Kenneth Branagh Books
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WardrobeReview Date: 2008-05-05
He's no JK RowlingReview Date: 2008-03-22
Nope, turns out these stories are just not that great, even when great actors perform them. And the readings are truly excellent - all the actors do a fine job of changing accents, interpreting voices and accelerating the pace in the appropriate moments. It's just that these stories are a) childish, and b) racist.
It's very hard to listen to The Last Battle and The Horse and His Boy without thinking that CS Lewis would never have gotten away with publishing this now. If Christian groups are worried that JK Rowling is promoting Wiccan, imagine how non-christians (and there really are a lot of them) would feel about the images of Tashban and the Calormen people.
Anyhow, if you like listening to great British voices, it's ok as background noise, but if you want a great set of stories, stick with JK Rowling.
ReddragonReview Date: 2007-03-29
M. Goodwin, BloodlineReview Date: 2008-02-28
Audiobooks and travelAsReview Date: 2008-01-02
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Valuable edition, easy to hold, fun to readReview Date: 2006-08-25
A popular play in an edition fabulously rich in helpsReview Date: 2003-06-30
Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.
And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.
In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.
And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.
There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.
This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.
I've always loved this play with its wonderful battle scenesReview Date: 2005-01-22
Every soldier should carry a copy.Review Date: 2004-11-25
Someone please give this book to BushReview Date: 2004-11-08
Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.

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Better than most historical novels!Review Date: 2008-05-01
I chose to listen to this book because I felt I "should" be better acquainted with what can arguably be called the most famous diary in history. I looked upon it as a chore that would improve my mind.
I may have, indeed, improved my mind but it turned out to be no chore! What an absolute delight. I've read many historical novels that weren't half as exciting, funny and fascinating as this book. I kept having to remind myself that this man REALLY lived through all these things -- the plague, the great London fire, the machinations of the court.
Plus, his willingness to expose in frank (and sometimes bawdy) detail his personal life, health, sexual dalliances, etc., brought *him* as well as his times vividly to life.
I doubt if trying to read through the actual diary would be as much fun, but the editors' careful selection of entries culled out the best bits while never losing continuity.
And what more can I add to the praise of Branagh as narrator? The man is a phenomenal talent and shows it in this book. Never over-acting, he manages to convey a perfect tone (for instance, just the hint of a whisper at the more personal parts, as though Pepys was confiding in us).
All in all, this book convinced me that improving my mind doesn't HAVE to be tedious.
Great for long car rides for those who love Pepy'sReview Date: 2007-07-23
An outstanding classic which comes to life in audio cd formatReview Date: 2006-08-06
it's an audio confidanteReview Date: 2006-05-25
It obviously helps to be familar with the Restoration to enhance your enjoyment of these diaries; though many with even a general background will still find them entertaining. Highly recommended.
CALLING ALL HISTORY BUFFS...Review Date: 2004-07-11
In his diary, Samuel Pepys recorded not only events that had historical significance but also those day to day details of his own life that shed light upon the way that people actually lived and worked in seventeenth century Restoration London. The diary chronicles all those mundane little details about which life is made. His meetings with friends and colleagues, his desire for social and professional advancement, his treatment of his servants, his spats with his wife, and his brief extra-marital affairs and bawdy romps, all this and more is contained in his diary. In detailing his affairs of the heart, he often used a code which appears to be a combination of English, Spanish, Latin, and possibly French. It was understandable to me, as it would be to anyone with some knowledge of these languages, and, consequently, understandable as to why he would write it in code. He obviously would not want his wife to know what he was up to!
His is a unique voice that should be heard by all those who would wish to know more about seventeenth century life in Restoration London. Suffused with period detail and written in the linguistic style of the day, this book is a must for all those history buffs who are interested in Restoration England. Bravo!


The Hills are Dying with the Sound of LeeReview Date: 1999-11-25
Yet there are places untouched by Americanisms, consumerism, electricity (and here I apologise, as this becomes less of a review, more an account of personal experience). But there are still rivers afloat with leaves, valleys deep that welcome sunsets. They frost the sky in winter, burn it by summer.
"There's beauty in decay," as someone said. Haven't got a clue who. But there you go. Although dying of shallow needs and commercial interests, snippets of the old way can be found. And in all their glory, too.
On my Top Ten List.Review Date: 1999-08-09
one of my favorite booksReview Date: 2006-05-04
A beautiful piece of work.Review Date: 2004-09-26
Rooted in the fertile English Cotswolds of the 1920'sReview Date: 1999-08-03

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Educational toolReview Date: 2007-03-10
Hamlet: It's Not Just For Grown-Ups AnymoreReview Date: 2006-08-15
Yay, Lois Burdett!!!!! Applause! (can you hear it??)
the magic of shakespeareReview Date: 2001-05-04

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LearReview Date: 2003-03-09
Scofield's second recording after 36 yearsReview Date: 2002-04-28
Now Naxos Audiobooks has released on tape and CD yet another version with Paul Scofield again, Harriet Walter (Gonerill, as it is spelled on this set), Sara Kestelman (Regan), Emilia Fox (Cordelia), Peter Blythe (Albany), and Jack Klaff (Cornwall) as the dysfunctional royal family. As the parallel set, we have Alec McCowen (Gloucester), Richard McCabe (Edgar), and Toby Stephens (Edmond).
While Kenneth Branagh played the villainous brother in the Gielgud set, he is assigned the Fool in this production with David Burke (Kent) and Matthew Morgan (Oswald).
The reading in the Caedmon recording is in the grand manner, more poetical than is the most recent; but this Naxos effort seems to move faster, is more dramatic (as should be no surprise) in our sense of the word in that it is more realistic, more "modern" sounding. But I would not dismiss the older set by any means.
I found Scofield less earth-shaking in this production, sounding a little more reasonable and vulnerable than in the earlier one--but after 36 years and under a new director (Howard Sackler in 1965, John Tydeman here), an actor must rethink the role. What I do appreciate is that every word in the storm scene is spoken clearly and not drowned out by the sound effects.
All Drama departments should own both Scofield versions. This Naxos release is available on tape (NA324414) and CD (NA324412). It is also the best buy since Naxos is the supreme budget label.
King Lear (Naxos AudioBooks)Review Date: 2006-11-09

Much Underrated -A Backstage ClassicReview Date: 2003-12-08

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Classical music enhances a dramatic narrative performanceReview Date: 2003-08-10

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fantasticReview Date: 2002-06-03

No longshot here!Review Date: 2007-04-24
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