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never meet a movie starReview Date: 2004-06-18
I would like to meet Michelle the TV, Book & Movie Star.Review Date: 1997-06-01
I enjoy the Full House Michelle books very much and own many and check many out from the local libary. Keep writing them Ms. Dubowski. I look forward to my summer vacation so I will have more time to read them. I am sorry they took new shows of Full House of the air on TV. Megan
StarstruckReview Date: 2000-02-22

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Finding your own talentsReview Date: 2007-10-30
Great bookReview Date: 2007-08-09
Very Cute!Review Date: 2007-01-26

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Wonderful Read!!Review Date: 2004-04-20
It has the makings of a classic book - Its entertaining, informative, uncomplicated and is about the journey of a man whose dreams came true. I couldn't stop laughing when he mentions about the many incidents and decisions he made. I admire the common sense, persuasive skills and fearlessness of the man. I highly recommend it.
A great filmaker's passage from IndiaReview Date: 2003-02-17
A more accurate title would be: An Indian film maker's passage from India. Because there is little that Merchant discloses about himself or even his trade. Living and interacting in a world of glamor and beauties, Merchant is mum about his emotions. If such a lively individual has a romantic side, the book discloses nothing. Except his childhood "innocent" infatuation with India's popular actress Nimmi in the fifties, Merchant displays or at least discloses no other "infatuation." Apparently, he never married. Despite starting his feature film career with the Householder (1962), Merchant never discloses why he himself did not decide to be a householder himself. There is an underlying shyness or uncomfortableness in revealing himself to the reader. Or being so deft and intelligent Merchant is saving his real autobiography for another time. In this book all we are allowed is a glimpse of Merchant the enterprising film producer and his incredible journey..
Unlike many Merchant-Ivory early art films, Merchant's book is entertaining and written in a vivid, uncomplicated style. If like me you are familiar with the terrain (India) and time (60s the pre-inflation golden age of India), Merchant can transport you back to those giddy times. With a touch of a maestro, he brings vivid recollections of the golden age of Indian cinema of which the West knows very little. He weaves exotic connections between India's art directors (Satyajit Ray and himself), Bombay film world and Hollywood. Surprisingly, except for Bombay Talkie and a documentary, his interactions with Bombay are very limited.. It was Bombay that triggered his love of the cinema.
Do not expect to get philosophical definitions of anything from this versatile man. He sets out to make films on Indian themes. Yet, what is "Indianness" is never commented upon let alone any attempts toward defining. Ironically, Merchant's first feature film (Householder) meets with limited success in New York, not because of any unique "Indianness" but because of universal human qualities and situations it depicts: An intrusive mother-in-law, compliant Son, a stubborn, independent daughter-in-.law and falling in love all over with spouse in her absence. Indians are not that different after all!
Many readers will not pay much attention let alone be bothered. What did bother me was the apolitical nature of Mr. Merchant. With the exception of his boyhood partition memories, no political events on any continent, including those that effect him are mentioned. Maybe art films can be separated from politics. But why is his book so apolitical is beyond me. Ironically, to this day Mr. Merchant is harassed by the corruption that pervades India's governments. Still he has very little to say about politics and its effects on people. When Utpal Dutt (actor with a leading role in his film The Guru) is arrested, Merchant approaches the Prime Minister of India, Indira Gandhi. With some manuevering Dutt is conditionally released by the West Bengal communist government. The film is made. Merchant, however, does not question the arrest. Individual rights, rule of law, abuse of government powers are never mentioned let alone questioned. (No mention of Nehru's death or Indira Gandhi's murder. No mention of the deteriorating conditions in India-- the mismanagement of public resources and the duping of the public, mobsters , the Hindu-Muslim riots taking of innocent life--all the unpleasant realities of India are meticulously avoided. Maybe it is bad marketing to expose the underbelly of India.
Yet Merchant is exposed to this underbelly in his own account while filming the Courtesans of Bombay, in the red light district of Bombay. He, first hand, encounters the exploitation of woman by hands of criminals. He witnesses switchblade fights but does nothing to expose the sad plight of the dancing women. The dance of life must go on. That the government has failed is not obvious to Merchant (I told you he was very apolitical) Is there honor in receiving the Padma Bhushan from such a failed establishment?
Okay, when it comes to socio-political realities, Mr. Merchant is neither a Charles Dickens or Mark Twain. What Merchant lacks in political depth he makes up in an effusive sense of humor which can compete with either Dickens or Twain. My Passage From India, is a great, true short story that will enthrall, in particular people familiar with the terrain and time. There is a joke or a quip embedded in every page. Like all great men Mr. Merchant undoubtedly has a great sense of humor, passion for life which, of course, includes food . I can go on and on (like Aan, Nimmi's great Hindi film which made an impression on young Merchant and goaded him to follow his calling.) But in deference to short artistic film I must stop.
I do not know Mr. Merchant personally nor am I connected in any way with Merchant-Ivory company. Nor am I am being paid to write this. Therefore, my advice is unbiased. Go ahead and buy My Passage From India Especially those who love Indian literature in English. As with the legendary Merchant cuisine (I trust his judgment on that) this book shall not disappoint.
Wonderful ReadReview Date: 2004-04-20
It has the makings of a classic book - Its entertaining, informative, uncomplicated and is about the journey of a man whose dreams came true. I couldn't stop laughing when he mentions about the many incidents and decisions he made. I admire the common sense, persuasive skills and fearlessness of the man. I highly recommend it.

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a fan of Blue's CluesReview Date: 2008-10-06
A favorite of my preschooler!Review Date: 2007-08-09
Daughter LOVES this book!Review Date: 2007-06-13

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A Champion!Review Date: 2005-09-19
Inspiring and MotivatingReview Date: 2001-07-04
Inspirational, thought provoking and even a tad irreverant.Review Date: 1998-12-31


GreatReview Date: 2007-06-24
In-depth look at a shallow movieReview Date: 2006-12-11
"Mythic vision:The making of the movie Eragon" by Mark Cotta Vaz provides a fascinating glimpse into Stefen Fangmeier's heroic attempt to make a dull,derivative book into a fun film.Vaz first follows the self-publishing quest of the author,Christopher Paolini,who through the magic of marketing,became an overnight success.Paolini's Montana boyhood is briefly touched upon--but since this is a book aimed at kids,not teens--it doesn't mention how his parents once belonged to the survivalist cult Church Universal and Triumphant headed by Elizabeth Clare Prophet.
Next,Vaz explores technical aspects of the movie.He shows how the battle of Farthen Dur--which is set in a volcanic crater--was filmed in an actual volcanic crater in Hungary.He tells of how a designer for rock stars made the leather pants&armor.
The most interesting part of the book is the exploration of how Stefen Fangmeier adapted the original "Eragon" and took extensive liberties.For example,in the book,Daret is a useless tangent;in the movie,it becomes the setting for Angela's prophecy to Eragon&it is a city built on a lake.In the book,the Urgals look like Minotaurs;in the movie,they look like barbarians.In the book,the Ra'zac are giant ravenlike beings;in the movie,they resemble mummies.Fangmeier took extensive liberties with the book because the original is deeply flawed.
"Mythic Vision" is a great,fun read.
Never Seen Anything Like ItReview Date: 2006-03-31

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New York MinuteReview Date: 2004-10-25
I really liked the book because it's like a mystery. I would recommend this book to girls because boys wouldn't like it. Also for girls that like mystery type of books. Another thing is this is a Mary-Kate and Ashley book so it could be for Mary-Kate and Ashley fans. This was an exiting book and I couldn't keep my eyes out of the book.
New York MinuteReview Date: 2004-10-25
I really liked the book because it's like a mystery. I would recommend this book to girls because boys wouldn't like it. Also for girls that like mystery type of books. Another thing is this is a Mary-Kate and Ashley book so it could be for Mary-Kate and Ashley fans. This was an exiting book and I couldn't keep my eyes out of the book.
Jane is so classicReview Date: 2004-06-07

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At last a great trivia and reference book on Film Noir!Review Date: 2007-07-08
- Through the trivia questions, the book is an enjoyable source of entertainment for the film noir lover, and even let me learn some stuff about my favourite movies;
and
- The list at the end of the book serves as a thorough reference to complete one's knowledge of all the film noir movies out there.
Highly recommended!
Film Noir Trivia for Movie LoversReview Date: 2007-06-26
Great book of film noir triviaReview Date: 2007-06-25
Truly a must for the classic movie lover.

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Extra ordinary road.Review Date: 2008-10-10
What a captivating read! Mr. Relyea has given us a great look at the inner workings of Hollywood and making movies. As we look at movies in the theater and at home we have no idea of what it really takes to make a movie.
One cannot imagine how hard it is to work with temperamental actors and actresses, trying to stay in budget and be politically correct at the same time. The author did a great job on comparing how movies were made early on as compared to today. After having worked with them, Relyea talks about the temperaments, wild requests and affairs of such great talents as Steve McQueen, Audrey Hepburn and Charles Bronson.
Can you imagine working at remote locations where bugs bite, snakes are in the water and the heat is unbearable? The creative descriptions of many great movies put the reader on the set and in tune with the actors. "Not So Quiet on the Set" by Robert E. Relyea is a great read for anyone who remembers the great stars and how wonderful old movies were without the digital enhancements.
An enlightening and wholly entertaining read.Review Date: 2008-09-02
Craig embellishes this fine work by describing the impact a life in film had on the family. His is the voice of a son who is very proud of his dad. It's a marvelous collaboration.
This book is intense, very funny, and humanizes so many of the cast and crew who jointly created so many renowned films during 4 decades of filmmaking. It's a great insight into many of the crew-members responsibilities. He's also very honest as he describes interactions with some of the many recognizable people he's worked with over the years. The book takes you through the full gamut of emotions associated with balancing a very difficult job with family, friends, business associates. He relays some great and eye-opening moments with some of the most brilliant and popular actors of that era as well.
Excellent Guide On How Movies Are MadeReview Date: 2008-07-18

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Amazing FilmakerReview Date: 2005-11-02
Great book for Early SNL fans like meReview Date: 2005-06-30
A WinnerReview Date: 2005-06-17
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