Television Books
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The CSI Companion Guide is for all CSI FansReview Date: 2004-09-13
Just What I Wanted!Review Date: 2007-12-28
I'll be back!
Brilliant addition to put alongside your CSI DVD collection ;-oReview Date: 2007-11-24
It's really a coffee table type of book in the fact that you look through it once or twice, keep it aside and flick through it again every now and then. It's interesting and fun to look at and I highly highly recommend it to any fan of the show like I am and you'll be so happy with your puchase for sure.
A Must-Have For All CSI FansReview Date: 2007-05-14
Besides listing the writer of each episode, the director, and all of the guest stars and parts they played, you get an overview of the case, the evidence and facts, and the conclusion.
One of the most interesting aspects of this book are the pictures and illustrations. Taken from the actual "case file", you can see up close and personal the evidence that the CSI's collected from the crime scene and used to find the perpetrator. Many of these items were never shown on the actual show, or if they were, it was done so quickly I must have missed it!
I really hope that they come out with another companion for the succeeding seasons, as this is one show I can't get enough of. You'll definitely be happy you purchased this book, and the only thing I can think of that would make it better is to also put out a CSI: MIAMI companion!!
Excellent throughout!Review Date: 2006-12-15

A book that tells what the title says (for once!)Review Date: 2007-11-05
In any case, the details given here will present you with a clearly defined account of why and how this youth noir-icon died.
He was on his way to a race, in a racecar, when a young man pulled out from an intersecting highway. So, the question arises, 'Was Dean's speed the cause of the spectacular crash or, was it carelessness on the young man's part who possibly failed to yield the right-of-way?' (HINT: Dean was just issued a speeding ticket about an hour or so before the crash!)
This book has plenty of nice illustrations and I found it a real page-turner of a mini-biography.
Author invites you to please visit our James Dean Site Review Date: 2005-04-29
CREEPY PULP NON-FICTION Review Date: 2005-05-02
An Interesting Twist To Dean's Last RideReview Date: 2003-03-14
What makes this book a positive departure from the other Dean book is that there is no psychological stuff about Dean's tortured youth or attempts to affix a death wish to him, just a lot of good hard facts. Joe Friday couldn't do a better job in that area.
The best part of this book? It sticks to the truth and makes for an interesting read.
not just a read - an experienceReview Date: 2000-10-13

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must haveReview Date: 2007-12-26
A Long Time Family FavoriteReview Date: 2007-08-02
Daddy's FavoriteReview Date: 2007-04-02
BarbReview Date: 2007-03-08
Great book! Very entertaining!Review Date: 2006-02-05

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Fantastic gift for the Who Obsessed ChildReview Date: 2008-09-28
Strangely ObsessiveReview Date: 2008-08-09
There's a lot of material here, but a surprising amount of it smacks of filler. For instance, every song that was ever heard for more than three pico-seconds in any episode is included here--along with separate entries for the band or singer. And in some cases, for the composer. So, we get to read a bit about Jeff Lynne--because he wrote an ELO song that was featured in one episode. That's...just a little oddly obsessive to me. Where do you draw the line? Why not comment on the brand of spark plugs used by a taxi the Doctor rode in?
Another minor annoyance is that the author seems to pay overwhelming attention to two animated episodes ("Attack of the Graske" and "The Infinite Quest") that are probably not canonical and that are not very likely to be known to American viewers. I mean--sometimes it seems that every third or fourth entry pertains to one of these. It's a bit frustrating.
The wealth of photos makes this a pretty good value, but overall this encyclopedia just seems a bit lightweight and has a lot of questionable entries. Try to get someone to buy it for you as a gift.
Superb guide for the new WhoReview Date: 2008-07-03
The introduction does make apolgies for not including references to the Christmas 2007 Titanic episode and Donna's return in the Season 4 opener Partners in Crime, but they have to draw the line somewhere I guess!
All the photos are full color and there's at least one on every page making this book a real delight even if you just flip through a few pages to find something visually interesting.
It's also packed with the kind of trivia only the devoted would know by heart.
Great for fans.Review Date: 2008-04-09
Dr. Who Info that is great Review Date: 2008-03-18

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Poetry Always was the New Rock & RollReview Date: 2004-06-16
Dylan, whom he refers to as "The Changing Man" in Chapter Three, was the chameleon-like performer who picked up, and discarded new personas and new musical styles at the drop of his very famous hat. The obvious example here is the infamous "electric tour" where Dylan was heckled and called "Judas". This abuse was, the book shows, not only for his perceived betrayal of the acoustic folk movement, but also a reaction to the contempt with which Dylan treated his audience. Dylan had always been a confrontational performer, and his response to such attacks was to become louder and less acoustic than ever. What David Boucher also shows is that this signified a shift from the community centred ethic of the folk movement to the excessive individualism and nihilism of the Beat poets who through the drug culture wanted, like Rimbaud, to experience the extremes.
In other chapters the myriad influences on both performers are examined as well as their involvement with political and religious organisations. Finally David Boucher gives us an insight into the road travelled by both men in search of their own personal salvation.
Bob Dylan and Leonard Cohen are complex men and complex performers. To listen to, or to read the works of either man is always challenging. In this book the author has written an analysis that is equally challenging exploring, as it does, the anger and the angst of the 1960s and beyond. I enjoyed every minute of the challenge.
Take This WaltzReview Date: 2004-07-23
Throughout the book, Boucher weaves explorations of various aspects of the lives and cultural context of Dylan and Cohen that strongly affected them and their work. These include the civil rights movement, drugs, women, sexuality, God and religion, what it means to be reluctantly identified as the voice of a generation, and -- particularly for Cohen -- the holocaust. Boucher also explores the influence of other artists on their work, from Woody Guthrie for Dylan to Lorca for Cohen, as well as the influence that Dylan and Cohen had on each other.
Just as Dylan and Cohen make poetry an accessible part of popular culture, with equal skill Boucher makes philosophy of art and interpretation accessible as well. He points out that our experience of lyric poetry is informed by the questions we bring to it and he explains that the richest experience is to be had when the most appropriate questions are asked. Boucher uses the theories of several philosophers such as R. G. Collingwood, Henry Jones, and Michael Oakeshott, to identify which questions are most appropriately asked of particular works at particular moments in the artists' creative development. He also shows the fruitlessness of asking the wrong kind of questions of a particular poem, as is the tendency of many thinkers. He describes various forms of artistic expression: pseudo-art, or art as magic; art as the expression of emotion, or imaginative art; and inspirational art, or poetry which delights in images. He then demonstrates how, at various stages in Dylan's artistic development, his work takes all three forms of expression, whereas Cohen's work primarily takes the form of the last two. He then offers examples from their poetry to illustrate which form(s) of expression is/are being inhabited by a particular work and he supports his demonstrations with quotations about their work from the artists themselves.
Finally, Boucher helps to bring the period to life for his reader by including several pictures of book covers, concert and film posters, magazine covers and various photographs. The overall result of the book is that Boucher successfully positions his readers to have a richer experience and a deeper understanding and appreciation of the lyric poetry of Bob Dylan and Leonard Cohen.
Sad Eyed Lady of the LowlandsReview Date: 2004-06-16
How lovely does it get...?Review Date: 2004-06-11
It is clear from this eloquent book that neither Dylan nor Cohen wished to speak for anyone but themselves and equally clear that the strength of their work would be seized upon by a generation looking for a new direction. Thankfully they both continued to write through their tribulations and we have a bank of some of the most evocative music to continue to listen to.
I urge you to buy this book but with a word of warning: you won't want to stop reading once you've started.
Compulsively ReadableReview Date: 2004-07-10

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Elvis at 21Review Date: 2008-02-27
spectacularReview Date: 2007-02-14
Elvis at 21 BookReview Date: 2007-06-30
Elvis at 21 bookReview Date: 2007-01-19
THE Best Elvis BookReview Date: 2007-04-11
Wertheimer's photographs are collectively an artifact of our cultural history. It's amazing to see so many of them gathered together and in sequence. A much smaller selection of this body of work was published about 20 years ago as "Elvis '56"--this was my one-book-in-the-library, even back when I only had a photocopied edition. With this expansion, a whole new king is crowned.
2007 is of course the 30th anniversary of the King's passing. The world should expect a vast onslaught of new and revised offerings on the man. "Elvis at 21" throws down an early gauntlet so firmly, the other publishers might just as well crawl back into their niches.
Buy it, and wear a bib so you don't ruin the pages with your drool.

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Power Players "Powerful Information"Review Date: 2006-06-23
In a class by itself!!Review Date: 2006-06-08
very insightful, serious, and top-notch entertainment manualReview Date: 2006-06-08
Great Resource!!Review Date: 2006-06-08
A must have for making your way in this industryReview Date: 2006-06-08
Since the first volume, I've purchased this one. My career is a little further ahead now, and still I find this to be an invaluable resource. What it does for me now is give me ideas that I would have never come to without having the book sitting in front of me. I can have one path in mind for getting something done, or for getting a project into the right hands, and as I'm looking for a phone number in this book, I'll run across another listing that makes me consider another option. I've even beat my manager to finding contacts and phone numbers at times when she was flipping through her rolodex. She was impressed.
If you're just starting out in the entertainment industry, and you've spent time online looking for agents and production companies, save yourself some time and purchase this book. If you are into your career, but still climbing, this book can only be of assistance in helping you make your way. And, if you are an industry bigwig ... well ... you or your company are probably already in the book :-)

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The most informative Book for Flash on TVReview Date: 2005-05-25
MacIntosh & plugins needed to get full use of this bookReview Date: 2005-01-02
But look elsewhere if you only have a Windows computer and want to use only Flash for video work.
You Get Your Money's WorthReview Date: 2003-12-23
FlashTV! highly recommends this book!Review Date: 2003-01-20
Nicholas Da Silva, ...
Essential Reference for theNext Wave of FlashReview Date: 2002-12-12
Janet Galore and Todd Kelsey lay it all out clearly and write in an easy to read style that doesn't skimp on details. The entire book is laden with terrific artwork and helpful screen grabs that support the text. Very undaunting for the visually inclined.
The sections on video exporting, and postproduction effects was particularly eye opening. this section alone cleared a lot uncertainty for me.
While this book won't make the reader a better Flash animator/designer, it most definately will make any level Animator or designer a more informed artist. It will open a lot of doors personaly and in the hands of a talented, creative person, change the ever evolving face of the Flash community indelibly.

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Wow!!! Review Date: 2006-01-02
Good BookReview Date: 2003-12-07
More Than A Great Read!Review Date: 2002-01-22
Brilliant!Review Date: 2002-01-21
Siobhan Darrow is a refreshing voice of truth in modern day autobiographies. I recommend this book to everyone! She will transport you all over the world in her global adventures, sharing her unique brand of humor and self-reflection. The book was so exciting, I read it in one evening and the next day began to read it again! As a young woman in the media, I am thankful to have such a great role model.
War and (inner) PeaceReview Date: 2002-01-17

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Outdated but good to look atReview Date: 2007-01-24
Terrific Lucy Memorabilia BookReview Date: 2002-06-21
Gorgeous to Look at!!!Review Date: 1999-07-29
wymans gemReview Date: 2000-04-24
Lucy Lovers Will Love This!Review Date: 2001-06-05
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Some case summaries include a couple pages of graphical information relating to the case and provide more details, such as investigator reports, evidence and chain of custody tags, evidence and DNA test results, investigative reports, etc. Some of the contents of these pages are difficult to read but give you an overall picture of the actual "case file".
Then on blue tinted pages, the producers, directors, writers and actors make comments on the episode. There is some great information on how some scenes were filmed for maximum effect. Actors also provide insight to their characters as they relate to that particular case and in general. This is really nice since for the most part there is not much character history on the show. It's also in these pages that we learn that some of the cases are based on real life cases by one of the writers.
It is also mentioned by writers and actors (William Petersen and Jorja Fox) that the sexual tension between the characters of Gil Grissom and Sara Sidle has been part of the plans from the beginning of the show. Also, details are provided of how certain scenes and dialog are planned out for specific episodes to highlight that tension.
There is also a character profile provided for each of the main characters of the show. This profile gives background information of each of the characters, including family history, education, work history and other pertinent personal information.
I give this book "two thumbs up".