Television Books

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Wonderful is too weak a superlative to describe this book. Written in a factual style and incorporating historical events such as Peary's trek to the North Pole, it is one of the most delightful stories about Christmas ever written. There is also a detailed account of the land expedition by Will Steger, the only man to actually see Santa's village at the North Pole.
The chapters are:

*) The reindeer by the river: It was a wondrous thing. In which the author tells of his search for the true Santa Claus.
*) The echo of hooves: Searching for yesteryear's reindeer. In which Santa's history is detailed, past adventures are recounted.
*) The North Pole today: On the roof of the world. In which the kingdom is visited, the elfin life is described.
*) The miracle of reindeer flight: Mysteries explained, science revealed. In which the way he does things he does is discussed.
*) Eight tiny reindeer (Plus one): Santa's starting team and his helpers. In which a host of heroic animals and people are met.
*) Like down on a thistle, evermore: Work that never ends. In which the future of Santa Claus and his mission is pondered.

The spirit of Santa Claus within the concept of Christmas is a powerful one, in this book you can capture some of that spirit and appreciate the strength of the man and his mission.

I have this book, with some handwritten annotations. The author got a couple facts wrong, but then I used to be in the Air Force, worked in many. many different command posts and operational centers, and well somethings are still classified. Some good guessing and all!

Cute book, I love it, my husband, a "Santa Helper" loves it, our teens liked it (really!) and the few copies I have given as gifts were very well received.

If you have older kids this is a great book.

I have the movie with Bridges and Thomas and I love it. It is called "The Christmas Secret" it is suppose to be taken from part of the book "Flight of the Reindeer" I don't know if that is true or not. Because I did not buy the book yet.

There is a Santa Claus! This is an amazing book, written in documentary style about the existence of Santa and his reindeer. It is a delightful addition to anybody's coffee table at Christmas time or any time. I really love his description of how he found Rudolph, and how he guided the team that one year, a small reindeer with a big heart. The description of the reindeer's year is fascinating!

This book will warm the hearts of Virginias everywhere. Yes, there is a Santa Claus!

I found this a long time ago in a bargain bin for $2. I *love* this book--it's one of my all-time favorite books. Although I haven't put up a tree in years, it's now a tradition to read this book every year. It puts me in the Christmas spirit--and adds realism, proof and perspective to the Christmas mission.

Buy it and make your own family tradition.

This is a great book to start with if you are thinking about a career in Hollywood. The author gives a great overview of the business and makes sure she explains herself well. An easy read. Highly recommend!

This book is a great addition to this author's other work - a fact-filled compendium of documents and advice for producers and production managers that's simply the best single book about making films professionally.

This book is a bit different, dealing with the other things - personal drive, character, etc.

If you are in the business, you will find something here you didn't know!

My friend Mark Hansson wrote to me recently to recommend Eve's other book - The Complete Film Production Handbook (3rd Edition, Book & CD-ROM). Mark is a busy guy in `the biz,' having done almost a hundred films and TV shows, including episodes of Murder She Wrote, Fat Actress, Six Feet Under, as well as the features Dreamgirls and The Quickie (overlooked and much-recommended) - so his advice is key.

Turns out that Eve and Mark have been friends for a couple of decades, since they met on a film when Eve was a Production Coordinator. Mark read the first edition in galley form, long before it became a standard reference book at most studios and at many film schools. Eve's got another book out too: Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry.

While Hollywood Drive deals with more `esoteric issues,' The Complete Handbook is worth its price for the production forms alone: a CD Rom of almost 200 templates that can be customized and adapted for any film or TV show. Mark says, "I still use some of them today, such as the `Walkie Talkie Checkout List,' an active Word document that you can type into once it has been downloaded."

Eve herself has helped thousands of our industry colleagues, through classes and the group she founded - the Film Industry Network (FIN), which still meets once a month at Sony studios. Mark again: "I'm very proud of Eve and the second career she has found as an author and teacher. She's an extraordinary person. And no - I don't get royalties from the book!"

I don't get royalties either - in fact I bought both books right here on Amazon, and I am glad I did. The Complete Film Production Handbook is a must-have for any producer, director, or production manager.

You wouldn't know this book is a great marketing book and writers should read this one. The book focuses on the film industry but there is a wealth of information in here about marketing yourself that writers can benefit from. There are some great excercises you can use to start defining yourself and begin your publicity. Whether it is for your book, screenplay or yourself.

I just received this book today, and cannot put it down. Honthaner writes with such ease, it's almost as if she's sitting there discussing the entertainment industry with you. As a recent graduate and an intense drive to make it in Hollywood, this book suits all of my needs in seriously knowing the ins-and-outs of the business. I would definitely reccomend Hollywood Drive to anyone with a similar passion to want to know all and be in the mix of the entertainment industry.

I attended author Eve Honthaner's class at USC in 2004. Titled "Breaking In, Hanging In and Making It," the class gave me all the skills and tools necessary to make it into the film industry in Hollywood. Her encouragement and burning desire to help people succeed in following their dreams translates well from the classroom to the page. For those who don't have 6 weeks and $2,000 to spend on her enlightening course at USC, this book is a real bargain. If you are serious about pursuing a career in Hollywood, "Hollywood Drive" will teach you the importance of networking and all the other skills necessary to get your foot in the door. Using the tried and true methods of Eve Honthaner, I got my first job in Hollywood with Fox -- and many more to follow. I now recommend this book to everyone who dreams of Hollywood and has the courage to pursue that dream.

I enjoyed this book more than I can Say . Being 80 yrs. old ,

I have grown up with John Wayne , more so than any other movie

" STAR ". Buy this book , you will treasure it .

Jack Yannuzzi

I am French and a huge fan of John Wayne's career.
I've found this book very complete whithout having long movies résumés.
This book is more focused on anecdotes' movies.
Moreover, the life of John Wayne is not depicted only as a pure "American" cowboy (despite the title of the book)and the authors really want to explain the choices of John Wayne in politics or in his own life whithout trying to influence the reader.
That gives us the impression that John Wayne lacked confidence in his own life but barely never in his career.
I've been reading biographies for a very long time and I can say that this biography is really well written and as I was reading it, I watched several movies with John Wayne, just for pleasure!!

The acid test of any biography is does the personality of the subject come through the pages of the book? After the reader is finished, do they feel they have meet the man or woman they were reading about. Historians Randy Roberts and James S. Olson have done so with this book, which is very difficult for two distinct reasons: 1) Wayne left no papers; and 2) there is the legend of John Wayne that gets in the way of knowing Marion "Duke" Morrison, the man behind the famous stage name.

Roberts and Olson have given their readers a well-written, engaging study that is both traditional biography of the actor, but a study of his status as an American icon. The authors also show that Wayne was a talented actor in addition to being a movie star and deserved the Oscar he won, even though he expected to lose.

A decent and diligent son, he was never able to win his mother's love. For whatever reason, she showered her affections on her second son who was a mediocrity in life. Wayne was a conservative, but mainly because he was a classical liberal in that he believed in limited government that did little to impose on the liberties of individuals. Even though he was worth millions when he died, he had invested poorly and had gone bankrupt, squandered most of his earnings, and most of his fortune was the result of his having an honest business partner that had looked out for him.

He went through three marriages, but was a loving, if removed father. In many ways, he placed more value in his friends than in his family. Perhaps because his friends could never hurt him the way his wives had.

There will be other Wayne books, but it is difficult to see this book being surpassed anytime soon.

A very well written biography of a very complicated man. From the Duke's childhood to his later years in Hollywood, you get the full picture of an American legend that was patriotic, controversial, opinionated, grateful, and a deliberate artist.

John Wayne: American takes you into Wayne's inner circle of friends, family, and co-workers. If you love John Wayne, or even kind of like him, you'll love this book. There are some shockers that reveal the man behind the curtain that is sure to be a water cooler discussion after you read the book.

I had wanted to read a John Wayne biography for some time, but never got around to it until buying this book. I think I picked the right one. It is chock-full of interesting information regarding 'the Duke'. I was surprised to discover how nasty director John Ford could be to his actors, John Wayne included; and yet the two were good friends. Surely Wayne must have wanted to punch the guy out a time or two. Regarding Wayne's mother; I don't think the writers did an adequate follow through. In the first sections of the book, much was written about the relationship between mother and son, but there was no follow up later in the book. Did his mom ever come around and begin to appreciate him before she passed away, or did she remain cold and aloof until she died? As a reader, I felt like I was left hanging on this one. Otherwise, this was an excellent book, and I highly recommend it. The final sections, covering Wayne's last days were sad and disturbing, but the man left us with quite a legacy on film. There will never be another like him.

"Letters from Backstage" is one of those witty little books you can hardly wait to recommend to friends. Written with wry humor and a delightful perspective, Kostroff's fingers literally tap dance across the keys as he brings you along on his touring company adventures.

Kostroff is dazzled by things. He has stars in his eyes, and he can't help it. In spite of his crazy life backstage, the encounters with theater ghosts and machines that fail just when you need them, he remains awed by the fact that somehow life has given him a chance to be an actor

If you dream of achieving a career in the theater, there are valuable lessons to be learned in this book. Intimate details only a professional can know will prepare you for the grand roller coaster ride.

In the beginning, Kostroff is nervous when he gets called back for a second audition for The Producers. "There was tension in the room," he writes. "I've learned, over time, that it falls to me to break that tension. As I walked to the little X in the center of the floor and prepared to sing, two of Ms. Stroman's associates got up from the table and headed for the door. "I don't know what it is, I quipped. "Whenever it's announced I'm going to sing, people put on their coats and leave." Everyone laughed gratefully. I can now die happy."

In Portland, he is confronted by a convention of cheerful, chirping ladies dressed in cutesy sweaters sporting pom-poms, kittens with big eyes, or panda bears. These ladies think they are the funniest ladies on earth, but they drive Kostroff crazy. Rushing to get to the show on time, he finds every elevator packed with these gleeful broads. Each time the door opens one of them screams," Oops! Must have caught the local!" then they burst out into hysterical laughter. "Ladies," Kostroff imagines himself saying. I am in comedy, and please trust me; none of you is the least bit funny."

"It's like this:" he says in his epilogue, "amazing, horrifying, magical, thrilling, boring, tiring, energizing, satisfying, hilarious, sad, lonely, fraternal, endlessly long, and far too brief, an adventure. Really, there's nothing like it."

By the end of the book, you'll get to feel what it's like to have Mel Brooks kiss you on the cheeks and compliment your performance, but you'll also get a sense of annoying frustration when an over-eager dresser keeps tugging and fussing at you all the way to the edge of the wings.

Ups and downs, highs and lows, laugher and tears, that is show business as Michael Kostroff knows it. But one thing is for sure---you'll wish the tour would never end, and the next time you see Michael Kostroff's name on a book, you'll rush right out to buy it.

Reviewed by Kelley Anderson for Reader Views (11/06)

"Letters from Backstage" is a collection of e-mails to friends and family while Michael Kostroff toured with "The Producers" and "Les Miserables." They give you brief glimpses of his journey, from auditioning for "The Producers" to his last curtain call of "Les Miserables." He gives his impressions and descriptions of the cities, sites, hotels and cast-mates that he meets along the way. It is the story of a hardworking theater actor who doesn't seem to take anything for granted and doesn't let the fame go to his head. I feel that the book is especially written for anyone who has ever wanted to be a theatrical actor. He is brutally honest about the amount of work it takes in rehearsal and performing and also what gifts and shortcomings life on the road brings. He tells his story from his perspective and tells it well.

An actor is not something I ever wanted to be growing up. I was horribly shy and terrified of making what I thought was a fool out of myself. While Michael was describing being up onstage, the audience in their seats and all of the singing, dancing and acting going on onstage, I could honestly feel my hands grow clammy and my chest tighten. His descriptions were clear, accurate and (for me) terrifying. Any aspiring actor is sure to enjoy the suspense and drama of the stage. The practical jokes carried out among cast members did make me laugh out loud. Rehearsals, practices and more behind the scenes work seems to be just another day at work for any of these professionals, and yet Michael has a way of making it seem magical, because it obviously is to him. I have to admit, the book may have been even more interesting to me if I had ever seen either one of the shows.

My favorite parts of the book were the descriptions of the local activity in the cities he visited. Farmer's markets, local restaurants, and lively locals made me yearn to visit some of these cities. Other times, the descriptions were too sparse and generalized and I couldn't see in my mind what he was trying to describe, which is not surprising for text originally intended as e-mails to friends. A great addition to this book would be a final chapter, after the tours were finished, of highlights of what really stood out for Michael in all of those trips.

Michael says he has a "passion for the correct use of the English language" and it shows through in his writing. I read through the chapters swiftly, never getting tangled up in obvious grammatical mistakes. It is an easy to read book that I am sure will delight a younger audience looking to become actors as well as fellow actors in or retired from the business who would like to reminisce. He naturally finds a great transition from story to story, filling in background details necessary to the telling without bogging the entire story down. I believe that Michael could take many parts of this book and expand them into stories that would stand alone brilliantly, and they all still fit together neatly in "Letters from Backstage."

Aspiring, current and former actors along with theater lovers of all kinds will enjoy reading "Letters from Backstage." Michael is a natural storyteller, keeping true to the theme of the book, the backstage of two touring performances, while sharing his life and travels. The e-mails and letters included could be written directly to the reader. He tells the story as he sees it, not apologizing for some of the less than professional antics that go on. He continues to fall in love with the theater life over and over and brings you along for the ride.

This book is very entertaining and enlightening. He loves every minute of his showbiz career and is happy to let you go "on tour" with him.

This would be enjoyable for actors and just people who enjoy theatre watching.

LOVED IT!

I don't work in the entertainment business, and don't know much of anything about theatre, so I was a little afraid this wouldn't really hit me. I couldn't have been more wrong! This book is full of well told, highly entertaining stories. Kostroff has a great way of making you feel like you were on the road with him and the rest of the cast and crew. I laughed out loud a number of times, and feel like I got a real insider's view of things. It's practically your own backstage pass! Easy to read, and a lot of fun.

What is it like to be a touring stage actor? Author Michael Kostroff's childhood dream came true when he was cast in national tours of two plays: his story of life on the road comes to life in LETTERS FROM BACKSTAGE: THE ADVENTURES OF A TOURING STAGE ACTOR, which began as a series of emails to friends at home and evolved into a handbook of adventure. From hotels and old theatres to onstage mishaps and lovely old theaters, all the way down to the nuts and bolts of how touring stage actors handle typical challenges, LETTERS FROM BACKSTAGE brings it all to life.

This was purchased for my daughter who happens to be a huge Lucy fan. She thoroughly enjoyed it as it is chock full of reproduced letters, articles and other memorabilia. It makes a wonderful gift.

What a wonderful gift Lucie Arnaz and Desi Arnaz Jr. have given to the fans of their parents. This book will warm your heart, make you smile, and bring tears to your eyes. It will make you feel like you snuck into Lucy's closet and found her scrapbook sitting on the shelf. I got goosebumps when I saw the enevelope written by Desi that said 'To my darling'. I almost felt like an intruder when I pulled out the Valentine for Lucy that was inside. There are photos, letters, clippings, and side notes, all beautifully assembled. This is a must have have for anyone who has ever loved Lucy, Desi, Vivian, and William.

When I received this book in the post I did not put it down for a least an hour. It was so thoughtfully put together and showed all of Desi and Lucy's fans just how much they loved and cared for each other thoughtout their lives.
My most memorable areas are the little pieces written by the couple describing their thoughts and how they felt about each other. Lucy's words about Desi's death really struck me as although she had been married for 25 years she still felt his death hard.
My daughter who is only aged 15 years also could not put it down and was especially interested in the reproductions of the important letters and documents.
We both love it and it is certainly a must for the bookshelf of any Lucy and Desi fan.

If you are a Lucy Fan then you simply must buy this book! I just received mine and sat mesmorized by it, it is now my favorite Lucy item I have. I have an enormous collection of everything to do with Lucy or I LOVE LUCY you can imagine and this Scrapbook is so incredible.....it's honestly as if you are looking at the original scrapbook and you are even able to pull out inserts on several pages.....passport, letters, etc. I am not joking, if you are a collector of Lucy things and you do not have this Scrapbook then you are missing an incredible addition to your collection. The price is really great considering all you get. Words truly are not enough....I'll never ever get tired of looking at this!!!! Don't just think about buying it, buy it this minute!!!

The scrapebook was execellent. I enjoyed every little thing about it. It was great of all the document that were in there. This is a great book.

Great book, worth the price a hundred times. Great to read more exploits of Bean! Just like the TV show! Recomended! Some parts will laugh you to death such as:

Smashed bugs in the book

Police reports

Much much more!

Funny, but I expected it to be like a book, and there were just some andom notes for every day.

Even Mr. Bean's most enthusiastic fans will have to agree that he can be really gross sometimes. For those of us who wish we'd never seen him try to stop his ears with someone else's used chewing gum, he's a lot easier to take in print than on video, just as weird but much less nauseating. I think he's funnier, too. It's kind of like a radio play: What you fill in with your imagination can be funnier than what they show you.

This book is hilarious and makes for simple, entertaining reading. It consists of a diary in which Mr. Bean records his various escapades (in his untidy scrawl) and keeps his letters and newspaper clippings. It contains quite a few references to the episodes themselves, and it's necessary to read it more than once to appreciate the full humour value. I recommend this book to all fans of Mr. Bean.

Mr Bean aka Rowan Atkinson is one of my favorite comedian. He manages to crack you up without resorting to low down slapstick humor. The book is a must-read for Mr Bean fans, and for those of you who have yet to see his TV shows (way better than the movie), I highly recommend this book. It is guaranteed to give me tummyaches from laughing too hard.

THIS BOOK IS GREAT, REALLY GOOD AND FUN TO READ IF YOU ARE AN X-FILES OR GILLIAN ANDERSON FAN. I HIGHLY RECOMAND THIS BOOK

Straight from the cutesy title that X-Philes know and love as one of Scully's trademark phrases, Mulder, it's Me really hits the spot. Gil Adamson and Dawn Connolly's biography about the amazing Gillian Anderson is extremely informative without being invasive of Ms. Anderson's privacy. The well-written fourteen-chapter biography is only the beginning of this stunning masterpiece - the book also includes candid interviews, a comprehensive episode guide of the first four seasons of The X-Files, a section on the 1996 Burbank convention by the renowned Autumn Tysko, a listing of internet resources, and 16 pages of color photos. Whether you are a newbie or a veteran fan, Mulder, it's Me: The Gillian Anderson Files is the must-have biography.

This is the best Gillian Anderson biography on shelves today. But this isn't just a biography, this book also includes television and radio interviews with answers to some of the most frequently asked questions. You get to find out what people did when Gillian Anderson appeared at the X-Files convention and what questions her fans asked. It also includes the speech she made in Washington D.C. for public awareness about Neurofibromatosis, the disease her younger brother has been diagnosed with. This book also includes great Gillian Anderson Internet sources and an X-File episode guide with all the shows from season one to the end of season four. But best of all, this book includes a great section of full page color photographs of Gillian. If you are a Gillian Anderson fan, you have to get this book!

This book is great for people who want t get all the facts and want awesome color Photos .I think Gillian is agreat person and Actress and this book helps you realize that.AS well as info there is a great X-files episode guide section.Many thanks to the athur and gillian for being the great actress she is.

This book has, well, everything you wanted to know about Gillian Anderson (Agent Dana Scully on the X-Files) and more! The colour photo's are excellent, as well as the black and white ones. Each chapter has a unique title, and very good detail into herself, her daughter, and her work. A must have for any Gillian Anderson fan.

Sad, but not hopeless, biographical account of a young musician stricken with a horrifying illness. Heartfelt & honest without being overly sentimental. Written in a captivating & sometimes humorous tone, not witholding any details. I have been reading this as a physician, and will recommend the book to any young patients I have with grave illnesses.

I purchase this book many years ago simply because I was a big ebtg fan. I casually knew what he had been thorugh and felt terrible for him, but was going through the process of losing and then grieving for a loved one.
When I read the book, it offered me a perspective on what life may have been like for my loved one as he suffered illness. What a wonderful gift Ben Watt has given. He writes without self-pity, in his lyrical style without being flowery or glossing over the ugliness of illness. I am so glad that he survived for selfish reasons-the music he (&Tracey) has(have) produced (before and after the illness) has been a diverse gift to the world.
And I am so greatful that he wrote this book. Experiencing the death of a loved one through being a spectator to horrible illness, was, in a strange way one of life's best gifts to me. No I didn't learn to be greatful for my health and all that crap-I learned that true joy comes from giving to another and expecting nothing in return. Ben Watt's Patient, gave me an extra perspective on that experience, and sometimes helps me to remember the life-lesson from it all.
In summation, read Patient for more of Watt's lyrical writing, read it to find a surprisingly good story with plot twists and turns, read it to learn what severe illness truly is. Fascinating. A gift-thank you.

I'd been a fan of EBTG for quite awhile before this book came out. Their soothing music has always been a favorite so I was really interested to see what this book was all about.

It turned out to be a very disturbing account of Ben Watt's freak-show illness, blow by blow. His commentary is riveting and one gets the feeling that he does not feel sorry for himself in the least, but instead follows his own story as if he is an observer who also happens to be its main character.

I was heartened to read toward the end of the book Watt's own musings on what may have brought all his health problems about. Though he left it vague, his illness seems to be among those new "diseases of civilization" caused by many factors in our surroundings that lead to hard-to-define ailments where environmental toxicity and the overuse of pharmaceutical medicines are certainly not to be discounted.

In any case it seems that his passion for music transcended all, and was at least in part a contributor to his recovery. Most of all he deserves a thanks for telling his story, unadulterated. For sure it has made this reader not feel so isolated.

The fact that Watt's story lacks a significant plot (outside of the onset, diagnosis, and treatment of his rare condition) is largely forgivable. For those of us who know Watt primarily as a musician/songwriter, the somewhat static storyline here is acceptable. All that's missing from "Patient" is Everything But The Girl's enlightening bed of music to be heard under Ben's delicately articulated prose. Typical of many great songs, Watt occasionally blurs the line between the first- and third-person narration, and "Patient" is better off for it. Perhaps even better than the great writing, though, is the genuine and intimate portal into the lives of Ben and Tracey rarely afforded to EBTG fans. It's a relatively short read, but each page gives plenty to be absorbed as the result of Ben's crafty alliteration and his uncensored, yet careful, approach to the fog of medical lexicon. Not for the weak of heart--or stomach--Watt's book exacts distinct feelings of sobriety and contemplation...with an ending portrait that expertly convey's his trademark understated hope.

I'll admit I picked this up mostly out of curiosity as a longtime fan of Everything But the Girl. What kept me reading, however, was Ben Watt's skill as a writer. His story is gripping and harrowing, but told with a dry wit and wonderful observations. This book is not just about one man coming to terms with serious illness, but how that experience affected his relationships with his loved ones and his view of himself. This would be a great book for anyone in the health care field to read; it gives you a sense of the patient as a full human being, not just a "problem" to be fixed. Ben Watt's writing skills are as strong as his ample skills as a musician/songwriter. This book has my highest recommendation.

This is definately a winner! Great little gems from Walt Disney's family, closest friends and colleagues. The pictures are equally wonderful. Great candid shots and personal family photos. This man had more character than Mickey Mouse himself!

This lavishly illustrated tribute --- first published in 1999 and now released as an oversized trade paperback --- is a must for diehard Disneyites. (Dig the vintage, time-worn color
cover photo of Uncle Walt, with Cousin Oscar clearly in view.) Amy Boothe Green and Howard Green's text is nothing more than quote after quote from Walt's pals, peers, co-stars, family and friends, all of whom (surprise!) praise The Man Who Would Be King. But it's the vast array of black-and-white and color photographs --- many rare and many never-before-seen, all of which are stuffed into the pages --- that make this a winner. Walt as a young boy. Walt as a young man. Walt at play. Walt at work. Walt with family. Walt with friends. Walt with Julie Andrews and Dick Van Dyke. Walt with Hayley Mills. Walt with Shirley Temple. Walt with Annette Funicello, who provides the book's most poignant quote: "When I was first diagnosed with multiple sclerosis ... I thought,. "If Mr. Disney were here, I could ask him what I should do. He would know." And, of course, Walt with the Mouse and the Mouseketeers. Noting goofy here. Except Goofy.

The pictures were nice. I'm a big Dinsey fan so I pretty much enjoyed this book. It told what people who worked with him thought about him. I gave the book four stars because there were some bad words.

I was very happy while reading this book. I found all the things Walt's aquaintances had to say about him very interesting and credible. Very little seemed sugar coated (as Disney personel seem to be sometimes). I would make the assumption that Walt's personality was portrayed correctly by the many people that knew him. Throughout the course of reading this book I kept thinking about the quote that one amazon reviewer said that made me buy this book in the first place, "makes me wish I knew that man."

This book is exactly as one would expect by reading the title. It's just quote after quote from people who knew Walt Disney best. I liked that many of his former employees were interviewed. Since I was familiar with some of the animators, imagineers, and actors it made it a more personal thing for me when reading this book. There are also many pictures that show Walt during all the different periods of his life, though the majority of them are during his successful years heading the Disney corporation. I share the sympathy of another reviewer who said that after reading this book they wished they had known Walt Disney. I think a person who really admires the Disney empire will share the same sentiments about the man who dared to dream.