Television Books

This was a very good read, masterfully told and researched. This is the only book that tells the COMPLETE history of indie movies. Highly recommended.

This book blew me away. I love the way it covers the whole spectrum of indie film, not just "art" but "exploitation" as well. The story of how these films came to be against great odds makes for great reading. I learned something knew on every page. Highly recommended for fans of non-Hollywood films.

This was a great read. Very well-written. It covered more than any other film book. I especially liked the exploitation stuff and how it mixed with art films: the yin and yang of indie cinema.

This is the best book ever written on independent film. I wish I could give it move than 5 stars, because Celluloid Mavericks is a pure pleasure to read: witty, informative and always extremely entertaining. No other book comes close to its breadth and detail, especially in regards to the previously uncharted territory between 1896 and 1960. This is my all-time favorite film book, well deserving of its many raves reviews.

from the New York Press 3-29-2000 - copyright Matt Zoller Seitz

Merritt's book covers a century's worth of off-center cinema, including 1890s nickelodeons, 1940s chitlin-circuit black films, Sam Fuller's genre-busting work in the 50s and 60s, blaxploitation and hardcore porn in the 70s and the Sundance wave of the 80s and 90s. The central idea of free spirits bucking the system unifies waht might have been a too-broad historical text, and Merritt's tart wit enlivens the fact-packed narrative. His prose isn't merely amusing; it's lovingly polished, a real pleasure to read. He's honest enough to admit that most 70s blaxploitation films were garbabe, "rarely as much fun as their posters or soundtracks." He coins a wonderful new phrase to describe the hillbilly flicks that flooded rural drive-ins around the same time: "Whitezploitation." He describes Tom Laughlin's "Billy Jack" as a movie about pacifists who "come to worship a man of violence," and declares, "the real hoot is seeing the messiah take off his boots and kick the grins off rednecks."

This isn't one of those fuzzy, ruminative books where the author writes whatever strikes his fancy and crams it into a bulging thematic suitcase after the fact. The preface carefully defines "independent" to mean any movie "financed and produced completely autonomous of all studios," and "semi-indie" as a movie that received studio funding at some point. The definitions cast certain well-known American films in a fresh light. I didn't know, for example, that the Oscar-winning "One Flew Over the Cuckoo's Nest" didn't get a dime's worth of funding from any studio.

Chapter to chapter and page for page, "Celluloid Mavericks" is an indespensable book, as entertaining as it is informed.

Cheese Chronicles is a faced paced, funny, and event-driven journey through the life of a rock band. The story, on its own, pales in comparison with similar stories such as Rock Scully's 'Living With the Dead.' Womack doesn't show us Government Cheese as a hedonistic troupe by detailing sexual exploits or bragging about the volume of drugs ingested. In fact, no one even dies in the story. Therefore, unlike comparable books, the greatness of this one isn't attributed to the incredibility of the band's adventures. Instead, the book is a great read because of Womack's unique writing style, which allows us to feel the intensity of his experience.

Womack is always willing to sacrifice his ego for the sake of getting the story across accurately. He is brutally honest, self deprecating, and throughout, he's insistent on making the reader aware of the lousy state of the human condition. It is funny to read that Womack's apartment was broken into, but the burglars didn't take anything and in a sense that was insulting to him.

Also notable, is that Womack has a skill for being completely frank but yet still being a southern gentleman. In the book, most of the judgements he passes are on himself. If he has a beef with someone or something they did, he is quick to defend that person or try to offset his disclosures by mentioning something good about that person. He creates almost no villians in a book packed full of nights gone wrong.

At the time of this review, Womack's web site had a collection of songs on it in mp3 format available for download for free. Among those are some songs that are mentioned throughout the book and hearing them (while I was about half way through the book) enriched the stories.

I wish this book hadn't ended but that's part of the story's theme.

Tommy Womack is a great writer! I too was a Cheesefan back in the day, but this book would be amazing even if I hadn't heard of them. I laughed, I cried...I could not put it down! Facinating and definitely a must read for any young bands out there.

I used to go see this rock and roll band you've never heard of when they played my Middle Tennessee college town. Although none of them would ever remember me, I've actually met and spoken with them on a couple of different occasions. So, reading this book was like getting in on all the shows I missed. For me, it was a funny bit of nostalgia. For those of you who've never heard of Government Cheese or heard their music...well, that's a real shame.

Tommy Womack's excellent book, Cheese Chronicles, is an essential read for anyone interested in the music business. The book is hilarious and at the same time, it provides a gritty look at what it's really like to be in a rock band. I cannot say enough good things about this book. BUY IT AND READ IT!

This is the story representing the 1,000 bands who didn't make it for every one that did -- and I'd MUCH rather read about Government Cheese's failures than N'Sync's successes.

Tommy is a fabulous musician, a clever writer and funny as hell. I grew up near where he did and have never read a more accurate expression of wanting to be a rocker soooo badly in a place that has NO desire to be rocked, thank you very much. Tommy has never grown out of the pure fun of jumping on your bed playing your tennis racket to "Surrender" or air-drumming Peter Criss' "God of Thunder" solo on Alive II. (Try it, I don't care if you're a 42-year-old accountant with a minivan. It will keep you young.)

I once chased Tommy across a bar to praise his book with beer-induced enthusiasm. The next day I sent a letter apologizing and received a reply that still hangs on my wall: "I'll accept no apologies for drunken behavior. I heartily endorse it."

You could read this book 50 times and never tire of it.

Created By is NOT just another one of those "how to" books that show struggling writer's how to go from crashing on their friends couch in Hollywood, to magically landing into the writers room of a top-rated sitcom. This book offers a lot more than that. It has depth and substance. It is a journey into the minds of some of the greatest television writers of our time.

Don't get me wrong, it surely gives you some great insight on how to make it. But it offers much more. I felt I really connected with the showrunners interviewed. I showed me that no one is an overnight success story. It also demonstrated that everyone has their own journey and road to success. It also taught me about what happens when the business side of the entertainment industry interacts with the creative side. Some of the stories made me laugh and some made me reflect. What a positive book!

I was not sure what I would get out of this book when I originally bought it. But I was pleasantly suprised and very inspired.

I am a big Larry David fan. So I bought this book to hear what he had to say about creating Seinfeld and Curb Your Enthusiasm. The interview with Larry was really great. The book is very well done.

This book blew me away. It's the single best book on television writing I've ever encountered. This should be required reading for every college course on television. The interviews with television's A-List are insightful, humorous, and inspiring. Anybody interested in breaking into television writing would benefit highly from this book.

I am a television writer who has seen a lot change in this business over the years. Because of the rapid popularity of reality television, it is harder than ever to break into the TV writing game. There are a lot of books out there that claim to show you how to get a job as a sitcom or drama writer. However, in my opinion this book is the best ever written on the subject. You get to hear from the TV show creators themselves how to write a spec script, rewrite a script, get hired on a show, pitch a network, market a show, hire talent, and much more. The author did his homework and rounded up some of the top TV show creators in this business. I found the questions asked and the stories told to be very interesting as well as encouraging. I tip my hat to the author. This is a must buy!

I had an idea for a TV pilot brewing for quite a while. I spent a few months working on the concept. Then I spent another few months writing and rewriting it...trying to make the script the best I could. Then, when I was done I had the realization -- How Am I Going To Sell It? That question has troubled writers since the beginning of the fountain pen. So, I began to read script writing magazines and bought some books on the subject. None were hitting the core or practical enough for me to relate to. Well, that was until I opened Created By.

I have to say that this book showed me "the light at the end of the tunnel." I started reading advice from industry professionals that seemed real. I learned that many of the top TV show creators were once just like me -- a struggling writer with a script and a dream. I got some good solid and priceless advice on how to get my script read. I have just sent my pilot out to some agents!!!!

If you have a script just sitting in your hard drive with no idea how to sell it this book is your resource. Wish there were more books like this out in the marketplace.

This book really is the definitive source of all things Disney by the keeper of its archives. It is fascinating and complete, containing information about theme parks, characters, movies, television shows, music, and more. It is the must-have reference for Disney fans like myself.

This is a must have for Disney fans. Everything from ABC's LOST to the Alice Comedies and from Steamboat Willy to Meet the Robinsons is covered here. Some articles are more detailed than others but everything is covered. Makes an interesting read just on its own. Film historians and students will find a wealth of connective material here to jump start them on research and fill in the dots on hard to find questions. A beautiful display of pictures is included with this volume. If you can't actually visit the archives (and I certainly would like to) then this is the next best thing.

"Disney A to Z" is an awesome book that a true Disney fan cannot live without. It is a great book that will help you find out about old Disney movies, that you might have not seen. "Disney A to Z" encyclopedia is also an essential source for those that love to play the "Disney Seen it" board game. It gives a short description of ALL Disney movies including the short ones that came out after the World War II. I LOVE IT!!!

This is a great gift for any Disney fan. Many listing bring back great memories and coll trivia.

This book is a great resource for all Disney fans. All the characters, all the movies (unfortunately, the Mephisto movie made in collaboration with Salvador Dali is not in the book) and all the attractions, parks, properties and influentials employees are mentioned. Maybe just not as exhaustive as I would like it; it is, however, a great resource.

...and by that I mean finding out what a serious drug user Cass was most of her life. We're talking heroin here, people, HEROIN. No, She wasn't in the same league with John Phillips, to be sure. Very few people reach that rarified atmosphere (read HIS book), and fewer still live to tell the story. But still... heroin usage throughout a large portion of her life, and on top of all the other drugs she dabbled with. Rather disconcerting, to say the least.

This knowledge does not modify in the slightest her achievements as an artist, but it is a good example of why one should always remember to separate that "artist" from the flesh-and-blood person. Which brings me to another point that I gleaned from this book: that she is the iconic figure she is today rather in spite of herself. She never really wanted to be in a rock or even a pop group. She wanted to the kind of singer she eventually became on the RCA albums, and especially the "Don't Call Me Mama Anymore" album. She wanted to be a Barbara Streisand or a Judy Garland. Whether she would ever have achieved that goal had she not crossed paths with John Phillips could be debated ad infinitum, but I'm going to go out on a limb here and say no, she would not have. Why? Because of the way she looked, of course. Her talent and spectacular voice would always have been overshadowed by that factor in the world she sought to be accepted in. It was the quirky, hippie, pop music world that allowed just enough of a foot in the door to force it the rest of the way open with her talent... a world she really didn't seek.

So while the Mamas and Papas would have been something very different without her, I believe Phillips still would have put together something in that same vein and had great success because his marvelous writing and formidable leadership just would not be denied for very long. On the other hand I don't think Cass' legacy would be as it is today had she not met John and become the main voice associated with those records.

As to the style of the book itself, I would tend to agree with reviewer from Publishers Weekly who described it as "slow and repetitive". I did not find it a "fast read" as one other reviewer did, but I still enjoyed it and would definitely recommend it. I much preferred this book to Michelle Phillips', which was just too slick and breezy.

Wow...words cannot begin to describe this book! A very detailed, and well researched book about one of the greatest female singers ever to grace us with her beautiful voice and music! After reading this book I found myself lost and up in the clouds because I have never, ever been so into A book in all my life. I just wish I was old enough back then to have fully appreciated Cass, The Mamas and Papas, and the music explosion of incredible people, songs, and albums(I was born in 1968). I guess I will have to settle doing it now. I hope Cass knows somehow that she has so many fans who adore her to this day!! It's very sad to think that she's not here today to feel that warmth. Well, I'd like to think she does know, and is smiling at those fans who continue to be touched by her spirit, music, and humor. Some say Michelle was the "Pretty" one in the Mamas And Papas...I honestly have to say, nahhhh. Cass was as beautiful on the outside, and she was on the inside. The only thing I believe I would maybe tell her, if I had meet her back then...I wish, was to stop the drug use. After reading the book, I learned that she was making big steps to clean up that aspect of her life at the time of her death. The drug use would have turned me off for sure, but this was the mid-late 1960's. If you are A new Cass Elliot fan, purchase this book. You will learn so much about her life, and become even A bigger fan. If you are already A huge Cass fan, and don't own this book...you are doing yourself an in-justice. You will also learn new things like I did! Kudos to the author for an incredible treasure! We still miss you Cass!

A thorough, carefully researched biography of the infamous Mama Cass. Through interviews with Cass' family and friends, the author debunks the Ham Sandwich Myth which has been urban legend for years. If you want a detailed biography of this talented woman, this is a great one to start with. Cass never really wanted to be a folk-rock/pop singer; she was a Broadway Baby and her love was Broadway musicals. But without her, The Mamas & The Papas would not have had the success they did have in the 1960's, in my opinion. Her larger-than-life figure and personality, plus her knockout voice really made that group.

I like the book I recemend it to anyone who is a mama and papas fan

This book was very good, but it was sad to find out how really pathetic these talented people were. John Philips was the worst of the group, what a egotistical and controlling as*hole! I was totally blown away by the actions of this famous group! I understand that this was the 60's , but not everyone was doing drugs and laying around stone out of their minds. Cass Elliott brags that she dropped acid 5 times during her pregnancy and her daughter turned out perfectly normal! She was considered a "good" mother by her friends?!! (I have to wonder what her daughter really thinks about that.) To me, being very talented is not an excuse for being irresponsible. I'm glad I read this book, It was a real eye-opener about who the Mama's and the Papa's really were.If you Love this group you HAVE to read this.

This is- no way around the word- a lovely read. Bayer has a style of character developement that is elegant and fluid. Try his two books under the pen name "David Hunt".

Several decades have passed since a wealthy socialite and her young lover/teacher were gunned down in the Midwest: now forensic sketch artist David finds himself returning to the scene of their crime, investigating other murders and discovering a new circle of intrigue and danger. Bayer's is a strong suspense story which moves at a different pace and provides unexpected twists of plot and excellent tension.

I received "The Dream of the Broken Horses" as a birthday present. When I first started out I wasn't quite sure where it was going ... about 100 pages in I realized that it had crept up on me and I was "caught up" ... I mean I was enraptured ... I couldn't stop reading ... I read till 3AM. The next day I couldn't wait to get home ... the characters haunted me ... I was "in and in for the whole ride" and I rode that "horse" all night and enjoyed every minute of it. If there was one fault ... It was the fact that there is no city in the midwest this "cool" ... beleive me I know ... I'm from the midwest.

Typical of Mr. Bayer's books, it takes a dozen pages or so to really get into the story and then you are hooked. I have read every book that he has written, in both names, and I have never been disapointed, he is a master. The story just builds on itself and he has just the right amount of violence, sex and mystery. Not rauncy sex but a part of the story. To tell more would give plot away. Try it you love it.

Since his childhood, forensic artist David Weiss has been obsessed with a society double-murder that implicated his father and drove the man to suicide. Now, Weiss is back in his childhood home of Calista (a mythical midwestern town) and intends to use his time to discover the truth. The murder may be decades old but Weiss is certain that the easy explanations are wrong--that something more profound remains to be found.

Weiss's investigations lead him to stories of sexual obsession, child pornography, and blackmail. There are plenty of motives for murder--and even after all the years that have passed, some still living are willing to take action to stop the investigation and protect their secrets. With the help of a case writeup by his father and one of the victim's intimate diary, Weiss learns a great deal about the people who were killed, but nothing points a certain finger at the actual killer.

Author William Bayer's strong writing makes THE DREAM OF THE BROKEN HORSES something special and something far stronger than the story that underlies it. In some ways, the actual story is frustrating and important loose ends remain. Bayer's use of diary to develop character and reveal clues would normally be a cheat. Somehow, however, Bayer pulls it off. The powerful character of Barbara Fulraine (one of the victims) dominates the novel and the lives of many of the survivors. Her dream of broken horses may have been a psychiatrist's wish fulfilment, but it is also a sad reflection of the painful life Barbara endured.

THE DREAM OF THE BROKEN HORSES is a hard book to put down. Although most of the action takes place in back story, Bayer's writing is so compelling that I found myself reading on compulsively. Very fine.

I finally got my hands on a copy of this amazing book. It has lived up to everything I've heard about it from my fellow Elvis fans. First of all it's huge. It's 626 oversized pages of nothing but Elvis. It has over 500 photos ( I stopped counting at 500). Many of the photos were completly new to me. If you were from another planet and didn't know anything about Elvis this book would bring you up to speed. I predict this book will become "the bible" of Elvis fans all over the world.

The book is divided into 33 chapters. Each chapter focuses on one aspect of Elvis and his fans. Some of the chapter titles: Elvis music, Elvis and family, Elvis and the Army, Elvis and romance, Elvis and the martial arts, Elvis and food, Elvis impersonators, Elvis and animals, Elvis in person, Collecting Elvis, Elvis in cyberspace - It's sort of a "how to" book on being an Elvis Fan. It's like a Peter Guralnick book with a sense of humor and a lot more photos.

Not only does it tell you everything you want to know about Elvis himself, it tells you about what has emerged in the 25 years since he's been gone. At the end of every chapter is a section called " The Elvis and You Experience." This is where the author's suggest things to do to enhance your enjoyment of Elvis. The suggestions are a lot of fun. Some are really silly. Just like Elvis!

My favorite chapter is "The Pilgrimage". It lists all the important places to see in Memphis during tribute week. A lot of stuff only Elvis insiders know. I'm studying up to get ready for Tribute week 2002. If you're going to the 25th anniversary Elvis week in Memphis this August. I have one thing to say about this book. Don't leave home without it!

Probably because the book is this massive it is printed on very thin paper. Especially because this guide will function as a reference book often, this is a pity. We bet there will be only a few in perfect condition after a couple of weeks. Also a lot of the pictures used in the book deserve more than the exposure they get now, also due to the poor paper-quality. On the other hand: this work on quality paper might hardly be affordable for a lot of people, so the choice is understandable. Let's see if the content is good enough to hope for a "deluxe version" someday.As we always do with new books, we thumbed through it looking for new pictures. On first sight it looked a little complex, with a lot of repeats, we thought. Well, we weren't completely wrong about that, but starting from the beginning we soon found out it has a reason, and a well considered one. All chapters are build in the same way: a more or less short essay about the subject, facts ("Essential Elvisology"), references ("Your Elvis Education") and tips how to enrich your own experiences regarding the subject ("The Elvis And You Experience"). This consistent design makes it pretty easy to find what you want, most of the time. Unfortunately there is no index to this guide, so when you are looking for something really specific... it can be a very hard job.During the acknowledgements it becomes clear that the book has "a heavy Internet base". The reader familiar with the Elvis-scene on the Internet will recognize a lot of the names. Of course this results in a lot of references to the Internet throughout the book.The book is split up in 33 chapters, starting with the man himself: a short biography, mainly a time-line of important dates, his death, his records, his movies, his TV-work, his shows and his personal interests. There are a couple of chapters that are devoted mainly to the fans: Collecting, The Pilgrimage, Your Elvis Shrine, Impersonators and such. As stated before, all chapters start with an essay. Those essays are very well written, and even though nothing new comes up, the point of view from the authors makes them very enjoyable. The guide part of these chapters is very good, directing the reader towards the more important available works. Because the Internet-addresses (the so-called URL's) are often very long and hardly readable, the references to the sites look pretty cluttered. A better solution would have been to list just the site-names, with an alphabetic overview including the URL's in the back of the book. Since this book has its own site (that is: they are constructing the site, so far it looks like they only registered the URL), it might be a nice idea to include all links used in the book on that site, if possible per chapter. Since the Internet is evolving constantly, this might be a good idea anyway. Before such a list returns from the printer it may be outdated already.In general we can say the Elvis part of the guide is reliable, there are some mistakes, but they are in every book it seems, and we didn't find real major misses. The "You"-part is often going towards the ridiculous, especially the chapters we mentioned before. This certainly doesn't mean you can easily skip them. Again, the essays are well written, including a lot of wit and the "tips" are often so ridiculous it gets really funny (e.g. the "Dos and Don'ts of Impersonation" and "How to get started impersonating"). Having met all kinds of people ourselves (especially on the Internet), we know it's not complete nonsense written in those chapters, but sometimes we can't help but think it's too crazy to be true. In opposition to the main media, that love to use those exceptions to stereotype the average Elvis fan, this book shows it in a light-hearted, funny way. Probably the poor souls suffering the "handicaps" in these chapters won't even recognize it and take it seriously, so they'll be happy too.  Our conclusion is that this guide is really what it claims to be: "the guide to the pleasure of being an Elvis fan". Interesting, well researched and very enjoyable, thus it gave a lot of pleasure. We can only say that supported by a well maintained website it certainly deserves a "deluxe edition". "So now let's have a tremendous hand for a very nice book"

"Elvis & You", A comprehensive book like this deserves just a short review as it contains within it vast scope it's own recommendation. Elvis fans will be delighted with it's in-depth research, and the less scholastic will enjoy the eccentric humorous nature of the book as a whole. A work to explore at leisure and delve into for those important links to all things Elvis. A bargain for the photos alone!

As a discerning fan of the late Elvis Presley since 1957 yours truly has read a library of Elvis books-this one is amongst the very best.

This book is by far the absolute best book that will ever be written about Elvis. The authors are sincere Elvis fans who have done their homework, and it truly shows in this masterpiece. Whether you are a lifelong Elvis fan, or an "outsider looking in", this book is a must read. If you are an Elvis skeptic, read this book and you will be smitten for good. Kudos to the authors!!!

One of the most useful, fun and interesting Elvis books around. A must-have for Elvis fans and scholars because of the breadth and depth of its information. The photos are great as well. This book will be read and used for a long time. I only wish it had been around when I wrote my Elvis book - would have made my work much easier!

I originally got this back in 1975 when in college, and it became my film Bible for many years, until somehow it got lost. Over the years I had seen a smaller reprint (late 80s) and even an original hardcover for about $50. This is a 2005 reprint, with a new introduction by Scott Macdonald and a brief new essay and photo of Vogel himself. Vogel says he feels no need to change anything, and his text is still powerful and intelligent, but while very nice to have again, and definitely an excellent book on transgressive cinema, it really could use an update. Many (many!) of the films covered were recent at the time of publication. Someone really should continue to list and write about films from the last thirty years that continue in the inspiration of this work. Still, highly recommended -- though it is truly strange to see how many of these films I have managed to see, eventually. Even the Otto Muehl films I've had opportunity to watch in a theater with a (madly rushing for the exits) audience. So if you need a real kick in the head about what the cinema can do, you owe it to yourself to pick this up.

I had the privilege of being Amos Vogel's student back in the early 1980s, and was therefore fortunate to see a number of the 'unobtainable' films mentioned in this book. Vogel is an encyclopedia of film knowledge, and the often pithy accounts of various 'subversive' films -- including some you might not guess would warrant the label -- are both entertaining and intelligent. The image selection is great though, as others (including Vogel) have noted, a still frame stands for a film in an inadequate but nevertheless allusive way.

This book by Amos Vogel is a reference like no other. He explains why these films need to be seen. The photographs are a treasure themself and the book is abound with them. I have refered to this book constantly through the past 30 years. I'ts great to see it is back in print. My film library of over 1000 art, surrealist, avant guard cinema was largely do to Mr. Vogel's knowledge and explanation of film. I'm only sorry that it has not been updated to show the 1970's to 2006. A must have for sure, get the book while they last.

I agree with other reviewers. This is a great, indispensible book. I've spent the past twenty-five years or so trying to see all the films mentioned. I've made pretty good progress, but I still have a lot to go. My copy is all dog-eared and falling apart and I came here hoping to find one for my half-brother, who is just starting out in the movie biz and needs to know what's in this book. I hope it gets itself back into print. I'd love to see it updated to include subversive films created since 1974.

I've had this book half of my life and am still working on seeing all of the films. That said some of the films reviewed in it have dated badly (even Jean Luc Godard has dismissed his Maoist films which never show today). In addition, some of the countercultural (aka hippie) terminology such as "consciousness 3" will leave modern readers scratching their heads. That said it is an essential discussion of films that break film conventions, whether it be through the language of film, political subversion (suddenly relevant again) or sexual politics. The one positive note is that at the end of the book the author states in bold, "But the real question remains: how to reach the masses 'out there' with five heavy cans of 35 mm film and nowhere to show them". The answer is that through video and especially dvd films mentioned in this book that were impossible to find are suddenly resurfacing and being re-evaluated. Though some films are best shelved (I pity anyone who watches all 8 hours of Andy Warhol's "Empire" just to say that they saw it), others especially from world cinema such as the Iranian film "The Cow" and the Senegal made film "The Money Order (Mandabi)" show film makers who now have recieved acclaim. Though some reviewers wanted an update of this book I think that it was written and speaks for a certain point in time, before the co-option of underground films into indie films, when foreign films were still ahead of the times, before garbage like Jackass broke almost all visual taboos while actually taking film a giant leap backward and before the vcr, when hunting down experimental films showing in theaters or libraries was a religion onto itself.

... is the story of Jessica Savitch, who was certainly the Golden Girl of Philadelphia broadcast news at one point and whose name lives on in infamy in this city. I was the little girl who looked up to her; my father adored her; my mother felt her to be a good career example. Thus was the face that fooled everyone, including herself. This biographer's work is extremely thorough and very well written. Every paragraph is captivating. I couldn't put it down -- and I knew how it ended.

I could barely recall who Jessica Savitch was, but I love biographies so I read it. It was a breathtaking journey into a young girl turned celebrity's life. I read this book in one day and I couldn't get her out of my head for weeks afterward.

In high anticipation, I watched the movie "Up Close & Personal" which was supposedly based on this book. Even though the movie was good, it really had very few similarities to the book. I was dissapointed.

I strongly recommend this book.

Alanna Nash's biography of Jessica Savitch is a fine work, richly detailed and competently researched. In reading the story of this gifted, tragic woman one recalls the old Greek dictum, "Those whom the gods wish to destory they first make mad." I recall witnessing that now famous Sunday evening news broadcast, many years ago, when Jessica appeared in a foggy, bewildered state. I was busy with a young family at mealtime but stopped to watch as she seemed to self-destruct on the air.

Jessica Savitch led a charmed life, was blessed by the gods at first. Beautiful, intelligent, and charismatic, she found all doors opening to her. She entered television journalism with expectations on all sides of great success. She died at an early age after suffering through miserable relationships and becoming addicted to drugs. This modern-day morality tale makes somber reading, but is worth your time. Recommended.

I've kicked around a little bit - I know how easy it is to fall into the crapper, but this book- my heart was broken for Ms. Savitch. A person who wasn't what you would call whole to begin with goes into television and that television becomes her whole life, everything secondary to it. A little instable to begin with, maybe if she came across the right people early enough things might not have been so bad for her, but she didn't get the help she needed in time and ended up losing herself in drugs and promiscuity, her compartmentalized life finally seeming to collapse on her at the end.

I was very interested in the technical people and the description of the jobs they did and tried to look a few of them up, many of them spending their whole lives in camera, sound, film and videotape, but there is not much of a public record, which I think is a terrible shame; I think these people would have a lot of interesting things to say about recent developments in their prospective fields, the shape of the job market, etc. It is a shame these people don't get more attention - are you listening, union bosses, ABC, CBS, NBC, etc.? As important as Ron Kershaw was to the industry in his years in it, there is zero to Google about him, and I only came up with one piece of film of him as a reporter in his Houston days on the Vanderbilt web site - a double shame!

Get the book - very interesting for myriad reasons. And be thankful you are not Jessica.

It was impressive!
I could tell that Alanna had doneso many researches and interviews to write this book.

Jessica Savitch was one of the most well-known anchor in the
American broadcasting history. After reading this, I felt like she is still alive and watching the journalists today.

If you want to be a jouranalist, you should read this
and learn the other side of TV world.
It's a stressful world. Besides, you need efforts, patience,
lucks, and talents.

Even though Jessica ended up her life with tragedy,
I think she lived her life hard.

I can't wait to read Alanna's new book.
She has done a great job to let us know how important
Jessica was for anchor-women.

I really like this book, it goes way back to the radio programs...
I love seeing and reading about the people who played the parts years ago and have since passed away or left the show.
It is a great book for Guiding Light fans.
If you don't have it GET IT!

i have the hardback version of this book. This magnificent book came along in 1997 when "Guiding Light" was celebrating it's then 60th Anniversary. This month marks the show's 67th Anniversary {it having began on radio in January 1937 as a 15 minute sermon from various reverends from the Little Church in Five Points}. The radio show expanded to traditional serial melodrama by 1948 with the introduction of the German immigrant Bauer clan, a family that's STILL a part of the show to this very day, plus a host of other families. The book talks in-depth about each and every storyline that had a major impact or is at least memorable to fans. Admittedly, the first generation of fans who recall when the show was on radio are either no longer with us or are in their 80s or 90s by now. And so, this book, as i see it, was also designed to highlight the radio years for the contemporary fans of today who might've started watching in the mid '80s or the early '90s and afterward. The show moved to TV in June 1952 (continuing on radio until 1956). By now the Bauers were the focal point and the storylines were written to revolve around the Bauers and the conflicts they had with each other and the community. Bert was a social climber at first but she out-grew it by the early '60s after she had a pap smear, one of the first storylines in a soap opera to deal with such topics; Bill was a womanizer and an alchoholic; Papa Frederich was the German immigrant patriarch; and as the decade grew, Bill and Bert's son Ed became a doctor and an alcoholic while brother Mike became a womanizing lawyer. The book really gets "juicy" when the '70s section rolls around. 1971 was the debut of Michael Zazlow as Roger Thorpe, the scheming corporate ladder climber who was always being over-shadowed by nemesis Ed Bauer. And so, the '70s were dominated by the quadrangle of Roger Thorpe/Holly Norris/Ed Bauer/Peggy Fletcher. Storylines like that, plus the 1977 arrival of the wealthy yet sinister Spaulding clan would prove to be the show's success, causing ANOTHER very popular triangle of Alan Spaulding/Elizabeth Spaulding/Mike Bauer. The book gets vague in the mid '80s section because i recall things that the book leaves out: like 1986's return of Alan Spaulding. The book says Alan made his return with help from Baron von Halkein...which is true. But the book leaves out Alan's missing years (1984-1986) and never lets the reader know that Alan had been living life as 'Gregory Samuels' in San Rios after having been shot and presumed dead by the FBI, who were hot on his trail in early 1984. Alan had managed to seize control of several emerald mines and use an alias to avoid detection. If fans see this review they'll now know about Alan's missing years. Apart from that bit of history left out of the book, i have no complaints. The back pages of the book give histories of the families that were currently on the show: Bauer, Spaulding, Lewis, Reardon, Chamberlain, and Cooper. There are two tributes to the two most popular characters: Roger Thorpe and Reva Shane. Charita Bauer, the actress who played Bertha "Bert" Bauer from 1949-1984, is also given high praise. All of the awards from the industry to fan-voted are also shown. There's even a section where favorite couples are highlighted: Phillip and Beth; Mike and Elizabeth; Rick and Abigail; etc. Jerry ver Dorn gives the introduction and he holds the record for second longest running cast-member. He's played attorney Ross Marler since 1979. The record holder is Charita Bauer, of course, with 35 years as Bert. The other person with the most consecutive years behind Charita's 35 and Jerry's 25, is Tina Sloan...she's played Nurse Lillian Raines since 1983, this is her 21st year on the show. This book is dated, of course. A lot has happened on the show since late 1996/early 1997. seek out back issues of Soap Opera Digest for re-caps of action post 1996. This book is a must for all fans of the show both young and old. Until someone comes along with a potential 70th Anniversary book in 2007, this 60th Anniversary is an excellant introduction to the show.

Great book! Lots of information about GL. I enjoyed reading what happened in the episodes before I was an avid watcher.

Hopefully, there will be future update editions of this wonderful missive on the history of daytime's oldest soap. Not just for fans, either!

I have been a huge fan of GL for a few yrs now..the only thing that sux about this book is that all the great gl stars have left.. wendy moniz as dinah marler and cynthia watros as annie dutton will greatly be missed..

it is a great show...but the WRITING DESPERATELY NEEDS to improve...but the memories from 1990-1997 were truly spectacular...finally we see THE LIGHT!