Divine Books
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HEART OPENING, LIFE AFFIRMING POETRYReview Date: 2005-06-05
Heart-warming poems Review Date: 2005-06-08
Much like Daniel Ladinsky's versions of the lyrical poems of the great Persian poet Shams-ud-din Muhammad Hafiz (c.1320-1389),Kristin Masterton expresses in her poems how love can dissolve our personal boundaries and bring us to the source of all love, the Divine. As Kristin says in her Author's Note, "Love is our True Name."
Read Masterton's books!Review Date: 2006-11-24
-Hannah M.

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Again,Fr. Daniel Berrigan shakes the foundationsReview Date: 2000-06-01
Wisdom of the Sanest Human Being of the Twentieth CenturyReview Date: 2000-03-30
Daniel Berrigan is a poet, prophet, and priest. Sometimes he is more poet than priest, other times more prophet than poet, still others more priest than prophet. But, oh, how these vocations all are mixed in him so that, in my estimation, Berrigan was the sanest person of the twentieth century.
In these twilight years of his life, Berrigan has written a progression of books about the major prophets of the First (Old) Testament. He is harvesting a lifetime of dogged fidelity to the gospel of Jesus Christ and these books ("Daniel: Under the Siege of the Divine;" "Isaiah: Spirit of Courage, Gift of Tears;" "Ezekiel: Vision in the Dust;" and "Jeremiah: The World, the Wound of God") bear and share the fruit of his radical obedience. Ostensibly about the biblical prophets of long ago, these books are as up-to-date as this morning's sports page. Taken together, they are a clarion call to people of faith and conscience not to be seduced by the spirit of the age nor to acquiesce to the principalities and powers of the "empire."
"Daniel: Under the Siege of the Divine" is really a book about "seeing"- seeing deeply, seeing truly, seeing beyond the appearances of things to the truth of things. Not only is scripture's vision of "the new heaven and new earth" in which peace will reign and "all manner of things shall be well" championed by Berrigan in this book; we are given "prolonged glimpses" of the paths we must walk in order to "get there from here."
What Berrigan proposes out of his spiritual encounter with the biblical Daniel is "dangerous faith"- dangerous to the empire because it subverts the present arrangement of things in which the powers-that-be are so heavily invested and to which they want so desperately to cling, and dangerous to those who seek to speak truth to those powers because the empire is not in the least bit loathe to strike back.
"Daniel" is Daniel at his best. Herein, Berrigan eloquently and passionately demonstrates that the first step in saying "yes" to life is saying "no" to death in all of its multi-faceted and seductive forms, no matter what the cost.
To me, the power of the gospel is that, in Jesus, it was lived. That gives me hope that I, also, however imperfectly, can move out of the house of fear and into the house of love. Berrigan is our contemporary guide.
The Prophet Daniel's voice still rings in our time.Review Date: 1999-01-27

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Your Divine Assignment in Two WordsReview Date: 2006-10-02
Excellent Guide to Finding Your AssignmentReview Date: 2006-03-13
A Great Read!Review Date: 2005-08-26
Through stories, study questions, prayers and Chaddock's learned experience as a life coach, Discovering Your Divine Assignment helps the reader. She advises how to negotiate the path from confusion to awareness and the excitement that comes from exploring your passions, making goals and then stepping up and out to accomplish those goals.
Chaddock provides the reader with a through and concise way in which they can live their divine assignment. Different portions of the book will to speak to you in a deeply personal way. While all of the chapters were insightful and extremely helpful, my personal favorite portions were The Power of Partnering with God and Who's Winning Your Mind Games.
Armchair Interviews says: Read the book thoughtfully, follow the suggestions and then refer to it often as you begin your exciting journey.

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Life TransformingReview Date: 2008-01-09
Really DivineReview Date: 2008-01-07
Life ChangingReview Date: 2008-01-07

This is a "User-Friendly" manual for living a spiritual lifeReview Date: 1998-11-25
Insights on How to Truly Live a Spiritual LifeReview Date: 1998-08-22
Wonderful thoughtsReview Date: 2001-11-02

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Releasing God's Spirit in Your WorshipReview Date: 2008-09-18
Warren challenges the reader to: "Allow the worship of God from within the Spirit of God to rise within you to meet God in heaven, and touch the face of God." He goes on to explain how worship is created in the heart and how important this is as the primary focus in approaching God.
Examples are drawn from the altar experiences of Cain and Abel, Noah, Abraham, David, Solomon, and Elijah to emphasize the need "to present our bodies as a living sacrifice" as we move into an intimate worship with God.
I found the meditations of the heart sections of the book to stir my heart in a new synergy of worship resulting in an amazing breakthrough in "establishing an environment of the Spirit."
Hunter writes with power, authority, clarity and conviction as he challenges the reader to examine true hallowed worship and supernatural closeness with the God of heaven as they respond by magnifying and praising Him with their spirit, soul, and body.
This is a book for anyone who wants to know more of the depths of God's love and the worship that follows when we release God's Spirit within us to reach into our innermost being.
Learning and Experiencing Intimacy in WorshipReview Date: 2008-09-10
divineReview Date: 2008-08-24

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The definitive commentary on the CommediaReview Date: 2008-06-26
Medieval vision of the afterlifeReview Date: 2007-04-30
Dante Alighieri's (1265-1321) "Devine Comedy" weaved together aspects of biblical and classical Greek literary traditions to produce one of the most important works of not only medieval literature, but also one of the great literary works of Western civilization. The full impact of this 14,000-line poem divided into 100 cantos and three books is not just literary. Dante's autobiographical poem Commedia, as he titled it, was his look into the individual psyche and human soul. He explored and reflected on such fundamental questions as political institutions and their problems, the nature of humankind's moral actions, and the possibility of spiritual transformation; these were all fundamental social and cultural concerns for people during the fourteenth-century. Dante wrote the Commedia not in Latin but in the Tuscan dialect of Italian so that it would reach a broader readership. The Commedia was a three-part journey undertaken by the pilgrim Dante to the realms of the Christian afterlife: Hell, (Inferno), Purgatory, (Purgatorio), and Paradise, (Paradisio).
The poem narrated in first person, began with Dante lost midlife. He was 35 years old in the year 1300 and in a dark wood. Being lost in the dark wood was certainly an allegorical device that Dante used to express the condition of his own life at the time he started writing the poem. Dante had been active in Florentine politics and a member of the White Guelph party who opposed the secular rule of Pope Boniface VIII over Florence. In 1302, The Black Guelphs who were allied with the Pope, were militarily victorious in gaining control of the city and Dante found himself an exile from his beloved city for the rest of his life. Thus, Dante started writing the Commedia in 1308 and used it to comment on his own tribulations of life, and to state his views on politics and religion, and heap scorn on his political enemies.
Dante's first leg of his journey out of the dark wood was through the nine concentric circles of Hell (Inferno), escorted by his favorite classical Roman poet Virgil, author of the Aeneid. Dante borrowed heavily from Virgil's Aeneid. Much of Dante's description of hell had similarities to Virgil's description in his sixth book of the Aeneid. Dante's three major divisions of sin in hell where unrepentant sinners dwelled, had their sources in Aristotle and Augustinian philosophy. They were self-indulgence, violence, and fraud. Fraud was considered the worst of moral failures because it undermined family, trust, and religion; in essence, it tore at the moral fabric of civilized society. These divisions were inversions of the classical virtues of moderation, courage, and wisdom. The fourth classical virtue, justice, is what Dante came to believe after his journey through hell that all its inhabitants received for their unrepentant sins. There were nine concentric circles of hell inside the earth; each smaller than the previous one. For Dante the geography of hell was a moral geography as well as a physical one, reflecting the nature of the sin. Canto IV describes the first circle of hell, Limbo, which is where Dante met the shades, as souls where called, of the virtuous un-baptized such as Homer, Ovid, Caesar, Aristotle, and Plato.
In the four circles for the sin of self-indulgence Dante met shades who where lustful, gluttons, hoarders and wrathful. In the second circle of Hell, lustful souls were blown around in a violent storm. In Canto V, one of the great dramatic moments of the poem, Dante had his first lengthy encounter with an unrepentant sinner Francesca da Rimini, who committed adultery with her brother-in-law. Like all the sinners in hell, Francesca laid the blame for her sin elsewhere. She claimed to be seduced into committing adultery after reading the story of Lancelot and Guinevere. At the end of the scene, Dante fainted out of pity for Francesca.
In Canto X, the sixth circle of hell reserved for heretics who are punished by being trapped in flaming tombs, Dante took the opportunity to use the circle to chastise political leaders for participating in political partisanship. A Florentine who was a leader in the rival Ghibbelline political party, Farinata degli Uberti, accosted Dante. Both men aggressively argued with each other, recreating in hell the bitterness of partisan politics in Florence. Farinata predicted Dante's exile. Dante used this Canto to show the dangerous tendencies of petty political partisanship that he harbored.
The seventh circle of hell was subdivided into three areas where sinners were punished for doing violence against themselves, their neighbors, or God. In Canto XIII Dante encountered Pier della Vigne in the wood of the suicides. The shades there were shrubs who had to speak through a broken branch. Pier spoke to Dante about how he had been an important advisor to Emperor Frederick II, and how he blamed his fall, and his suicide, on the envy of other court members. This Canto was especially important because Dante came to grips with his own "future" fall from political power and exile. Pier's behavior served as a strong example to Dante how not to act in exile. Whether he had been tempted to commit suicide is not clear; however, he certainly had been prone to the selfish and despairing attitude that Pier represented.
The last two circles of hell contained the sinners of fraud. In the eighth circle, there were ten ditches for the various types of fraud such as Simony, thievery, hypocrisy, etc. Canto XIX described the third ditch, which contained those guilty of Simony, the sin of church leaders perverting their spiritual office by buying and selling church offices. Simonists were buried upside down in a rock with their feet on fire. Pope Nicholas III mistakenly addressed Dante as Pope Boniface VIII who was the current Pope in 1300, and whose place in hell was thereby predicted. This is not surprising since Boniface was the person most responsible for Dante's exile. In an interesting literary twist, Nicholas "confessed" to Dante, as if he was a priest, his sin of greed and nepotism. He admitted that even after becoming Pope he cared more for his family's interests than the good of the whole Church. Dante responded to Nicholas' "confession" with a stinging condemnation of Simony drawn from the Book of Revelation. After this encounter, Dante came to understand that hell was a place of justice.
Canto XXXIV, the last one in the Inferno, depicted Satan with three heads. Each head was chewing the three worst sinners of humankind. The middle head was chewing on the head of Judas Iscariot, who was a disciple to Jesus and his betrayer. The other two heads were chewing Brutus and Cassius; the murderers of Julius Caesar, and the two men Dante faulted for the destruction of a unified Italy. Dante considered the two ultimate betrayals against God and against the empire as the worst betrayals perpetrated in the history of humankind.
Thus, Dante's intent in his Commedia was to teach fourteenth-century readers that if one wanted to ascend spiritually towards God then one needed to learn the nature of sin from the unrepentant. By doing this, one could learn to overcome the same tendencies found in themselves. He wanted people to realize what he had come to learn that political partisanship would only stand in the way of unifying Italy and keep it from regaining any of its former glory that it enjoyed during the time of the Roman Empire.
Recommended reading for anyone interested in literature and medieval history.
Key to the commediaReview Date: 2005-10-29
While the Commedia isn't for everyone, the Singleton glosses are for anyone who wants to read and understand Dante on his terms. Combine these three volumes with the Grandgent Italian text, e non c'e bisogna d'altre cose per incontrar la via diritta ed esso che move il sole e l'altre stelle.

The original editionReview Date: 1999-05-13
The US EditionReview Date: 1999-05-13
Released in paperbackReview Date: 1999-05-13


Refreshing Insight and CandorReview Date: 2007-07-22
A great sharing of knowlegeReview Date: 2007-07-03
Wonderful ReadReview Date: 2003-11-12


A Blessing to MarriagesReview Date: 2008-01-06
A Must Read for Spirit Filled CouplesReview Date: 2007-11-13
A BlessingReview Date: 2007-10-03
I am not an avid reader, but the format of this book makes it so easy to read and use as a daily reference.
Sometimes as Christians we only want to share the best part about our lives, but this author was bold enough to share intimate experiences to provide comfort that we are not by ourselves in our marital situations. If I had to sum the book up in a sentence it would be, "It's a real life guide of how to bring resolution to your marriage GOD's way, and in return you will recieve the gift of true happiness in your marriage."
A special thanks to the author for writing such an inspirational book that will be a blessing to many marriages.
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This book ought to be in every school curriculum and is a must for those feeling disheartened and confused by the focus on what is not real. This is the perfect gift to connect deeply with those with whom we are priviledged to share our lives.
This is poetry to be read silently to open up the space within or be read aloud when intimacy is lacking and needs to be established . Brava Kristin and thank you for accomodating our dance with the Divine in us.