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Surprise! Surprise! Surprise!Review Date: 2004-08-24
Whose "Story" Is It, Really?Review Date: 2002-05-13
This is one of only a few books which, after having read it, I wish I had written it. Of course, I am wholly unqualified to undertake such a task. However, I would have thoroughly enjoyed completing the research required and taken full advantage of every opportunity to interview, personally, as many of the Jewish comedians as possible. Also, as many as possible of the (non-performing) Jewish writers of comedy such as Larry David, Larry Gelbart, and Neil Simon. In a brilliant Introduction, Epstein observes: "The story of Jewish comedians in America is one of triumph and success. But their stage smile is tinged with sadness. It is haunted by the Jewish past, by the deep stains in American Jewish life -- the desire to be accepted and the concern for a culture disappearing -- by the centuries of Jewish life too frequently interrupted by hate, and by the knowledge that too often for Jewish audiences, a laugh masked a shudder. The comedians' story in America includes bitter encounters with anti-Semitism and the lures of an attractive culture along the way. The jokes these comedians told, their gags, and their nervous patter need to be set alongside the obstacles they overcame."
In this volume, Epstein combines the skills of a disciplined historian and cultural anthropologist with a writing style which has Snap! Crackle! and Pop! Obviously, he also delights in the comic art of so many who "exemplified two great themes of American Jewish life: assimilation and the search for an American Jewish identity....Also, they made Jews proud" while entertaining them as well as ever-increasing numbers of others who also went to the movies, turned on radios and then television sets, sat in nightclubs of various sizes, and bought albums. I am so grateful to Epstein for providing throughout the book an abundance of comic material from scripts, films, published interviews, recordings, and other primary sources. He covers a period from 1890 until the present, organizing his material within four sections:
The Golden Door and the Velvet Curtain (1890-1930)
NOTE: Epstein creates a context frame-of-reference within which to begin to examine "the two great themes" as countless immigrants arrived in "the land of hope and tears." He then shifts his attention to The Age of Vaudeville.
The Years of Fear (1930-1950)
NOTE: This was a period during which there were many fears (e.g. poverty, world war, nuclear weapons, Communism) shared by most Americans. Epstein examines what he calls radio's "finest hour" as well as films which had their audiences "laughing in the dark." He then shifts his attention to the rise of the Borscht Belt.
The Years of Acceptance (1950-1965)
NOTE: Epstein examines the American Television Revolution and then the emergence of stand-up comedy, devoting special attention to Milton Berle, Sid Caesar, and Jack Benny as well as to Lenny Bruce, Myron Cohen, Jack E. Leonard, Buddy Hackett, Alan King, Jackie Mason, Shelley Berman, and Woody Allen.
The Years of Triumph (1965-Present)
NOTE: In this final section, Epstein traces the further development and refinement of "the two great themes" of American Jewish life (i.e. assimilation and the search for an American Jewish identity) and I enjoyed reading this section more than any of its three predecessors. In it, Epstein takes a close look at the films of Woody Allen and Mel Brooks (among several discussed) and then shifts his attention to Rodney Dangerfield, Don Rickles, Andy Kaufman, Howard Stern, various Jewish comediennes, Jerry Seinferld, and (in the final chapter) an emerging generation of young Jewish comedians.
In the Appendix, "Schlemiels and Nudnicks," Epstein shares his final thoughts which help the reader to re-establish an overall perspective on material which covers a period of more than 100 years. (It could reasonably be claimed that Epstein has examined certain themes and forces which have been active within Jewish culture for several thousand years.) He concludes that "the comics who emerged from this Jewish background were not aware of psychological or sociological theories. As George Burns noted, they were not hungry for recognition, "they were hungry for food. They did not question their humor but rather just recognized and used it. Nevertheless, the roles comedians played and most particularly the contributions of Eastern European Jewish culture shaped the personalities of these comedians and lay, either hidden or not, in their minds."
For me, a Gentile, it is impossible to determine to what extent Jewish comedy became assimilated within American society, and, to what extent Jewish comedy helped American society became assimilated with Jewish values. Let's all call it a tie and consider ourselves that much the better for it.
Great Historical Prespective about Great Funny People!Review Date: 2007-01-04
It's no joke to be so funny Review Date: 2006-01-15
In this richly informative work Lawrence J. Epstein tells the stories of many of the true greats, Jack Benny, George Burns, the Marx brothers. He too provides some explanation of why the Jews became America's principal comic entertainers.
In an interview about the book Epstein says "The Jewish immigrant's child came from a family that had to confront hatred, persecution and attack. This made the Jews anxious and fearful," Epstein explains. "They needed a way to cope. This way had to be portable because the Jews kept being kicked out of places and had to be rooted in language because Jews so prized words over physical activity. Humor could be taken from place to place and was based on language. The humor also was useful in dealing with anti-Semites. If Jews could deflect hatred with laughter, people wouldn't hurt them."
This to my mind makes some sense but is certainly not the whole story. True a good share of Jewish humor is self- reflexive and self- critical, but there is also the explosively abusive humor of a Lenny Bruce or a Don Rickles, humor in which the language becomes a weapon to injure and win laughs.
Yet to tell the truth the great gift of this book is in the particular stories and anecdotes it gives, and less in the 'theory'.
The truth is each of these comics is a great 'character'. And I believe the real strength of these comics as a whole , is that each one of them is so much of an individual, so much of a 'character'. And each has a particular humor and style all his own.
This is a wonderful book, and I recommend it highly. I cannot really capture its spirit in this review, and certainly cannot capture the spirit of each of the great comedians it is about.
But I am thinking of one most famous radio humor story. It is the one in which for the first time in the history of commercial radio there is a period of silence of several minutes. It is when the robber comes to the skinflint of all skinflints , Jack Benny and says, 'Your money, or your life". There is silence and then more silence. And then after several minutes, comes the plaintive voice of Jack Benny, " I 'm thinking, I'm thinking."
We love you guys . You were the greatest.
Please buy it!Review Date: 2003-06-27

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Review of David Wild's Book, I Am He SaidReview Date: 2008-12-01
In all honesty let me tell you that this book is worth getting if for nothing else the smile that it will give you while reading it.
I enjoyed reading about the people associated with Neil and his music and where each one fit during the different time periods. I was so pleased I was learning some things new about Neil and associations with people that I didn't know. And the quotes in the book taken from Neil well let's just say it was a pleasure to read.
David, you are truly a lucky and very fortunate person to have had the opportunity to actually sit with the man himself and delve into his most inner thoughts on the music end of things. I would give the world to have had that chance. I have always wanted to interview him and ask him about his music and his thoughts and have that emotional connection with him. I have journals filled with thoughts on how his music has touched my life in ways that probably no one else could possibly understand. Or maybe one can and you just think to yourself you are one lonely number.
I enjoyed reading the parts where you take us through the different years and the albums. You know Neil really did have a tough time in the beginning. I know maybe it's that way for anyone who has a dream and it seems like it takes forever to make that dream come true. But I am so happy and relieved that Neil never gave up. I would be lost without that wonderful music.
You pretty muchly covered the albums in the book and I learned a little more about the back end of the business that really I didn't have a clue about before. Not that the book was anything really in depth as far as the business end of things but it was a nice little piece of informative work. I of course am not a fact checker so I take things as I read them and I was impressed with the connection of things and how you perceived them as a fan. Although you didn't mention Stages which is totally right up there with it's a little bit of everything into five CD's and a bonus DVD from Ireland to boot. So that did surprise me a little that you never mentioned it or maybe you did and I just missed that part. You did mention TCO one of my favorites. If I had to name my top five favorites it would be HAN, TCO, Lovescape, 12 Songs and HBD. Beautiful Noise is very good and you mention it a lot in your book and I finally just got this in CD form so it's been a great old new listen for me lately as I only had it in LP before and it's so muchly easier listening to a CD then an album (portability if you will).
There are a lot of smiles in this book (I like the part about Ellie G wanting to take Neil home for milk and cookies) and a little sadness like the part where Neil says he did a show at Carnegie Hall and no reviewers bothered to show up. Neil, I would've been there! It almost makes your heart sink to think about those times when nobody seemed to care. I am so glad that Neil had the strength, courage and determination to carry on no matter what anyone else thought at the time.
David, you did a fine job as a fan writing your stories and giving us insight to some of the precious interviews you had with Neil. I have absolutely nothing negative to say about your book only that you might give Jonathan one more chance to change your mind.
Yes I would recommend this book to anyone, wholeheartedly. It's warm, funny, and all in all a great read from start to finish. Great job David, almost makes me want to write one of my own from a devoted female fan standpoint.
I give your book a high rating. And looking forward to a possible second book from you.
All The Best
CC
Thoughts from a DiamondheadReview Date: 2008-11-12
Compelling!Review Date: 2008-11-18
Brilliant and funny!!!!!Review Date: 2008-11-12
He is.., and I agree...Review Date: 2008-11-12

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"WOW" This makes sense!Review Date: 2001-10-28
Michael Knows All!Review Date: 2001-06-24
This book is a prime example of the brilliance of keeping things simple. The steps that the book uses to create a strong bond between you a your customers work and work very well. Using these simple steps, I have greatly improved my relationship with my cutomers.
I would put this book on par with "How To Win Friends and Influence People" on how to change your business life.
Laughing and LearningReview Date: 2001-04-18
Laughing and LearningReview Date: 2001-04-18
Enjoy and LearnReview Date: 2001-04-18
Verne Harnish Founder of Gazelles, Inc. and Founder of Young Entrepreneurs' Organization

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A superb and enjoyable guide to screenwritingReview Date: 2007-12-12
In the introduction to his book, Schwartz states he has seen the quality of his screenwriting students' work dramatically improve after utilizing this approach; I have no doubt that this has been true for him, and will also apply to those who read his excellent book.
Best Book on Screenwriting!Review Date: 2007-10-11
Revised, expanded editionReview Date: 2007-07-27
Diane C. Donovan
California Bookwatch
Incredibly insightfulReview Date: 2007-09-13
There, now that that is out of the way, let me say I was initially skeptical about this book and its overwhelmingly good reviews. The reason is a character flaw (I think): I don't trust positivity.
However, it wasn't too expensive and Amazon would ship it to me in record time so I thought, what the heck and ordered it. It's a small book, and I was expecting it to be. After all, it's in the format of a screenplay and those shouldn't be more than 120 pages or so, right?
On starting to read, straightaway, I was hooked. The story used is a bit corny, but--I couldn't believe it!--I wanted to know more: what did Virgil want? Who was the stranger in Bebe's apartment? Does Danny finish the screenplay? And right along with all that, I was actually learning about structure, character, theme, dialog and exposition; all in a way I never would have thought possible.
And at a speed I never thought possible either! I was learning how to write a screenplay and how to make it interesting and watchable, without the impediment of translating jargon and quasi-indecipherable jibber jabber. I blew through it in less than two hours and I thoroughly enjoyed every minute. One of my highest recommendations and kudos to the author for finding a pleasant, funny, and incredibly insightful way of transferring knowledge.
A Useful Tool for Writing and Selling ScreenplaysReview Date: 2007-05-03

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GoodReview Date: 2007-01-12
worth every penny!Review Date: 2002-06-06
one of my favorites.
a treasure.
Poignant and BeautifulReview Date: 2006-05-18
Very InspiringReview Date: 2003-10-31
A powerful memoir and personal account of hopeReview Date: 2003-04-14

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The very best albumReview Date: 2008-11-16
Best For ReadReview Date: 2008-10-04
this Book Tall About, Many stories About Il Divo, And Them Personal Carier And Life,,
And I Thinks... We Can Learn Many More.. From They..
" Before His Succes...
They Faight.. They Wise Word.. And They.. Life Experience..
anyone Never, Succes.. Before.. Fail Happen To Theirs Life.. Firts..
Thanks
Best BookReview Date: 2008-11-11
Phyllis Rutkowski
Westland Mi
The BookReview Date: 2008-09-16
Il Divo: Our Music, Our Journey, Our WordsReview Date: 2008-08-11

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Excellent BookReview Date: 2008-07-24
Thorough and Enlightening Information for ParentsReview Date: 2008-08-15
"Into the Minds of Babes" reinforced some of the choices I already am making about my daughter's TV time (Dragontales, Blue's Clues), and made me rethink others (Shrek, Finding Nemo). It helped me to see the television from a kid's point of view and think about what messages my daughter is receiving from the shows she watches. It also reinforced what I already thought about the bad effects of "background TV".
I walked away from reading this book better informed and armed with a great deal of useful information for making good viewing choices in the future. I would recommend it to any parent or caregiver.
Is TV bad? Not a black and white answerReview Date: 2008-06-07
I obviously loved this book and I bought this book for my sons teacher as a gift since she has a new baby.
A must read for parents who own a screenReview Date: 2008-04-10
Great book! Review Date: 2008-02-17

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Breath takingReview Date: 2003-05-31
A Book you won't soon put downReview Date: 2002-07-31
THE GREATEST: JACKIE WILSONReview Date: 2002-04-28
Mr. Douglas went a step further he spoke with one of the bravest woman of Jackie's life, Freda Wilson, Jackie's wife of 13 years. She sacrificed it all for Jackie to be a star. Jackie was the greatest R & B artist that ever lived and if he had survived he would have blown everyone away with his astonishing talent and charisma. He was the one and only, "Mr. Excitement."
An involving coverageReview Date: 2002-05-10
InterestingReview Date: 2002-04-29

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Rejoice: Judy and Liza for the ages Review Date: 2007-09-17
I've got a thing for LizaReview Date: 2007-03-17
Liza's never been hotter than she is now and this scrapbook is just the thing you'll want to read to get you caught up on her deepest desires and secrets.
I know Liza is trying to put that awful David G. (I refuse to write the name "Gest") episode behind her and possible find love with someone who's less into getting bad plastic surgery and looking creepy.
I once met David Gest at a Rest Stop on the Jersey Turnpike. He was hitting the vending machine because his Fiery Habanero Doritos corn chips were stuck between the glass and that little spinny thing.
I was nice enough to help him out. I bought another bag of the corn chips and his dropped down. Unfortunately, my bag became lodged the same way his had. He didn't even say thank you. He just grabbed his chips and walked out. And I was the one the security guard yelled at! Can you believe it?
Great Liza Book!Review Date: 2007-01-10
A Loving and Brilliant TributeReview Date: 2005-05-17
Some Reviews by the Critics / Professional ReviewsReview Date: 2005-05-04
Here are some of the professional reviews the book has gotten to date :
From Booksoup.com :
Liza Minnelli has mesmerized her audiences with her remarkable talent and pure joy of entertaining for decades. Her appeal is universal and timeless. For those us who have had the pleasure of closely following her career, no other performing artist can compare. "The Liza Minnelli Scrapbook" is a comprehensive pictorial history. Schechter has done an amazing job of chronicling Liza's career accompanying his research with pictures both familiar and new to the avid Liza fan. For longtime Liza fans like myself, the book is treasure of Liza remembrances and certainly the ultimate Liza "reference" book.
****
From NYTheatre.com
http://www.nytheatre.com/nytheatre/bookshop.htm
The Liza Minnelli Scrapbook
by Scott Schechter
Perfect for any fan, The Liza Minnelli Scrapbook is just that - a scrapbook of an almost five-decade career. With a fond foreword by Billy Stricth, this book chronicles Liza's life by decade. There are brief overviews of each ten-year span, and then details and at least a brief synopsis on every movie, television show, Broadway show, and recording Liza has ever done. Furthermore, as if that was not enough, there are billions of pictures - pictures with other celebrity friends, cameos from various television and movie stints, covers of playbills and recordings, etc. The book is so indubitably complete in its coverage of Liza's career that there is even a picture of Liza with Kermit the Frog from her episode on "The Muppet Show!" This is an incredible, cohesive, and all-inclusive record of Ms. Minnelli and is a must have for any fan because of its comprehensive coverage and plethora of pictures.
- Seth Bisen-Hersh
http://www.nytheatre.com/nytheatre/bookshop.htm
****
From GENRE magazine, January-February 2005 issue, "The Feed" Column : "audio / film / PAGES," Editor (and reviews by) Michael Liebermann :
"The Liza Minnelli Scrapbook" Scott Schechter, Kensington, Biography, 242 pages, $22
"If you're looking for objective criticism of Liza Minnelli's storied career in music, film and theater, or an expose of her latest missteps in love, then keep on browsing. But if you fancy a stroll down gay memory lane -- from growing up Garland through 'Cabaret'to the oft-forgotten 1980 TV spectacular 'Goldie and Liza : Together' -- you can't do much better than this true fan's scrapbook."
****
From OUT magazine, January 2004 issue; "OutFront" Reviews : "What's New and Hot" : "ETC" (Page 27) :
"A must-have for Liza fans, Scott Schechter brings us 'The Liza Minnelli Scrapbook' (Citadel, $21.95), a vibrant volume about her career, with over 200 rare and never-before-seen photographs."
****
Featured on November CNN "American Morning" Show
****
GREAT write-up on the InSightOUT Book Club's webpage :
CLUB REVIEW
From Cabaret to her recent stint on "Arrested Development," Liza Minnelli has never let the scandal that seems to run in her family's blood taint her dazzling career. And her life in showbiz, which spans five decades, is celebrated with this scrapbook of photos, facts, and diva pride!
"The Liza Minnelli Scrapbook" takes you back to the beginning of the dynamic performer's life as the daughter of Judy Garland-and her first public appearance at age 2 1/2! From there, she launched a career that garnered her Oscar, Emmy, Grammy, and Tony Awards, and it's all covered here! Along with page after page of fantastic photos, the scrapbook looks at Liza's illustrious career: New York, New York, Flora the Red Menace, Liza at the Wintergarden, and The Act. There are essays about every major performance she's ever given, including her sold out appearance in Victor/Victoria. Plus, you get all the trivia and facts you could desire-and need! Everything Liza, including discography, videography, lists of awards and much more. Photos throughout. 242 pages, 8 1/2" x 11", softcover.
THE HOLLYWOOD REPORTER -- Tuesday, November 16th, 2004
Reuters via Yahoo! News, Mon, 15 Nov 2004 4:13 PM PST
'SCRAPBOOK' DELIVERS THE GOODS (Headline)
By Robert Osborne NEW YORK
Liza Minnelli has certainly had her share of publicized woes of late, but something's on the horizon that should cheer her considerably.
Scott Schechter has compiled a magnificent book on the one aspect of L. M. that always seems to get short shrift or is altogether ignored these days, i. e.,her years of delivering the goods in front of cameras and on stages throughout the world. That work has won her, to date, an Oscar (1972), three Tonys (1965, '74, '78), an Emmy (1973), a Grammy (1989), two Golden Globes (1973, '86) and an ever-loyal fan base, something Schechter covers in monumental detail in "The Liza Minnelli Scrapbook," in bookstores this month via Citadel Press, with a foreword by Billy Stritch.
No stone is left unturned in looking at the career of Minnelli and, for a refreshing change, no stone is hurled at her, either; here, it's strictly Liza's professional life and accomplishments that the author is emphasizing. And nothing goes unrecorded, be it a TV "Match Game" appearance on NBC in 1967, a 1987 concert in Stockholm, Sweden, or, this year, singing "Oscar" and "God Bless the Child" at a private party at the Ars Nova Theatre in New York. Besides being a dandy reference guide for anyone hunting for a Minnelli fact,"Scrapbook" also includes plenty of interesting info on
Minnelli projects that came close to happening but didn't. She was announced, for instance, in 1975, and again in '77 and '79, to star in the film version of "Chicago," playing Velma to Goldie Hawn s Roxie Hart (with, at one point, Allan Carr producing, Frank Sinatra playing the lawyer, Nancy
Walker as the prison matron and Carol Channing and Ann Miller as competing newspaper reporters); later, in 1992, it was rescheduled but with a
difference: Lewis Gilbert was to direct, with Liza switched to the role of Roxie and Goldie as Velma.
We all know how that turned out. In 1982, Liza tested for what was to be an "Evita" directed by Ken Russell; she sang "Don't Cry for Me, Argentina," causing Russell to publicly comment, "We had found our Evita"; the entire venture, however, was KO'd until it was finally made 14 years later with a different leading lady. Schechter also lists dozens of other projects that
almost happened ("Sunset Boulevard," "The Carmen Miranda Story") and, carrying out the "scrapbook" motif, there are miscellaneous color photographs, candids and reproductions of Playbill and album covers and Liza-related ads. One thing comes through loud and clear: The lady may like
to play, but she has also worked.
****
The NY POST -- "PAGE SIX" -- Sunday, November 14th, 2004 :
HITS THE SPOT :
IT'S not all bad news about Liza Minnelli, who was just hit with a lawsuit by her former chauffeur. At the book party for Scott Schechter's "Liza Minnelli Scrapbook" tribute tome, the author announced Minnelli's first theatrical movie since "Stepping Out" in 1991. Liza will play an offbeat self-help seminar leader who helps Parker Posey on her quest to find her G-spot, in "The Oh in Ohio." It co-stars Danny DeVito and Mischa Barton.
****
The SECOND Review of "The Liza Minnelli Scrapbook" this one by Phill Hall of Boston's EDGE and also to appear in the NY RESIDENT paper in a few weeks :
"The Liza Minnelli Scrapbook" by Scott Schechter
Grade: A+
by Phil Hall
EDGE Literature Critic
Monday Nov 1, 2004
Just from the title alone, "The Liza Minnelli Scrapbook" seems predestined to find a place on the coffee table of many gay homes. But forget the stereotypical gay worship of this show biz icon and zoom in on the rich contents. Scott Schechter's extraordinary tribute to Liza with a "Z" is brilliantly researched, lavishly illustrated and endlessly entertaining. It is impossible to come away from this book without possessing a deeper love and respect for Minnelli.
Schechter breaks down Minnelli's career in a neat manner: a decade-by-decade career-based mini-biography (all scandals are removed from print), followed by a chronological appreciation of Minnelli's theater, film, television, recording and concert careers. Schechter uncovers a wealth of long-forgotten facts and photographs which will delight Minnelli's fans: Minnelli dancing on stage with then-unknown Elliott Gould in a touring company of "The Fantasticks," her simultaneous Time and Newsweek covers for "Cabaret" (and you thought Bruce Springsteen was the only entertainer to accomplish that?)
The book is also rich with Minnelli trivia, including unlikely appearances such as a concert for the inmates of a Chicago jail (two months after she won the "Cabaret" Oscar). There is also an unexpectedly large amount of little-known data on projects which Minnelli either turned down (including the role of Daisy in "The Great Gatsby" opposite Robert Redford) or which fell apart before production began (including the film version of "Evita" under Ken Russell's direction).
Schechter is uncommonly generous to Minnelli, to the point of presenting the most glamorous and flattering photographs available; later-life tabloid photographs which show Minnelli's problems with weight control are conspicuously absent. Yes, "The Liza Minnelli Scrapbook" is a love letter to the great star. And honestly, what's wrong with a love letter to someone who truly earned the love of her fans?
Citadel Press, $21.95, 228 pages
****
The FIRST REVIEW for "The Liza Minnelli Scrapbook"
LIZ SMITH : NY Post -- Friday, November 5th, 2004
"DEDICATED TO Liza Minnelli's artistry." That's what it says on page one of Scott Schechter's "The Liza Minnelli Scrapbook" (Citadel Press). This is a glossy valentine to the great star, concentrating on her long, award-laden stage, screen and recording career. The sensation of her "private" life is not emphasized. Tons of previously unseen photos and plenty of Minnelli minutiae. (Her first reviews, even as an awkward teen, are a thrill to read; she had style from the start!) Flip through this and be reminded that Liza is an artist, one whose commitment to her audience never wavers.
****

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A Must-Read for Sitcom FansReview Date: 2001-07-05
Very valuable but don't buy it firstReview Date: 2003-06-25
A must read for any Lucy fan!Review Date: 2001-11-04
UniqueReview Date: 2001-08-14
Lucy A-Z Gets A 10+Review Date: 2001-08-14
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I ended up liking some people I didn't know well enough to like. Some overt dishonesty shocked me. All the stories were at least interesting, many exciting and a few really disgusting.
What more could you possibly ask of one book?