Movies Books

Great as usual, If you've bought the previous ones, there's no reason not to have this one. I you haven't, what are you waiting for?!

Excellent production. Seeing old movie clips is fun but I really hoped that WB would release twelve "Order of the Phoenix" photos instead.

The calendar was ordered by mistake. I actually wanted the day-by-day calendar. I didn't realize the error until it arrived in the mail. The customer service guy was very courteous and helpful. He showed me how to return that calendar so I could order a new one. Thank you...

I think this desk calendar is one of the best I have seen. There are so many pictures( one for each week). I love Harry Potter and been a fan since day one, so this calendar took my dedication to Harry Potter to the next level. I use this calendar for work to write down my times I am working. It has pretty big spaces to write stuff down. Maybe around 1-2 inches tall and maybe 6 inches across. I think this is a most have for those Harry Potter fans, like me, who need to keep organized.

This is the second calendar (I also bought the 2006) and I love it. My parents were even impressed with the quality of paper, that is used in the making of the calendar. Just wish they had included more pictures of Richard Harris as Professor Dumbledore.

"How to Write a Screenplay" is a superb guide to the craft of cinematic storytelling and the process of rendering that story into the standard screenplay format. The book also includes detailed guidance on the pitch and development stages of the screenwriting process. Schwartz effectively delivers his lessons because "How to Write a Screenplay" seamlessly marries form and function. The book itself is in the form of a screenplay, and therefore serves as an ongoing example of the points it presents. This is an extremely effective pedagogical approach because the reader's attention is not divided between separate narrative text and examples, but fully engaged at any moment in an interesting story that illustrates its points in concrete terms.

In the introduction to his book, Schwartz states he has seen the quality of his screenwriting students' work dramatically improve after utilizing this approach; I have no doubt that this has been true for him, and will also apply to those who read his excellent book.

This is by far and away the best book I've read on screenwriting. It's really insightful, informative, and entertaining. I found myself laughing while learning! As others have noted, this clever little gem is a fast and fun read, a how-to book that is actually written in the form of a character and story-driven screenplay. Like a good movie, I kept turning the pages, wanting to "see" what would happen next. Before you get to the feature length screenplay (titled Screenwriting for the Hell of It!),it has a funny short script about pitching, and takes you by example through the steps of development. I can see why a great director like Wes Craven recommends it. Very cool!

The latest edition of HOW TO WRITE: A SCREENPLAY appears in its revised, expanded edition to add a chapter on 'The Pitch' and features a screenplay-like format which sets it apart from others on the market. Danny, the hero in this story, is hopelessly in love with a star who won't date him until he proves he can write an outstanding screenplay for her. Learn the basics of writing and marketing a screenplay through a format that lends to lively insights: perfect for any public library or school collection catering to aspiring screenwriters.

Diane C. Donovan
California Bookwatch

The addition of a section on "pitching" in Mr. Schwartz' Second Edition is the icing on the cake of his excellent guide to screenwriting. Having worked inside the studio system for several decades as a story analyst, development executive, and producer, I've seen many cases where a screenwriter had a good story and/or script but failed to sell it because he/she blew the "pitch." As he did with screenwriting in the First Edition, Mr. Schwartz provides the keys to successful "pitching" in his user-friendly format: keep it simple, clear and entertaining. I will continue to recommend Mr. Schwartz' book to writers, producers and development execs as a very useful tool in developing, and NOW in selling screenplays.

In summary, like a good movie, this is highly entertaining and educational!
There, now that that is out of the way, let me say I was initially skeptical about this book and its overwhelmingly good reviews. The reason is a character flaw (I think): I don't trust positivity.

However, it wasn't too expensive and Amazon would ship it to me in record time so I thought, what the heck and ordered it. It's a small book, and I was expecting it to be. After all, it's in the format of a screenplay and those shouldn't be more than 120 pages or so, right?

On starting to read, straightaway, I was hooked. The story used is a bit corny, but--I couldn't believe it!--I wanted to know more: what did Virgil want? Who was the stranger in Bebe's apartment? Does Danny finish the screenplay? And right along with all that, I was actually learning about structure, character, theme, dialog and exposition; all in a way I never would have thought possible.

And at a speed I never thought possible either! I was learning how to write a screenplay and how to make it interesting and watchable, without the impediment of translating jargon and quasi-indecipherable jibber jabber. I blew through it in less than two hours and I thoroughly enjoyed every minute. One of my highest recommendations and kudos to the author for finding a pleasant, funny, and incredibly insightful way of transferring knowledge.

Since this is written much as a diary of a young WW2 fighter pilot there are some sections that, like life, are a little tedious. That fact aside I found Mr. Lopez's work an interesting and inciteful view of the famous Flying Tiger unit after it was absorbed into the Army Air Force after the US officially entered the war. I highly recommend the book to anyone interested in the China theater of the war and how it was used to get the Japanese to attack us and get us involved in WW2. The vivid air combat descriptions are great insights into what pilots of that era were up against as opposed to the "video game-like" air battles of today.

Haven't read a pilot's memoirs for quite a while, although doing much more of it now. Into the Teeth of the Tiger was the first of a long line of new purchases that I need to read and it was well worth the purchase. Mr Lopez, while an excellent flier and leader, is also a wonderful writer. He writes with modesty and is not afraid to describe his errors in addition to his successes. The action sequences are superb and the humour used by the pilots and crews to lighten things up a bit is guaranteed to generate a smile and even a chuckle. Of course, this is war and the deaths of friends and the treatment of the civilian population was no doubt shattering for all involved. I get the impression that this book has become somewhat of a classic and justly so. It is a well-written account of a less publicised theatre of the war by a (then) very young pilot. What these guys did at 20-25 really puts things into perspective. A bloody good read!

I've read a lot of World War II flying book and this is the best! Mr. Lopez writes well and tells the unvarnished truth of what it was like to fly a P-40 against an agile and determined foe.

Don Lopez was a 23-year-old fighter pilot in the 14th Air Force Flying Tigers, flying a war-weary P-40 against the Japanese army air force in such close combat that he once took a wing off a Nakajima Ki-43 Hayabusa ("Oscar"). Good pilots are easy to find, and so are good writers, but Don is that exceptional individual: a pilot who can write well and to the heart. This book is a keeper.

This is an engrossing story of a young fighter pilot's experiences flying P-40s and P-51s in mid to late World War Two with the 75th Fighter Squadron in China. Donald Lopez writes excellent flying sequences and conveys the essence of the people he flew and fought with. A good read if you have any interest in military history or aviation.

The Bond Lover's Bible is how I would describe this book. It is highly detailed (with references to Bond books and films)and exceedingly well-structured, whilst looking up references around the capital is simplicity itself. The book should be far more widely known than it is - not only because it is so very good, but because its companion volume, the almost completed "James Bond's Britain", is apparently unlikely to make it into print on the strength of sales so far for "James Bond's London". Highly recommended!

As a James Bond fan, having just gotten home from a trip to London, I have to say, having this book with me was truly indispensable. I found myself looking up the places where the Bond films were shot, and the book give you the details on how to get there, including subway stops. As one person said, a map would have been real helpful, but the information is pretty extensive without it. I highly recommend it.

An excellent compendium of places and locations that have played a part in both Bond Books and Bond Films. The detail and descriptions are impecable and Gary's research has definately paid-off.

Particular note goes out to the two introductory writers, Peter Hunt and Christopher Lee, who both offer excellent background and depth.

One downside is that a map would have been quite effective to achieve the sense of geography and distance to these locations. As only a one-time visitor (so far!) to London, I don't quite know the relationships to the districts and locales, etc. In this case a map would have been quite helpful.

James Bond and London, the capital of Britain, go hand in hand. A James Bond adventure, whether it is cinematic or literary, would hardly be complete without some form of patriotism towards Mother England and off hand I can only think of a few adventures (mainly short stories) where no scenes talk place in Britain. This simple fact, coupled with the fact that every man wishes to be like James Bond, gives good reason for a book such as James Bond's London to be written.
Gary Giblin took up the challenge of writing such a book in January 1998. I shall not go into full details here as they're covered in Jordan Charter's interview located here. However, what started as a book entitled James Bond's Britain eventually had to be subdivided into two books. As a result of a lot or hard work James Bond's London was published in December 2001.

To begin with, James Bond's London isn't your average book, nor is it what I originally envisaged it would be; but that's not a bad thing, quite the opposite actually. What Giblin has presented is a travel guide to the world of James Bond in London. Quite simply, the book is the most useful source for anyone who wants to travel in the footsteps of James Bond, something, which could easily seem a mammoth undertaking.

Giblin has been very particular in the material that he has covered. By his own admission in an interview with CommanderBond.Net he has omitted literary material not written by Ian Fleming; of course indicating he is a purist to the work. Giblin has also omitted non-EON Productions cinematic material; again a sign of purity as there is only one true James Bond film series.

That said, the amount of material Giblin has included is still amazing. There a literally hundreds of locations that can be found in the novels and in the films. What is most amazing about the film locations is how many of them were used for non-British locations in the films. For instance the car park from Tomorrow Never Dies is actually in London and not Hamburg. Also, aside from locations that we read of and watch are locations where significant events of the Bond world took place. For instance, the birthplace of Ian Fleming or the former offices of EON Productions. If it's Bond related and it's in London you'll find it in "James Bond's London".

Thankfully, for those of us not well versed in travelling around London Giblin has an explanation of how to get to each location. Not only does he include the standard address, suburb and postcode but also details for getting there via the London Underground. As a part of this he's mentioned the platforms and the stations one should use and once leaving the station which streets one should follow.

The locations in the book are also well categorised. Rather than organising the locations by film, novel or perhaps relation Giblin has taken the initiative of organising them by location. So one could simply spend a day in a certain part of London and visit several Bond related locations. The guide makes it that simple.

As for the detail on each location Giblin has included quite a lot. To describe each location Giblin has used icons to begin with; for instance a clapperboard icon represents a film related location. As a part of the textual description for each location Giblin has not only included Bond related information but information on the locations non-Bond history. Readers will not only learn a great deal about Bond but a great deal about London too.

In passing good comments about the work that Giblin has done one must also highlight downfalls to "James Bond's London" - something that is not an easy task let me assure you. While I can find no fault in the material that Giblin has presented I must say that I was disappointed to find that the book was not offered in a hardback edition. However, in saying that one can definitely appreciate the fact that Giblin and the Daleon, whom published the book, made all attempts to keep the prices low. My only other complain is about one of the icons in the book; the skull and cross bone. The icon is disproportionate and according to Giblin this is a problem that occurred at the printers.

All in all James Bond's London is a must have for any Bond fan of any calibre. Gary Giblin has researched extensively into all aspects of the locations and the films and help from Bond legends such as Peter Lamont have made this a completely unique and factual reference guide.

This book gets high marks as it is invaluable for discovering exact London references to buildings (hotels, restaurants, etc) associated with James Bond (the films and Ian Fleming). The reviews that others have written about this book are right on the mark. Congratulations Gary.

Also of interest is Gary's Alfred Hitchcock's London. Check it out.

My daughter and I really like this colorful and thorough guide.
It has lots of information and feels like a Field Guide we can take anywhere.

My 4 years old son is a dino lover, and enjoyed the book very much. Especially, he favored the attached mini poster with small images of many dino species.

My 5 & 6 year olds who have been obsessed with dinosaurs for the last 3 years, love this book. They sit and read for HOURS and have learned all the specs on their favorite dinosaurs. As a parent, I think this book has a lot of great information and is simple enough for my 5 year old to read. Hope this helps!

I have a 5 and 7 year old. We all think this book is great! It's colorful and informative and Up-To-Date! One feature I enjoy pointing out to my kids is the little images which compare the dinosaurs size to a human child's size. That way we get an even better idea how big the creatures were.

Promising high interest and educational quality alike is this dinosaur 'field guide' for all ages, which packs in museum-quality dinosaur illustrations, expertise by two paleontologist authors, and details on dinosaur digs and places to see fossils in the field. Web sites, museums, and bibliographies are also included in this highly visual, appealing guide.

I first decided to watch A&E's Horatio Hornblower because I had caught a glimpse of Ioan Gruffudd, and thought he was very handsome. But, as I watched, I got caught up in the movie, and thoroughly enjoyed the whole series. Then, when I learned there was a behind-the-scenes book availiable, I knew I had to have it. I tried all the local bookstores (and some not so local, too) with no luck. Then I tried Amazon, and I finally got my book. It is a great book, with loads of candid pictures and still frames from the filming of the series. I enjoyed learning how all the battle scenes were filmed, about the use of scale models, and all the hard work put into the filming of Horatio Hornblower. I would definately reccommend this book to anyone who liked the series. It is a wonderful, informative, and captivating look at the behind-the-scenes action of the best miniseries I have ever seen, Horatio Hornblower.

To all,

Mr. Gruffudd's performance in this movie was absolutely spectacular. I don't think that it is possible to give an amount of stars on this movie. All the actors were great, including stand out acting by Robert Lidnsey and Jamie Bamber. I think this is defintely a book everyone should read, and a movie for all to enjoy.

I'm Out,

Val

Whoever found Ioan Gruffudd for the role of Hornblower should be rewarded 10 times over and then some. This book is chock full of fantatic pictures and great insite into the making of this exciting series. I laugh out loud at some of the humor laced throughout this book. The pictures are worth owning this book for on their own, is a must own for any fan of Hornblowaaahhhhh!

If you are a Hornblower fan you must have this book! First, the photographs are amazing including captures from the hit A & M mini series to back stage candids, technical details and beautiful portraits of the stars. Second, the written commentary if fantastic. The writer goes into details of the complexities of filming in a foreign place, supplying food, costumes, transportation and everything else. It also talks about the Grand Turk, the ship they filmed the mini series on. It was interesting to read about how the crew from the film had to work with the crew that actually operated the ship, the movie sailing cast and the makeup and wardrobe people, all on what seems to be a pretty small ship. This book is very well done, and really should be owned by any true Horatio Hornblower fan.

I love this book. Aside from the tons of great pictures of the cast, it gives a lot of background on all the characters - including the boat that they used to for filming.

There are brief synopsis' on all the movies as well as a brief rundown of the characters we meet in each movie.

Wonderful interviews, beautiful pictures, and indepth characterization from the actor's perspective.

This is a great book for any Hornblower fan!

I didn't know if I would like it when I first bought it, but as soon as I started reading I fell in love with it. I was great, it tells you all the details about the movie, how each scene was shot and the special effects. It also concentrates on every character, not just on Mulder and Scully. I think it is great. If you are a true X Files fan, you have to have it.

The book was good for what it was. It goes into great depth of how hard it is to make a movie. I thought the book got boring at times. I would recommend this book to the true x-files fan or just anyone who wants to see how a movie is made.

The book was good for what it was. It goes into great depth of how hard it is to make a movie. I thought the book got boring at times. I would recommend this book to the true x-files fan or just anyone who wants to see how a movie is made.

This book was written for everyone....from newbies to real X-files addicts. It takes you to the whole process. A definitive must-read. You'll enjoy it!

It contains great pictures and sometimes exhaustive details about the making of this feature film. From the concept of the movie to post production work, you get an inside look at all of the planning and hard work involved in getting this film into theaters. If you are interested in the steps involved in movie-making and the X-files in general then this book is for you. It gave me a better appreciation for the movie.

Lots of good pictures and stories behind the filming of the show. If you are a fan of Andy Griffith, you can't go wrong with this book.

I've never seen such a great Mayberry book before!! It has many wonderful pictures, and tons of great history. I read this straight for around 3-4 hours, and it has great memories or the actors reminiscing... Ah, well, it's worth buying for the price, this book is worth it!! Very high quality.

I recently bought this book for my grandparents. It was such a joy to sit and watch them remember back on all the episodes they had watched. If you were a fan of the Andy Grifith show this is a must buy for you

This a very unique book on a unique show. It is not the usual Ken Beck and Jim Clark quote book with quotes taken directly from the show or text describing the characters or episodes. The text briefly describes each season and the rest of the book is filled with photos and quotes from the actors (many bit players), writers, producers, etc. The quotes range from talking about certain actors or scenes to behind-the-scenes tidbits and general feelings about The Andy Griffith Show. It reads like a scrapbook. Many of the photos I have not seen in any other TAGS book. There are a lot of behind-the-scenes photos. Some of my favorites show the cameramen, lights, and equipment as scenes were being filmed. There is also a cool aerial shot of the set of the Forty Acres lot in Culver City that was used for downtown Mayberry (p. 44). I also like the photos of TAGS memorabilia (TV Guide and comic book covers). The photos start with early publicity and scene shots from the pilot episode on The Danny Thomas Show and go on through all 8 seasons of TAGS, ending with photos and quotes on the spin-offs Gomer Pyle USMC, Mayberry RFD, and the 1986 reunion Return to Mayberry. Many people are quoted, but some of them include producer Sheldon Leonard, assistant producer Ronald Jacobs, music director Earl Hagen, Rance Howard, writer Jack Elinson, producer Aaron Ruben, Elinor Donahue, Margaret Kerry-Wilcox (played Bess Muggins and Helen Scobey), Joy Ellison (played Mary Wiggins, Opie's choice for Miss Mayberry), members of The Country Boys, Kit McNear (Howard McNear's son), James Best, Renee Aubry (choir member), Don Knotts, Julie Adams and Sue Ane Langdon (both nurse Mary Simpson), writer Harvey Bullock, Keith Thibodeaux (Johnny Paul), Jim Nabors, Jack Prince (Rafe Hollister), members of The Dillards (The Darlings) Mitch Jayne, Dean Webb, Rodney Dillard, Doug Dillard, their on-screen sister Maggie Peterson (Charlene), Bernard Fox (Malcolm Merriweather), Howard Morris (director as well as Ernest T Bass), director Earl Bellamy, Ron Howard, Clint Howard (Leon), Mary Grace Canfield (Mary Grace Gossage), George Lindsey, Betty Lynn, Hal Smith (on riding a cow), George Spence who was Frank the boyfriend in "Guest in the House" (there is an entire page on his memories of the show), Dennis Rush (played one of Opies pals, Howie Pruitt/Williams), Ruta Lee, Jack Dodson, Ken Berry, Paul Hartman's grandson Bill (one of my favorite quotes. He talks about how fans sent his grandfather Emmett radios and toasters to fix), Jack Dodson's widow Mary, associate producer Richard O. Linke, Arlene Gonlonka (Millie). Not an exhaustive list, but you get the idea. The quotes are all very positive. No bitterness in Mayberry.

My only qualm about the book is the lack of coverage of one of my favorite, and greatly unappreciated, characters Warren Ferguson. No Jack Burns quotes, I guess that is understandable. But beneath one of only three photos of him is the sarcastic caption: "Andy hires Floyd's nephew Warren Ferguson as Mayberry's new deputy, `know what I mean, huh-huh-huh?' (Please don't get him or us started)." Not keeping with the Mayberry spirit, in my opinion. Oh well, you can't have it all, I guess. The book ends with a very useful episode guide that includes a synopsis of each episode (some even include some extra tidbits or trivia) and guest characters with cast credits. It is an excellent addition to any TAGS fan's collection.

An excellent book and well put together. You will find amazing photographs of all the characters in the cast...and then some. One of the most interesting photos, in this book, is one of an ariel view of the Mayberry Town near Culver City, California. An actual town within a town.

I have read other books and also found them interesting with regard to the Andy Griffith show, but it was great to see all the pictures and read the personal comments of the stars and the people behind the scenes.

I believe that anyone , like myself, who really loved the show will enjoy this a great deal. Well done. This was one of my all time favorites shows and this book shows a lot of the people who made it such a great series.

McDonagh assembles a fun collection of succinct, celluloid-savvy chapters covering an impressive range of cinematic subgenres, from silents made in the sound era ("Hush!") to killer Clauses ("Bad Santas"), along with insightful filmmaker sketches (e.g., John Frankenheimer, Abel Ferrara). With a style at once erudite and breezy, McDonagh's book supplies fun for hardcore cinephiles and useful recommendations for casual viewers.

If you love movies, or have friends who love movies- this is one of the most fun, informative, and entertaining books you could own or give as a gift. What a blast.

I love this book and use it as a point of reference all of the time. I read a page or two at random and it sparks an interest in a film that I have never seen or have not seen in a long time. Then I get the DVD and view it with a new set of glasses -- a fresh perspective. Some of the anecdotes have me laughing out loud. If you Love movies (like I do) then you'll love MOVIE LUST.

I have long been a fan of McDonagh's snappily written and imformative column "Flick Chick" and this newest addition to her published work doesn't disappoint.

Book Lust is divided into cleverly titled sections that reflect the intelligence and humor that I've enjoyed in her reviews on the [...] site. The groupings of films are unusual and thought-provoking. My particular favorites are: Back to the Beach, Bad Santas, Everything is Beautiful at the Ballet, On the Road (a wonderful list of road movies I can GUARANTEE you've never seen listed together before), Science Fiction Double Feature, Subway Series, that 70s Picture Show, and the Zombie Stomp. And the occasional personal comments truly spoke to me (like watching King Kong on Thanksgiving-what was up with that?-and I'm dying to know what was the reaction she mentioned to the spider creature in John Carpenter's The Thing when the author first saw the film).

All in all this is a smart, funny and interesting book for anyone who truly enjoys movies. I am looking forward to purchasing More Movie Lust, or perhaps it should be entitled Movie Lust: The Sequel.

Some people who feel they already know a lot about movies may automatically turn up their noses at a book of "Recommended Viewing for Every Mood, Moment, and Reason," but they should do a double take where MOVIE LUST is concerned. This is a very smart, very savvy book, written without pretension or a narrow focus -- and I say that as someone who knows a lot about movies. It covers everyone from Jean Vigo to Ron Jeremy, and always with the same intelligence. Maitland McDonagh's way with words serves to stimulate the appetite to finally track down long postponed classics, to blaze new trails of viewing, and to revisit old favorites. If your DVD collection is even half the size of mine, you probably have trouble deciding what to pull off the shelf for an evening's viewing. If that sounds like a problem you've had before, I recommend spending ten minutes or so browsing through MOVIE LUST before tackling your monolithic wall of viewing options. It's so much fun to peruse, in fact, you might find yourself spending the night reading instead. I give this book 5 stars because I feel it fulfills its purpose admirably.

I own both made for TV movies and all 20 episodes. Darrin McGavin was perfect for the role of Kolchak. I waited every week for a new episode, and was scared every minute as I watched them. The shows/movies not only keep you in suspense, but make you wonder; did it really happen? (If you do not understand that last statement, you never watched the show/movie.) Mr. Dawidziak did a fantastic job of writing this book. Every angle is covered from the movies and shows. The stories behind the shows are very interesting. I have the 25th Anniversary tribute issue. There are interviews with the surviving cast plus photos, biographies, and an episode guide are only part of this compendium. Carl Kolchak is a character that will live forever, read this book and you will want to watch the series. And for those X-filers out there, you need this book: because it is the inspiration for the X-Files.

It is funny; I have always loved the Night Stalker series and did not know this book existed. I flew to Seattle, Washington to tour the underground city I saw on the 2nd Movie, "The Night Strangler" and at the end of the tour in the gift shop was this book, hidden in the corner. They told me they use to make reference to the show during the tour, but for the last decade or so, no one knew what they were talking about. This came up because when they asked why we were on the tour, my friend told them I made him come on the tour because of the Series. (It is true) :-)

I ran across the night stalker on cable a couple of years ago. Despite it's age I found I really loved the show. It has a great mix of humor along with the 'horror'. (the horror is the most dateable bit).

This book gives you great background to the series (and why there is so little of it) and the actors. It also includes a fully detailed episode guide and a critical evaluation of each episode.

For people who enjoy the night stalker or who want to know more about the show or actors/producers you can't go wrong with this excellent guide.

Mark Dawidziak has put a lot of work into this companion, which documents the development and demise of a television series before it's time. I remember all too well those Friday nights from 1974-1975 watching Kolchak: The Night Stalker in my youth. Dawidziak's book does not disappoint. The book is full of documentation and photos, not to mention it's documented confirmation of Kolchak: The Night Stalker television series' influence on Chris Carter's The X-Files. Personally, I still think The Night Stalker was a better series. It's too bad Dawidziak didn't have more episodes to work with, due of course to the show's premature cancellation.

Mark Dawidziak's first attempt at a history and critique of the Kolchak mythos was Night Stalking: A 20th Anniversary Kolchak Companion (Image Publishing, 1991), sparsely distributed and now a collectible. Aided by Kolchak creator Jeff Rice, he then wrote Grave Secrets (Image, 1994), the first Kolchak novel since Rice's novelization of Matheson's Night Strangler teleplay. Rice was pleased with Grave Secrets, but not with Image's dismal distribution. He withdrew literary rights to the character.

Details are in Dawidziak's Night Stalker Companion, a heavily revised and updated version of Night Stalking, and a well-structured chronicle of the rise and fall and afterlife of Carl Kolchak, a hard-boiled reporter who investigates supernatural and extraterrestrial crimes. Dawidziak interviewed all key players, and while he accentuates the positive, he does not eliminate unpleasantries. Kolchak would expect no less from his biographer.

Kolchak first appeared in The Kolchak Papers, an unpublished 1970 horror novel written by newspaper reporter (and actor) Jeff Rice. Rice submitted it to Richard Matheson's agent, who sold TV movie rights to ABC without first signing Rice. Rice had hoped to adapt it himself, but the agent had already secured the teleplay assignment for Matheson. Dawidziak adds, "It's important to note that Rice does not in any way blame Matheson for what he views as shady Hollywood dealings."

Dawidziak's Dan Curtis comes off as a bit of a bully, or at least possessed with a Hollywood ego. When ABC bought the rights to Rice's book, Curtis was executive producing the last season of that network's Dark Shadows. "'I wanted to say good-bye to it so bad I couldn't see straight,' Curtis reflects. 'We got around to the last year and I was completely tapped out ideawise. And we ended up with some dreadful stories during that last year. It was like being in jail.' " Dark Shadows did afford Curtis the opportunity to direct a feature. Dawidziak cites House of Dark Shadows (1970) as Curtis's directorial debut, followed by Night of Dark Shadows (1971).

When Barry Diller asked Curtis to produce The Kolchak Tapes as the TV movie, The Night Stalker, Curtis requested the director's chair. It had already been given to John Llewellyn Moxey (Horror Hotel 1960, aka The City Of The Dead). Curtis didn't interfere with Moxey's authority on set (and it was a happy set), but he'd grumble to McGavin, "Will you look at the setup Moxey has here. What's he doing?" [Curtis contradicts this version of events in his interview on Night Stalker/Night Strangler DVD, claiming that he was offered the director's chair but turned it down, and that he himself sought out Moxey.]

Despite Moxey's setups, The Night Stalker was a ratings success when it premiered in January 1972. So too The Night Strangler, its 1973 sequel. Curtis got to direct. Rice was less fortunate. ABC press kits and trade ads hadn't credited Rice for the first film. Rice lobbied to script the sequel, but was given the runaround by network and studio execs. Instead, he wrote the novelization for Matheson's teleplay. Dawidziak says of Rice's original deal, "No sequels or series could be made without Rice's permission." Apparently, Rice didn't press his advantage.

The Night Strangler ended with bad blood between Curtis and lead actor Darren McGavin. Near the end of the shoot Curtis "was berating the crew something awful." McGavin defended them, then quit. Curtis insisted he stay for closeups, but McGavin replied, "You've got enough film. Make your movie. Goodbye."

If Curtis comes off a bully, Rice sounds paranoid. Rice tried vainly for years to launch a series of Kolchak novels and comic books. He sees two factors blocking him. Publishers "keep trying to acquire the rights for pennies and balk at paying Rice nearly anything at all, doing their best to keep Rice from doing any writing if possible." And Rice fears "that deals are fashioned with the intention of keeping Kolchak locked up and off the market."

Rice has reason to be paranoid. He first learned of ABC and Universal's plans to produce a Kolchak series from the April 24, 1974 issue of Daily Variety. No one informed Rice about a series in the works, even though his contract forbade a series without his permission. Rice tried to coax Universal into buying the rights it was exercising, while simultaneously working on script ideas for the show and a contract for future novelizations. When in August Rice's attorney requested that Universal "settle the rights question," Rice was barred from the lot. His calls were no longer returned. His novelization deal collapsed. Rice finally filed suit in March 1975, shortly before Kolchak was canceled. The suit was settled nine months later. Rice never "made it" in Hollywood, either as scriptwriter or actor (his promised role in the first film had also fallen through). Perhaps he was branded a troublemaker. Today he's a certified paralegal.

While McGavin loved The Night Stalker film, he had no desire to do a series (he had a thriving career in TV movies). McGavin only relented because Universal agreed to let him produce. Once he was on board, Universal turned producing chores over to Paul Playdon (Dan Curtis was uninterested). Determined to keep Universal to its word, McGavin acted as de facto producer. The tug of war between "producers" created turmoil and tension. Playdon quit after two episodes. Replacement producer Cy Chermak failed to ease tensions. Long hours and all night shoots only increased pressures. By February McGavin was begging network and studio to cancel the show. Dismal ratings granted his wish.

Yet Kolchak survived. An inspiration for Dawidziak while he was still an undergrad journalism major, the author is amazed by the many reporters he's met over the years who've expressed similar sentiments. Kolchak also inspired The X-Files, which McGavin dismisses as a humorless ripoff.

Dawidziak confronts other rumors that have plagued fans for decades (such as Curtis's plans for a feature film), making this a juicy and enlightening book. Yes, there's an episode guide. And some errors. Dawidziak says of The Night Stalker's initial 33.2 household rating: "about one out of every three people in the United States was watching Carl Kolchak track Janos Skorzeny." No, because a household rating does not indicate how many individuals per household are viewing. Nor even "about" how many.

The index is inadequate. While many of the names and titles in the text are only mentioned in passing, often as past credits, I'd want them included. The index even excludes some key textual references to Rice.

Pomegranate Press is a fine publisher for The Night Stalker Companion. Founded in 1986 by Dark Shadows actress Kathryn Leigh Scott to self-publish My Scrapbook Memories of Dark Shadows, its success induced her to release additional Dark Shadows books (all beautiful, lavishly illustrated, and informative). Pomegranate's Dark Shadows contacts likely aided Dawidziak. Dan Curtis, composer Bob Cobert, and actress Lara Parker all worked on both Dark Shadows and the Kolchak mythos.

Pomegranate has a curious custom of listing deceased actors in its Dark Shadows books, with date of death. The Night Stalker Companion follows tradition with its own R.I.P. page.

The Night Stalker was almost the forerunner of Buffy the Vampire Slayer, both in subject matter and humorous handling. It ran out of steam after a mere twenty episodes (and its forerunner pair of top-rated T.V. movies), and has ever since been nothing more than a cult favorite, unknown to everyone but its small circle of ardent fans.

Mark Dawidziak has done us all an immeasurable favor by keeping the legacy alive, introducing Carl Kolchak to new generations of viewers who might otherwise never hear his name. His wonderful book contains interviews with the principals responsible for bringing Kolchak to T.V., both before and behind the cameras, and the best available pictures from the series.

For those who are already Kolchak fans, an invaluable resource and a welcome walk down memory lane. For those who are not (yet), a proper introduction to the original supernatural super-sleuth.