Movies Books

This is an extremely thorough, even-handed and well-written bio. The author's approach is intelligent and his research and references are extensive.

One learns that Brooks began as an upper middle class wildchild from the plains who determined early to be a great dancer. She had talent and determination. But Fate along with timing made it possible for her to escape Kansas for New York City at the tender age of 15 (!) to train with a premiere dance company. She seems never to have gotten past being that wildchild and was, at 17, dismissed from the troupe for unacceptable behavior. Soon she was a dancer on Broadway, including a stint with the Ziegfeld Follies. Next stop, the movies!

Being admittedly "selfish and stubborn" as well as volatile, Brooks tore through New York, Paris, London, Hollywood, Berlin and back, living it up and burning bridges all around. By age 25 she was finished in terms of ever becoming a movie star or great dancer. She eventually disappeared into a gin bottle, was reduced to dance instruction, retail sales and finally "love for sale."

This is all fascinating enough, but her late-in-life resurrection as a rediscovered silent era "icon" (based mostly on films made in Europe in the late 20's) and as a newly minted writer is the surprising twist toward the end of an otherwise bleak life story.

Her work in Pabst's "Pandora's Box" ought to provide Brooks all the immortality any actress could desire. She is spectacular as Lulu and deserves every accolade. She was a beauty, but there were other beauties of her era who achieved greater stardom - Joan Crawford, Marlene Dietrich, Greta Garbo, Jean Harlow. Her "black helmet" hairstyle was well suited to her looks, but it's more likely that Colleen Moore actually popularized the look, having been a superstar of the 20's (which Brooks wasn't)and the iconic "flapper." As for her skill as a writer (with reference to "Lulu in Hollywood"), I find Brooks interesting, insightful and even poetic, but there is an underlying note of bitterness that undermines any claim of objectivity. And, considering her decades of gin guzzling, I question her ability to be very accurate 40-50 years after the fact. For me, the mystique and power of Louise Brooks comes down to her performance in "Pandora's Box," her primary and glorious claim to fame.

Read "Louise Brooks" by Barry Paris and form your own conclusions. Don't miss "Pandora's Box." The Criterion Collection DVD boxed set includes Kenneth Tynan's 1979 profile, the TCM production, "Looking for Lulu," a 1970's interview with Brooks and other extras.

This book is an expansive overview of the life of Louise Brooks and also of the early days of the movie industry. Very throughly researched, it gives a nuanced look and the beautiful, brilliant and maddeningly self-destructive icon. It also is a wonderful history of the entertainment world in the 1920's and the personalities who populated that world. A must-read from fans of Louise Brooks.

Several books have been written about Louise Brooks, but this book is probably the most concise and most thorough of them all. The book starts off with Louise's birth and it describes all the people that helped to make Louise so interesting and famous. There are many black-and-white photos of Louise, from the time she started in show-biz (at age 4) to Louise in her later years, just before her death.

Since Louise Brooks had such a fascinating life, it is not a surprise that this book is so long. Each Chapter basically covers a chunk of her life, and each Chapter describes (in detail) the characters that encountered & shaped Louise, and also all the Theatre and Movie productions that Louise was involved in.

I have not yet read this entire book, but just glancing through it when it arrived I would find that I have just read twenty pages or so whenever I openned it up. I can't wait until I read it cover to cover.

This is what a biography should be: insightful, understanding, offering a measured & complex view of its beloved subject. And what a subject Barry Paris has in Louise Brooks! Her beauty, her intelligence, her compelling charisma all shine in these pages, giving us a multi-faceted view of this ravishing star. For someone who had never heard of Louise Brooks, this biography will send him or her in eager pursuit of her all-too-few films & her own writing -- and both are of the very highest standard.

It's clear that Brooks never did anything without wanting to give her all, to make true art out of it, a work of beauty & meaning that would stand the test of time. And the same could be said of this superb biography. While Paris clearly adores Brooks (and with good reason), he never succumbs to blind hagiography. Nor does he stumble in the opposite direction of pathography. His purpose is to explore the life of a fascinating woman, and to present it to the reader as thoroughly & lucidly as possible. He succeeds on every level. Louise Brooks emerges from these pages as both a flesh & blood woman, and as the dazzling, mysterious icon she became to countless admirers.

In short, the best book on Louise Brooks you'll ever find, most highly recommended!

One of my all time favorite films. The screenplay does a great job of highlighting what exactly made this film so great. For you writers out there, observe the subtle humor and motions toward emotion in the simplest of phrases. An instant classic, and great companion to the Criterion Collection DVD.

Happily, this is an original script/shooting script, not the final filmed version so there are plenty of scenes and lines included here that did not appear in the movie. After reading I have a new appreciation for the subtle, nearly flawless directing and acting in this amazing film. Buy it!

I dare use the word "quirky," because that usually means "esoteric and/or pedantic." But "Rushmore" manages to be quirky while still being entertaining and heartful. There is real emotional impact in this film, as sharp and hurtful as first love lost. Yet, it remains a brilliant comedy with enough "moments" to make repeated viewings worthwhile. The book only serves as a fond memory of the film, much as the soundtrack. See the movie first, then buy the book to cherish the experience again.

Rushmore, both the script and the movie, are instant classics. The buzz generated is still modest compared to the actual impact. Very fulfilling read. Sic transit gloria.

I identified with the characters in the movie. I know one person wrote an intelligent review saying that the movie seemed too surreal, but in my opinion, though I admit the situation had a surreal feel to it, the characters were extremely realistic. I loved Margaret Yang and the way she was so caught up in success that she lied for a project that was almost bought by NASA.

If you don't like anything else, you have to at least admit that Rushmore is one of the funniest things you have seen or read.

Stephen King did a good thing by writing this book.The charcters and cast
are wonderful, This is one of my all time favorite, what goes on behind the walls of a prision.

After reading 85 novels, I finally read a Stephen King story. My friend who encouraged me to start reading had been after me to read him for awhile. I am really glad that I did. He is a great story teller and kept me in the story even when I wasn't reading it. As I have said before, a good writer is someone who can paint a vivid picture in the reader's mind's eye. This is done here in painting a picture of life in Shawshank Prison, Maine. This a great story of one man's strength to survive against all odds; we can all learn from this. It certainly should be told to all those who would think of breaking the law.

"Stand by me" - this is the most important sentence in the novel The Body written by Stephen King. The novel is about the natural and deep sense of friendship. Four boys are keen on experience an adventure, they take a long way to see a dead body in the forests of Maine. Alone on the way of excitement and fear, they are between childhood and adulthood. The story is easy to read and also to understand.

Reta hayworth and the Shawshank Redemption, was a great short story by stephen king. I enjoyed reading this book and even watching the movie. I was suprised how much the book grabed my attention and how I didn't ever put it down.

I recently watched both "The Shawshank Redemption" (with Tim Robbins and Morgan Freeman) and "Stand By Me" (with River Phoenix, Jerry O'Connell, Wil Wheaton and Corey Feldman) and this prompted me to dig out my old copy of Different Seasons. Most people are surprised when they learn that those movies were based on novellas by horror master, Stephen King, but he shows that he's not just into scaring the heck out of you.

The story cycle bases one novella per season, and each follows characters on a journey, whether it's one of hope, descent into corruption, coming of age, or life through offspring.

"Rita Hayworth and the Shawshank Redemption" takes place over decades, as a prison inmate retains his spirit and soul, while breathing life into a dark institution, and whose patient nature finally leads him to freedom. The story is told in first person from the point of view of old Red, the guy who can get you things, about Andy Dufresne, a young banker jailed for the murder of his wife and her lover.

One of King�s great strengths is creating a believable voice for his characters, and as you read this tale, it is like Red is talking to you. Other King strengths are providing back story and creating a world in which these characters live, one with a past, present and future, and it makes them three dimensional. One of King�s flaws is going off on tangents and digressions a bit too often, but he always comes back to the story.

�The Body� (basis for �Stand By Me�) is a coming of age story about four small town boys on the cusp of entering Junior High School. On the Friday before Labor Day, they set off to find the body of a missing boy. One of the four boys, Vern Tessio, overheard his brother talking to a friend about the dead body.

The characters fall into several categories: Gordon LaChance, who narrates the story as an adult, is the dreamer/writer whose older brother died earlier that year. Chris Chambers is athletic, tough but smart. wise beyond his years and the white sheep in a family of black sheep. Teddy Duchamp is the psycho wiseguy who wears thick glasses and hearing aids as the result of his war veteran father putting his head to a stove. Vern Tessio is the least intelligent, but plays a key symbolic part as the one tells the others about the body and also is the first to spot it.

Along their journey, the boys encounter adventures, such as Milo Pressman the junkyard operator and his dog, Chopper. There is a run across a high trestle as a train bears down on them, a swim in a culvert full of leeches, and a night in the dark woods with screaming wild animals. When they eventually reach the boys, they have a run in with a group of teenage hoods from their town. A major difference from the movie, is that this story details the aftermath of the confrontation after the boys return to town.

King does a nice balancing act with his adult narrative and pre-adolescent dialogue, making each voice unique and fleshing out each boy�s character to make them multi-dimensional. All four experience growth, but Gordon and Chris take this growth with them as they get older. Don�t let people drag you down. There�s a lot more to this story than just kids looking for a dead body.
My bumps here are again that King goes off on tangents and digressions, some to fill in background and history for the characters, but sometimes really straying far from the course. At one point he takes nearly a page to say that someone is dead, where �The kid was dead. The kid wasn�t sick, the kid wasn�t sleeping.� Would probably have sufficed.

I won�t go into a lot of detail about the other two stories. �Apt Pupil� is about a boy who discovers a Nazi war criminal living in his town, and blackmails the old man into telling him stories about the war in exchange for not blowing the whistle on him. The stories the boy hears slowly lead him into senseless acts of violence. In �The Breathing Woman� a �disgraced woman is determined to triumph over death.�

These four stories combine to make an interesting cycle, and demonstrate that Stephen King has writing talents that stretch beyond his horror work.

Derek Rydall talks about the ideas in his book on my spiritual entertainment talk show in a way that shows he's living the message in every fiber of his being. Reading his book renews my passion and confidence for my personal dream and vision of shining as a real light. He reminds me of my divinity and power in this magical play of life. He explains "oneness" like I've never grasped it before. He reveals the most important "it's who you know" metaphysical truth in Hollywood. He reminds me of my higher purpose and now I have a much deeper meaning to my work in television, and I'm able to articulate it to others so I can touch and awaken all those who cross my path on this beautiful journey. He enables us all to be true healers through the entertainment medium as we perform the real work of remembering and awakening wholeness in every heart on the planet. -- Tamara Henry, MA, Producer/Host, IN with Tamara Henry, Santa Monica News Anchor

Firstly, well done! Well done, congratulations and two thumbs up for writing There's No Business Like Soul Business. Not only was it an inspiring read for the spiritual warrior but a brilliant example of someone wanting to help other artists and pass on oh-so-valuable insights about not only life but the wonderful world of entertainment. Reading each chapter I could hear the lessons of Deepak Chopra shining through, as I have read many of his books, and then to apply them to entertainment breaking down the myths that people can get caught up in, and allow a new road to be paved for the "enlightened entertainer" who can then make the conscious decision to shift his/her attitude and focus on your inner being as the tool for transcedence is...well, awe-inspiring.

A must read for anyone wishing to follow their dreams in the wonderful world of entertainment!

Marshall Dunn (Sydney, Australia)

In his second book, Derek Rydall attempts to provide an antidote for the cynicism, greed and rampant sociopathic tendencies which plague the entertainment industry. To counter these, he exhorts people to become `enlightened entertainers', who see the entertainment industry as a force for Good and who live their lives accordingly. A tall order, perhaps, but in the book he provides all the necessary information in order to set out on this journey of the soul.
Rydall starts off with the basics: identifying what enlightened entertainment is, and why audiences need it. He also provides the basic tools needed for the journey: types of meditation and soul-searching exercises. Next up is the big picture, a look at the realities of show business and the spiritual world, and how these contrast and (possibly) interact. Changing the business is something which can only happen one person at a time, so the rest of the book is devoted to developing the character of the reader. First on the purely personal level, then specifically as an artist, and finally as an entertainment professional. The final section of the book helps the reader create a career plan.
This book is definitely very New Age in style. If you're not into spirituality, the book won't do much for you - although many of the exercises are introspective ways of getting to know yourself better, and these will be beneficial for anyone. If you are spiritually enclined, Rydall's book will undoubtedly be inspirational and provide you with great insights.

This book is not just for screen writers who want to go beyond simple entertainment to meaningful film, but for all writers who want to make a difference. The time for enlightened entertainment is now! This book is not only a stepping stone and good resource, it's invaluable. Read, learn, and profit.

Derek,
First let me complement you on your book. I really am inspired by every word. I did the visioning exercise today on the industry. I've know for some time that my purpose as an actor and writer is to wake people up to their humanity through the emotions evoked in my performances or my writing. Today I got so clearly that the essence of the industry is love and connectedness.

Thank you!
INSPIRED in 2007,
Traci Dority

Love this book! Now I allways know what to pick at the video store! And LOTS of great movies. Thanks.
-Torfinn-

This is far more than a simple list of films that may be aimed at a gay audience. It is 101 hysterical fan rants from someone who has a wicked sense of humor and extraordinarily evolved taste in film.

This is a book that every film student should read because Duralde has a genuine passion for movies and the understanding of them to back up his opinions.

Many of Duralde's choices surprised and delighted me; he didn't go for the easy selections. Any book that mentions "Tarnation" and "Without You, I'm Nothing" in the same breath is aces by me.

If you hate reading spoilers, don't read about any movie in this book unless you've seen it already. Duralde gives away FAR too much in his synopses, which are in my opinion completely unnecessary anyway. It is his commentaries that are the interesting element here, and motivate us to see the films. Why he chose to reveal plot turns, and thus needlessly deflate our enjoyment of the films is beyond me.

Love it, love it, love it - short, sweet, funny, smart. Or as I like to call it, "the best bathroom reading book ever."

Oh, and my copy of "Can't Stop The Music" is on its way from Netflix as we speak ;)

101 Must-See Movies for Gay Men is a seminal tome in more ways than one. Well, actually, only one. It hasn't got any of the good pictures in it. But it does have 101 movies that are essential to a broad range of the gay aesthetic. It's got movies for drama queens, diva queens, show tune queens, bears, disco queens, grunge queens and size queens. The only gay subgenre it's lacking is the queer sports movie, and I'm sure once Duralde has seen Summer Storm and Guys and Balls he'll add something appropriate to Bride of 101 Must-See Movies for Gay Men he keeps promising (unless that what he's titling the lesbian companion piece he keeps promising as well, in which case he'll have to include Bend it Like Beckham or, better yet, Personal Best).

When I came out, I was told I couldn't get my queer card until I'd seen Torch Song Trilogy and Murder by Death. Both are missing from 101. I'm not going to fight too hard for Murder by Death which is simply a very good example of camp and not particularly queerly significant beyond that, but I will say that I can't imagine a list of queer movies complete that doesn't include Torchsong.

But what is in the book is delightful and insightful. I knew Fight Club is about the slashiest thing every made, but it didn't occur to me to put it in a list of must-see movies for the queer cognoscenti. But even the obvious choices - Whatever Happened to Baby Jane, Sunset Boulevard, Valley of the Dolls, Sunday, Bloody Sunday and many more - are given new life and new perspective with plot synopsis, evaluation of what's important to the queer viewer, quotes from the movie and an interesting visual classification system.

Duralde examines these movies with wit and sensitivity. He makes you want to expand your DVD library, and in some cases your VHS library, not only with the movies he lists, but with the movies he mentions in passing discussion about other movies.

And, for the record, I've seen The Broken Hearts Club and it isn't nearly as awful as Duralde makes it out to be, but it is awful.

I cannot remember the title or anyone who was in it, but it you're looking for a movie emblematic of what bad queer cinema is, the one with the fireman who begs his girlfriend for a threesome without specifying the gender of the third participant and then is horrified when she brings some guy from the neighborhood who's been crushing on him for years into the bedroom is the one to choose.

While I'm by no means into the industry yet, this book was an easy read and it contains invaluable information for the hollywood neophyte

Trouble is, Tony Martinez is no devil. He comes across, in fact, as the ultimate boy scout in a shark-infested business. Part instructional, part ever-so-careful not to offend anyone, Martinez writes in a conversational, run-of-the-milll average-guy style that allows you to skim to the sections that may mean more to you. On the one hand, it's banal and boring and on the other, there are nut n' bolts insights that should be helpful for a rank beginner.
As someone involved in the business for many years, looking for some hidden insights or juicy info, I was disappointed. But I DID learn a little more about the way pilot season works and for that reason alone, I found this very brief tome to have some worth.

This book is a must-read for any aspiring actor or aspiring agent and an entertaining book for anyone working in the entertainment industry. It's humorous, well-informed and succinct. It's not a surprise that this quick-witted and to-the-point agent provided the entertainment community with such a well-written book. His personal stories and antedotes complete this book. Do yourself a favor, and buy it.

An Agent Tells All by Tony Martinez is an excellent book that is very easy to read and hard to put down as it flows on very well.
Specific Contents that go straight to the point and excellent for the novice to clearly gain an understanding of the industry from agents point of view. Also Highly rate the Pilot Season Chapter!
Great Read.

I did a monologue in front of Tony Martinez at TVI Actors Studio, and he was generous enough to tell me what did and didn't work. His book just as helpful, only laced with his terrific sense of humor. I would say this is a must have for any actor and would probably be helpful for managers and workers in corporate America.

Having read most of the other books about Audrey Hepburn, a woman whom I respect and admired since my youth, I chose this particular one by Mr.Paris as the most engaging (besides the book by Sean Ferrer which I thought was essential). I could never tire of anything A.H., with that being said it was important to me that I had a sense of how she lived. This book was hard to put down and wasn't full of colorful writing like some of the other so-called biographies done on her. For me, it brought me closer to this person as if she were someone I knew personally and combined with her son's book provided me with an insight into the world that was Audrey. She was and still remains a huge inspiration for me, and this book should be read by every young 'actor' out there today. Kudos to Mr.Paris!

Audrey Hepburn (1929-1993) was born in Brussels the daughter of a Dutch woman and an English father. She was raised in Arnhem Holland suffering through the Nazi occupation. Audrey was a thin, sensitive child who excelled at ballet.
As a young woman she migrated to London appearing in British films until she was exploded into fame with her first US film
Roman Holiday (for which she won as Oscar as Best Actress)
Hepburn appeared in such films as "Charade"; "My Fair Lady"
(her singing voice being dubbed by Marni Nixon"; "Two for the
Road"; "Breakfast at Tiffanys"; "Sabrina: "Robin and Marion" :
"Wait Until Dark" and several other films.
Her gamin pixish face and figure was a revelation in the 50s era of Monroe, Ava Gardner; Sophia Loren and other well endowed film goddesses.
Audrey had a long but troubled marriage with stolid Mel Ferrer and had other husbands and a few affairs along the way most notably with film star Albert Finney.
She worked with such noted directors as Willie Wyler, George
Cukor and Stanley Donet. She lived in Switzerland in an isolated
village where she raised children and loved animals.
There is little dirt to plow in these pages1 Audrey was an
adorable and kind person! Her work with starving children on behalf of the UN is heartwarming.
Barry Paris (previous biographer of Louise Brooks and Greta
Garbo) does a fine job in this well documented biography.
The most exciting chapter deals with life in Holland during
the horrible Nazi occupation,
This is a good biography of the film star.

A book so well researched and written that it flows like a meandering river. The prose is wonderful. Very difficult to stop reading the book until the reading is completed.

May Audrey Hepburn be in the Kingdom of God as I surely want to meet her and talk with her.

A biographer shouldn't lower your opinion of the person they're writing about (as if you could ever
have a low opinion of Audrey Hepburn!) and Barry Paris certainly does a brilliant job of depicting
Audrey's life from age 15 until her death (age 64). The author blends his words so you don't loose
interest even once. The book has lots of quotes, from and about Audrey, and several pictures of
her throughout her life. There isn't a down side to this book, except for a few subjects where the author
should have elaborated on a bit more than he did. You can clearly see that Audrey was a truly
wonderful person, a real lady. After you read about what a hard childhood she had, in the middle
of WW2 and the miscarriages she suffered and basically being deprived of love from her parents,
it is amazing that she was still such a beautiful person, a beautiful soul. She traveled to countries to
help dying people and did things that few other people would do...she seems to have been an
angel, and certainly was to several people. This is a book that you don't need to read before buying, it's wonderful.

What is the true test of a biographer's skill? Creating a riviting, insightful book about a subject who had no scandal in her life and who seems to have be beloved by everyone. Material that, in lesser hands, could have been saccherine or written with the usual "movie star bio" template is instead moving, wise, very informative, and beautifully written. Check out Mr. Paris' other biographies of Garbo and especially Louise Brooks for more great writing.

If a book is really true, you'll always need it. You'll always come back to it. "Birdy" is one of those books; my copy is a yellowed and dog-earred paperback with the front cover torn off, yet I find myself year after year coming back to the novel, digging into it, nibbling on its tasty paragraphs, savoring its language and cool understanding of the world. I'm convinced that "Birdy" will rank one day as a truly original American classic, right up there with Salinger's "Catcher in the Rye" and Kesey's "One Flew Over the Cuckoo's Nest." There's so much energy and passion in the story: it literally overwhelms. You live inside the character of Birdy as you listen, all ears, to a guy named Al speaking about his friend. You begin to soar, to fly, to be free, just as Birdy is trying to be all those things himself. Truly an extraordinary work!

-Tom Maremaa, Author of the Forthcoming novel "Metal Heads" from Kunati Books in Spring 2009

"Birdy" is a novel with a shared narrative; on the one hand there is Al, and on the other there is Birdy himself. This is one of the specificities of the book. Birdy as a character is quite interesting in his weirdo/loner/genius/freak kind of personality, and because of the divided narration, you get both the outer and inner approach on his obsession, birds, and flying.

On the whole, this is a very readable book, and quite enjoyable. Not a page is a bore and one cannot get enough of Birdy's featherly obsession and how far it will go.

However, the ending left me rather unsatisfied. I thought it starkly contrasted with the rest of the novel and didn't live up to everything that came before; as if something deep was ended on a joke.

Another critic concerns the back of the book, where you find the following words: "While fighting in World War II, they find their dreams become all too real - and their lives are changed forever." Well, that gave me the idea that these two friends would end up fighting together in Europe or something and the birdness of Birdy would come into play. Contrary to those lines, there is very little concerning World War II - although there are a few pages of Al's warring, there is almost nothing of Birdy's. So do not put too many hopes there. I never really trust blurbs, but I still find it stunning that so many of them tell things that are just wrong.

This being said, and excluding the ending (of which I'm not too hot but in general, not the final lines, which aren't so bad), this is a good read. I never was all that crazy about birds, but this novel was very informative as far as canaries are concerned; and bird life in general. The psychological aspects of Birdy (whose real name I don't think ever comes up, which I like because it's as if his birdness erased his human identity) are also of interest; for instance, Birdy prefers birds to people, he even fantasises sexually about birds rather than girls. It's fantastically weird.

"Birdy" has been often compared to such novels as Heller's Catch-22, the tendency for the book to be read as a war novel was strengthened by the movie based on the novel in 1985, directed by Alan Parker, which moved the time of its action to the days of the Vietnam War. The book, however, concentrates on the issues of adolescence, growing up, and reaching maturity.
"Birdy" tells a story of two friends Al and Birdy who met in pre-war Philadelphia and who friendship survives the war when Al is invited to a mental ward where Birdy is kept after his traumatic war-time experiences which which brought about his mental-breakdown. The reader becomes gradually acquainted with their adventures in flash-backs and witnesses Birdy re-awakening.
The book rings true both a nostalgic description of the pre-war working class US which no longer exists, a chronicle of friendship and a description of mental disorder. Must read - you can follow the reading with the movie and there is Peter Gabriel's CD to accompany the novel!

The book is best described as "bird-y", like it's title. Whoever reads it will understand what I mean. In the center of the story stands an eccentric, introverted boy called Birdy, who's entire life is driven by an obsession with birds, and a dream - to fly and be free. The book opens with Birdy in a military mental hospital, traumatized by his experiences in WWII. His childhood friend, Al, has been called over to try and bring Birdy back to reality. At a loss of what to do, Al begins telling Birdy stories from their childhood, and recounting all the adventures they lived through together. Through Al's narrations and the remembrances they trigger in Birdy, the fascinating story of a most unlikely friendship unfolds. Al is a handsome, athletic Italian girl-chaser, with an abusive father and an obsessive need to prove himself. Birdy on the other hand, is a wild spirit. You can sense throughout the story how he feels caged, and reveres the birds he sees to be free. He constucts an aviary and raises canaries in his bedroom, studying them, learning their language, getting to know each one personally, and losing himself in their world. The descriptions of the canaries are so intense that the reader himself feels as though they are human, or he is a bird. Birdy is an amazing character - brave, self confident, a mechanical genius, who struggles to fit himself into human life, but who's mind works in a completely different way than anyone else's. The book tells the extraordinary story of the two friends, and is simply a pleasure to read and a refreshing change from the conventional.

I've read a lot of books in my day, but Birdy is easily one of the most memorable. A traumatized World War II veteran trapped in a VA hospital stays sane solely through his preternaturally detailed recollections of raising canaries as a teenager--and through the perfect loyalty of his closest friend.

Wharton's better known World War II novel, A Midnight Clear, comes nowhere near this one in terms of originality and emotional truth.

Birdy is a beautifully written, most unclassifiable story, unsentimental, sometimes painful, but extraordinarily life-affirming and imagination-affirming. Some day it will be recognized as a genuine classic of American fiction.

Blade was .... completely different from the movie. The movie had more fighting and you didn't get to see the true meaning of the novel. The movie described Blade as a cold blooded slayer with no mercy. The novel describes Blade as someone who risks his life everyday to save the human race in spite of the fact that the human race thinks he's a murderer and wants him dead. He uses his powers to serve and protect the very species that depises and fears him-our own. He has the power of an immortal, the soul of a human, and the heart of a hero.

Another ride on the good ol' roller-coaster of adrenalin! Who says books can't raise your blood pressure? For those who think so: Read Blade! Awesome action, packed with vampire-slaying excitement, and intense fun! I haven't even seen the movie, though I'm about to. If all movie-novels were like Blade, Carmike Cinemas will be seeing me more often.

Blade is the tightest book you'll ever want to read!!! The movie and the book are amazing. I've been watching the movie a hella-lot of times and you'll also like the book. Buffy v. Blade??? Blade all the way! cause he's the #1 slayer!

Blade was a kick ass book, completely different from the movie. The movie had more fighting and you didn't get to see the true meaning of the novel. The movie described Blade as a cold blooded slayer with no mercy. The novel describes Blade as someone who risks his life everyday to save the human race in spite of the fact that the human race thinks he's a murderer and wants him dead. He uses his powers to serve and protect the very species that depises and fears him-our own. He has the power of an immortal, the soul of a human, and the heart of a hero.

I loved both the book and the movie. I was really surprised at how the book captured the manic energy of the movie and the complexity of the characters. The book really delves into the deeper areas of the characters and captures the feeling that it's hard not to admire Frost while you're hating him, he's an awesome villain. Even if you haven't seen the movie, read the book, it's an absolute must for anyone who's a fan of Anne Rice or vampires in general, as well as anyone who wants to read a well-crafted piece of literature.

I enjoyed this book more than I can Say . Being 80 yrs. old ,

I have grown up with John Wayne , more so than any other movie

" STAR ". Buy this book , you will treasure it .

Jack Yannuzzi

I am French and a huge fan of John Wayne's career.
I've found this book very complete whithout having long movies résumés.
This book is more focused on anecdotes' movies.
Moreover, the life of John Wayne is not depicted only as a pure "American" cowboy (despite the title of the book)and the authors really want to explain the choices of John Wayne in politics or in his own life whithout trying to influence the reader.
That gives us the impression that John Wayne lacked confidence in his own life but barely never in his career.
I've been reading biographies for a very long time and I can say that this biography is really well written and as I was reading it, I watched several movies with John Wayne, just for pleasure!!

The acid test of any biography is does the personality of the subject come through the pages of the book? After the reader is finished, do they feel they have meet the man or woman they were reading about. Historians Randy Roberts and James S. Olson have done so with this book, which is very difficult for two distinct reasons: 1) Wayne left no papers; and 2) there is the legend of John Wayne that gets in the way of knowing Marion "Duke" Morrison, the man behind the famous stage name.

Roberts and Olson have given their readers a well-written, engaging study that is both traditional biography of the actor, but a study of his status as an American icon. The authors also show that Wayne was a talented actor in addition to being a movie star and deserved the Oscar he won, even though he expected to lose.

A decent and diligent son, he was never able to win his mother's love. For whatever reason, she showered her affections on her second son who was a mediocrity in life. Wayne was a conservative, but mainly because he was a classical liberal in that he believed in limited government that did little to impose on the liberties of individuals. Even though he was worth millions when he died, he had invested poorly and had gone bankrupt, squandered most of his earnings, and most of his fortune was the result of his having an honest business partner that had looked out for him.

He went through three marriages, but was a loving, if removed father. In many ways, he placed more value in his friends than in his family. Perhaps because his friends could never hurt him the way his wives had.

There will be other Wayne books, but it is difficult to see this book being surpassed anytime soon.

A very well written biography of a very complicated man. From the Duke's childhood to his later years in Hollywood, you get the full picture of an American legend that was patriotic, controversial, opinionated, grateful, and a deliberate artist.

John Wayne: American takes you into Wayne's inner circle of friends, family, and co-workers. If you love John Wayne, or even kind of like him, you'll love this book. There are some shockers that reveal the man behind the curtain that is sure to be a water cooler discussion after you read the book.

I had wanted to read a John Wayne biography for some time, but never got around to it until buying this book. I think I picked the right one. It is chock-full of interesting information regarding 'the Duke'. I was surprised to discover how nasty director John Ford could be to his actors, John Wayne included; and yet the two were good friends. Surely Wayne must have wanted to punch the guy out a time or two. Regarding Wayne's mother; I don't think the writers did an adequate follow through. In the first sections of the book, much was written about the relationship between mother and son, but there was no follow up later in the book. Did his mom ever come around and begin to appreciate him before she passed away, or did she remain cold and aloof until she died? As a reader, I felt like I was left hanging on this one. Otherwise, this was an excellent book, and I highly recommend it. The final sections, covering Wayne's last days were sad and disturbing, but the man left us with quite a legacy on film. There will never be another like him.