Television Books

This is a wonderful collection of treasures from B.B. King's lengthy career. Besides telling the man's life story, this book provides the reader with ticket stubs to B.B. concerts from fifty years ago, all sorts of crystal-clear photographs of B.B. and other Bluesmen, and other amazing treasures. I picked this up for ten dollars at a local mall, and I can't recommend it enough. It's truly moving and captivating to see how a young black man from Mississippi has become the international ambassador of the Blues and has won all sorts of awards from prestigious universities and institutions. This man is living the American Dream.

B.B.KING IS CALLED "THE KING OF THE BLUES" BUT THIS BOOK IS NOT ABOUT THE BLUES THIS IS ABOUT THE MAN HIMSELF FROM HIS HUMBLE BEGINNING AS A SHARECROPPER TO THE LEGEND HE IS TODAY. THIS BOOK DIGS DEEP INTO THE HEART AND SPIRIT OF "THE MAN" THE PHOTOS AND THE MEMORIES ALONG IS WORTH THE PRICE OF THE BOOK. IF YOU LOVED THE BLUES AND YOU KNOW OR LOVED B.B.KING THEN THIS IS THE ULTIMATE BOOK TO HAVE. AFTER READING THIS BOOK I KNOW MORE ABOUT THE LIFE OF B.B.KING THEN I EVER KNEW. IT IS HARD TO BELIEVE THAT THIS MAN WHO IS A LEGEND IN HIS OWN TIME CAN BE SO HUMBLE TO THE MANY PEOPLE BOTH FAMOUS AND ORDINARY

Hello all! I am from India, residing in Singapore. I enjoy listening to blues. Being a big fan of BB, i couldn't resist this treasure when i came across it at the Borders bookstore.The book is great, with replicas of tickets etc. 1 hour cd with BB's interviews and 2 songs is a great treat. BB is an inspiration, having moved from cottonfields to become world's greatest blues singer. Just wait for the clouds, and read this with a cup of coffee when it starts to rain. When you finish with the accompanying cd, put in your own BB collection and read the book along. Lucille won't let you down. The thrill isn't gone afterall! 5 stars indeed.

Though possibly a bit unlike adults my age, I am a bonafide blues lover and THE B. B. KING TREASURES: Photos, Mementos & Music from B. B. King's Collection is a remarkable look into the background and life of legendary blues singer B. B. King. In it he details his early childhood and growing up on a farm, to his young adult days, touring various parts of the country and his candid views on segregation and the Civil Rights era.

While the book itself is a wonderful collector's item and can be displayed proudly as a coffee table book, the best parts to me were: the included CD which has a collection of interviews with the singer, as well as two unreleased songs, the numerous pull-outs of old letters, photos, programs and posters, and the respect he shared with and bestowed upon others. THE B. B. KING TREASURES succinctly depicts the life and times of B. B. King, his thoughts on many issues, including race relations, and especially music. It is perfect for the blues lover in your life and a great tribute for B.B. King's 80th birthday celebration.

Reviewed by Tee C. Royal
of The RAWSISTAZ™ Reviewers

Those looking for a present for a blues lover (or themselves) could do far worse than purchasing an absolutely wonderful new coffee table book plus more devoted to the King of the blues. The B. B. King Treasures : Photos, Mementos & Music from B. B. King's Collection is by King, Dick Waterman and Charles Sawyer. Sawyer, who wrote the first book-length biography of King, The Arrival of B.B. King, contributes a concise biography from King's days growing up in Mississippi to his days as an ambassador for the music. The remainder of the book is filled with King's recollections as given to Dick Waterman who supplements these recollections of growing up, working on the farm, moving to memphis, touring and crossing over. There are not only some terrific photographs (many are very rare), but also some reproductions of memorabilia including his sharecropping account from 1940, mostly tickets, programs and posters for his shows, along with sheets shoqwing how much he was earning prior to Sid Seidenberg taking over King's management in the late sixties. You can see him from his WDIA days to receiving the musical equivalent of the Nobel Prize in Sweden with the King of Sweden handing the award to him. In addition there is a cd with King's verbal recollections and some unissued tracks. This is a multi-media feast for fans of one of the true legends of world music. Compiled in part to celebrate his 80th birthday, The B.B. King Treasures, is a treasure.

I was always pulling up a blank on my mind when anyone mentioned Tupac. Not only that, I also never knew when his music was playing. All I knew was that he was a rap artist who was shot to death one unfortunate day. What I came to learn from this book was stunning not only in the stories about his past, but also stories about his family, particularly his mother. The time and place of his beginning is humbling; for a child growing up in an impoverished and dangerous city, Tupac has shown society that great people CAN come from even the poorest of places. His revolutionary ideas and strong, provocative lyrics showed not only that great people can emerge from the most unlikely of places, but also showed that our society is full of corruption and in desperate need of reform, starting with the less fortunate and oppressed.

The book is the story of the author's life as it was when he grew up with Tupac. Even if you don't know who Tupac is (somehow I doubt that) you will still enjoy this book. The story is one of a man who plays the cards he was dealt and how no bad hand could hold him back. It gives you an appreciation of the artist, the author and of yourself all at the same time.
This is the book to read for Tupac fans as it is written in story-book format thus enabeling you not only to learn the specs of the life but also to be put in the shoes of someone who was near him before he was famous. Great book, great life, great read!! Pac4life haha!

Back In The Day: My Life and Times with Tupac Sharuk



Tupac was the greatest rapper/actor in history. But to get to the top he had to go through struggles in his childhoods. Thats why the theme of the story

Back in the in the Day: My Life and Times with Tupac Sharuk is to follow your dreams no matter what you had to go through and dont't stop unless

you have to. Tupac also teaches us to use our talents to enjoy our life. Darrin Bastfeild , the author of the book , go with Tupac adventures during his

high school years.So let talk about more of the theme.

Tupac actions of the theme was letting no one stop him from his talents. Every day he would wake up, go to school, come home or go to his freind house

and write raps, sleep then repeat the process all over. But one thing Tupac and the author always endured was both of them was poor although Darrin had

had a little more money then Tupac. So Tupac would borrow clothes from his friends or kids from the school bring him clothes. Any chances Tupac had to

to get a break he takes. For example Tupac and his friends almost had a break into Hollywood but the seruity guard caught them and the manager of Salt n' Pepa

reject them saying he had to cacth a plane. No matter how much he was rejected Tupac still had a break.

Tupac also shows the theme by the words out his mouth. One thing Darrin points out is that Tupac said he was little was that he wanted to be a revolvutionary

when he grows up. That shows Tupac known what he wanted to be which he did but did it in a different style such as a rapper and an actor.He always told

everyone what he wanted to be and he showed it. Like one of the Tupac wrote when he was growing up "We Work Hard" was what he did .He spoke out for

people like him while he and his mom was with the Black Panther movemment about the voilence in his nieghberhood. So not only did Tupac rap but he was also a

worker for peace.

Yes this theme is true because I had my own taste of bad karma. When I was born I had a blood infection so I stay in the hospital for fifthteen days. Around two

years old I had lead poisoning, which I miricaly survive and had to get surgery on on my ankle. At five my sodium level was to high. and only last year did I nearly

passed out because of my heart membrace I got when I was born. Still I'm smart, got accepted to a good school and go there and play an insturment in band.That

proves that the past can not predict your furture.

In the end Tupac achieved his goals. He starred in movies such as A Raisin in the Sun and made smash hits like Califoria Love. He had the world knowing what

his name was and rocking to his beat espcially in the black nieghberhoods of America. He known people like Biggy Smalls and Mary J. Bligh. Darrin almost went on

a tour with Tupac realized they had lives of there their own and went their seperate ways. Tupac shows just we can anything we want to as long as we set are minds

to it. But sadly, he was shot and died seven days later.

This is a good book, insightful and well written by Mr.Bastfield, it was clearly written as a labor of love and a need to document an intense kinship, that ended before it had a chance to mature in the later years of life. Since Tupac Shakurs untimely death there have been many people trying to capitalize on his memory, however this author and book do not fall into that category. For those who are interested in the somewhat awkward but always smooth teenager, who would one day become Rap musics greatest legend, this is a heartfelt account of the building of the man behind the myth, the carefree but yet fiercely determined ghetto kid, who had the right stuff to overcome the enormous odds stacked against him. Few have the courage to dream big and then pursue those dreams at all cost, this is a story and observations of a young man who did just that. The book falls short in some areas but overall is well worth reading, and a job well done by Mr.Bastfield.

I liked this book quite a bit.

Mainly because it offered a different perspective than most other books about Tupac.

This book was written by a teenage friend who experieced the same things Tupac himself experienced. They 'shared the struggle' of trying to better themselves in a very harsh environment.

This book shows the almost relentless passion Tupac had to try and influence the world around him in a positive way. And the internal struggle he had with some of his actions. He knew of the contradiction and was trying to evolve. Too bad he was cut short in his quest.

One of the most telling insights to the basis of Tupac's personality is the answer to the question one of his earlist teachers asked. "What do you want to be when you grow up?"

For those who haven't ever looked too deeply into Tupac's more intellectual and compassionate side, there is a surprise in store, Tupac's heart. For those of us that knew he was much more than a thug, you'll see more and more of his depth.

An easy read that kept me flippin pages..

I have an assignment comparing The Beatles to their predecessors, and no book or article I have read/studied thus far has been as helpful as this book. Everett goes so in depth, it's unbelievable. And, he manages to make it interesting, to boot!

I would suggest, however, if you are not a musician, to bone up on your chord progressions. He references a lot of chord structures that may be unfamiliar.

All in all, a great book--and especially a wonderful reference for research!

As I indiciated in my review of Everett's companion book, which traces the music of the Beatles from "Revolver" through "The Anthology," these books are the definitive works about the music of the Beatles. There are so many books about the Beatles' cultural iconic significance, their sociological and gender influence and a whole host of other irrelevant topics. What matters most is that the Beatles were timeless musicians who defined the music of the 20th century. Everett reviews their music as he would any great composer. If his perspective is too technical and professorial, you may want to consider Riley's "Tell Me Why," which is still my favorite book about the Beatles' music. It provides succinct and probing insights into their music. Everett's book is nevertheless excellent, and I highly recommend it.

I've never seen such a detailed description of the architecture of The Beatles' music and its performance. (Where else can one find charts on the guys' vocal ranges, for instance?) And all the discussion of their instruments. And all the songlists even from the very beginning of their partnership! I enjoyed this book thoroughly.

To be truthful, considering the amount of detailed musical analysis here, it's difficult for me to imagine the average fan who is not a professional musician being able to follow a great amount of Mr. Everett's discussion. For a musician, however, it's an invigorating exercise in thinking through song structures and harmonic patterns.

I've long been interested in some of the same questions Mr. Everett poses.

Many years ago, out of simple curiosity I put on A HARD DAY'S NIGHT and played through every number in turn, mapping out the various keys and structures; I found that the fourteen songs exhibited thirteen different song forms! This just five years after Buddy Holly!

Add to that that "the boys" experimented with unusual scales, modulations and meter changes and did about everything conceivable with the harmonic sequence, modifying it bit by bit in ever more adventurous ways until finally breaking free altogether. Given all this, it was obvious from the beginning that, whether or not the members of the group were capable of reading a score, they were consciously manipulating the materials of musical construction. Their work deserves this kind of scholarly attention.

Again, GREAT book and I especially appreciate all the attention the author gave to the very early repertoire.

Walter Everett subjects the music of The Beatles to the kind of theoretical examination usually reserved for classical music. This book, along with its companion volume, is serious-minded, intellectually rigorous, extremely well-conceived and yet, for the informed reader, not at all tedious. I know of no other instance where popular music has been subjected to this kind of analysis with such compelling results.

These volumes seem to implicitly ask whether The Beatles' music is actually good enough to withstand the rigor of intensive analytical scrutiny. As Professor Everett ably demonstrates, it truly is. His dissection of the famous medley on side two of "Abbey Road" (in the companion volume) is eye-poppingly brilliant. In all, both volumes are superb treatises, books that set a new and very high standard for scholarship in popular music. They are also a welcome addition to literature on the band that is still the standard by which all others are measured.

Yes, this book is very dense and technical, I am not a musician and was a bit lost at times, however, the author structures the book in such a way that you can skim or skip what is over your head (a lot for me) and still get something out of this book.

For me, one of the most important and rare things about this book is the way the author does not fall into the John vs. Paul biases like so many others who have written on this topic. He gives both men the written ananlysis and technical break down of their work they deserve and does not short change Paul in favor of John. This is appreciated as I believe it gives the best description of how the songwriting evolved through the talents of both men.

He also gives the same critical analysis of George Harrison's songs, this is rare indeed.

For these reasons I highly recommend the book for serious Beatle fans.

I am already burning through the second book.

I am a HUGE Belushi fan and was not let down by this book. The blurbs from friends and co workers are funny and offer a closer look at the man that made us all laugh with the lift of an eyebrow.

This book is very well written and beautiful to flip through. I recommend this book for yourself or a gift as well as Tanner Colby's more recent CHRIS FARLEY biography!

For writing this beautiful book. I've been a fan of Johns work pretty much as far back as i can remember. i was only 9 when John passed on so i never got to see him perform live or really enjoy his work when he was here on this earth. I found this book to be a true showing of what John was like and what a good man he really was and not always this train wreck like the press (and another certain author who shall remain nameless) perceived him to be. you can tell that he was loved by many and that his death had a profound affect on many and that his work will be loved for many more years. If you are a fan of John you need to read this book!

John Belushi, a man of laughs, a man who lived for an audience's
approval and cheers, John Belushi was an entirely respectable man and deserved to be remembered as a man of great worth among friends and colleagues, this book harrowingly displayed him as both, they did not write from a biased point of view, but rather from many perspectives, of friends and family. Every comedian should allow the utmost respect for such a spectacular man, John, may you rest in peace, knowing that all of your fans will remember you forever, we love you.

Most if not all of the facts of this book will not be new to John's fans. Especially those who have read the eight-or-so books already written about or by him and his friends and family.

And, title aside, it is not really a biography; it is an oral and pictorial history. But that is its strength. The voices of those friends & family come through, showing their love for the man.

But the interesting thing is, as awesome as some of the stories may be (especially to those who haven't read them before); the pictures do an even more excellent job.

Some of the photos were previously seen in SAMURAI WIDOW and WIRED, but most are never before published. And in them, you can see the buildup from Belushi's boyhood through the first three years of SATURDAY NIGHT LIVE. Then the explosion when that show, ANIMAL HOUSE, and the Blues Brothers record all hit at the same time.

And then the fallout. Visually, I think you can mark the moment when the road turned hard for John; it's in a full-page picture, on page 172, of him in costume for 1941.

It's in his eyes. Look at most of the photos that precede this one, and there is a light in them, something that's growing, some kind of spark.

And though it's probably too simple to say that Hollywood stunted that growth and killed that spark, it's also, probably, accurate.

Because in most of the post-1941 photos, that spark is gone, with only a brief resurgence in the pictures taken during the filming of CONTINENTAL DIVIDE.

This was apparently a happy (if not always fun) time for John, and the pictures reflect that. Unfortunately, more so than the movie, which is enjoyable but instantly forgettable.

The key picture here for me is on page 222. It shows Belushi wrapped in a blanket, sitting on some cabin steps in his stocking feet. He's just sitting, and staring, and thinking of god knows what, but the image has an apparent vulnerability that the photogenic John rarely showed in pictures. He was a man who always seems to have known where the camera was and how to keep its eye on him. Not here.

But CONTINENTAL DIVIDE flopped, and in the photos that follow, he mostly looks wasted. I don't mean that with the drug connotation, I mean that spark was being denied again.

A note at the end proclaims, "This book is not objective," and it isn't, so bully for them for admitting it. It's an attempt to bring a loved one back to life by talking about him.

This is an outstanding summary of Bettie's life and her impact on modeling, art, pin-up, photography, and those needing encouragement in overcoming obstacles. The book is a nice way to learn about Bettie Page and those individuals she worked with during her career and growing up. It stops short of telling about recent events, but gives one a good understanding of the lady. The information is factual and well written. Much speculation has been made about the time she walked away through the present, but this is a nice account with the facts that we know to be true without the speculation. The pictures within this book are amazing and many won't be seen anywhere else. The information about those individuals she touched, encountered was interesting as well. Good read.

So said one of her photographers. What a marvelous book. If you're like me, and have been a Bettie fan for years, you've been waiting for this book. For years one could find stuff on her only in comic shops and the like, dealing in old memorabilia from the Fifties, or in various "alternative" shops that sold her image on T shirts. As a teen that's where I learned about her, thanks to "The Rocketeer," the comic "The Bettie Pages," and psychobilly trash-punk band the Cramps, who for a short time had a bass player the spittin' image of our fair maiden. Now that we've finally opened our eyes, we can buy several books on her, this being by far the best. It is the ne plus ultra of Bettiebooks, of pin-up books in general. What a trend-setter; a humble, troubled, open and honest woman who was not exploited, who has not turned herself into a PC victim--she's idolized by smart, hip young women who see in her freedom, sexuality, playfullness, life itself. This book had better be reprinted--it's an absolute crime to be unavailable. Get this book by any means necessary!

I bought this book for my husband's birthday last year; he has always thought Bettie Page was great, and he is the one who enlightened me about her. As an artist, I was drawn to her style and unpretentiousness, and have drawn her twice so far.

This book is well-written and leads the reader through Bettie's life; from her start and to her present day in a respectful and fascinating manner. I came away from this book understnanding the appeal she had to men, and wanting to draw her portraits over and over.

There was one another 50's icon who rivals Marilyn in popularity today--Bettie Page. True, she didn't make any A-movies, but like Marilyn, embodied that woman who drew a fine line between good girl/bad girl and crossed the lines as easily as one drank Coca-Cola. Unlike Marilyn, Bettie survived, but like Marilyn, her legend lives on for one simple reason: she dropped out of sight in 1957 following the fall of Irvin and Paula Klaw by the Kefauver Committee on indecency and pornography and refused to have herself be photographed as she is now. Thus, she is remembered as she was back then. And as her life has become simpler, she values her privacy. She says so as much in the hand-written foreword, at the same time surprised and honoured that so many people are interested in her.Karen Essex and James L. Swanson book is a great place to start for those curious about Bettie Page. Basically, it's a biography accompanied by lots and lots of colour and b&w photos, many of them topless. There are two of them which has her completely nude. She also posed for countless magazine covers and photographers. Art Amsie's photos are the best of the lot here. Bunny Yeager is touched on briefly, but that woman has a book on herself so... Looking at the early Bettie, before she became a pin-up from 1947, is also quite a revelation. She is still beautiful, but in an ordinary way, like a typical girl growing up in 1940's America.There is clearly a dualism going on here. There's the pretty wholesome girl in the bathing suit or maybe not, and then there's the darker leatherbound fetish girl, be she receiver or giver. That latter half led to her downfall. The point also was that she enjoyed her work, mainly the lighter beach stuff. You can see it in those twinkling eyes and smile of hers.The last section of the book features models who have been influenced by her, be they in clothes or just looking like her. Of the lookalikes, Eva Herzigova, Debi Mazar, and Janice Dickinson have got it down to the bangs, (it's the bangs that did it for Bettie, after all), long black hair, and prominent eyebrows.Apart from being one of fantasy artist Olivia's favourite subjects, Bettie's images appear on album covers by My Life With The Thrill Kill Kult and the David Lee Roth Band. Her three videos, Teaserama, where she acts opposite stripper legend Tempest Storm, Varietease, and Strip-O-Rama have come out. She'll live on, no doubt about it.Anyone interested in Bettie Page-start with this book. You won't be disappointed.

This is the ultimate book on Bettie Page. This book is for every true Bettie fan. Even contains an introduction from Bettie herself.

If you really want to follow the history of legend, this is the ultimate book on Betty Mae Page!

i've been a fan of kevin smith and his movies for about 6 years and i just got the book this year (2006). i'm not really a fan of comics but i have wanted to get ahold of the comics by him and see what they were all about. these comics are great. the lost scene is hillarious. i'd say that ALL of the comics by smith are a MUST for any fan. hillarious stuff.

These stories are unbelievable!! Kevin Smith has come through once again with these stories which are just as funny as the movies. There are jokes in here that will have you laughing out loud, and there are some moments in here that will fill you with the Christmas Spirit. There is even a scene that was actually emotional. Dante and Randal are the main focus in these stories, since it is about "Clerks". Other characters from the View Askewniverse are also in these stories, even the return of Caitlin Bree!! There is even a scene with everyone's favorite guy who just wants to see the sailboat, you know who I'm talking about. If you loved the movie, you will love these stories too. They are just as witty and funny, with a little true drama thrown in, as the movie you have come to love. As a fan, you owe it to yourself to pick this up, it is worth every penny!!

This is a SWEET book, i am a die hard Kevin Smith fan[God Bless All u other Kevin Smith Fans!] and this book is awesome. I really love how it is like the movie. This is a must have for all u Kevin Smith Fans............Oh yea....SNOOTCH TO THE NOOTCH!!!

For all of those people out there just like me, you cannot get enough Kev Smith material. This collection of comics spins off of the movie, Clerks. Randall does not dissappoint with crude behavior and his warped yet sensible logic. Find out what happened to Caitlin. How do you awaken a comotose female who had sex with a dead guy? Dante knows. Jay and Silent Bob naturally appear and even host the "Lost Episode" from the funeral in Clerks. Saying Kev Smith has milked this concept to death shows how little a VA fan someone is. Jay points out how the tubby one is cashing out, tongue in cheek of course. This book is not for the money it generates, it is for us die hard VA fans out there who cannot sit idley by and wait for the next flick.

This is so funny you may laugh yourself unconscious. You may want to check with your doctor first. Composed of several episodes from the Clerks comic book series, Kevin Smith authors some of the most laugh outloud comic adventures I've ever read. Reprising the characters from the Clerks movie and guest appearances from Smith favorites Jay & Silent Bob, Clerks: The Comic Books is a highly recommended good time.

If there was going to be a Charmed movie, this is the story they should use.

I guess I'm just a huge fan no matter what, because I love ALL the Charmed books, and own them all! Each one has a great and unique story, I'm addicted to collecting AND reading them!

I watch the show every day, sometimes twice a day, every episode, haven't missed one yet, and don't plan on it, ever. I would love to get all the books on the series, especially shadow of the sphinx. That sounds so good. I give the series books 5 stars, cause its the best show on tv except for wwe raw and smackdown.

this is my favourite charmed book!!! this is mainly because it gives each of the sisters an equal part bringing them all together at the end to kick but. although there are parts in this book that mirror the crimson spell this book has more levels plus a good twist at the end plus the charmed ones get a few good one liner jokes in. although the bad guys are pretty see through the ending is pretty solid.

overall this is a great book even if your not a mjor charmed fan and if you are it's better

This book circles around the 3 new strangers who are close to each of the sisters, and each time they meet, something strange happens. Piper's emotions are unruly, Paige seems to be exhausted for nothing and Phoebe has short-term memory loss, and all 3 of their powers are getting weaker and weaker. Just like that. And the more times the sisters meet these "strangers", their sudden-weaknesses seem to be worsening (both magical and non-magical). At last, they discover that there is something sinister going on, and they have to pit against these strangers to defeat them AND get their powers back, as all the Ks (strangers) want in revenge, to what happened to their ancestors nearly 3000 years ago. Dark Vengeance indeed.

Find out what happens to this awesome story penned by Diana G. Gallagher. Definitely worth your money and your time to read it. Happy reading!!

Brownlow's massive biography does a very good job of painting a comprehensive picture of the great Lean--arrogant, demanding, selfish, and absolutely brilliant first as an editor and then as a director. Lean had no patience for what did not forward the story, and his movies were the better for it. One gets the impression, however, that the same was true for individuals in his life who did not help him achieve his own goals.

A bit clunky at times in regards to readability, this is still a first rate book. The sections on Brief Encounter, the Dickens' films of the 40s, and Lawrence are excellent.

This extraordinary biography by Kevin Brownlow, reflects the life and inspiration of one of the great artist in movie screen history.
Page by page, we can take a look along the David Lean?s mind and the way he was inspired by the subjects and the way a big project became alive.
From the black and white to the beautiful color, from the photography created by Frederic (Freddie)Young to his partnership with Maurice Jarr? and the insistence from Lean to
compose the exact music for Doctor Zhivago.
Every important film, such Zhivago, The bridge on the river Kwai and Lawrence of Arabia, were written through many chapters and the conception of those films as unique, the casting and the making of those titles are unforgettable.
Also, we have David Lean as a human being, with his failures
as father and husband, but the intimacy of his life is only
upgrade by his conception of his films.
Every moment in his films was special.
He directed every dialogue and moment as unique and all those
were the equivalent of the best.
This great book written by Brownlow is one of the best biographies ever written.
The heart and soul are alive along the pages and there is no moment when the book becomes slow or uninterested.
The same proportion we have in David Lean movies.

I adore this book. I have been reading it as of late, and I love the book (and David Lean) even more. I have always detested biographies of filmmakers that are far too academic in their tone; that professorial tone where they analyze the films ad nauseum, and are constantly talking about symbolism and other completely useless things. This book spares us of that. It is meticulously researched, with great antedotes and quotes from the master himself. It talks about Lean's childhood, and you realise what Lean had to overcome to become one of the greatest filmmakers ever. It's a shame this massive book is out of print. Like a reviewer said earlier, we're constantly given fluff pieces of talentless whores like Spears, Lohan, etc., but here is a real artist whose films still inspire people today. Thank you, Kevin, for writing such a great book, and, of course, to David Lean himself...

What a pity it is when "biographies" of no-talent flashes-in-the-pan like Madonna, Ashley Simpson, Brittney Spears, ad naseum, are ubiquitous, but Kevin Brownlow's fascinating and throughly-researched biography of a true genius is out of print. What does this say about our culture's priorities? Not much. Oh well . . . fortunately a few copies of this marvelous book survive. If you're interested in great movies ("Lawrence of Arabia," "Doctor Zhivago," "Summertime," "Great Expectation," etc.), great stars (O'Toole, Sharif, Katherine Hepburn, William Holden, Robert Mitchum, and a host of other great stars -- AND great actors), or, perhaps, one of the greatest film directors of the twentieth (and probably any other) century, do whatever you have to do, but grab up a copy of "David Lean: A Biography" as quickly as you can before the remaining copies disappear altogether.

A simply marvellous biography of a cinema titan. It's the product of many conversations between Lean and the author, a great film historian and no mean director himself, having made the gorgeous Silent Era documentary "Hollywood" (is that ever coming out on DVD?!). For this reason the tone is very chatty, with so much quotage from Lean himself that it's nearly an autobiography; and Brownlow's knowlege of real-world production lets him know just what questions to ask. It rather reminded me of "Hitchcock/Truffaut", another filmmaker-to-filmmaker conversation. Mind you Truffaut didn't bother quite so much with Hitchcock's love affairs, but one can always skim. It looks intimidatingly massive but this is more because of the lavish illustrations than excessive wordiness. Great read, inspiring and full of useful tidbits.

1978 was a key moment in Bruce Springsteen's career, and Frank Stefanko was there to capture it in black and white. In these photos, you see a rock star breaking out, but still struggling and working his [tail] off. Stefanko had not even heard the Darkness album when he took the photos that would lead to its cover (and the cover of The River), but he captured the mood and the tone perfectly, of both the music and the musician. Even if you're not into photo books, if you have an interest in Springsteen, do yourself a favor and get this book.

this is not only a book about an era in the beginning of the career of bruce, but a book about friendship as well. very nice photos. i recommend it to bruce fans

This book engrosses you from the moment you start reading you cant stop.I am giving this book to my clients and friends as it makes the perfect gift for Bruce Springsteen fans.I was also very moved by Authors tribute to his late wife Sheila and feel there may be another story there Frank ?

Just thought everyone would like to know that the cover photo was taken in front of Frank's Men's Hairstyling on Kings Highway in downtown Haddonfield, New Jersey!

This is a wonderful book. The photographs are uniformly compelling and insightful, as is the text. The reader is treated to a rare, unvarnished glimpse of an American hero about to "burst like a supernova." The images are timeless, and harken back to a simpler, perhaps more poignant time -- before MTV and the Internet changed the way we obtained and enjoyed our music. The author's spare text is thoughtful without being intrusive; a perfect compliment to the compelling images that accompany it. The text conveys a straightforward warmth and appreciation for the author's subject that are both refreshing and inspiring. This is a book to pore over, savor, and return to. Thank you, Frank, for sharing your gift -- and thank you, Bruce, for recognizing his genius, and for allowing us a little glimpse of yours.

DEFINING VISION by Joel Brinkley is as comprehensive as any history behind the development of HDTV/DTV can ever possibly get. The text of this book will surely be required possessions for technological historians for at least the next 1000 years.

I'm reading this book a second time (a year later) because it's such a great introduction to players in the HDTV world. Brinkley chose a suspense style, and it really works well. I am excited about HDTV and turned each page holding my breath - hoping for a successful conclusion. Now I'm looking for more works that go beyond 1998, and can't find any more fulfilling...and the story isn't over yet!

Having had the opportunity to check the authenticity with several of the principles in the book, my hat's off to Joel Brinkley. He ties all the factions together that brought us DTV. It is a story with more twists and turns than you expect that comes mixing an industry that hates to change with new technology. Add in the governments of the U.S. and Japan, and it really becomes fun. Mr. Brinkley did a masterful job telling the story. This is a must read for anyone interested in television.

In the early 1980s US broadcasters faced two major headaches spawned by greed and jingoism. Their comfortable, tidy, oligopolistic-and profitable-broadcast world was about to be shaken by the digital revolution, where foes and friends were often indistinguishable. New York Times reporter and Pulitzer Prize winner Joel Brinkley takes the reader on a roller coaster through boardrooms, bureaucracy, technocracy, and hubris (individual and national) in "Defining Vision." It is a ride worth taking for broadcast students, educators, historians, and international political economists.

Represented by the National Association of Broadcasters (NAB), radio and television companies considered the broadcast band spectrum their personal property. This largesse suddenly came under assault from the land mobile industry that wanted more spectrum space for a variety of public interest broadcast services such as police, firefighters, ambulance, quick response units, and other emergency services. Broadcasters, too, saw a new threat from across the sea. The Japanese spent $300 million and hundreds of thousands of engineering man-hours developing high definition television (HDTV). NHK unveiled its Muse system in 1986 to US policymakers and consumers. The picture quality was superior to the current analog systems in the United Sates, and Japanese-made monitors were designed to fit the wider formatted movies without the annoying letterbox effect.

Brinkley chronicles the scrimmages involving development of HDTV in the US like a general writing his wartime memoirs-if that general had access to the thinking of his opposition, that is. First the grand alliance-RCA, Zenith, AT&T, Phillips, General Instruments and MIT-had to admit that a victory by any one of them in the costly race to develop HDTV would be a defeat for the others. They were able to convince a willing FCC Advisory Committee that cooperation was possible in building a single system. Committee chairman Richard Wiley's role in HDTV cannot be understated (and Brinkley doesn't). His single-minded pursuit of high definition television as the national (and, it turned out, international) standard most probably resulted in its acceptance.

US broadcasters had worried privately and publicly as well, that the future of television would be dictated by a consortium of Japanese electronics magnates and NHK, the world's second-largest broadcasting company. Across the Atlantic, the European Union was equally concerned, and promised up to a billion dollars to Europeans to come up for a system on its own or else adopt the Japanese HDTV, since the Americans seemed not to be players in the game as the century's ninth decade unfolded. But the European effort never got off paper. US broadcasters at first fretted about a new "yellow peril" that posed as great a threat to them as it did to the automobile industry a decade earlier. Ever opportunistic, however, broadcasters found the Japanese an unlikely ally in their fight to snatch the unused frequencies from land mobile companies. HDTV, as the Muse system showed, required additional bandwidth space. Obviously, they reasoned, Congress and the FCC could not allocate precious broadcast spectrum space to land mobile users when they, the "rightful frequency heirs," needed the frequencies for HDTV.

At the same time, MIT's Nicholas Negroponte, who Brinkley treats somewhat derisively, was telling anyone who would listen that "HDTV had to be digital," not analog, which would allow for signal compression that would fit into existing frequencies. One naysayer echoed a common broadcast engineering complaint at the time: "we will have digital HDTV when we have anti-gravitation machines." Broadcast engineers at the major manufacturers nodded in agreement: digital high definition television technologically could not be done. The NAB, in its attempt to protect its space band largesse, inadvertently kicked off a race to develop HDTV in the United States that took on the trappings of a crusade to "rescue" the future of television in the United States from the hands of foreign interests. Along the way, General Instruments research engineer Woo Paik invented digital television (because, as a non-broadcast engineer, he didn't know that "it was impossible").

HDTV uses a compressed digital broadcast signal that not only remained within a single frequency but allowed broadcasters additional capacity to sell secondary services such as pager services, email, Internet connections, digital music, and pay-per-view movies. With such an entrée to new revenue flows, the reader would be surprised to learn the depth of NAB's animus to HDTV. Simply put, broadcasters used the HDTV concept to wrest away additional public airwaves spectra and then, among themselves, grumbled that they were unwilling to invest in new high definition cameras, monitors, and other equipment that would allow them to broadcast signals in both progressive scan (favored by the computer programming and manufacturing sector) and interlaced (favored by broadcasters) modes. Another opponent of a high definition television standard was the fledgling computer manufacturing industry in the mid-1990s, which didn't want the additional expense of adding interlacing decoding to what essentially was a dedicated proscan system.

After seven years of ups and downs in a process that often threatened to sputter, splinter, and spin totally out of control, HDTV in a digital form arrived in the US shortly after Thanksgiving in 1997. Despite all predictions to the contrary, the HDTV "turkey" arrived fully stuffed with enough goodies to ease its transition into the marketplace. The result was acceptance of the Americanized international standard by the European Union and the final, if not sad, acknowledgment by NHK that its analog Muse system was outmoded before it even got much beyond a toehold in its native land.

In "Defining Vision," Brinkley has crafted a highly readable, almost techno-mystery story with well-defined characters: heroes, villains, and rascals alike. At times he seems to get into the heads of the key players, which he explains as a literary device borne from extensive interviews with the principals who told him what they were thinking at the time. The effect rounds the edges of what could have been a highly technical, heuristic, and sloggish recitation of engineering reports, public hearings, and dreary diary entries from the participants. To his credit, the author explains his process to readers in an epilogue, thus enhancing the book's credibility. Furthermore, in this paperback edition, the author has updated and expanded several sections over the hardcover version, including an appendix and FAQ that are instructional.

I work in the television broadcast industry and this is a must read if you want to learn about the origins of HDTV, the players who made HDTV a reality, and how the standards for HDTV were defined. The author is an authority on the subject and provides an excellent description of the systems, history, etc. that both technical and business professionals can understand. At my company this has become required reading. I highly recommend this book.