Television Books

The book covers the physical layer aspects of modern cable networks, in comparatively greater details than the MAC and transport layers.

The author has done an excellent job in choosing relevant details of each technology presented in the book and laying them out in an easy-to-understand manner.


Overall, it is a good reference book to have within one's reach and is a better starting point in one's understanding of cable networks, instead of searching for terms or concepts using internet search engines.

Dr. Ovadia has written a thorough and carefully researched dissertation on the end-to-end Cable TV network architecture. The book is excellent for both a high level overview of the Hybrid Fiber/Coax network as well as for an in-depth review of the various network components, including laser transmitters and optical fiber amplifiers, plant noise characterization, head-end and subscriber modems, media formats and more. There is also an overview of the Docsis protocol. I recommend this book to anyone who wants to learn more about the Cable Operator network architecture. The contents should be required knowledge for anyone involved in developing any of the components of a cable TV network.

As a non-expert in the field, "Broadband Cable TV Access Networks" is a very complete book that is well-organized and full of information. The introduction sections are very clear and setup up the rest of the book very well. It is clear that Shlomo is an expert in the field and also a very good writer that integrates difficult concepts into a readable story. On areas that Shlomo is not an expert in, the descriptions are not so complete. Sometimes, the book moves too quickly through the details, but the amount of material in the book is impressive for its size. Overall this is a very good book that holds the reader's interest.

The book "Broadband Cable TV Access Networks" by Dr. Ovadia presents both a high level overview and low level details of CATV technology. It is a well organized system engineering handbook for cable TV network. It gives an excellent introduction to the overall CATV architecture. The introduction is very descriptive and easy to understand. And then extends to rigorous technical details in transmission technologies (over both fiber and coax cable), RF and digital transceiver design, cable modem protocols, software architecture and applications. The book can be a good tutorial for people interested in CATV technology and a good reference for engineers working in the area.

I am working in MRV Communications in the field of FFTx Receivers Transceivers design, focusing in the analog side of the system video transport.

I had purchased the book and enjoyed reading it. Indeed, it is a great system engineering book covering a broad spectrum of technical subjects which I have a lot of interest. It broadened my knowledge on the arena of CATV which was new to me.
(I came from Israel from the Satellite Communications field).

It is a recommended book to any communications engineer, component engineer and system engineer dealing with fiber optics data communications and video transport.
It covers all design aspects in all perspectives, system wise and component wise.
It provides a broad review, showing the affects of RF chains and , optical links imperfections on a QAM signal in most scientific analytic and professional way.

The book is structured as a zoom-in, taking the reader from a broad picture of definitions, system architectures and topologies such as HFC, PON, zooming into each building block requirements and constrains such as optics CWDM WDM optical none linearity, pre-distortions, CATV receivers topologies , specs and optimized solution. Additionally it covers the aspects of protocols such as DOCSIS and CATV standards showing how to approach to system design, understanding its requirements in order to reach the proper design.

The books provides block diagrams, schemes plots and conclusion to each chapter subject.

Indeed Dr. Shlomo Ovadia did here a huge effort and a great job.
This book is must have in any technical library.

Avi Brillant
Senior Design Engineer
Luninent-Inc
20550 Nordhoff Street
Chatsworth
CA-91311

Cell 818-266-7330

THERE'S ALOT OF GREAT PICTURES IN HERE!THIS BOOK TALKS ABOUT CERTAIN PEOPLE WHO INFLUENCED MANSON,AND WHY.IT TALKS ABOUT CERTAIN " LABELS " GROUPS,AND PEOPLE GAVE HIM AND HIS BAND.IT TALKS ABOUT CHARLES MANSON,ALEISTER CROWLEY,AND ANTON LAVEY.THERE'S SO MUCH MORE INFORMATION IN HERE.THERE'S SO MANY DIFFERENT SUBJECTS BEING TALKED ABOUT.THIS IS REALLY AN INTERESTING BOOK!YOU REALLY SHOULD BUY THIS AND THEN YOU'LL KNOW MANSON ALOT BETTER!

THIS BOOK COVERS ALOT OF DIFFERENT THINGS.HE TALKS ABOUT ANTON LEVEY AND THE CHURCH OF SATAN.WHY HE HAS SO MANY " PERSONALITIES. " WHY HE DOES THE MUSIC HE DOES AND WHY HE CHOOSES THE SONG TITLES.HIS BELIEFS AND FEELINGS ON CERTAIN ISSUES.THERE'S SO MUCH MORE.THIS BOOK IS VERY INFORMATIVE.IT HAS ALOT OF EXCELLENT PICTURES!HE CERTAINLY IS A VERY INTERESTING PERSON!

This is one of the best Marilyn Manson books I've ever read, besides of course "The Long Hard Road Out Of Hell", without lies. which is mostly what you could find on a MM book.

I read it in 2 days. The way it is presented in organized is amazing. You learn about so much in so few pages. The only flaw is a few minor inaccuracies. Get this book!

This book reads like a "works cited" page for Marilyn Manson's life. It's basically a list of all the influences on his music, fashion, philosophy, religious views, and general tastes in things like movies and books. It also gives an explanation for why all of these are relative to Manson, although I'm sure this is in the author's perception and not his own. This book is a must for those that want to understand why Marilyn Manson is the way he is. It does a much better job than his own autobiography, which I consider to be more entertainment than knowledge. I highly recommend reading both books, they serve as excellent companions to one another since neither give the complete story.

If you or a friend like Erik Estrada - you'll enjoy reading this book. It is written to keep your attention and interest to continue. WELL DONE! A great gift idea for an Estrada fan.

I HAVE ALWAYS LIKED ERIK, SINCE I WAS A TEEN AND NOW TO READ ALL ABOUT HIM, WAS GREAT, I REALLY ENJOYED TO HEAR HIS LIFE STORY, AND HOW HIS MOM RAISED 3 KIDS ALONE AND HE DID HIS BEST TO KEEP HIS MOM HAPPY, AND I LOVE CHIPS I WATCH IT EVERY MORNING ON TNT AT 6:00AM IN THE MORNING BRINGS BACK MEMEORYS OF HIM. I VERY GLAD TO HEAR THAT HE FINALY FOUND THE LOVE OF HIS LIFE. AND HE'S A GREAT DAD TO HIS TWO BOYS AND HIS DAUGHTER. AND GLAD TO SEE HIM BACK ON TV ON THE BALD AND THE BEATUIFUL. TAKE CARE

I've been a fan of Erik Estrada's since the first season of "CHiPs", and am still an actively dedicated fan. I bought the autobiography in hardcover on sight without hesitation. The fan wanted the book immediately, and the amateur critic and aspiring writer have yet to regret the decision.

I don't read a lot of autobiographies because I lose either interest in the story or respect for its author. The conversational style and the honest and balanced telling of this story grabbed my attention on Page 1 and held it through a cover-to-cover reading. Aside from giving details not usually revealed through other means, this book presented itself as something special from the first moment. I wasn't reading an autobiography with stylized prose and a detached third-person feel. I was listening as someone I have long admired told me about who he is and where his roots lie. I felt the story as it was being told, from the frustration of Hollywood's own form of politics to the elation of true love and a treasured family. From triumph to tragedy, it's all there. It's a story of courage, determination, faith and love - personal, cultural and spiritual.

It's easy for celebrity autobiographies to become self-serving tell-all's, but this book maintains a straightforward perspective, allowing the story to be told with dignity and with class. It's a breath of fresh air, and an absolute pleasure to read. The fans who have remained devoted through the bad press and the "where are they now" stories have long held the hope that the truth would be revealed. It has in a compelling story, straight from the heart and well worth the wait. Thank you, Erik, for sharing your side of the story.

If you're a fan, this book is a must. If you're not, read it and you just might become one.

I always had a crush on Erik Estrada since I saw him the first time on "CHiPs". Now that I have read his autobiography, I know that he is not only the most handsome actor I have ever seen, but also a very kind, intelligent, honest and nice person in real life. I found his story of life so very gripping, that I could not put down the book until I had read it out. I did not know how hard the road was, Erik Estrada had to go until he finally found love and peace for himself, and I admire him and look up to him, because he never gave up hope, even in his darkest hours. I can highly recommend this book and think, you can learn a lot from it, although if you are not a celebrity but just one of the ordinary people. I have to say that this book has really touched me and even changed my life somehow. I think it is a little treasure and can help you to think positive about your own life and situation. To me it was a real comfort and great support and it made me hopeful about my own life. I spent more hours reading this book than I have ever spent reading any other book. I consider this book as very tastefully written and full of feeling, and to me Erik Estrada is and will always be a man of character and a real personality, whom not many other actors can hold a candle to. I wish Erik Estrada all the best for his future, that the love between Nana and him will never end and that all his hopes and dreams will come true. Erik, take good care of your family and yourself and stay the way you are. To me you will always be a very special person and will always have a special place in my heart.

Erik Estrada's book is the best Hollywood bio I have ever read. He holds nothing back and is very honest about rough times and regrets in his life (i.e. failed marriages, his shaky relationship with Larry Wilcox). He seems like such a terrific person and great friend, too. God bless him, Nanette, and his two boys.

Also, wasn't Mr. Estrada so much fun to watch in "CHiPS '99:? :)

IF YOU ARE TRYING TO BECOME A FILM DIRECTOR THIS IS ONE OF MANY BOOKS YOU SHOULD READ AND STUDY!!!

This puts the duties of a director into perspective. It emcompasses a lot of the tasks that amateaur directors neglect. It was an easy read and hit a lot of bases that film books miss.

Learn from the big picture to the nuances. I have a horrible memory and I find having the 'big picture' helps keep everything organized.

#1 - The first big plus;
I have been learning to write screenplays for several years. This book helped me understand what was wrong (and right) in my last two writings.
It turned them into a movie and showed 'where and why' they failed.

#2 - Secondly;
It demonstrated that writing and directing are much more integrated, than one would imagine. Learn them both and become better at each.

Start with the big picture, this book accomplishes that.

....the first book to make sense of it all...where to put the camera...how to stage the scene...how to help actors find the performance...it teaches these things as much as any book can, and will save you the cost of one third of film school

This book is filled with valuable and helpful information for budding directors. I'm currently in the process of putting everything in this book to good use. The thing I like about this book is that it's not just one of those books that says you need to storyboard everything, because unless you have good drawing skills that really isn't feasible. The book gives an in depth look on how to pre-plan your film shot by shot and the use of floor plans to illustrate camera set-up's. It's so simple, but this is the type of thing that will make you prepared when you come to shoot, instead of just winging it.

I have a 3 1/2 yr old granddaughter who was going to have surgery and wanted some way to prepare her at her level. This book is great! Would recommend to anyone with a child having surgery.

My step son is 5 and he's starting to learn how to read...I'll read to him and he'll re-read what I jsut read. It's helping him learn words. The story is great and easy to follow!

This is a good book to talk about getting sick, seeing a doctor, taking x-ray and going to the hospital. Not a lot of words, but the pictures say it all. It describes how Franklin noticed a crack on his shell, then went to see the doctor and found out he needed a surgery. Then it shows him telling his friends about his upcoming surgery, then going to the hospital for admission, then to his private room, then surgery, recover..

The most amazing part is how much detail it gets into. For example, Franklin has to go to the x-ray room by himself (he was allowed to take his stuff animal), with his parents waiting outside. Also before he went into surgery room, he had to say goodbye to his parents, etc.

My son was going in for same day surgery, and this was a nice way to reiterate what we had already seen on our tour. The end part where the turtle is LEFT by his parents overnight probably can be omitted, but so can so many other things in books these days. Overall, a nice and non offending book, even for a family who doesn't normally use characters such as these in their normal book libary.

This book was a great help to prepare my 4 year old daughter for surgery. Once she was at the hospital, everything was known and already seen in the book and she had fun.. I highly recommend it to relieve the anxiety before a surgery

I collect books about TV writing, from way back in the '50s (Paddy Chayefsky, et al.) through today, and Masello's is the funniest, most informative, most well-written, most encouraging and most useful of them all. I hope he continues to revise and update A FRIEND IN THE BUSINESS as the years pass, in order to keep it current, because it really is an invaluable reference.

This is both a fun book, and also a very infomative book, about the screenwriting business. It is full of academic truths about screenwriting, and it also contains alot of street smart realities that the writer (and author) learned over time. It has alot of good stories about the authors trials and tribulations, and shows how he approached the business, and then made alot of necessary corrections. I would give it a 4.5 without any hesitation. Very fun and informative.

..and this book creates a brilliant, candid portrait of this madness. "Friend in the Business" was recommended to me by someone when I told them I was thinking about breaking into TV, and this book has told me everything I need to know to hold onto both my sanity and my soul while doing so.

I enjoyed reading this book, and found it interesting to hear the trench stories of one man's journey into Hollywood. However, there is something about the book that I didn't like, and I can't quite pinpoint it....there is a feel that the author was not as successful in Hollywood as he wanted to be, and decided to at least leverage his limited experiences by writing a book about them (versus some books out there that seem to be driven by a true desire to impart hard-earned wisdom), while settling some scores in the process. Kind of like, "I'll show them...." (more subtle, but still there).

I'll give one example, and perhaps it's not the best one. He mentions that he was always hip-pocketed by the agencies, not signed, and tells us that info as if that is a good thing, like phew, he beat the system. OK, yes, being hip-pocketed is better than nothing at all, especially at the beginning, but let's face it, if an agent never wants to sign you, you did not pull one over on them. It just felt like he was trying to justify a lot of this kind of stuff. There are so many books out there that after reading, I am dying to have lunch with the author to meet him in person....whereas here, I found myself not having that experience at all.

But, the book was funny and had some good intro-to-the-business info.

I work in a college career services office & bought this book for our resource center. It arrived last week and has not yet made it onto the shelf--because I can't put it down! Many career books are dry "how to" manuals which may have valuable information, but lose the readers' interest before it can be imparted. Not this book. Mr. Masello's engaging, witty writing keeps the reader riveted. And while being entertained, you also learn a good deal about succeeding in TV writing. (Which, granted, appears to be much like its cousins in radio/movies etc...somewhat dependent upon luck, timing and perseverence).

At any rate, if you are contemplating a career in TV writing or looking for a good book to add to your career library, this is a must have. Note: I see he has another coming out in April on getting books published...I plan to order it as well!

I work at a Production company and a lot of contracts we hand to outside lawyers, but this is a good tool for me because it goes into details and discusses each point in a contract. This is something I'd love to have had many years ago, when I just got started in the business, and now that I have it, I am learning a lot of new things. There isn't any other book out there- quite like this.

Best book I ever bought dealing with the industry, bar none! I can't believe it's under $20!

Good but I liked the lingo section in the book Twelve Step Plan To Becoming an actor in LA but it was definetly helpfulGood Read

Josh Simon CAlifornia

This is a great resource for dealmaking, but most actors and writers that I know aren't negotiating their own deals. The trick is to get your agent to work harder at creating opportunities, so that they actually have deals to make. Yes, your agent should read this book ... but for myself, as an actor/writer the book HOW TO AGENT YOUR AGENT...is my bible. It helps me kick my agents in the butt ( without them knowing)and I get results...they're working harder and I'm getting work. Also I liked that book with all the casting directors pictures...just in case you see them in Starbucks and want to say hello.

THIS IS THE MOST USEFUL BOOK I HAVE SEEN ON THE ENTERTAINMENT INDUSTRY. BEST DEAL-MAKING BOOK ON THE MARKET. 5 STARS!

The story Hot Plastic centers on a boy named Kevin, in the late 1980's. Kevin's father, Jerry, is a small-time con artist, ripping off department stores, and the occasional unsuspecting old lady. Kevin Helps him in this, playing major roles, but he strives for bigger things, and imagines that he is only stealing from people who don't deserve what they have.

Early in the story Jerry hires a girl named Colette from an associate of his to watch Kevin when he is very sick. Kevin secretly falls in love with Colette, and she becomes Jerry's young lover. She also shoves Kevin down a rung in their criminal troupe, taking Kevin's original spot.

The book really was a bit confusing at first, and I found myself setting it down often, taking breaks. Soon I got adjusted to Peter Craig's interesting writing style and couldn't put this book down. The confusing part, at first, was how the story jumped around at odd places to show different times in Kevin's life, I soon begun to rather enjoy this artsy structure.

I suggest this book to anyone that enjoys an immensely satisfying criminal suspense novel, and wants some tricks on how to survive underground. This is also a book you can judge by its gorgeous cover design by Allison J. Warner; she did a simply stunning job.

I'm a huge fan of classic noir novels, and a good friend of mine urged me to give this book a chance. I must admit to a great deal of skepticism, mostly because I'd heard that the author was the offspring of one America's best known actresses. But I must say, after finishing the book, that I'm extremely impressed with Craig's talent and his grasp of the genre. There is a slight self-consciousness to the book--an intentional one, a kind of acknowlegement that he's working in solid Jim Thompson territory; but the writing is far more extravagant. The end result feels partly like an homage to old hustler novels, and partly like a renewing of the genre, a mixture of pulp and literary sensibilities. For one thing, Craig's dialogue is a perfect contemporary version of the kind of quick, clipped banter in old James Cain and Jim Thompson books. The twists are surprising, but heavily rooted in this tradition as well. In the end, I was surprised by the weight of the book, considering how fast and shiny it all seemed on the surface: it was a book about lost kids, contemporary America, the ills of our system, commerce, love and loss, and it advanced all of these themes with an amazingly effortless quality, all the while serving mostly as a fun read about grifters. I'm very pleased that I read this book, and I'll continue to follow Craig's career.

Line by line, this book has some of the best writing I've seen in a while. This is an amazing thing, since it's still very fast-moving and not at all overwritten. The author just has an amazing eye for detail and a very crafty sense of humor. The book surprised me constantly with its insights, and these characters were so real to me by the end that I missed them for a week. I read Craig's first book, and it doesn't stand up to this at all. It's exciting to see how much the writer has improved, and I can't wait for the next one.

Facinating view into the life of a con artist and family. Hot Plastic is an exciting, well written story with rich diverse characters. It's suspenseful and action packed with a few good love stories thrown in for good measure. It's easy to lose yourself in this book.

Loved it. Seems to me like where Mr. Craig may have been a little hesitant in Martini Shot, he's really hit his stride in this one. A great story. Great writing. Both books have palpable characters, but this one is truly a page-turner. Can't wait for the next one.

I haven't tried to get my script published yet, so I can't honestly say if this book "works" or not. Also, it's the first book on script writing/selling that I've read. So that said, while I don't have any comparisons to other books that I can make, I can say that this books was a good introduction to a world I was pretty unfamiliar with.

I liked the easy to follow format and structure of the book, as well as the authors' realistic but optimistic approach. I was pleased that the authors' presented varying points of view regarding various topics (i.e. sending scripts vs. query letters). Also, the resource list in the back, and glossary at the beginning, are wonderful for someone (like myself) who doesn't know where to start.

An interesting and fun read, and a seemingly practical approach. I felt like I learned something!

It is a ggod book, but in the entertainment word it is not what you know, but who you know.

Writing a screenplay for the movies or for television is only the beginning of the process. Once the script is written it must be pitched (sold) to a studio executive or a production company producer. Expertly co-authored by veteran script writers Lydia and Joan Wilen, "How To Sell Your Screenplay: A Realistic Guide To Getting A Television Or Film Deal" provides an informed and informative introduction to how the script writing business works, what the components of a professional-looking screenplay are, and how to format a script to make the best impression. "How To Sell Your Screenplay" then goes on to explain the role and importance of agent and managers, producers, lawyers, directors, and actors. Enhanced with the example of an effective query letter, "How To Sell Your Screenplay" also features the 'Square One System' for submitting scripts with a minimum of time, cost and effort, while achieving a maximum of success. Of special value is the up-to-date listing of resources, the advice for improving pitching skills, and avoiding common mistakes in pitching a script. Simply stated, "How To Sell Your Screenplay" should be considered 'must reading' for all aspiring script writers seeking to establish themselves professionally.

There are endless how-to volumes that skirt the necessary information needed to break down the vaulted door to Hollywood. Between the covers of such books are topics ranging from the author's personal brilliance to trivial and irrelevant sidebars. If you like that sort of thing, good news! There's plenty to choose from.

However, Lydia and Joan Wilen have written the authoritative book for beginning scripters. The Wilens have actually had their material produced. That in itself is a feat most screenwriting "experts" can't boast of. So, when they have a suggestion, I pay attention. And what they have to say has led me to a legitimate producer who has requested my script. In fact, favorable suggestions were offered, which I've incorporated into a revised draft that's being read even as this is being written.

The point is, none of this would have occured had I not purchased How to Sell Your Screenplay. My dog-eared copy has helped open a door for me not previously accessible. Buy this book, read it, then read it again before embarking on a journey as treacherous as writing a script - selling it!

Despite the authors' distance from Hollywood and lack of produced experience as screenwriters, they've done a fabulous job--partly because of the excellent rubrics of the SquareOne Writers Guide series--of putting together a solid overview of what's involved in making a screenplay sale. The book contains invaluable sidebars--from sample collaboration agreement to sample query letters--that alone makes it worth the cover price. The systematic approach to marketing, glossary of industry terms, along with advice on containing your ego and controlling your emotions-all add up to making this a must in the Hollywood storyteller's library.

This book is the bomb! The art is amazing and facinates the imagination, the quality of the book is perfect, The cross-sections are the best and are getting bigger... and better than the last book and I can expect the next one to be the best of them all. Excellent job, Curtis J. Saxton. I am most pleased. Star Wars rules and may the force be with you!

P.S. This book is DEFINITLY WORTH The money! Bye!

Ep 2's turn to have it's spaceships and other craft pulled apart and exposed in all their glory. Once again the foldout format is still the best and great for childern and grownups alike.

This Star Wars Cross-sections book is a must-have for Star Wars fans. The detailed renderings of all the main vehicles in AOTC is as impressive as the companion for The Phantom Menace. The writer, Curtis Saxon, has obviously done a great deal of investigation for everything, with so many detailed drawings and fascinating notes. For curios of the inner workings of all the speeders and starships, this is indespensible. Great stuff.

I just recently received this book and all I can say is that it's the bomb! The pages are full of intricate details about both the vehicles and story of Episode II. The foldout of the Republic Dropship is definitely a highlight of the series. If you like Star Wars and want to know more than you can possibly imagine about Star Wars engineering, pick this book up right away.

really ignites a kid's imagination. i got this for my nephew and he loves it!