Television Books

I absolutely loved these stories and how they connect the dots between the two films. A lot of the things used in these stories are seen in Jay and Silent Bob Strike Back. When Jay and Silent Bob meet Suzanne the Orangutan in the comics, it plays just like the scene from the movie when they meet Suzanne, even the scenes of Jay's grim look into the future Planet of the Apes. There is another scene in here that was cut from J&SB strike back when they are kicked off the bus for smoking weed in the restroom on the bus.

What I love most about these stories is that it explains how Jay and Silent Bob ended up wearing the different clothes that they wear in Dogma. That was the coolest part of this, everthing about their clothes in Dogma is explained in these stories; from Jay's Forked Tongue T-Shirt to Silent Bob's Mooby's cap. Overall, these stories are a must have for any fan of Kevin Smith. They are funny and should be included as canon (except for the monkey scene that was later used in J/SB Strike Back). If you want to know what happened to the dynamic duo between films, get this

What happened to Jay and Silent Bob between "Chasing Amy" and "Dogma"? How did Jay get the idea of going to Shermer, Illinois? Where did he get that hat? And why were they hanging out in the parking lot of a birth control clinic?

This book WILL answer those questions...and make you laugh out loud in the process!

Not only does this tie Chasing Amy, Mallrats, and Dogma together, but it also sort of spoils J&SBSB.

So it's a must for a Kevin Smith fan with a broken VCR.

this can be described it two words hi-larious

I got this book to fill in the history between Chasing Amy and Dogma. I loved it! Loved the jokes! Loved the laughs! However, given that it was to fill a space, there was an awful lot of discontinuity between it and the later movie, Jay and Silent Bob Strike Back. It seemed almost like a first draft for that movie. But aside from that, I got a great many laughs.

Of course, Jay, the drawing, is not nearly so cute as Jay, the actor, but that's another story...

Well written, and chock full of excellent information on the making of Combat!, the stars (especially Vic Morrow, who WAS Sgt. Sanders), the story lines, directors, ground-breaking filming techniques, etc. For anyone who understands how far ahead of its time this program was when it aired, this book is a must.

This is everything you could want as a fan of the show. The author does a great job of giving us a reasonable amount of insight to move us from season to season. This blended nicely with the information about each episode.

I wish there had been a bit more room to expand the information about each episode, but, then again, I'd like to have had a bit more information about the participants lives outside of "Combat!". But I do understand the limitations publishers impose.

I would have preferred the author not to attempt to give each episode a rating (0-4 bayonets), or a least put this in an appendix. Critics can give ratings, but fans just really shouldn't try to tell another fan he's wrong (and charge them for it)!

There's nothing like an avid fan to author a great book to an already epic tv show. Jo's affection really lends itself nicely to the anecdotes given by the former cast members.
Also, if you're ever in the LA area, you can still visit Franklin Canyon where a lot of episodes were filmed. There's a road near the corner of Cold Water Canyon Dr. and Mulholland Dr. that takes you right there (can't remember the exact name,sorry). Anyway, the same trees and water still exist that were in the episodes (this is also the same place where the opening of The Andy Grifith Show was filmed, where Opie skips a rock across the water while the theme is playing). It's now a recreation area and is a nice place to hike and stow down a few beers...

This is a great book for all those fans of the "COMBAT!" TV show, produced in the 1960's. I highly recommend it if you have invested in the "COMBAT!" DVD's or if you just want to understand why this series was, and indeed still is, so popular. Ms. Davidsmeyer even included her hand written autograph in my copy!--A wonderful and unexpected surprise!!! Indeed, this entire book is "A wonderful and unexpected surprise! You'll enjoy it without a single doubt!

This publication is a must have for the discriminating fan of Combat! As the title states, it is a true "Viewer's Companion to the WWII TV Series". Author Jo Davidsmeyer provides an indepth and detailed look at what I consider one of THE best television series ever! A perfect addendum to Combat!, the complete series.

While it's size may seem like overkill, this book packs a punch! Once you open it you'll see that it is definitely worth the money you'll pay for it. The photographs are really great and they give you a really cool behind the scenes look at the sets of the entire Star Wars Saga. Many of these pictures have never been published, so that alone is a very neat feature! And this book is more than just a pretty picture as it has some really well written and informative bits that I had very little understanding of before I read it. I now have a better grasp of set building and computer animation and special effects. I recommend this to any Star Wars Fan!

WOW - photos I've never seen anywhere else! What a fun non-read this is!!!! For sure a book to talk about and keep on a coffee table! Small, packed and colorful!

This book offers a very nice mixture of inside views to the making of the original Star Wars movies as the new series Episode I to III. Each day (or double page) is showing one aspect of this amazing series with lots of pictures and information waiting for you.

Only downside in my opinion is that it is a bit too much focused on the new Episodes even though there is tons of information about the original movies too.

On the other hand you have a CD with 360-degree-views of some sets and some rare pictures on your PC!

All together this might be the perfect gift for a Star Wars fan like me ;-) 5 Stars!

This book is not the same old thing. It features pictures I'd not see anywhere else. Its a very heavy, very thick book full of great behind the scenes stuff. Worth every penny. I just wish John Knoll would make an equivelant book for Pirates of the Caribbean.

This book is really cool for most Star Wars lovers. It shows you how they filmed the movie. You can see who played the Wampa. I think the coolest part is Mustafar because you can see the lava river bank. You can also see on one page all the Astromech droids. You can also see alot of cool other stuff.
You should buy this book if you're a Star Wars fan!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

In the spirit of Volume 1, this volume has extensive behind the scenes information and interviews. A MUST for any Firefly fan.

Great resource for the true Firefly fan. The show scripts are fun to read, especially with the chinese words translated, so you know what the gorram they were really saying. I loved the section: Jayne's Weapons, with a detailed look at Vera, one of the most notorious guns ever to grace the small or big screen. They discuss how they designed Vera, where the original gun came form, and how they added the special touches to make it unique to the Firefly 'verse.
A plethora of inset comments from the actors, and production crew, throughout the book, add insights into the action behind the scenes of making the show. Floor Plans of Serenity, and displays of various prop models of the ship, and many other props used make a nice addtion to the wealth of information.

If you're reading this review, then you must not own volume one of Firefly: The Official Companion. If you did, then you wouldn't need a review to sell you on this one. So I have a piece of advice for you: buy both books. If you have a place in your heart for Firefly, then make a place on your coffee table for these books. Each one is overflowing with behind-the-scenes information about every episode of Firefly. There's sure to be something to interest every fan. I particularly enjoy all the prop info. You get detailed views of props and weapons, along with insight from the prop team as to how they made or modified each item. Fascinating stuff, and indispensable if you're a gamer.
Treat yourself to these books. You won't regret it.

I missed Firefly, the first time around, and didn't discover the series until after I'd rented Serenity. I can't call myself a confirmed browncoat, though I really *really* liked everything about the show.

But when I saw this book on the library's New Books stack, I grabbed it. I think you should grab a copy, too, even if you're no die-hard fan. Because this book is _fun_.

Most of the book is episode scripts (half of them; the other half are in Volume One). That's worth the price alone, because the scripts are immensely readable. Like other intelligent shows, the dialogue is both fast and thoughtful, and you might not have caught everything when you heard it the first or second time around. In particular, the scripts include the translations from the Chinese expletives, and most of them are _very_ funny.

And the "stage direction" is not the dispassionate descriptive sort ("Man enters, wearing a hat"). It reflects the entire mood of the show:
INARA walks towards them, heading for the stairs up to the shuttle catwalk. She's dressed with stunning elegance.
KAYLEE: Hey there, 'Nara. Heading off for some glamorous romance?
Simon turns, momentarily stunned by her elegance.

If you're a screenwriter, this is absolutely a must-have.

The book is also peppered with cast interviews, stories about the creation of Firefly's theme song, production explanations on how, for example, they created Niska's Skyplex. In this book, you can spend an enjoyable few hours investigating how a show can be done *right*...even if the network screwed it up.

Just to let future buyers be aware....this book (and Vol. 1) are basically just the scripts to the (REALLY FUN) shows. As my husband put it, "It's just the lines, without the wonderful delivery the actors achieved in the shows." I thought it would be more like the various other "about" books that exist about popular movies/TV shows - full of pictures and other fun "about" stuff. In my opinion, these two books were not that.

I've spent countless hours and money pursuing my acting career before I running into this book at http://www.SuccessInActing.com I've overlooked many of the facts written about which could have saved me frustration, wasted effort, and money if I would have read this book first.

Michele Blood has written a magnificent book with all the ingridients to inspire you, educate you and put you on the right track to manifest the life of your dreams. Highly recomended!

I noticed that no African American entertainers or producers were interviewed for this book. Maybe Michele doesn't know any black folks - hmmm. HOWEVER, I do recommend this book for anyone interested in an entertainment career. It gives an important slant on how to find work in the industry. It approaches the subject from both a metaphysical and practical viewpoint. The interviews from people working in the field were insightful and valuable. I would have given the book a 5 if there had been more diversity. I believe the experiences of successful "minority" entertainers would have given the book greater value.

I learned these techniques from Rock last year and have attended his amazing seminars where industry insiders speak frankly about how the BUSINESS of acting operates. I have been in this industry longer than some of the other seminar attendees have been alive, and I have never heard anyone speak these eye-opening truths before. What a gift for any actor! Michele Blood is a beautiful little whirlwind of enthusiasm, bubbling over with love for the world. Both of these people are inspiring, uplifting and genuinely interested in helping people succeed. Among an industry famous for its charlatans, they prove that at the heart of Hollywood are beautiful people. If you can't attend their seminars - or even if you can - this book is a must-have. Oh, and I want to mention that in the last two weeks I have scheduled 5 auditions and one callback, and I am currently cast in four films which are in various degrees of development. God bless you, Rock and Michele.

I'm a metaphysical fiction and screenplay writer with a daughter who graduated from The American Academy of Dramatic Arts some years ago. How I wish this book had been available to her. The succinct, straightforward and highly useful advice in this book wasn't available then nor is it available elsewhere now. It approaches success in Hollywood, or in any business or life endeavor at all, from the two most important fundamental aspects - the outside and the inside - workable, useable business advice by Rock Riddle, and practical, amazing techniques for continually keeping your spirit and personal action pointed in the right direction by Michele Blood. What a terrific team! This book is a complete package, underscored by meaningful interviews with successful individuals who have intuitively put these principles into practice in their lives. The compilation of information in this book is truly astounding and shouldn't be missed by anyone.

I discovered this book after the Auntie Mame duo and I couldn't stop laughing. It was an excellent combination of pseudo-memoir and wacky photographs that fit and enhanced the tale of Belle Poitrine (look up the French) perfectly. Her rise and decline was so familiar based on the autobioraphies of that time but with much more absurdity and hilarity. It seemed pretty outré even given the greater censorship strictures of that day.
A wonderful read.

Belle Poitrine... literally the beautiful bust, but in reality the big bust. The biggest bust of all time.

Is it tongue in cheek? Did it happen?? Did it happen just that way?? Or has time, booze and a "happy outlook" altered the history of the most ridiculous success story ever told? I'll never tell, but intent historian that I am, I constantly read and reread this irreverant tale of trickery, chicanery and outright unapologetic greed. And I mean that in the best possible way!!!!

Humble beginnings, fortuitous marriage after marriage, brides in black and a crackjack whip smart brain that thank goodness was used for the good of mankind. Belle tells you girls how to spin assets into stocks, bonds and real estate. The Suze Orman of her time. It's a bit of The Women, a smidge of Auntie Mame, a heaping dose of Lorelei Lee without the heart of gold all undressed with pictures to chronicle the life and times of the greatest legend in her own mind. Lemonade without sugar!!!!

Keep it by your bed. It's my favorite bedtime story. Pull it out time after time and open it anywhere once you've read it through. The sheer ridiculousness of it all makes it one of the best reads as told by one of our best creators of giggles, belly laughs and overt hyucks and guffaws. Mame Dennis without proper restraint(s).

When it comes to the "classics" of gay/camp literature, I always seem to find myself behind the curve. My friends can praise and recommend a camp classic year after year and I just can't muster enough enthusiasm to read it. In fact, it wasn't until the early 1990s that I finally read the entire TALES OF THE CITY oeuvre - blasphemy in gay circles, and considerably beyond the heyday of 28 Barbary Lane. I guess I just need to come to the gay classics in my own time and can't be lead to them by other people's tributes, no matter how emphatic. Anyway, it was just yesterday that I finally read LITTLE ME by Patrick Dennis (circa 1961- making the book only slightly older than me): this, despite the fact that this novel was re-released and embraced by a third generation of gay men as recently as 1989. And I have to say that I thoroughly enjoyed it, laughing out loud on nearly every page - all the while asking myself why I didn't read this one sooner. Maybe then I could have appreciated and participated in some of the jokes and one-liners that were all the rage among my circle of friends back in the late 80s and early 90s. This is my punishment, I guess, for always feeling like I have to boycott the latest gay trend. On the bright side, reading LITTLE ME now has given me an opportunity to remember my old friends from that bitter-sweet period in gay history - many of whom are no longer with us. And finally, I can laugh along with them, even if only in spirit. For others out there like me who have not yet picked up a copy of LITTLE ME ... if you don't want to read it for yourself, read this one for your friends! And for the newest generation of gay/camp devotees, read this one together with YOUR circle of friends ... you'll be glad you did.

So Campy, so Fabulous, so hilarious. Could also be titled "memoirs of a woman who wanted to be a drag queen".
I had seen the stage play of the same name and laughed to the point of near incontinence. The book brings all of the memories back into the present state of mind. Thankyou so much for the pictures too.

My God - I don't even know where to begin on how great this book is - pure hilarity from start to finish. If you are familiar with the work of Patrick Dennis, than you're in for a real treat. If his writings are new to you, well, you're in for a crash course.

Written with perfect, tongue-in-cheek camp humor, the autobiography of Belle Poitrine is the perfect send-up of the best Hollywood autobiographies - hysterically self-absorbed, condescending and - best of all - full of absolutely hysterical photographs by the great Cris Alexander. Belle's rise to fame from her childhood black sheep status, mid-life trials and tribulations, countless marriages (most often ending in widowhood) and more are all represented - once you're under the spell of her life story, the book is impossible to put down. And, please, do not rush to find out the ending - it's utterly priceless, and worth the wait, but to get the full, hilarious effect, you have to read everything leading up to it.

Read at your own risk - if you do, you'll surely be telling everyone you know about it - the humor is most contagious, and you'll be compelled to share. Enjoy!!!

This is an extremely thorough, even-handed and well-written bio. The author's approach is intelligent and his research and references are extensive.

One learns that Brooks began as an upper middle class wildchild from the plains who determined early to be a great dancer. She had talent and determination. But Fate along with timing made it possible for her to escape Kansas for New York City at the tender age of 15 (!) to train with a premiere dance company. She seems never to have gotten past being that wildchild and was, at 17, dismissed from the troupe for unacceptable behavior. Soon she was a dancer on Broadway, including a stint with the Ziegfeld Follies. Next stop, the movies!

Being admittedly "selfish and stubborn" as well as volatile, Brooks tore through New York, Paris, London, Hollywood, Berlin and back, living it up and burning bridges all around. By age 25 she was finished in terms of ever becoming a movie star or great dancer. She eventually disappeared into a gin bottle, was reduced to dance instruction, retail sales and finally "love for sale."

This is all fascinating enough, but her late-in-life resurrection as a rediscovered silent era "icon" (based mostly on films made in Europe in the late 20's) and as a newly minted writer is the surprising twist toward the end of an otherwise bleak life story.

Her work in Pabst's "Pandora's Box" ought to provide Brooks all the immortality any actress could desire. She is spectacular as Lulu and deserves every accolade. She was a beauty, but there were other beauties of her era who achieved greater stardom - Joan Crawford, Marlene Dietrich, Greta Garbo, Jean Harlow. Her "black helmet" hairstyle was well suited to her looks, but it's more likely that Colleen Moore actually popularized the look, having been a superstar of the 20's (which Brooks wasn't)and the iconic "flapper." As for her skill as a writer (with reference to "Lulu in Hollywood"), I find Brooks interesting, insightful and even poetic, but there is an underlying note of bitterness that undermines any claim of objectivity. And, considering her decades of gin guzzling, I question her ability to be very accurate 40-50 years after the fact. For me, the mystique and power of Louise Brooks comes down to her performance in "Pandora's Box," her primary and glorious claim to fame.

Read "Louise Brooks" by Barry Paris and form your own conclusions. Don't miss "Pandora's Box." The Criterion Collection DVD boxed set includes Kenneth Tynan's 1979 profile, the TCM production, "Looking for Lulu," a 1970's interview with Brooks and other extras.

This book is an expansive overview of the life of Louise Brooks and also of the early days of the movie industry. Very throughly researched, it gives a nuanced look and the beautiful, brilliant and maddeningly self-destructive icon. It also is a wonderful history of the entertainment world in the 1920's and the personalities who populated that world. A must-read from fans of Louise Brooks.

Several books have been written about Louise Brooks, but this book is probably the most concise and most thorough of them all. The book starts off with Louise's birth and it describes all the people that helped to make Louise so interesting and famous. There are many black-and-white photos of Louise, from the time she started in show-biz (at age 4) to Louise in her later years, just before her death.

Since Louise Brooks had such a fascinating life, it is not a surprise that this book is so long. Each Chapter basically covers a chunk of her life, and each Chapter describes (in detail) the characters that encountered & shaped Louise, and also all the Theatre and Movie productions that Louise was involved in.

This is what a biography should be: insightful, understanding, offering a measured & complex view of its beloved subject. And what a subject Barry Paris has in Louise Brooks! Her beauty, her intelligence, her compelling charisma all shine in these pages, giving us a multi-faceted view of this ravishing star. For someone who had never heard of Louise Brooks, this biography will send him or her in eager pursuit of her all-too-few films & her own writing -- and both are of the very highest standard.

It's clear that Brooks never did anything without wanting to give her all, to make true art out of it, a work of beauty & meaning that would stand the test of time. And the same could be said of this superb biography. While Paris clearly adores Brooks (and with good reason), he never succumbs to blind hagiography. Nor does he stumble in the opposite direction of pathography. His purpose is to explore the life of a fascinating woman, and to present it to the reader as thoroughly & lucidly as possible. He succeeds on every level. Louise Brooks emerges from these pages as both a flesh & blood woman, and as the dazzling, mysterious icon she became to countless admirers.

In short, the best book on Louise Brooks you'll ever find, most highly recommended!

I have not yet read this entire book, but just glancing through it when it arrived I would find that I have just read twenty pages or so whenever I openned it up. I can't wait until I read it cover to cover.

This is the definite cluetrain (doc searls et al)for broadcasTV news. Much the same way cluetrain sparked a marketing revolution, this does the same for broadcast journalism.
I first meet the author when she was interning for Florida Today in Cocca Beach.
Every point she makes in this book is vaild. The take on "fox fair and balanced" tells me she won't be on the O'Reilly factor anytime soon.
I found only one sort of error. FYI> Matt Lauer does have a broadcast journalism background on the local level. He came out of the same environment that former NBC correspondent and current talk show host (WBUR Boston) Robin Young did, PM Magazine at WJAR TV 10 in Providence Rhode Island. That's the only small flaw I could find in the book.
The suits at CNN don't want you to read the book. They are not happy campers and with good reason. The hollywood suits trashed the network big time, and with than came the opening for Fox news to fill. Rick Kaplan is currently doing the same thing for MSNBC that he did for CNN take it down the pike.
It's a fast read but once you start you wont' want to stop.

Finally---an insider with enough intestinal fortitude to call a sham a sham!!! One can just imagine the 6 o'clock news being primmed, powdered and perfumed with just enough tear (or smile) to make it palatibly entertaining. Ms. Anderson, with her years of experience and credibility, still believes that the American citizenry is due the news, the whole news, and nothing but the news. Reserve the spin and "holy cows" for the baseball commentators! If the media execs remain stoically entrenched in the annals of the entertainment world, then let them be reminded of the old radio classic, Dragnet, where the byline was...."the facts, Ma'am, just the facts".

Bonnie Anderson's book has brought to the light of day what I have felt has been a problem with the media for some time. Many of the newscasts are more concerned with form, not substance; how they look and not what they say. Her book is a very good read and pulls no punches in pointing out the way many in the media are more concerned with entertainment than hard news coverage. Her description of this type of coverage as "Infotainment" is right on point.

News Flash brings to the reader another big problem influencing news coverage which is how mega mergers are affecting the coverage that is being presented to the viewing public. Unfortunately the impact is not good and these large conglomerates are proving the old adage "bigger is not always better" to be very true.

From her experience at CNN as a reporter, managing director of a news division and Vice President of Recruitment and Training, Anderson offers the reader a unique perspective as to what goes on inside a large news organization. She provides an in depth look at what takes place behind closed doors when it comes to hiring, firing and staffing in today's media corporations and much of what she reveals should be quite disturbing to the viewing public. This book provides some very interesting statistics about the media and its management which I am sure most of us were never aware of.

While Anderson points out numerous things that are wrong with today's TV media and its management, she also brings out the good that the true journalist can and should do. At the end of the book she offers her thoughts on what the media can do to provide the viewing public with quality news coverage. She should be commended for taking a stand and bringing to our attention the problems and proposing solutions to get TV journalism back to the quality we need and deserve.

In light of Anderson's criticism of the TV networks and cable news channels, it will be interesting to see if any of the media will afford her the same opportunity to present her views as they did when Bernard Goldberg published his book on bias in the media. If they do not, shame on the media, again.

News Flash appears as a rising meteor against a field of weakening stars. Ms. Anderson's book takes the reader through the shenanigans of the TV news broadcasters in their unadulterated striving for place and profits while leaving behind journalistic investigation and integrity. Her words turn out to be an exciting journey of personal experience and incisive exposure.
As a long time news journalist Ms. Anderson sets a fair bar for news organization to reach. Her experiences and reporting often show just how good news organization can function. The same intimacy exposes the petty, inexcusable machinations of networks in journalistic decline.
Ms. Anderson's news flashes exposes the perfidy of CNN's executive wing in its Tailwind scandal, the staging of news as presented by NBC's Dateline story on General Motors in 1992 and the apparent homophobia of Roger Mudd given his attitude toward AIDS victims. But indeed, Ms Anderson is not a muckraker. On the contrary, hers is to excite the industry to better, to reset the standard of TV journalism. She gives as examples her own series on drought and famine in Africa bringing a change in American policy on humanitarian aid, or of CNN's initiative in covering the return of twenty-four U.S. Navy spy plane crewmen held in China. While these could be considered scoops, her admiration for her industry is best held by her words on the, "spectacular breaking news coverage of the 9/11 attacks."
Ms. Anderson words border on the requirement for broadcast journalism to return to its traditional values and to assure the public a clear and unbiased presentation of the news. Ms. Anderson carries the fight to those in the industry already sullying news broadcasts as entertainment and who have diluted their own professionalism for money, position, or simply hubris.

From her insiders view of the whole industry, Bonnie
Anderson delivers a searing indictment of our corrupt,
sensationalistic television news. She lays out fact
by fact, and name by name, just how, why, and most
importantly who is to blame for this once esteemed
institution's downward slide into the very muck it
used to deplore. For years, Noam Chomsky's theories
about the corruption of the news media have grown less
alarmist and eerily more prescient as the
infotainment age reaches its belligerent maturity.
But while Chomsky was lecturing about it, Ms. Anderson
was out in the field living it. She recounts, with a
journalist's eye for detail, all that went astray
within our large media conglomerates. The cast of
characters are all to familiar, Browkaw, Jennings,
Schwarzenegger, Striesand, O.J., Clinton, Leo,
Lewinsky, and Lettermen, as Ms. Anderson makes a
compelling case for the media's distortion from a
revered source of accurate information to an
increasingly grotesque and obvious fountain of
entertainment. "If it bleeds it leads" is the mantra
of newsrooms of our day, and may truth and rational
perspective be damned. Everything of value is
jettisoned in light of shocking and sensational video
footage about any subject, no matter how irrelevant
and trivial. No one will hear about the latest civil war in
Africa when every second of news time is dedicated to
footage of a shark attack in Florida, human interest
stories, a surfing cat, or another excessive
Hollywood wedding.

I heard ABC WILL cancel ONE LIFE TO LIVE as of JULY 16. The press of daytime soap operas is not telling viewers and put the information about it in the Magazines. Write to ABC DAYTIME in New York please!

The other 2 reviews were right about ABC daytime canceling ONE LIFE TO LIVE in July 16,1999!,to make room for a new soap opera, PACIFIC CITY.Please right to ABC DAYTIME about this, they aren't going to tell the public 'til OLTL is cancelled. Don't let this happen, like what happened to NBC SOAP ANOTHER WORLD. Write to ABC DAYTIME about this, why?

I HAVE BEEN A BIG FAN OF OLTL FOR 25 YEARS. THIS BOOK IS EVERYTHING I COULD WANT IN COVERING MY FAVORITE SOAP OPERA. THE INTERVIEWS, PHOTOS, RESEARCH DONE MR. WARNER IS OUTSTANDING. IT BROUGHT BACK SOME GREAT MEMORIES FROM THE PAST 25 YEARS. ALL FANS OF ONE LIFE TO LIVE AND SOAPS SHOULD OWN THIS GREAT PIECE OF WORK. A WONDERFUL BOOK DEDICATED TO A WONDERFUL SHOW THAT FILLED MANY OF MY AFTERNOONS. A MUST READ.

This book is a wonderful historical memoir of one of the most daring and well-written shows on daytime.

Not only does it chronicle the show's rich history, it includes wonderfully bright and vivid color photos of many of the most-loved actors/actresses/characters that have been on the show.

I highly recommend this book to all fans of OLTL!

This book has all that any fan of 'One Life To Live' would want. You can relive the storylines through all of the recaps. The book features listings of every character to ever appear on the show, along with many pictures of past and present greats from the show. It is definitely a nostalgic trip down memory lane.
The book did a wonderful job of cramming 30 years into something that is totally enjoyable. I really can't think of anything that was missed.

Tarkovsky's 'Sculpting in Time' offers a fascinating glimpse into this master's theoretical and poetic approach to his craft. Reading it alongside with 'Time Within Time', his diaries collected, the text casts a new light upon the work and mind of this artist of truth and sacrifice - A true must for art lovers worldwide.

I was introduced to Tarkovsky's work about 20 years ago during my time in film school, and The Sacrifice was the movie that turned me on to his outstanding cinematic legacy. The more I saw, the more I wanted to learn about the artist. Then I came upon Sculpting In Time; a cinematic memoir which has forever changed my life, and my artistic visions.

This book is nothing short of inspirational. I highly recommend it even if you are not familiar with Tarkovsky's work. Each chapter is loving written, eloquently detailed and profoundly insightful on topics such as the importance of sound, story and visual aesthetics in filmmaking. Tarkovsky's ability to, quite literally, sculpt cinematic moments in time in each of his films is nothing short of genius.

Thames & Hudson have triumphed with what collectors might regard as a limited edition, artist's book.This isn't the place to start chipping into Tarkovsky. It is more the devotee's piece - a touchstone which alludes to the magnificent ediface of his films: all which return the viewer to their world with a deeper, more spacious vision, an expanded present moment. In 'Rubelov','Solaris', 'Stalker', and,'Sacrifice', to name my favourites, he re-invented the epic with sustained inquiries into our transience without heady verbalism or vanity. To grapple with his own thinking about his achievements and how he positioned himself as an artist, one should seek out,'Sculpting In Time,'penned towards the end of his relatively short life. Recently, French documentary-maker, Chris Marker('Sunless') compiled a stunning homage to this Russian cinematic master. Bits of Tarkovsky's aforementioned book, and excerpts from his diaries appear with the reproduced polaroid snaps(the present book's theme)which fall into two geographic zones, Italy & Russia and are bookended with short tributes by two Italian friends. Every effort has been made in layout to convey the darkened atmosphere in which the illuminated materiality of these world's float to the viewer's eye. And in images barely larger than matchboxes this scale has some of the hallucinatory power of his movies. The layout & medium insist on episodic, fragmentary framing. Tarkovsky's films privilege the same exquisite framing with a sensual appetite for textures above narratives that makes us feel newly arrived at a primary experiencing of the world. These polaroids could have served as his flexing towards film projects: even their outtakes.

Sculpting in the time represents one of the most expressive eloquents statements of one of the supreme masters in the cinema art as Andrei Tarkovsky was .
All long this book you will read several aspects of the man , the thinker , the poet and above all the unvaluable reflections about the art in general and his craft in particular .
Tarkovsky makes an account about all his filmography ; making a detailed and exhaustive explanation about every film .
You will understand in all his wideness conceptual some concepts derivated about the role of the cinema in the actual world . The influence of ancient directors , his opinions about the role of the artist in the world , and some mesmerizing photos from his films as Ivan' s childhood , the Mirror , Nostalghia or Andrei Rubliov . There are some poems from his father Arseni Tarkovsky who were part of films such The mirror in the Spanish Civil War and the poem from the poet from Nosthalgia for instance .
It's a must for you to acquire this book . For me it was a delightful surprise to get this text in New York in 1995 .
Fundamental artistic legacy from this russian ( 04-04-32 / 12-29-6 ) master: in memoriam!

"Sculpting in Time" is truly an amazing work of art in its own right. Certainly filmmakers have written books about their artistic styles in the past. Philosophers have written elaborately on the subject of aesthetics as a whole in the past as well. And yet "Sculpting in Time" offers those with aesthetic interests something truly unique.

It should be forewarned that Tarkovsky, like Ingmar Bergman, was heavily interested in aesthetic philosophy. In fact Tarkovsky's ideas regarding art borderline the metaphysical (as this book is often used in higher level philosophy classes), and yet - through the tone in which the book is written - "Sculpting in Time" manages to appeal to the average Tarkovsky or cinema studies fan in such a way that no other aesthetics book has managed.

Tarkovsky's self-written "Sculpting in Time" is an amazing supplement which describes the brilliant filmmaker's use of filmic techniques but also goes a step further by explaining (at great length), why the filmmaker believes those techniques are significant. The value of his tried efforts to create a meaningful work of art directly relate to Tarkovsky's view of art as a whole.

Tarkovsky's views of art are complex and yet are reiterated for the reader so simply they stand out in "Sculpting in Time" like a gem. For instance the underlying theme in Tarkovsky's writing is the idea of an "absolute truth" of art which can be derived a given piece of art. Without giving too much away, Tarkovsky's beliefs, as expressed in his chapter "Imprinted in Time" mostly, is simply that art done for the right reasons - containing some form of objective truth within it - serves to link us (subjective beings), with an "absolute." From that blooms Tarkovsky's entire creative aspect fans of his films know and love him for.

I have to recommend this book to anyone interested in aesthetics, cinema studies, or Tarkovsky. I think this is a nice supplement to have when watching Tarkovsky films as well, so it might just serve to spark the interest in a philosophy buff to check out a few Tarkovsky films! Enjoy!