Television Books

This book was given as a gift to a Carson fan. It was very well received and we felt we had given the perfect gift.

For those of us who grew up with Johnny Carson it's hard to believe that it has been fifteen years since Johnny last came out from behind "The Tonight Show" curtain and even harder to accept the fact that he is no longer with us. But we're in luck in one way....this wonderful book, compiled by Stephen Cox, brings Johnny back to life in the most comprehensive and nostalgic way. It's a walk down Memory Lane and it is nothing short of wonderful.

From the inception of "The Tonight Show" and its early years before Johnny, Cox takes us through every segment of the thirty-year run we all enjoyed. There are comedians, of course, memorable moments, the monologue and my favorite...Joan Embery and her wildlife companions from the San Diego Zoo. Who of my generation can forget the wedding of Tiny Tim and "Miss Vicki" or the Ed Ames tomahawk throw? (the latter being a perennial favorite of the Carson annual retrospectives)

What is such an added bonus to the book are the dozens of photos that grace its pages. "Here's Johnny!" is a terrific look back at a man who made the nation laugh for three decades and who will always be remembered as the best at what he did. Thank you, Johnny!

If you want to know about Johnny Carson and the things that went on behind the scenes at the Tonight Show, you need to get this book!!! It was great and the photos were wonderful.

Excellent read. For any fan of Johnny Carson and the glory days of the Tonight Show, this is the book for you. It makes you feel like you're actually watching the show again. Enjoyed it thoroughly!

Johnny Carson was the late night entertainer of my youth and there will never be anyone to compare - although Conan is great in his own right(that will be another review sometime). This book really takes you back. While I do not know all the "for-sure details"(and some things could be slightly off in this book since I don't keep track of that so much), there is enough substance here to take you right back to watching Johnny in your parents' living room! Like the "Clapper Caper" with Jack Webb. LOVED IT!

THIS IS ANOTHER GOOD BOOK BY JAMES ROBERT PARRISH. THIS IS ABOUT THE BIGGEST SPILTS IN HOLLYWOOD HISTORY. AMONG THEM ARE BEN AND JLO, JOE AND MARILYN AND MIA AND WOODY. HE GIVES US A BRIEF BIO OF EACH PERSON AND HOW THEY MET. FROM THERE WE ARE TOLD WHAT LIFE WAS LIKE TOGETHER AND WHY EACH COUPLE SEPARATED OR DIVORCED. THEN WE ARE TOLD WHAT HAPPEND TO EACH PERSON AFTER THE BREAKUP. I LIKED THIS BOOK AND IT IS BOTH INTERESTING AND FUN. I HAVE READ SEVERAL OF HIS BOOKS AND LIKED THEM ALL. I RECOMMEND IT FOR ALL GOSSIP AND NOSEY PEOPLE. (LIKE MYSELF)

If you're weary of the stream of pabulum from the glossy tabloids, you need to get a couple of James Parish's books on the wilder and seamier side of Hollywood life as a counteragent. He's been doing this for close to four decades now, with dozens and dozens of books to his credit (as of this writing, I'm expecting two of his compendia on actresses in the mail and am making arrangements to get four more), and his experience and close attention to research show through here and in the other books in his current series (e.g., The Hollywood Book of Death, The Hollywood Book of Scandals). He avoids the extremes, as other researchers have mentioned, of either glamorizing his subjects to excess or painting them in villainously black hues, but instead presents them, sympathetically but truthfully, in their all-too-human complexity. I've started looking for the name James Robert Parish on a Hollywood book when I want the facts (not to mention a good selection of pictures - every story in this book is illustrated with at least one nice B&W photo, many of them not often seen elsewhere), and you should too.

James Robert Parish, the chronicler of all things Hollywood, turns his writing skill to "breakups Hollywood-style" in The Hollywood Book of Breakups. As with all of Parish's books, it's a fun read. His introduction begins with a quote from Sandra Zober Nimoy, Leonard's ex-wife, and her first sentence is a doozie: "It's a pretty mean town." Sad, but true. You'll recognize all the names in the book, and it's likely you might think you know all the stories of the breakups written about here. I doubt it, though. Parish always manages to spring a surprise or two. For example, did you know that Sonny Bono was once married to Susie Coelho, host of HGTV's Landscaper's Challenge? His format for each breakup is quite nice. It begins with general information, then a SHE section, a HE section, and THEY section, and concludes with an AFTERWARD. Lots of pertinent information - and juicy, truthful gossip - in every section. Parish is a good writer, and his words flow along seamlessly, making the book both fun, and easy to read. No only do I recommend the book for reading, it makes an excellent gift for anyone who like film stars or is addicted to "what went on behind the scenes" gossip.

James Robert Parish has always had the ability to cut right through the froo-froo icing and get right to cake. That's why so many of his books are on my shelf. With this one, I have to start a new shelf. He packs in a lot of information: mini bios of all the players, what brought them together and the circumstances that drove them apart. He brings each era alive, mentioning timely rumors and headlines, but delivers only the facts, dispelling media speculation in exchange for - get this - the real story! And the variety of couples, from Stanwyck and Taylor, Burton and Taylor, Brad and Jen or Liza and David Gest represents 75 years of Tinsletown romance gone awry.

I, too, write books about Hollywood (Dishing Hollywood, Hollywood Haunted). Our books are often paired; I am very complemented by that because James Parish is really great at what he does.

What a guilty pleasure! Concisely written, carefully researched, The Hollywood Book of Breakups is a speed read of celebrity couplings gone wrong. Parish doesn't glamorize or trash his subjects, he makes the stars seem all too human. A fresh take on Hollywood divorce, and a crash course in the many, many ways that relationships can burn up and flame out.

Enjoyed reading about the life of Clayton Moore, The Lone Ranger. Since receiving it I am now in my 3rd reading of it. It seems everytime I find someting new and interesting.

I wish he was alive so I could personally talk with him about his adventure doing The Lone Ranger. May his spirit always remain in the hearts of all Americans...

You can find out more information about Clayton Moore and The Lone Ranger fan club at www.lonerangerfanclub.com/jr

Taylor Trade Publishing presents "I WAS THAT MASKED MAN" (Paperback) - by Clayton Moore and Frank Thompson --- Clayton Moore was an American actor best known for playing the fictional western character The Lone Ranger --- Moore was a circus acrobat as a boy, then later enjoyed a successful career as a John Robert Powers model. Moving to Hollywood in the late 1930s, he began working as a stunt man and bit player between modeling jobs --- He was an occasional player in B-Westerns and Republic Studio cliffhangers, ultimately starring in more such films than serial hero Buster Crabbe --- His big break came in 1949, when George Trendle spotted him in "Ghost of Zorro" --- As producer of the radio show and creator of "The Lone Ranger" character along with writer Fran Striker, Trendle was about to launch the masked man in the new medium of television --- Moore was cast on sight.

In keeping with the nature of the Ranger character, Moore chose to protect the Ranger's identity at all times and is perhaps the only actor whose full face is largely unknown to the public. It was never shown in the TV series, although occasionally he would don a disguise and affect an accent, revealing the upper half of his face in the process. However, there is no shortage of photos of Moore unmasked, including many in his autobiography. His many fans, however, could easily recognize him by his distinctive voice --- (From Wikipedia, the free encyclopedia)

TABLE OF CONTENTS: (Title and Page Numbers)
Foreword by Leonard Maltin - ix
Preface by Frank Thompson - xi
Introduction by Frank Thompson - 1
1. Birth of a Ranger - 13
2. A Cowboy Actor in the Big Apple- 35
3. Hollywood - 43
4. Republic Pictures - 61
5. In the Army Now - 71
6. King of the B's - 79
7. Hi Yo Silver, Awayy! - 111
8. Back to the Big Screen - 131
9. Jay Silverheels - 143
10.The Lone Ranger Rides Again! - 151
11.England and a New Daughter - 185
12.Adventures on Television - 195
13.You Don't Pull the Mask Off the Ol' Lone Ranger - 203
14.The Adventures of Clayton Moore - 221
15.Who is That Masked Man? - 231
appendix - 243
Index - 257

BIOS:
1. Clayton Moore
Date of Birth: 14 September 1914 - Chicago, Illinois
Date of Death: 28 December 1999 - Los Angeles, California

Moore often was quoted as saying he had "fallen in love with the Lone Ranger character" and strove in his personal life to take The Lone Ranger Creed to heart. This, coupled with his public fight to retain the right to wear the mask, ultimately elevated him in the public's eyes to an American folk icon --- In this regard, he was much like another cowboy star, William Boyd, who nurtured the Hopalong Cassidy character --- Moore was so identified with the masked man that he is the only person on the Hollywood Walk of Fame, as of 2006, to have his character's name along with his on the star, which reads, "Clayton Moore -- The Lone Ranger" --- He was inducted into the Stuntman's Hall of Fame in 1982 and in 1990 was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

THE LONE RANGER CREED - I Believe that to have a friend, a man must be one --- That all men are created equal and that everyone has within himself the power to make this a better world -- That God put the firewood there but that every man must gather and light it himself in being prepared physically, mentally and morally to fight when necessary for that which is right --- That a man should make the most of what equipment he has --- That `This government of the people, by the people and for the people' shall live always --- That men should live by the rule of what is best for the greatest number --- That sooner or later .. somewhere .. somehow .. we must settle with the world and make payment for what we have taken --- That all things change but truth, and that truth alone, lives on forever --- In my Creator, my country, my fellow man.

Check out a new book from Empire Publishing - "GENE AUTRY WESTERNS" (Hardcover) - by author Boyd Magers, like no other book on Gene Autry --- all of Gene's Mascot, Republic and Columbia westerns included, as well as his half-hour TV Episodes --- each segment contains the release date on each film ... major production credits ... complete cast (including character played) ... all songs included, songwriter and who performed them in the film ... running time of each film ... dates of the filming ... bios on the cast and major players (Smiley, Pat Buttram, Cass County Boys, Herbert J. Yates, directors, leading ladies, songwriters and various heavies, etc.) ... locations that were used ... budgets and negative cost ... stunt people involved ... analysis and synopsis on each film ... notes and comments (including film and cast background info, salaries paid, working titles, etc) ... comments from Gene and many other cast members on each film ... theater exhibitors comments at the time of the films release ...this tribute was written from the heart and it shows.

Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc) and Bob Nareau (author of "The Real Bob Steele") as they have rekindled my interest once again for B-Westerns and Serials --- More than just a tribute to the role Clayton Moore made famous, this book is Moore's personal memoir, told with condor and sincerity -- the engaging story of the life he strove to live according to the ideals he represented to millions of Americans, please stand up and take a bow --- all my heroes have been cowboys!

Total Pages: 280 ~ Taylor Trade Publishing ~ (4/25/1998)

This man, Clayton Moore WAS the Lone Ranger. I can say no more.

I was a bigger fan of the Lone Ranger on radio than TV, but only because I was away in school most of the years it was on the tube and missed a great deal. That is something I am trying to make up as I collect DVDs and is why I bought this book. I have also known personally two who worked with Clayton Moore in the past, serial queen Kay Aldridge and former rodeo star Beverly McDermott. Everything they said about this man is echoed in the book. A very honest upright straight shooter. I am also impressed by his arguments as to why a star should set an example. So different in Hollyweird today. We need actors and actresses today who have the high moral standards this man has shown. May God bless him always, here and in Heaven.

An in depth history of Clayton Moore. A very informative perpective of a bye-gone age in Hollywood. I really enjoyed this book. A must read for Lone Ranger and TV western fans.

I have never heard a piece of music by composer Jan Swafford, but if he composes as well as he writes, his music should be stimulating indeed. Some reviewers have called this book hard to put down, a page-turner. I found it so. Part of its interest lies in Brahms himself; any book that purports to shed even a bit of light on so enigmatic a figure would cause one to turn pages in hopes of illumination. But I can imagine, too, a very dull book about Brahms. Well, there are few dull pages among the 600+ in Swafford's biography. As is now de rigueur in good modern historical writing, Swafford creates a judicious blend of primary-source material and commentary thereon, along with a rich store of anecdotes told in his own fine, writerly voice.

Musical analysis is treated in such a way that the amateur musician, and even the musically challenged, will not be put off. In all cases, Swafford demonstrates well one of his chief theses--that Brahms was the most Janus-like of the great nineteenth century composers. He looked back all the way to Renaissance masters, assimilating their contrapuntal styles in ways beyond anything that Beethoven, Mendelssohn, or Schumann had done before him. Yet he so thoroughly anticipated the ambiguity of tonality and rhythm in twentieth-century music that Schoenberg could, long after Brahms's death, speak of "Brahms the Progressive."

But there is much more than musical analysis in this book. There is a thorough investigation of the many dualities in Brahms's nature: Brahms the generous, Brahms the curmudgeonly; Brahms the respecter of (intellectual and artistic) women, Brahms the misogynist; Brahms the romantic, Brahms the classicist; Brahms the sentimentalist, Brahms the cynic; Brahms the self-effacing, Brahms the monumentally egotistical. Swafford presents them all in their staggering incompatibility. And while Swafford himself admits that no one can ever quite hope to reconcile all these manifestations or indeed fill in the gaps in a life that the composer himself hoped to keep mostly a closed book, he comes close to making this great study in contrasts that was Brahms into a flesh-and-blood individual whose most mystifying acts seem almost comprehensible because we have seen him in action in similar contexts. By an exhaustive examination of the primary literature and shrewd speculation based thereon, Swafford builds a picture that convinces. He can't make us always like Brahms or even sympathize with him, but we come to understand him better through Swafford's portrait than we ever thought we could. That is some accomplishment.

Beyond this are the passages in which Swafford speaks of musical and indeed cultural history after Brahms. The epilogue to this book, in which the author traces Brahms's paradoxical legacy through the great century of change since his death, should be mandatory reading for all students of culture in the West.

Are there flaws? Yes. Some parts of the book show haste while others show careful crafting. In a work this large, that is to be expected. And Swafford overuses the word "magisterial." This may describe Brahms to a tee, but so, I hope, do a few other adjectives. Small gripes? Small indeed, given the wealth of insight and reading pleasure that Swafford provides here. I'm ready for his biography of Ives!

Mr.Swafford did excellent jobs in dissecting and analyzing major symphonic works without sounding pedantic and dry. However, I wish he had invested more ink on the other major orchestral works such as Piano Concerto no.2 and the Violin Concerto, two of my favorites, like he did Piano Concerto no.1 and the symphonies and variations, etc. On the late concertos he merely described the circumstances surrounding their creation and barely touched on structural analysis.

Other than that, the book is very detailed and enjoyable to read. It sheds a lot of light on the human side of the composer and his friends, and thus makes these historical figures come back to life. At several instances I was so touched by Swafford's writing that I almost shed tears. Reading this book has been an emotional journey for me, and I rank it as my favorite book on music and musicians. Very touching! I love it!

What a wonderful biography. Brahms' dealings with Clara Schumann, Joachim, and other friends is studied in fascinating detail through meetings and letters -- an intimate portrait of personal relations, desires and fears, quiet joys and resentments, etc., all as absorbing as a Henry James novel.

Meanwhile, Brahms' incomparable music is a life of its own, and we are treated to the master's views of it, as well as those of contemporaries and the author. The author's assessments seem to me almost unerringly valid. (Take, for example, his lofty praise of Gesang der Parzen, an underheard choral masterwork, or his concession that the Double Concerto, a concert standard, is on a less than inspired level.)

Add to this the author's occasional shift of focus to the Austro-German culture in which Brahms lived, in retrospect an even more remarkable time and place, where music was valued to a rare degree, and where ideas and events -- artistic, philosophical, political -- were poised to take momentous turns. Fascinating, even haunting, stuff, and all the more appropriate for discussion as these were issues about which Brahms had much concern in his later years.

This is a great story about a great composer. The book tells his life story, and highlights many of his great works. Within this biography, the book also mentions the interactions, disagreements and perspectives of the different composers of the late 19th century - Liszt, Wagner, Schumann, Bruckner, Mahler and of course Brahms. From that perspective, it is not only a biographry of Brahms but in some ways a history of classical music in that period. In my opinion, Brahms was the best composer of the group, and this book highlights why he was. It focuses on many of his great compositions, even providing the major musical notes for key parts of a composition. For example, in what is arguably his best work, the 4th symphony, this book spends four pages on the last movement of this symphony, a very powerful cantata and chaconne that Brahms brought to the symphony. This form, according to the book, derives from the Baroque period and Bach has a great similar work with the violin. Brahms took it a step further and using the whole capabilities of the symphony orchestra, weaves this concept into a very powerful piece of music. Since reading these four pages, I've developed a greater interest in this movement and in the 4th symphony in total. It is a beautiful powerful work and this book provides a beautiful perspective of this work. The same is true for all of the book. It has given me a better perspective of Brahms and classical music. For this reason, I highly recommend this book.

I wonder how Brahms would have compensated for the defeat to his friend's wife - Clara Schumann. Although lively attention to details was a notable characteristic of the German woman, pianist and composer, her love to the sentiments of her husband - the German composer Robert Schumann - was, at times, so shallow as to miscalculate Robert's perturbation with Brahms's apathy.
How could Brahms, having degenerated to low stage, get over the perfidy of his feelings for the woman who was fourteen years his senior (and who also raised seven children)?
Brahms could find no strength in a faith in the after-life; he remained peculiar, having sneering disbelief about human relationships, though devoted to his true friends and to Robert Schumann in particular.
While there are grounds for believing that he had anxious feelings about the strength of his own passions, he was denied the excitability for happiness in love ... On the face of it, Brahms was soulfully devoted to Clara Schumann and regarded Robert with the utmost respects. Clara cordially returned and her emotions remained held in careful control. ""Yet the profound seriousness of his temperament demanded a philosophy; above all, if Death was no longer accepted as the gateway to eternal life for the righteous, what was its meaning?"" Those were his words
Yet Brahms remained 'the confirmed bachelor''
With women, Brahms's approach was destined with indecision of purpose.

Brahms gave us medley of music; conscious of the shadow of the dead, Ein Deutsches Requiem {1867/8} is one that represented heavenly masterpiece as if to seek pardon in humble supplications like the sinner who renounces lifelong bad habits when in extremity of pain.

I am constantly amazed at the magnitude of CeCe Winans musical and spiritual capabilities and I am pleased to say that her gifts do not end there. On A Positive Note is a beautiful piece. In it, there is a very natural and earthy quality that reaches the reader to relate the story CeCe seeks to tell. The flow of the book is very smooth; transitions are made nicely from one subject to the next as she relates her story. I cannot stress enough how the personal the experience of reading this book feels and how natural the language reads. CeCe has done it again. God is consistently working through her in a mighty way.

I read this book and I was so blessed by it. Throughout it, Cece constantly discusses the fact the she was taught to give up the world for God. This blessed me because it is evident in the way that God has blessed her music ministry that if we give up the world for God that he will do exceedingly, abundantly, above all that we could ask or think in our lives. It was awesome to read about how God just kept blessing her life because the posture of heart was correct towards him. It was great to read a story about saved artist who had just been taught to live holy and to see the rewards of doing it. I was blessed and truly encouraged through this book.

While reading "On a Positive Note" by CeCe Winans, I was taken back into a time when I myself was growing up, how her childhood memories was very similar to my own. I also grew up in a large family, and reading her book brought back so many memories of my past. Despite all the tribulations and triumphs of her life, she managed to hold on to her spiritual belief, letting it guide her through her every decision in life. "On A Positive Note" has inspired me, lifted me to a higher level of praising the Lord and reminded me to always put God before each decision throughout my life. This book was quite a page turner that filled my heart with laughter, joy, tears, praise, sadness and forgiveness. I was moved to pray for Ronald myself as she astoundingly shared his testimony. My thirteen year old daughter is now reading this wonderful book and I will reccommend it to everyone I know.

http://pages.ivillage.com/cassie23/

This book, "On A Positive Note", was truly an inspiration. I didn't want to put the book down. Ms. Winans biography was written so that you felt that you were right there in that moment of time. Again, GREAT BIOGRAPHY!

This book was truly an inspiration. I didn't want to put the book down. Ms. Winans biography was written so that you felt that you were right there in that moment of time. Again, GREAT BIOGRAPHY!

I stayed up all night reading this one night. LOVED all the stories and anecdotes from other child stars I fondly remember from my childhood - David Cassidy, Davy Jones, Stanley Livingston, Jay North, Mary Badham, etc., and of course Jon was my first "crush" (at the grand old age of five! But I adored him in the teen magazines, too - what a hottie he was and still is!). Hated hearing that Sal Mineo was such a lost soul, but then, it wasn't that big of a surprise, either.

I'm so pleased that Jon's life is happy and fulfilling these days, after all he went through in the past. Laurie sounds like just the woman for him, and I thank her from the bottom of my heart for helping Jon get this memoir written. I'll be recommending it to all my friends.

Yes, it is a fantastic book even for us outside the U.S. with limited insight to how Hollywood worked (and works) in the '50s and early '60s! I'm from Sweden where the Lassie shows were on the air week by week and sure was very popular with us kids!
Jon Provost and Laurie Jacobson is a perfect team making this book one of the absolut best biographies I ever read! The book is so fascinating that I really had to force myself letting it go for some sleep in the evenings! Especially the early years with the Lassie series, is close
to me - giving an direct emotional telling how it was like to be this little boy, completely left out in a adults' world with very limited freedom of playing and having a "normal" life with family members and friends of your own age!
Even though you may get the impression that he was forced to do this acting all the time (by his mom in particular), I can sense that she wanted all the best for his son!
The book is also densly enriched with pictures from those days which makes it extra fun! Also the "timelines" is a plus, establishing the stories in their original time!
Thank you, Jon and Laurie for this achievement - this book is a must in every American home! (and European as well!)
I'll give it a 5 star rating of course!!!
Chris Lindstrom in Sweden!

I found "Timmy's in the Well" to be a fascinating read. It brought to my consciousness the Lassie TV show's innate moral values which, watching it every week for years, had a positive formative impact upon my character (there's a positive for the power of the media!). It was then fascinating to see the oftimes contrast between the appearance of the show and the reality behind it: particularly chilling was the instance when Jon was applauded for his "performance" of drowning, when he actually almost had. Interesting also was the impact that Jon's career had on his siblings, another "reality" behind the scenes. In this autobiography, co-authored by his wife, Laurie Jacobson, Jon's recollections are balanced by many quotations of his family and friends; their statements often give different perspectives to the same event, and thus give a three dimensional depth to his story. The reader is left with some work to do, some conclusions to draw, which is analogous to the process of reading a great novel.

While this book covers the life events of Jon Provost's life, it is also a powerful statement of the social climate of the 50's and 60's in this country. It was startling to realize that it was less than fifty years ago that racial prejudices were so severe that Lassie's sponsors were afraid that they would lose business if a famous black sports figure appeared as a guest on the show. Later in this autobiography, the "highs" and the "lows" of the 60's scene are brought to life in a realistic accounting of those days of "free love." Laurie Jacobson did an excellent job of presenting Jon's life within the context of the times.


But the real value of this autobiography for me is that it is an exploration of love between all the members of a family struggling to cope with their roles in this unusual and unreal life. Despite the tensions, conflicts, jealousies, and inherent misunderstandings, each Provost family member managed to arrive at a place of mutual respect for each other. And any book, or any life, that can achieve that goal, is an inspiration for us all.

This book is absolutely terrific, not just for movie and TV fans, but also for any adult who might be preparing for, or currently struggling with, success, challenge, frustration, or failure. Do you enjoy Hollywood movie history, or info about legendary stars and classic TV? Or perhaps when growing up, you watched a favorite child star perform and dearly wanted to be like him or her, thinking life would be so fun, rosy and glamorous to be so popular, cute, rich and famous. Perhaps you dreamed it would bring fast cars, beautiful living, smart clothes, endless friends and gorgeous dates. Well, now's your chance to personally experience what all this might have been like. But beware. Things are not always what they seem. Sometimes they are more.

In this very special and unique autobiography, you'll become a member of Jon Provost's family, past and present. You'll feel right at home, following the young actor through all the ups and downs, hopes and dreams, thrills and chills (not to mention pains and strains), of a childhood spent working in 50's and 60's movies and television. You'll be transported into a wonderful, yet sometimes strange and even downright dangerous world of wild success, fame and fortune.

Fame does bring great stuff, attention and privileges. It's all here in this book, with amazing, wonderful, unbelievable, incredible times. You'll meet many famous adult and kid stars backstage and in real life, as well as numerous regular friends and coworkers, too. Their impressions and perspectives, both positive and negative, are quite candidly included. Family and off-camera photos on practically every page help to set the period and mood.

But fame and success bring even more. And the extra stuff is often not so good, seldom anticipated, or even understood, not only by the person at the center of the maelstrom, but also by family, friends, employers and fans.

In this book, Jon Provost and his entire family circle confide their personal lives with a most rare honesty and openness. It's a deeply personal journey toward success of a different kind. You'll find it hard to stop reading. I recommend it very highly. Just as his character "Timmy" did on Lassie, Jon Provost is still teaching us valuable lessons about life, but this time through his own.

From: [..]

"Timmy's In The Well" is an amazing accomplishment. If you ever watched Jon as Timmy Martin in "Lassie," you must get this book.

It's not a book for kids. Provost vividly evokes the sweeping social changes in America from the staid 50's, through the swinging 60's, and beyond. This is a real insider's view of growing up in Hollywood, with many revelations about the life of a TV child star.

All of the wild fun, the hard work, and the bitter pain, is told candidly, with total honesty and utter sincerity. There are many quotes and comments from Provost's colleagues and friends in the entertainment business, and although the photos are small, there are a lot of them, conveniently integrated into the text.

The stirring and adventurous novel, "The Treasure of the Sierra Madre" was penned by enigmatic author B. Traven. Traven a political anarchist active in the 20's and 30's was thought to be of German descent and was purported to be the illegitimate son of Kaiser Wilhelm II. Nonetheless he lived for many years in Mexico and as seen by his most celebrated work, had an excellent working knowledge of Mexican culture and society.

His novel which served as the framework for the John Huston classic film starring Bogey and Walter Huston, greatly embellished the story seen on the screen. His tale of adventure, hardship and greed was admixed with political commentary as Mexico was emerging from years of colonial rule and subsequent exploitation by big industry. The oil business was seen ruling the economics of the region described in the book.

Traven's ingenious blending of the gripping tale of his main characters, Dobbs, Curtin and Howard braving the wilds of unexplored jungle regions of Mexico in quest for gold with social commentary was very effective. He was thereby able to expose his points concerning the Mexican social and political climate. He also didactically pointed out that life's riches are not solely based on precious metals but also on the fellowship, relationships and respect among mankind.

This book is the basis for John Huston's film of the same name. Both author and director share a love of Mexico and it's people. Having seen the movie many times it was interesting to come to many familiar parts of the story knowing what was going to happen and enjoy on the page verbatim bits of dialogue. The story takes awhile to get going as Traven sets up his characters but it builds to a powerful ending proving once and for all that man's greed destroys his soul. There are some who have criticized Traven's socialistic leanings but I don't think they get in the way of the story at all...in fact, I think they prove his point that unregulated capitalism is the bane of western civilization. But enough of that - this is a timeless story that meanders a bit so it won't appeal to casual readers. If your reading tastes lean to anything recent, this book will probably be too slow; in that case, watch the movie - you will get the same point in less than 2 hours. However, if you like Literature you will appreciate Traven's insights to human nature and his excellent story-telling method. I myself couldn't read this without putting the movie out of my mind...if someone tells you not to think of pink elephants...well, you get the idea. All in all, this novel is well written but could've been a bit shorter.

I have been a big fan of the movie for years but had never read the book. Well, I have to say that the book is even better than the movie, and I still love the movie. If you have seen the movie It will be hard not to imagine Bogie and walter Huston in the main roles. And this is not just because they are already planted in your mind, I think director John Huston did an excellent job of casting the movie. Anyway, I highly recommend this book!

If you have seen and enjoyed the John Huston film of the same name, and believe it to be one of the greatest films ever produced, then it is mandatory to procure and read this book.

This review is written from the perspective of someone who has seen the film at least a half dozen times before reading the novel for the first time. The film is mostly faithful to the novel, so no nasty surprises await those weaned on the film. While less dramatic in some ways, the book provides a better explanation for the motivations of the characters. This necessarily leads to significant, though not unpleasant, changes in some of their fates compared to the film (or perhaps, better said, vice-versa). Some of the more interesting scenes also are expanded, such as the encounter with the bandits at the camp, and more background is provided about the bandits themselves and the efficient and clever way that they are ultimately dealt with by the local people.

Though a little slow going at first, once accustomed to Traven's writing style and well into the meat of the story, the feeling of the realization that a very special experience is in store for you simply builds and builds and continues doing so until the satisfying conclusion of the book is reached. This is a masterpiece, a gourmet treat for the soul, a book to relish during a lazy morning spent in a soft bed, or sitting by a cozy fireplace.

As in many screen adaptations, seemingly ancillary elements were culled for the film. However, those elements, namely the description of the factors which led to the oppression of the native peoples of Mexico, provides a pervasive, unifying theme throughout the novel. This lends an enriching, interesting counterpoint to the story of the central characters.

There is a tiny bit of information given about the mysterious B. Traven, just enough to make you want to learn more. A speculative look at his identity is presented in the extras which are included with the newly-released reissue of the film on DVD.

I bought the The Treasure of the Sierra Madre at a small used bookstore that was moving across town so that they marked all of their fiction half off (half off of used prices - awesome). So I left with about 20 books for about $20 - $25. I was grabbing things at random that looked at all interesting or at all slightly familiar. One of those books was The Treasure of the Sierra Madre.

I had seen parts of the movie years ago on TV, but not enough to remember any plot points. My dad had a tendency to habitually switch channels between five movies all at once so for the longest time I thought John Wayne and the scene where they blow up the bridge during "Bridge over the River Kwai" were scenes in EVERY movie.

The book was slow going at first. The characters are introduced and they take their time to finally get to the part where they're prospecting. As I read it I thought, "yes. There's lots of social inference in here." But then continued to read on taking it all at face value instead of trying to over analyze everything. It's more fun to think about it for a month later and think, "Man, that's so true. We'll all turn against each other in an instant if money is involved. tsk."

I enjoyed the characters, I felt frustrated for them as they fell into paranoia and insanity. I kept thinking, "Which one is Bogart? Is that Bogart?" And when the one guy **spoiler** gets his head cut off, I was like 'Whaa? For real? That's pretty intense." I've been reading a lot of Beat writers a lot lately, and the Mexico that Traven describes is a lot different from Kerouac's or Burroughs' Mexico - they tend to romanticize the poverty, where the guys in this book are actually living the miner hardships. Mexico's a lot better when you have a trust fund, huh, Burroughs?

And yes. I was so happy that the famous `badges' line is actually in the text. I pictured Micky Dolenz saying it from a skit in the Monkees TV show that I used to watch after school on Nickelodeon. I laughed and laughed.

this book was written by carol spinney, fan of henson, who ended up working with him and doing big bird and oscar the grouch for years.

i had seen an interview with him prior to reading the book where he equates working with henson to being asked to be a member of the beatles. just awesome.

this book has many anecdotes of his times working with henson, on sesame street, the story of the girl they did "big bird goes to china" with, getting punched in costume by rappers, and he tells the story of hensons death and how it affected him.

for any henson fan, it really is a must have.

To be honest, I have not kept up on Sesame Street since I was a regular viewer from say, oh 1974-77. So I was surprised that there was but a single guy playing Big Bird! I would have otherwise presumed the role was like Vader, a guy in the suit and a guy doing the voice. Moreover, the same guy did ALL the public appearances, award shows, White House dinners. I was floored; what an interesting time this guy had stemming from the Big Bird suit. He's very matter of fact about much of this so I am perhaps overly impressed? In any case, he comes across as very genuine and extremely kind and generally a good person. He also offers odd but intriguing insights into the puppetry world. A neat short read.

The book was easy reading, took me about 3 hours and filled with life stories/lesson's from Caroll Spinney, the man behind Big Bird & Oscar the Grouch. I laughed and cried and totally enjoyed the book.

A fun read. Carol Spinney is a man whom I never knew much about besides seeing his name in the credits of Sesame Street, and other productions where Big Bird made an appearance.

It was interesting to read about how Big Bird's character was developed, and how just playing the part of a lovable children's icon changed Carol's life.

Worth your time. For sure.

I'm still in the middle of reading this book. but, I'm admiring the work of Carroll very much and every time I look at Big Bird or Oscar now I imagine the position that Carroll is in to make the muppet come to life.

First, a disclaimer: I'm not entirely impartial. I picked up this book after taking Jeff's workshop, where I had the good fortune not only to learn these tools in person but to see them tried out on my script, which was the example script for the weekend. So I came to "Writing a Great Movie" with a particular familiarity with the tools that it contains, and my experience may not be typical.

All that being said, I give this book my highest recommendation. Jeff's background is in playwriting and dramaturgy, and the meat and potatoes of these tools come from Aristotle and Price. Aristotle's unequalled analysis of Dilemma, Crisis, Decision/Action, and Resolution is presented here in a contemporary and eminently practical style. But the real treasure here is the stuff from William Thompson Price, a former lawyer who applied the principle of legal argument to the problem of dramatic construction about a hundred years ago and came up with the Central Dramatic Question and its extension, Sequence-Proposition-Plot. This tool is just an absolute workhorse. Whether you use it on the whole script or just a scene, whether you're at the crude outline stage or on your twelfth draft, it will give you a quick X-ray of your script in dramaturgical terms and help you jack it up.

There are also some great brainstorming tools for character and situation, and a particularly incisive analysis of theme. Jeff lays all the tools out in the first half of the book, then walks through the process of assembling a script from scratch using the tools. It's a very practical approach, though you may have to hunker down with it, and naturally you won't properly understand the tools until you start using them.

If you are a beginning writer, "Writing a Great Script" will not teach you how to write. It doesn't replace basic stuff like Syd Field, Lew Hunter, or Richard Walter's superb "The Whole Picture". I would say Jeff's book is a palette of extremely robust and versatile tools for the journeyman writer. You can use it like a roadmap if you want and use the tools to methodically assemble your script, but more likely you will mix these tools with whatever your preferred methods of working already are. I can guarantee that if you're sitting down to write and your intuition is on vacation and the muse left without leaving a forwarding address and you can't figure out just what the hell to do with your second act, reaching into this book for your tool of choice will get your car back on the highway. Not to mix too many metaphors in there, but you get the point.

In my experience, these are not tidy tools. These are practical tools, the sorts of things that can get you through a garage full of disassembled engine parts or a kitchen full of unfamiliar ingredients. You'll find yourself using several of them in parallel as you work back and forth from the level of the whole script to the beats of individual scenes.

As far as I can recall, all of the information in Jeff's class has been recreated in the book. The transmission of ideas is always more effective in person, but it's all here. I haven't seen any of his DVDs but I suspect the DVD/book combo would be a great way to get started with these tools. They certainly worked for me: I gave my script a total overhaul using these principles and the resulting draft was a quarterfinalist or better in four out of the six competitions I submitted it to.

I also see that Jeff has written "Script Analysis: The Godfather, Tootsie, Blade Runner" which breaks down the three scripts using the tools here. I have not read it but he uses these scripts as very helpful examples in "Writing a Great Movie" so I imagine that a more in-depth approach combined with re-watching the films would also be a great supplement.

I enjoyed reading the book, though I haven't put it to test, yet. It's clear, passionate, well-structured, and interesting to read. Its shortcoming, for me, was that the author concentrated primarily on action movies. Yes, "Tootsie" was included, but most of the examples, including the "tutorial" at the end, focused on quick action movies. I think the principles do apply to a broader range of movies, and I wish the author had reviewed also some more reflective movies in the vein of "Searching for Bobby Fischer," for example.

I'm a novice screenwriter and found myself completely encapsulated in this book. I wish I had it a year ago when I started my journey into screenwriting. The book in itself is the best classroom for getting at the core of your story and characters. I followed all the strategies and worked them through my script. What happened in the process were all my neurons firing with new ideas and twists. I was coming up with many versions of my script. It was exciting!

Far to technical to be useful for the beginning writer (im sure there are the exceptions out there). This seems to be broken down for the experienced writes struggling with their current projects. It has dozens of schemes to create characters and their scenes. In depth but lacks the simple straight forward inspiring tips and goals to send the new writer a' writing instead, it sends them scratching their head...or hiding under the cover depressed about themes and persona's.

His books and DVD's dwelve deep into his writing tools. I, like many, have read most of the books, and this is one of the top three I return to review. Mckee, Truby, Seger, Wright, and Tobin are all worth reading. Jeff's book is the most important, because it's crucial to find the spine of a story, and Jeff's tools are the best for finding it. All mention it, but Jeff's tools allow one to touch the heart of the story, so you write from the inside-out instead of the outside -- the most important, and the most difficult part of learning to write.

"In Writing the TV Drama Series, Pamela Douglas lays out one of the most clear, step-by-step plans for crafting your series concept and following a plan of pitching and selling it, including a month-by-month breakdown of how the TV business operates. Filled with inspired and inspiring interviews by TV greats, this is a must-read for anyone serious about writing series!" -- Derek Rydall, Screenwriter, Best-Selling Author, "I Could've Written a Better Movie than that!" "There's No Business Like Soul Business," Founder, ScriptwriterCentral.com, EnlightenedEntertainer.comThere's No Business Like Soul Business: A Spiritual Path to Enlightened Screenwriting, Filmmaking, and the Performing ArtsI Could've Written a Better Movie Than That! : How to Make Six Figures as a Script Consultant Even If You're Not a Screenwriter

I have both editions of this book and want to add a special plug for the most recent edition. The "Guest Speaker" interviews with established and talented TV writer/producers are fantastic, and this new addition is worth its weight in TV gold. So for example, if you are writing a Dexter spec, as so many of us are right now, there's an insightful interview with "Guest Speaker" and exec producer Melissa Rosenberg that you will find extremely helpful in structuring your script. There's also great advice from David Milch ("Deadwood," "NYPD Blue") Ron Moore ("Battlestar Galactica") and Steven Bochco (all hail!).

The other thing I absolutely love about this book is that it has an actual sample of an outline. It's shocking how few of the TV drama books contain these. For a beginning writer, an actual sample of a beat sheet and outline to copy is really, really helpful.

I also love this book because it has a ton of advice that will help you spec and write for the pay cable series. A lot of the older books are geared towards network series, so if you want to write for HBO or Showtime, it's great to have a lot more updated info on the very different structure of those shows.

Buy this book - you will find it extremely helpful!

1.) The interviews in this book are invaluable. Interviews from both film students and professional in the industry.

2.) First 32 pages of the book, in my opinion, was hard to follow, learn and understand due to choice of words. If I hadn't of read "Crafty TV writing" by Alex Epstein, prior to reading this book, I would have been lost. THis book is for beginners, but Alexs book is for the beginner of beginners.

3.) Nice grids on pages so that you can do some training at home.

4.) This book is extremely analytical. I liked it, but some people may not.

Overall a good book.

This is a very helpful and useful guide.

I will expand my review later.

I've read many, many books on writing for film and television, and this is one of the best ones. Worth twice the cover price!