Fred Astaire Books

Croce's book focuses upon the dances within each film. Her understanding of the wide range of the Astaire-Rogers filmed dance legacy, and her knowledge of what it took to achieve such excellence in performance...make this book one of the two or three main literary sources on the great dance pair. Astaire-Pan-Rogers, and Born were the team that created a choreographic wellspring, over 10 films, of highly elegant, energetic, and graceful dancing. The likes of this pair, made in heaven, is not likely to be seen soon again. They were the best, the top of the top...and they knew it. Arlene Croce succeeds in this insightful and informational book in explaining why, through dance, and personality, and professionalism, Fred Astaire and Ginger Rogers continue to appeal to such a universal audience.

Actually published in the 1970's,
Arlene gives great insight into the
dances, the casting, script, and other details.
A wealth of useful information for both
dancers and Astaire-Rogers fans.
Far and away the best book on this great team.

The Fred Astaire and Ginger Rogers Book is both entertaining and informative. Croce provides insightful commentary on the two stars' careers, their films, and individual dances to compliment the delightful pictures throughout the book. The top corners of the pages can even be used as a flip book so you can see a sample of Fred and Ginger dancing. This book has a wealth of information and is fabulous for anyone interested in the history of dance on film.

At just 191 pages Arlene Croce's FRED ASTAIRE & GINGER ROGERS BOOK is a gem. This is a classic work from the 1970'

Nathalie F Anderson is a great poet. Her language is rich, but unpretentious, full of meaning, but light and accessible. And, what is most important, her poems are most relevant. Buy this book, it's got a very reasonable price for all the treasures it contains.

Nathalie Anderson's beautifully-textured poems are a combination of fine writing, wry humor and serious subject matter.

Interested in the phenomenon of couples onscreen? No one has written about this subject with such insight and specificity previously. I never thought about how many different kinds of couples there are before this read. Or how the way popular culture uses couples has changed with time. Take a look!!

Screen Couple Chemistry was a fascinating read that provided me with new insights into the underlying structure of romantic relationships in the Hollywood pantheon. This was particularly helpful in my work as a writer and teacher of screenwriting at NYU. I recommend this book to anyone interested in movies or about to write a screenplay with a romance in it. Nochimson's view of Hollywood hypocrisy is an eye opener and a doorway for any writer who wants to find something new and original to write.

for any hardcore astaire fan this is THE BOOK TO HAVE. a huge picture book, filled with tons of great photos. astaire's career is laid out from the beginning, including his early stage work. there is a chapter devoted to each film, about a dozen pages each, giving the credits and running time, synopsis of film (with the appropriate photos),the backstory of the filming process, ancedotes on and quotes from his co-workers in each film, the critics' reviews of the time, and how successful each film was. the book is well researched and very well written. while stanley green obviously admires astaire, his writing is very objective and journalistic,with very little of his personal opinion mixed in. this is a perfect historical record of astaire's career...a great astaire book.

Prior to purchasing this item I read a review that said the book didn't say anything about Fred Astaire's personality. After reading this book, you can tell about every section of Fred's life, his up and downs, his feelings, his experiences. Mr. Astire writes in the style he lived...Elegantly written. I couldn't put the book down because it was exciting to read.

This book reveals as much about Fred Astaire in what it doesn't say as in what it tells. He was a shy man, of Austrian descent, very little formal education, and was eclipsed by his funny and attractive older sister in his days on the stage. These things shaped him into the perfectionist we saw on film. He had an incredible work ethic and was always looking for a new gimmick or dance style because he was not confident the audiences would keep on coming. He is not a natural story teller and sometimes leaves us wanting to hear more (e.g.can tell you he and a famous person had a lot of laughs together but not what they did or said that was funny). Still it is a good companion to the TV biography the BBC did about him a few years ago. All the best American composers of the day wanted to write for him (He and Gershwin were young unknowns together) and his evolution from vaudeville to Broadway to film happened during key times of all of those media. I do recommend the book if you want to know more about Fred Astaire, but not as a stand-alone source.

This book is actually one big anecdote, peppered with little things like Mr. A's first punch, trying to figure out a title for the book, and meeting his wife, Phyllis.

However, Fred Astaire does not offer much insight on how he got from point A to Z, or what made him do this and that. In other words, people who want the whys (and plan to psychoanalyze Mr. A's actions) will not find what they are looking for.

It's still a great read though, and real entertaining.

Fred Astaire (1899-1987) was, quite simply, a dance genius. He appeared on stage, often with his sister Adele, in such landmark musicals as LADY BE GOOD and FUNNY FACE; he graced at least 43 films, 31 one of which were musicals; he is, for all practical intents and purpose, American dance, and he worked with artists no less legendary than he. But for all this, his 1959 autobiography is most notable for being, well, utterly mundane.

STEPS IN TIME is essentially a catalogue of the various shows in which Astaire performed, ranging from Vaudeville (with sister Adele) to SILK STOCKINGS with Cyd Charisse. He always loves his leading lady; he always likes his director; even when the show was not as good as it could have been he finds something nice to say about it; and he never, ever offers the least bit of insight into his private life, his work, or the many with whom he worked over the years. Indeed, Astaire actually has more to say about his love of the racetrack than he does about any of his films or specific dance routines.

Fans of Astaire and the Hollywood musical will certainly want to read STEPS IN TIME, but even the most ardent fan will likely be disappointed by the superficial quality of the work. One can only hope that a future biographer will give Astaire the full portrait that he himself could not.

GFT, Amazon Reviewer

Fred Astaire tells his story in the same way he dances, with integrity and grace. I have been a fan of Mr.Astaire's for many years. The first movie of his I saw was "Daddy Long Legs." I was fasinated with the way he danced. When I found out that he had a biography I snatched a copy up. What I like about this book is that Fred Astaire wrote it himself. I found myself laughing at times, and after reading the book I felt as if I knew him personally. The best thing about this book is that it has 47 black and white photos. This book is a must for true fans of one of the greatest dancers who ever graced the big screen.

I really loved this biography on Audrey Hepburn as well as previous biography I read by Alexander Walker `Audrey Her Real Story'. What grabbed me was the cover of 'Enchantment', which is now in paperback, but I had to review the hardback edition because the photo of Audrey is my absolute favorite shot of her. As soon as I saw it I knew I had to read about her life. I got this book in January 2007. I didn't feel it went into as much detail as `Audrey Her Real Story', but both deserve a space on any fans bookshelf. The book was also an objective take on her life and that took a little getting used to. I love how Donald Spoto incorporated some of Audrey's letters to others, and poems, as well as key lines from films like `The Children's Hour'. It was well researched. `Enchantment' goes into more detail then `Audrey Her Real Story' about Alfred Hitchcock's attempt to cast her in the film `No Bail for the Judge'. Audrey wouldn't have been right in an Alfred Hitchcock picture but I love his work and it would have been intriguing. This film never went ahead. Audrey's favorite film was `The Nun's Story'. It is brilliant. Instead of chapter titles, Donald marks his chapters by the years of Audrey's life. Everything appears to be accounted for. The pictures are wonderful. I have considered reading her son's biography on his mothers life entitled 'Audrey Hepburn, An Elegant Spirit A Son Remembers' by Sean Hepburn Ferrer, but haven't done so yet. I'm sure it is excellent. I may do it one day, however right now I feel completely satisfied with my knowledge on Audrey Hepburn's life and films.

Loved the book, lots of interesting details of her life.

More than a decade after her death, Audrey Hepburn remains an ideal of femininity in cinema and a role model for film stars in the Golden Age of Hollywood. Donald Spoto has penned a biography that manages successfully to tread the delicate line between treating her with proper reverence while offering genuine insight into her life and personality.

Abandoned early on by a roue of a father and raised by a caring but distant mother, Hepburn began as an aspiring ballet dancer in war-torn Holland. She rose to stardom both on Broadway and in Hollywood with astonishing speed, winning both the Tony and Oscar by the time she was twenty-five years old. She managed her career with a shrewdness that belied her delicate, vulnerable screen persona, rarely making any missteps in preserving a carefully constructed screen image, though Spoto turns an unwavering, and to this reader unnecessarily harsh, eye on many of her most popular films. Her private life was much less perfect. The author analyzes her two relatively long-term, by Hollywood standards, but unhappy marriages to fellow cinema actor Mel Ferrer and Italian psychiatrist Andrea Dotti, and many love affairs with a sympathetic tone that avoids sensationalization. His revelations concerning the star's passionate, doomed affair with playwright Robert Anderson during the filming of one of her best movies, Fred Zinneman's The Nun's Story, make moving reading. He achieves a signal success in implying a connection between Hepburn's surprisingly voracious sexual appetites and her emotionally barren childhood without clumsily stating the obvious.

Carefully researched, as evidenced by the many footnotes, Spoto's work is on the whole a model for film-star biographies. Ultimately he achieves his goal of bringing Hepburn to life in these pages, painting a portrait of a woman surprisingly anxious and insecure despite outward physical beauty and enviable artistic and commercial success, who never found true fulfillment in her personal life (except perhaps with her last partner, Robert Wolders), but did eventually find it in her untiring work for UNICEF, before tragically succumbing to cancer at all too early an age. For Hepburn the artist, despite extended discussions of most of her important films, one might have wished for a more balanced assessment, as well as a detailed filmography, the lack of which is the book's one real defect. Still, "Enchantment" is a remarkable achievement and easily transcends its frequently tawdry genre.

When I think of some of his previous work, Donald Spoto's priorities seem geared towards including enough scintillating information for good PR and improved sales. Perhaps I've been unfair. Not only does has he done historical work (Amazon.com called my attention to his historical biographies), but this is a well-researched, non-sensationalist biography of Ms. Hepburn. If anything, it could have standed something less objective, some sort of socio-cultural analysis of how we were and remain completely smitten with her, but Mr. Spoto shows restraint. A remarkable, truely admirable figure, this book illuminates some of her many roles both in and outside of Hollywood. There are some lovely black and white photos, but not many; one's hnger for that image must be satisfied elsewhere. One book cannot do its subject justice, but this is a very good beginning. You can appreciate Ms. Hepburn without having seen a single one of her films, but I can't think of one good reason why you'd want to.

Audry Hepburn was in a league of her own. When was the last time we heard of a star of this magnitude helping a friend in business and firing his/her manager for trying to make a profit from the help? While I was aware of her work with UNICEF, I was unaware of the depth of her commitment. The trip to Sudan was hard enough to read about. I cannot imagine going there as she did.

WWII's deep scars were well hidden from public view. For most of the war she and her family had daily fear for their lives and in the end were near death due stavation. A mere 8 years later Audrey is at the pinnacle of glitter and glamor of a film career with an Oscar. The effects of the war, the trials of living with a withholding aristocratic mother, the rigid roles for women in the 50's are mentioned but not discussed. The insecurities these brought on show in her marriages, and the emphathy shows in her above and beyond work for UNICEF as

This book covers the life, but not the inner person or the times. Fortunately, she is not a star in this time. Today's even more intrusive paparazzis and career journalists could destroy her for us and for herself. Spoto does a loving and respectful job of presenting her life.

Let me start off by saying that this book is for serious Astaire fans only. If you have seen only one movie of Fred's, enjoyed it and wish to know more about the man, I suggest "Steps In Time". However, if you've seen most of his movies, listened to his music, watched his tv shows, and still want to know more than this book is invaluable. Billman covers all aspects of Fred's work. Each chapter is devoted to a different facet of Fred's career: filmography, radio, television, discography, etc. While giving the facts, Billman also mentions interesting anecdotes about Astaire that give you a glimpse at his character. Its definitely not "clinical" by just saying "Fred did this movie this year with this costar and this director". He does give that information but also mentions any difficulties with dances, how certain things were done, any problems with costars. He also includes a short biography of Fred, short because chances are if you're reading the book in the first place you're already familiar with Fred's life. I've found myself using it several times to check dates, supporting actors, and as a sort of checklist for my Fred collection. I highly recommend it even if it is rather expensive.

The format is easy to follow and it does contain some pieces of information that I haven't been able to find elsewhere. It appears that none of the people who gave reviews mentioned anything about the photos in this book. In all fairness to the buying public I think it should be mentioned that the photos are dark and some are so dark you can't make out facial features to know who is in the photo. If you are a strong Fred Astaire fan you will want this book but do not count on any of the photos when making your decision to purchase this book.

This book is a treasure house of information, packed with tidbits and anecdotes that will have you reading for hours when you only meant to look up just that one bit of info. The author pulls it off with style in a readable format that makes fascinating going out of what could have been just a laundry list of dates. His passion for the subject, and joy in sharing it, shines through on every page. I was intially put off by the high price myself until I had a chance to look at a copy, and I realized that it was worth every penny, not to mention every minute of painstaking research that went into it.

This book is a treasure house of information, packed with tidbits and anecdotes that will have you reading for hours when you only meant to look up just that one bit of info. The author pulls it off with style in a readable format that makes fascinating going out of what could have been just a laundry list of dates. His passion for the subject, and joy in sharing it, shines through on every page. I was intially put off by the high price myself until I had a chance to look at a copy, and I realized that it was worth every penny, not to mention every minute of painstaking research that went into it.

This book was recommended to me by Fred Astaire's daughter, who described it as "wonderful." I found it to be all of that and more. The author knew Mr. Astaire personally and made extensive use of the Astaires' papers (both Fred's and and his sister's) that are preserved at Boston University. The book covers the full gamut of Astaire's life and career, including vaudeville, stage, films, radio, recordings, and television. Insightful and meticulously researched, this is a "must have" for any admirer of the man who has been described as "the greatest musical perfomer in the history of motion pictures" and "the premier American dancer of the Twentieth Century."

Fred Astaire was a marvelous dancer - he made dancing look easy. He was graceful and elegant. With Ginger Rogers, he made a bunch of screwball movies that were short on plot, but musically wonderful and with dancing that was something special.
Astaire was also an elegant dresser and that is what this very short book is all about. The essay explains Astaire's very special elegance and how he worked terribly hard to make things look very easy. It's nice, but at 15 pages or so, doesn't cover a whole lot of new ground. The pictures - many of them from Astaire's Hollywood days - are, of course, quite beautiful, but for all their charm - there's something missing.

Last night I had the chance to see the magnificent Andrea Marcovicci in her "Andrea Sings Astaire" show. It was a great reminder, if such were necessary, of the profound influence Fred Astaire had on American popular music. Similarly, "Fred Astaire Style" is an excellent reminder of the man's influence on the evolution of a distinctly American approach to male dress. In an age when it's a tough decision which is worse -- contemporary music or contemporary haberdashery -- G. Bruce Boyer has given us a handy guide to what it means for a man to be well put-together.

"Fred Astaire Style" begins with a brief essay tracing the subject's biography and career, with an emphasis, as you'd expect, on his distinctive approach to style. Boyer also places Astaire's dress sense within a larger historical context of America's rejection of European style cues, the influence of the Depression, and the rise of a casual approach to men's style ("the small-shouldered, soft-chested, international sartorial look that's worn today"). After this comes many pages of great photos of Astaire young and old, in a wide assortment of dress, sporting, and casual clothes. I would have preferred that the captions accompanied each photo, instead of being banished to a few pages at the back of the book, but that's not a major complaint.

More than that, I wished this book was longer. While Boyer has done an excellent job assembling photos and providing a general overview, I'd point the reader to, for example, several books by Alan Flusser that break down Fred Astaire's style in more detail. Nevertheless, this book is both a respectful look back and a useful guide today. Fred Astaire still has a lot to offer as a modern icon. Here's to more people paying attention.

Fred Astaire has a stlye of his own and the book covered his style very well. Enjoy the book.

Mr. Boyer is a classic gentleman and in this one he writes about another.

If you have never read Mr. Boyer's works then you've missed out. Mr. Boyer's understanding of and love for classic menswear is evident and well researched. The prose is elegant and flows elegantly and as usual it is the stuff you'd expect from the man generally accepted as 'the man' in the realm of sartorial grace.

Mr Boyer has a unique way of sharing his love for the sartorial arts that makes you feel it - a rare literary ability.

I look forward to completing my collection of his work by getting this one signed along with his others. Whether you are a recent entrant to the business world or a gentleman who has appreciated the finer points of classic menswear and style for years this and all of Boyer's work is an absolute must read.

In every field there exists "The Authority". In the realm of classic men's style G. Bruce Boyer is that man. If you don't pick this up then may you spend eternity in polyester.

Well done Bruce, Thanks for shining a light on this timeless icon of style & grace as only you could!

i have many students that are researching astaire's film career. when i tell them to get this book, they stare blankly at me. i tell them it is THE seminal book about astaire. still, i get blank stares.

when i realized i have always borrowed it from the library, though, i felt like a bit of a hypocrite. and now that it is out of print, i feel like the stupid, cheapskate hypocrite for not having ever invested in it.

i can right that wrong now, thanks to amazon.com.

for someone who has never so much as done a time step or a pull back, mueller adroitly and adoringly supplies detailed movement anlaysis on astaire's great, hidden and even not too important numbers in each of his film musicals. he provides impartial perspectives on every partner astaire ever had from ginger rogers and cyd charisse to betty hutton and joan fontaine.

once again, it is one of maybe five books any dance enthusiast should own.

Probably the best book on Fred Astaire's career, this has everything, including frame-by-frame analyses of each of his dances. Mueller is obviously a fan, and sometimes finds things to praise in films that are actually pretty dull ("The Sky's the Limit," "Belle of New York"). But unlike most movie books, this one is fully thought-out, beautifully written, and just about exhaustive. Even the footnotes and appendices make entertaining reading.

for astaire fans who already own a number of books on him, it becomes apparent that some writers are so pro- ginger rogers that no other astaire partner can compare. that does not help the astaire fan who loves ALL of fred's work-- over 30 musicals total.

mueller is one of these writers. he trashes every celebrated post-rogers partnership...rita hayworth, eleanor powell, cyd charisse. he thoroughly trashes both leslie caron's and audrey hepburn's dancing abilities. he likes joan leslie and jane powell because they are similar to ginger... he feels astaire's work with vera-ellen is his "most creative" and very best work, then trashes fred & cyd's legendary 'girl hunt ballet' from "the bandwagon".

in short, whatever most film historians/critics have lauded as important, pivotal partnerships & films in astaire's career have been totally discounted by this writer. and that's a shame because there are astaire fans out here that feel his post-rogers musicals were just as incredible, entertaining, and important, and that astaire throughout his career was a master.

this ia a huge book that is well researched, but filled with mueller's opinions throughout. one must remember this book's opinions are not held by most critics, and take them with a grain of salt...unfortunately, the facts and meuller's opinion are all mixed in together... you will have to pick your way through them.

you should be able to read a book, savor the information, and make your own conclusions.

a far more entertaining, objective, and journalistic type of book would be "Starring Fred Astaire" by stanley green. this is the best astaire book i've ever read.

The Toby Peters mysteries are set in Hollywood during the 1930's and 1940's and they always involve Peters ,a PI ,becoming involved with the luminaries of the movie world .This time it is Fred Astaire who engages his services .The great hoofer is being inveighled into giving free dance lessons to the paramour of one Arthur Forbes ,a Detroit mobster who goes by the nickname Fingers Intaglia from his anti-social habit of removing the said digits from his numerous victims .Peters poses as a dance tutor and tries to persuade the lady not to take up the lessons .However things rapidly get more complicated when murder rears its ugly head .The lady in question is murdered folowed soon by the owner of a shady dance academy where she used to work and then by Forbes himself .Peters ,aided by Astaire ,sets out to track down the killer or killers

Astaire ,like all the stars in the series' books ,receives sympathetic treatment and is shown as a dab hand in a fight as well as being something of a police junkie well used to riding in squad cars as a guest of the force

The usual colourful support cast is in evidence -Peter's eccentric landlady and her interminable family history ,Jeremy the poetic ex-wrestler,Shelodon Minck the world's worst dentist

The book,like others in the series ,is light and diveting being full of charm and a great love of movies and movie people ,the whole series being thoroughly recommendable to all who enjoy vintage cinema as well as a good mystery

I found this book and series while doing an auction "online" search for movie star memorabilia. Typing in "Rita Hayworth" and "Betty Grable" brought up a list of all kinds of "goodies," among them a book called, "Dancing In The Dark." The auction write-up mentioned that Toby Peters, a 1940's Los Angeles Private Investigator for the stars, hoofs it onstage with these two Hollywood lovelies after taking dancing lessons from Fred Astaire. Well, that hooked me, so I bought this book! What a hoot! Toby is modeled after such classic hard-boiled gumshoes as Sam Spade & Philip Marlowe, but he has a heart of gold and his narratives are witty and funny. Fred Astaire turns out to be a "crime aficionado' and sounds like, uh - Fred Astaire! Mr. Kaminsky does such a marvelous job of bringing Astarie to life that you feel like you are "watching" him in the movies! The action takes place in 1943 during WW II and the descriptions of the place and times are very authentic and interesting. Any fan of the old "classic" movies of the 1940's will thoroughly enjoy this book - and the Toby Peters series!