orbiting giants and malevolent shadows.

She is soon told by the Prime Minister that an evil princess (who resembles her) has stolen a magical charm, sending the Queen of that city into a coma -- and her city into chaos. With the comically mercenary Valentine at her side, Helena finds herself sent on a dangerous quest to find the charm -- the mysterious Mirrormask.

Half of "Mirrormask"'s appeal is the eerie presentation, along with an archetypical heroine and opposing light/dark kingdoms. And it's a credit to both McKean and Gaiman that their screenplay is a good read on its own, letting eager fans know what to expect when the film finally sees the light of day.

What sets "Mirrormask: The Illustrated Film Script" apart from most screenplays? The fact that Gaiman and McKean included storyboard pictures with the dialogue. It's not easy to visualize what's happening in a movie just by reading the script, and so the storyboard images let the readers follow the dialogue more easily.

And of course: the photographs -- weird ones, usually patched together with surreal CGI, computer animation and wild makeup. Valentine's masklike face in particular is odd, but strangely convincing. There are even some behind-the-scenes photographs, including bluescreen shots and faux-aged pictures of anti-Helena.

To add to the wealth of information, the correspondence between McKean and Gaiman about this film, abbreviations and grammatical errors intact. "Fantasy stories rely on cliche too much, fairy stories about fairies I think are pointless, fairy stories about the people who need to believe in fairies I think are fascinating," McKean writes in one letter.

"Mirrormask" seems to be what one would expect from a Gaiman creation: Weird, strange, and surreal, yet also funny and touching. And for anyone anticipating the film, "Mirrormask: the Illustrated Script" is a must-have.

This is a great book, not similar to illustrated graphic novel of McKean or a text book from Gaiman but this book has entire script and storyboards of the film. What a great share what a great book idea thanks. Very useful source for both cinema and design students or professionals beyond to get taste for makin of this magic film.

I used to read Ray Richmond's columns every day in the Los Angeles "Daily News" and now see him writing a television column in that show business necessity "Daily Variety"-- so I was not disappointed to find the same sort of insightful reportage and great sense of humor displayed in his new book: My Greatest Day in Show Business: Screen Legends Share Their Fondest Memories. Hey, I confess to wanting to know about these celebrities, and Richmond is a fellow who's been around them for a long time, and knows his business, and it shows in this book. A satisfying read.

"Entertaining, Candid, Sincere,and Unique" is how I describe this book. The stories in "My Greatest Day in Showbusiness" are remarkable. The "information" one reads in gossip columns (or books sold for shock value) doesn't even come close to giving a glimpse of who famous people really are. This did. Here we have integrity and entertaining reading at once. Refreshing.

Great stories about the famous! Fun reading! It's great to know genuine truth about who we "invite into our living-rooms" instead of superficial publicity hype. We hope Ray Richmond introduces us around Hollywood again, soon. Well written!

"My Greatest Day in Show Business" gave me a feeling of really understanding the seventy-five stars that were interviewed. Their frank answers made them "knowable" and "real". Also, this book gave me an understanding of the kind of work, thought and care they pour into their careers. I've never really understood Hollywood before, but now I'm really starting to appreciate the show-biz work environment. I was inspired, delighted, taken aback, touched, and moved, as these celebrities revealed personal thoughts, opinions and stories. The stars have come down to Earth. I'll never look at them the same, again. A very good book!

I was at a seriously stuffy dinner party last week, and most of us did not know one another. It seemed no one could break the ice. Someone mentioned Jerry Springer for some reason, and after "normal opinions" were voiced, I related some of the highlights of his interview that are in this book. What a conversation we had because of what I'd read! Everyone ended up talking (sometimes over one another) and we forgot we were strangers. I just had to say thank you. I'm very glad I had read this book. It was most enlightening to be audience to legends we know by face and name, baring their souls about who they really are, and what has shaped them

I find this to be an amazing story of a remarkable musician. He tells of his life, the life of his teacher, the process that young Indian musicians used to learn their instruments-the teacher/mentor to student relationship that is so badly missing from today's music students ( in most cases.) On top of that there is much discourse on the forms of Indian music which, while technical and erudite, gives insight to what an deep and formidable system Karnatic and Hindustani music is.

Now 86 years of age, Ravi Shankar continues to be revered world-wide for his proficiency and performances of the classical music of India. Originally published forty years ago, this new and updated edition of Ravi's autobiography "My Music My Life" is enhanced with an informative Foreword by Philip Glass and an Introduction by Yehundi Menuhin. Of special note is the new final chapter by Ravi that details his hope for the preservation of Indian classical music as embodied in his unique approach to his craft. Enhanced with the inclusion of never before published photographs, "My Music My Life" is a compelling memoir and an enthusiastically recommended for both academic and community library collections -- as well as mandatory reading for his legions of fans throughout the country.

A GITA ON MUSIC, November 5, 1999
Reviewer: Herman Anderson (handerso@cybersmart.co.za) (KwaZulu Natal, South Africa)
A beautiful offering! It is not just the world of music which is the richer for this account. Music, a system - or - music, a way of life. Devotion, dedication, service, and the universality of this music is Vedanta, lived and written of by Ravi Shankar. This lucid presentation of an exceptional culture is a way open for appreciation and more.

having read Raga Mala, the autobiography of/by Ravi Shankar first published by Genesis Publications, i expected with this volume titled "My Music, My Life" to be somewhat thicker (that's why only 4 stars applied). on the other side it's a very interesting manual on the actual structure and playing of the indian music on the sitar. at first hearing, the indian music appears disharmonic to our western harmonic music trained ears, however, over the years i fell in love with indian music and this volume allows a closer look inside the making of the disharmonic to make us understand it better and love it even more so.

JohPWilbrand

I own the first edition of this book. It is probably one of the more accessible introductions to Indian music, the Guru/Shishya relationship, and the sitar itself that you will find. Other books cover each of these areas in more detail, but this one is enough unless you really want to invest a LOT of time...in which case, you'd probably do better to find a guru of your own. The last of the four sections of the book is a pretty thorough introduction to the sitar and its technique, as well a very rudimentary introduction to several ragas. It will take you a long way along the path to mastery if you dedicate yourself to completely assimilating the material provided..but again, a teacher would still do a better job in the same amount of time. So...definitely get this book, in either edition, and begin a relationship with this remarkable man and his even more remarkable music.