Ralph Fiennes Books

These are two of the best.I love these movies.They are both movies that make you feel good.I will watch them again and again.Nothing is better than watching a great romantic movie.

Great Price on these two Love Story classics. Jennifer Lopez is superb !!!

I thoroughly enjoyed both movies, I had seen Fools Rush in many years ago, but had never seen Maid in America. I would highly recommend this combo to anyone, both movies are very good in my opinion.

MAID IN MANHATTAN ***

This is a relatively pleasant, though eminently forgettable, once-upon- a-time romantic comedy. Not even its excellent supporting cast can make this tepid movie better than it should be. Ralph Fiennes, with his sometimes British, sometimes American accent, and Jennifer Lopez, with her beauty marred the minute she opens her mouth, are the would be mis-matched lovers.

Fiennes plays Chris Marshall, a wealthy, to the manor born, silver spoon, political candidate. Lopez plays Marissa Ventura, a working class woman and single parent with an adorable, precocious, ten year old son named Ty (Tyler Garcia Posey). Marissa works as a maid in the posh hotel in which Marshall is a guest. When her son accompanies her to work one day, he runs into Chris Marshall and recognizes him. They start up a conversation and before you know it they are going to go off for a walk together, only Ty has to ask his mom. They go to the suite in which she is cleaning, only thing is that she has tried one of the haute couture outfits belonging to a wealthy businesswoman named Caroline who is staying in the suite.

Naturally, Marissa looks gorgeous in this outfit and is wearing it when Ty and Chris enter the suite. Chris is smitten, and all three go for a walk in the park. Chris does not know, and Marissa does not disclose, that she is one of the maids in the hotel. Don't ask. Don't tell.

When Chris, thinking that his dream woman's name is Caroline, forwards an invitation for lunch to her ostensible suite, the real Caroline (Natasha Richardson) responds. Let the games begin! Marissa spends quite a bit if time avoiding running into Chris in her work clothes. When she finally runs into him in the street, Chris instructs his aide to find her and invite her to a glittering soiree. She gets the invitation via the hotel butler (Bob Hoskins), along with some advice, and decides to go for the gold. With her fellow employees at the hotel acting as collective fairy godmothers, she gets the proverbial ball gown, diamonds, makeover, and emerges a princess, making a dramatic entrance at the ball, further entrancing Chris. When she runs off before the ball is over, he pursues her, and what then follows is a night to remember.

Of course, Natasha, who is also at the ball, sees Marissa and Chris together and realizes that she looks familiar. Consumed by the green eyed monster, she contacts the hotel authorities when the morning after the ball she sees Marissa, exiting the suite occupied by Chris and still wearing the diamond necklace she wore at the ball. A review of security tapes leads to her identification of Marissa and a host of other things. Chris is now faced with a choice, as is Marissa.

The film is pretty formulaic in that it is filmed as a fairy tale. Of course it has the proverbial happy ending. The film is saved by the very funny performance of Natasha Richardson and her pre-menopausal, obnoxious friend played with relish and delicious abandon by Amy Sedaris. Stanley Tucci is excellent as Jerry, Chris Marshall's campaign manager. Bob Hoskins is very good as the prim and proper hotel butler, though the film strikes a false note towards the end when he gives Marissa a final speech that is ridiculous. Tyler Garcia Posey is a totally adorable child actor who gives a very natural and engaging performance.

Ralph Fiennes gives a decent performance but has difficulty maintaining an American accent. Jennifer Lopez gives a better performance than she usually does but that is not saying a lot. It is unfortunate that to date she has been unable to replicate the level of performance that she gave in "Selena", the film that propelled her into stardom. She is, however, totally drop dead gorgeous when she is all gussied up, looking every inch the princess.

Still, if one's expectations are not too high, one should find this to be a mildly entertaining, romantic comedy. Rent it rather than buy it.


FOOLS RUSH IN ****

This is a delightful romantic comedy. Matthew Perry is a charming, self-effacing leading man. Salma Hayek is a most fetching and winsome leading lady. Strong performances by the supporting cast help make this a most enjoyable movie.

Alex Whitman (Matthew Perry) lives in New York and has a high powered job as a field agent for a builder that specializes in the construction of night clubs. He is sent to Las Vegas to supervise new construction. While there, he meets a fiery, latin beaty, Isabel Fuentes (Salma Hayek), with whom he has a very memorable one night stand. This is totally out of character for both of them. In fact, she is so embarrassed by what happened, that she sneaks out of his house first thing in the morning. Before he even knows it, she is gone, never to be heard from again, until she shows up on his door step three months later to announce that she is pregnant with his baby.

Alex tells her that he supports her right to choose. Isabel chooses to have the baby. She asks nothing from him other than he meet her family, so that it is not such a shock when she announces that she is pregnant. He agrees to do so. He meets her traditional, Mexican-American family and is taken by their warmth, a quality that is sorely lacking in his family. He rarely sees his own family, except for the obligatory holidays, while Isabel meets hers once a week for dinner.

Alex and Isabel fall in love and have a quickie marriage ceremony performed in Las Vegas. Naturally, as they are now husband and wife. they move in together. Then reality sets in. They contend with cultural difference, with pain in the you know what in-laws, and with the every day adjustments necessary, when living with someone one does not, as yet, know. Then, the trust that had developed is violated, and they each go their own separate ways.

What happens with the baby? Does the marriage survive? Watch the movie and find out. The experience will be an enjoyable one.

These are two of the best.I love these movies.They are both movies that make you feel good.I will watch them again and again.Nothing is better than watching a great romantic movie.

Great Price on these two Love Story classics. Jennifer Lopez is superb !!!

I thoroughly enjoyed both movies, I had seen Fools Rush in many years ago, but had never seen Maid in America. I would highly recommend this combo to anyone, both movies are very good in my opinion.

MAID IN MANHATTAN ***

This is a relatively pleasant, though eminently forgettable, once-upon- a-time romantic comedy. Not even its excellent supporting cast can make this tepid movie better than it should be. Ralph Fiennes, with his sometimes British, sometimes American accent, and Jennifer Lopez, with her beauty marred the minute she opens her mouth, are the would be mis-matched lovers.

Fiennes plays Chris Marshall, a wealthy, to the manor born, silver spoon, political candidate. Lopez plays Marissa Ventura, a working class woman and single parent with an adorable, precocious, ten year old son named Ty (Tyler Garcia Posey). Marissa works as a maid in the posh hotel in which Marshall is a guest. When her son accompanies her to work one day, he runs into Chris Marshall and recognizes him. They start up a conversation and before you know it they are going to go off for a walk together, only Ty has to ask his mom. They go to the suite in which she is cleaning, only thing is that she has tried one of the haute couture outfits belonging to a wealthy businesswoman named Caroline who is staying in the suite.

Naturally, Marissa looks gorgeous in this outfit and is wearing it when Ty and Chris enter the suite. Chris is smitten, and all three go for a walk in the park. Chris does not know, and Marissa does not disclose, that she is one of the maids in the hotel. Don't ask. Don't tell.

When Chris, thinking that his dream woman's name is Caroline, forwards an invitation for lunch to her ostensible suite, the real Caroline (Natasha Richardson) responds. Let the games begin! Marissa spends quite a bit if time avoiding running into Chris in her work clothes. When she finally runs into him in the street, Chris instructs his aide to find her and invite her to a glittering soiree. She gets the invitation via the hotel butler (Bob Hoskins), along with some advice, and decides to go for the gold. With her fellow employees at the hotel acting as collective fairy godmothers, she gets the proverbial ball gown, diamonds, makeover, and emerges a princess, making a dramatic entrance at the ball, further entrancing Chris. When she runs off before the ball is over, he pursues her, and what then follows is a night to remember.

Of course, Natasha, who is also at the ball, sees Marissa and Chris together and realizes that she looks familiar. Consumed by the green eyed monster, she contacts the hotel authorities when the morning after the ball she sees Marissa, exiting the suite occupied by Chris and still wearing the diamond necklace she wore at the ball. A review of security tapes leads to her identification of Marissa and a host of other things. Chris is now faced with a choice, as is Marissa.

The film is pretty formulaic in that it is filmed as a fairy tale. Of course it has the proverbial happy ending. The film is saved by the very funny performance of Natasha Richardson and her pre-menopausal, obnoxious friend played with relish and delicious abandon by Amy Sedaris. Stanley Tucci is excellent as Jerry, Chris Marshall's campaign manager. Bob Hoskins is very good as the prim and proper hotel butler, though the film strikes a false note towards the end when he gives Marissa a final speech that is ridiculous. Tyler Garcia Posey is a totally adorable child actor who gives a very natural and engaging performance.

Ralph Fiennes gives a decent performance but has difficulty maintaining an American accent. Jennifer Lopez gives a better performance than she usually does but that is not saying a lot. It is unfortunate that to date she has been unable to replicate the level of performance that she gave in "Selena", the film that propelled her into stardom. She is, however, totally drop dead gorgeous when she is all gussied up, looking every inch the princess.

Still, if one's expectations are not too high, one should find this to be a mildly entertaining, romantic comedy. Rent it rather than buy it.


FOOLS RUSH IN ****

This is a delightful romantic comedy. Matthew Perry is a charming, self-effacing leading man. Salma Hayek is a most fetching and winsome leading lady. Strong performances by the supporting cast help make this a most enjoyable movie.

Alex Whitman (Matthew Perry) lives in New York and has a high powered job as a field agent for a builder that specializes in the construction of night clubs. He is sent to Las Vegas to supervise new construction. While there, he meets a fiery, latin beaty, Isabel Fuentes (Salma Hayek), with whom he has a very memorable one night stand. This is totally out of character for both of them. In fact, she is so embarrassed by what happened, that she sneaks out of his house first thing in the morning. Before he even knows it, she is gone, never to be heard from again, until she shows up on his door step three months later to announce that she is pregnant with his baby.

Alex tells her that he supports her right to choose. Isabel chooses to have the baby. She asks nothing from him other than he meet her family, so that it is not such a shock when she announces that she is pregnant. He agrees to do so. He meets her traditional, Mexican-American family and is taken by their warmth, a quality that is sorely lacking in his family. He rarely sees his own family, except for the obligatory holidays, while Isabel meets hers once a week for dinner.

Alex and Isabel fall in love and have a quickie marriage ceremony performed in Las Vegas. Naturally, as they are now husband and wife. they move in together. Then reality sets in. They contend with cultural difference, with pain in the you know what in-laws, and with the every day adjustments necessary, when living with someone one does not, as yet, know. Then, the trust that had developed is violated, and they each go their own separate ways.

What happens with the baby? Does the marriage survive? Watch the movie and find out. The experience will be an enjoyable one.

I watched the film long ago and have enjoyed reading the book as its own piece. The characters are humbling and facing true tragedy and change in life. I was drawn in by where their intermingling would take them.

This book was given to me on an airplane and I read it because I had nothing else to read. I had seen the movie and thought it was OK. The book however, I absolutly loved. The movie focused primarily on the English Patient, but the book was different in that you got to know each character quite intimately. They all were in the house for different reasons and each of them had very unique and intrieging backgrounds. I was sucked in immediately. Each charachter is developed and you are able to understand who they are and why. All of their strengths and weaknesses are revealed and they are quite vulnerable. If you are someone who likes to bond with a characters and watch them develop, this book is for you.

Before I start I have to say that I loved the English Patient film. Minghella (director) manages to capture the beautiful romance between the characters and the stark beauty of the desert like no other director has been able to.

This book however, doesn't. Don't get me wrong. Ondaatje isn't a terrible writer. He's just not great. He tries very hard to be different (speechmarks are obviously passe?) and it shows. The English Patient novel doesn't really have any of the elements that make the movie so likeable. For starters, the book isn't coherent. It jumps everywhere. Some of the jumps are clear. Others are not. One gets the feeling that they're in there just for kicks, not for any real story-driving purpose.

Secondly...a LOT of Ondaatje's metaphors just.don't.work.

For example you have the ones that almost work:

"I don't think (Clifton) he loved the desert, but he had an affection for it that grew out of awe at our stark order, into which he wanted to fit himself - like a joyous undergraduate who respects silent behaviour in a library."

The ones that seem very high school:

"He (caravaggio) rides the boat of morphine. It races in him, imploding time and geography the way maps compress the world onto a two-dimensional sheet."

And the bewildering:

"He (Kip) knew he was now a king...it was strange to him. As if he had been handed a large suit of clothes rhat he could roll around in and whose sleeves would drag behind him."

This is not so say that Ondaatje doesn't paint some beautiful imagery as well. He does. But those instances tend to be few and far between. He also has the infuriating tendency to marr prefectly stunning imagery. For example, at the beginning of the book, he gives you this fantastic image of a young boy dancing next to a fire. Next thing you know, semen is being picked up from the sand. ?!? He does this over and over again.

I have never said this about any book/movie, but honestly, watch the movie as it is an infinitely better interpretation of the the book, than the book itself. The characters in the movie are likeable, and the story is complex and beautiful. The same, strangely, cannot be said of the book.

English patient has some interesting characters and the plot does have some intrigue, but please, an astounding book? Not. Too many little-finger-in-the-air chardonnays for the book review set. The author's prose is like reading a college literature student's overdone ramblings, he tries way to hard to be artful with words, which is really an inconsideration to the reader. The author's ability to be creative should be secondary to his ability to communicate. A lot of the metaphors don't work, simply leaving you puzzled. This book is like going to dinner with people who can speak the same language as you, but decide they will talk in another, company be damned.

While I loved the movie, the book left me dry and perplexed. Normally I prefer the book to the movie, but in this case, it was the other way around. The story jumps around a great deal and you live in the heads of Hana, Caravagio and Kip, but only graze upon those of Catherine and Almasy. If you expect to read about that great romance, better just rent the video because it's not in the book.

As a Fiennes fan I think this book offers a glimpse of life of a very private actor. Fiennes is a fine and accomplished actor regardless his moody and intense personality viewed by many. His private life may not be the ideal for everyone, but it is his personal life. York Membery's writing is just fine, but should Membery always makes deep comparison of Fiennes's widely-viewed personality with the characters in Fiennes's works such as Ivanov and Hamlet?

Ralph Fiennes: the biography is a great book to read. It has tons upon tons of facts about his life! Some parts are really funny to read! There is also some great pictures of him and his "significant others" but you just have to find out who I am talking about by buying the book! You will have a great time reading it. I know I did!

York Membrey's book is a fun, insightful and joyous read to all those of us who can't get enough of this actor we adore, yet even Membrey's painstaking research into the life of the man only scratches the surface of the soul of the great actor. This is not the fault of the author. In the personal research I have done on this man, I find that Ralph Fiennes has lived his entire life almost as an enigma. Not only do we distanced fans feel detached from his life, but, as this book shows, so do his friends, acquaintances, and even his biographer. While incomplete, however, this book is still a must for any Ralph fan. It's documentation of his professional career will read as mere review, but it's insight into his childhood is truly fascinating and touching. I hope York Membrey will continue the research begun in this book, and provide us with updates as we get to further know the greatest actor of our time.

Too many mistakes for my taste :( There were so many obvious mistakes in this book. If York's simple research on scenes from The English Patient was so inaccurate, it makes me wonder how inaccurate the rest of his research for the book was. (How difficult is it to watch a film and get the quotes/senarios right?) Does have some nice photos.

It's an excellent book, I must say, although it can be updated. The authors however is yet to prowl further into his private life... if he wants to make this a must-have for all Ralph Fiennes fans, that is. Another prob. is that it tends to lack good pictures, pictures of his childhood days and his family. But since this is the only Ralph Fiennes autobiography available, it is worth a read if you're into his works though.