Movies Books

Wow, at first glance, the book looks thinner than most comics, but once you dive in, you'll soon find a wealth of scale info presented in a simple and easy manner. It cleared up the application and use of the ever confusing "modes" for me, and I have several books "JUST" dedicated to the modes. Another + is the fact that it teaches you which chords to use over each scale, which is something I've never seen in any scale book. All in all, get this book.

This book isn't chock full of info but that is the beauty of it. This book explains things in the simplest of terms. It really cleared up the whole mode thing for me by explaining their relationship and giving a good description of their different voicings. If you know the modes and understand their relationship don't bother buying this book. Oh yeah, it has cool snake fingers on the cover!

I got this scale book about 5 years ago and always come back to it. Its has all the basic scales and exotic scales and modes. There are diagrams for each position and then a diagram of the scale all the way up the fretboard. For how cheap it is, this book is a great usefull buy.

It's good as a scale reference book. here you can find from synthetic scales to exotic scales, fingerins about all the freetboard... Also check "The Ultimate Guitar Scale Bible" for a much moore complete reference scale book.

Excellent book for the western enthusiast. was a little disappointed that posters were not full page but guess I'm being a bit picky.No text apart from the introduction, many memories came flooding back of favourites such as Charles Starrett, Allan Lane, Roy Rogers, Gene Autry etc.
These books will end up collectors items so strike while the iron is hot.

This review can easily apply to any of the books in the Bruce Hershenson edited series of film poster history. Hershenson rightly treats film graphics not just as pop culture artifacts but true works of art. His books are filled with a curator's eye for superior choice and reproduction, each poster in striking color and with a clarity of printing that rivals most any coffee table art book. Somewhere between advertising and illustration, film posters, like book jackets and record covers, inhabit that imaginative and atmospheric zone where one art reflects another. It's not just the history of film or the history of film design, it's a history of twentieth century Saturday afternoons and Saturday nights. How often we would go into the dark theatre armed only with the ideas and ideals of the posters outside, and then return to them afterward, perhaps with nodding affirmation or smirking disillusionment, but still a vision of what could be. This series of books should be subtitiled: THE FINE ART OF ANTICIPATION,for no matter if expectation was filled or emptied by the films behind them, their posters kept on shining.

All the great heroes of Hollywood westerns are represented in a book that's a delight to flip through. It's packed with the colorful, dramatic, enticing art that made movie posters even more appealing than the movies, themselves.

More Cowboy Movie Posters is a fabulous art book and truly invaluable, offering the highest quality images from good and bad westerns. As someone who collects western posters, I have used this book as an important aid to purchasing posters illustrated within. Without such a quality reference I would have needed to peruse a stack of catalogs to find the same amount of images. For the non collector movie buff, the book is equally a delight and tremendous value at the low price.

MOUNT ATHOS: Renewal in Paradise is a history of this land of monasteries written by Graham Speake, a frequent visitor to the Holy Mountain and ultimately a convert to Orthodox Christianity. The first thing you will notice about the book is that it is lavishly illustrated, containing dozens of full-colour pictures that vividly portray the Athos' beauty. I certainly found myself enthralled by these pictures, and read the book with pleasure.

Before recounting the traditional founding of the monastery in the 10th century, Speake gives the various legends for early monastic settlement on the peninsula, doubtful though some may be. The political workings that regulated the monastery in its early days are clearly spelt out, Byzantine though they may be. The influence of non-Greek peoples on Athos, such as the Vlachs, Kyivan Rusians, and Serbs gets a large amount of space, and Speake dispassionately reports the ethnic conflicts that have led to Slavs and Romanians sometimes finding it difficult to visit the mountain today. Finally, as the subtitle of the book indicates, Speake gives readers an idea of how miraculous the Athos' contemporary flourishing is in comparison to the moribund state of monasticism there for much of the 20th century.

Beyond the history, though, Speake's guide is also a vivid portrayal of the timeless way of life on the Holy Mountain: the existing monasteries and their ways of functioning, the relation to the church calendar, initiation procedures, the preparation of meals, and so forth. Speake even describes the baptism of his godson, an adult convert, who profited from the Holy Mountain's remarkably rigorous and spiritually constructive cathechesis. Even though this comes from a university press, the book is very dedicated to Orthodox belief and appreciates the monastic way of life and what it can teach everyday Orthodox Christians.

This is a delightful book, it makes me wish I could buy my ticket now. And it certainly makes a good gift for friends and loved ones who for whatever reason cannot go themselves. Highly recommended.

This is a first class publication (slick paper/good photographs/excellent documentation) on the history of the monastic communities on Mt. Athos. This information includes both the physical history along with the spiritual history (a sort of metahistory, so to speak). The author includes information on the various spiritual movements (hesychasts, etc) that have originated on this peninsula that, while located in northern modern Greece, is actually a sort of autonomous republic. Especially interesting is the information on the unexpected, amazing renewal that is taking place there. 30 years ago, the end of Mt. Athos was in sight. Now, new monks come and the monasteries are again flourishing. Amazing. Also interesting is the information on Mt. Athos's place in the EU, and what that membership may mean to the monks. At any rate, this is a first rate book of interest to anyone who is interested in christian spirituality in general, and orthodox spirituality in particular.

This is a history not only of the Holy Mountain Athos, but also of the monks that inhabited it and those that dwell there to this very day. Speake has done a wonderfl job covering the world's influence on Athos as well as Athos' influence on the world.

It is incredibly refreshing to see a book about a monastic community published by a secular university press (Yale University) be free of the condescension and skepticism that one would expect to find. As a matter of fact, there's a general tone of reverence for the monks' traditions. It is, however, fair and balanced in the fact that he hasn't glossed over the rough patches of Athonite history.

Speake has produced a work of scholarship that is accessible to the academic and the average joe as well as to Orthodox and non-Orthodox. That is no small accomplishment.

Many people outside of Eastern Europe and the Middle East are embracing Orthodoxy today. This is happening in Asia, Africa, Western Europe, Oceania and the Americas. An intelligent, well written and accessible history (both political and spiritual) of Mount Athos in English is essential and Speake has provided us with what will surely be the standard for years to come. Athos is the center of world Orthodox monasticism and could be called "The Conscience of Orthodoxy." This book is essential for those wishing to understand Orthodoxy and particularly Orthodox monasticism.

I have read several books on Mt Athos, a subject that has fascinated me for many years. This is the best English language book on the topic and one that I think would be difficult to be surpassed. It is scholarly without being "stuffy"; it is eminently readable without the simplistic approach of a tourist guide; it is almost encyclopedic but not fragmentary. And most importantly, coming from a person who apprently went through a spiritual journey, it is permeated by the deeper understanding that such experience brings.

I recommend it to anyone who plans to visit Athos or, for that matter, to everyone who already made the customary brief visit to the Holy Mountain as he will discover many things he probably missed, often the larger perspective of the place that is sadly lost in the brevity of an overnight stay.

A satire on the romance genre, Mounting Desire is hilarious. It's an obvious reversal of gender stereotypes, but it works. If you're looking for a bitingly funny read that isn't afraid to poke fun at America's biggest selling genre--whether you're a fan or not--Mounting Desire is a book to pick up.

This paraody of romance novels, romance writers and romance itself is a really fun romp! Simultaneously profound and silly, Mounting Desire is particularly appreciated at a time when the U.S. seems to be embracing its puritan past with reckless abandon. Jack, the born- again- virgin- romance- novel author, doesn't date. Instead, he says: "I fantasize about ideal women. I dress them up in whatever I want, the more corsets the better. I put them through excruciating psychological trauma before having fifteen-second sex with them , and then I delete them." Expect to laugh a lot with this one. So, don't balance your mohito on your tummy while you're poolside.

I read Nina Killham's first book, HOW TO COOK A TART and loved it. This second book, MOUNTING DESIRE, is hysterical. Killham creates characters that seem so real and puts them into situations that seem so absurd. Even though she introduces many characters throughout the book (actually caricatures in many cases, such as the male cover model) the reader is able to follow along easliy. That is until you start laughing so hard you drop the book and lose your place. I can't wait to read her next book and see what she sends up next.

I got into it straight away. I had to keep sneaking off so I could read in peace. The two main characters are believable, and I couldn't wait to find out if they finally got together. I also liked the amusing dramas that came their way, and the supporting characters rounded it out perfectly. A perfect beach read and a lot of fun!

Susan Herbert is in fine form as she shifts into the realm of motion pictures, punny titles and all. She proves adept at both movie stars and famous movie scenes. The focus here is on the classics, and sneak peeks on the Internet indicate there will eventually be a second edition going all the way up to The Lord of the Rings. Cat lovers, rejoice!

I adore Susan Herbet, who does an amazing job painting pictures of cats and incorporating them into famous stories and works of art. In "Movie Cats," Herbert recreates scenes from some of Hollywood's most famous motion pictures. My personal favorites include Mammy and Scarlett O'Hara from "Gone with the Wind," James Bond and his "Pussies Galore" from "Goldfinger," characters from "The Wonderful Whiskers of Oz," and a portrait of "Charlie Catlin." If you're a cat lover and a movie buff, you have to have this book!

Susan Herbert's cats have appeared as characters in paintings, Victorian settings and now they are going to the movies. Another sublime book of cat paintings as characters from a dozen movies. The one of the Godfather is worth the price of the book. As usual Herbert has done a marvelous job and the characters have charm and wit and certainly are a reason to smile.

This is really the most enchanting book of cat illustrations I've seen in a very long time. Even people who don't love cats that much seem to be charmed by it. Anyone who loves movies will wish there were cat versions starring Susan Herbert's movie cats.

Saw a movie and what to know more? Planning to rent a video and what to know more? Look here. Not all movies are reviewed, but almost every important film, some sleepers, some low-budget gems, and some you may hate but are important within film history. Our 1995 edition is worn out, and I wish we had a 'cover' for this one; that's how often we refer to this. We have also use it to build our own film library, now numbering over 500. Directors, actors, Academy Awards, obscure information and the source - whether book, play or original screenplay are all included. Now, if they had only included "The Reivers" and "Sometimes a Great Notion!"

Many of the reviews in this book are actually from an earlier encyclopedia called the Motion Picture Guide, perhaps the most comprehensive and best written source for pre-1990's films ever published. TV Guide adopted the same database for their online film review database and updated editions of The Movie Guide have been published for years as The Virgin Film Guide (avail. from Amazon.uk) This guide favors quality over quantity and so you get long, detailed, informed reviews of Sunrise, Das Boot, Mala Noche, Drugstore Cowboy, Blue Velvet, The Bicycle Thief, La Dolce Vita, etc. instead of thousands of thumbnail sketches of mediocre films you will have no interest in ever seeing. This is, as a previous review noted, along with Katz' Film Encyclopedia one of the few, truly essential books that every film lover should own.

This volume, along with Katz's, The Film Encyclopedia, are the foundation of celluloid information. The two will be sufficient for most viewers. Saw a movie and what to know more? Planning to rent a video and what to know more? Look here. Not all movies are reviewed, but almost every important film, some sleepers, some low-budget gems, and some you may hate but are important within film history. Our 1995 edition is worn out, and I wish we had a 'cover' for this one; that's how often we refer to this. We have also use it to build our own film library, now numbering over 500. Directors, actors, Academy Awards, obscure information and the source - whether book, play or original screenplay are all included. Now, if they had only included "The Reivers" and "Sometimes a Great Notion!"

This is hands down the single best reference for films from the 1930s on. Detailed reviews of works that are deserving of them, with sharp analysis that puts films in their proper historical context.

Being an Insider myself, I've seen guides and addresses sold for years. Most of which are a joke. But not this one. E.J. Fleming never fails. He's one of the most prolific and talented writers of our time and this book is a must have for movie and star buffs! Thank you - thank you!

This is a terrific book to use to navigate the Hollywood area for anyone interested in the movies. We drive up and down streets with my husband calling out names and events and loved it. We are locals in the San Fernando Valley and for the LA person comenting that changes have occurred in the area and streets over the years, "duh!." Some of the addresses are 100 years old but in the odd case that a street is not there or has been moved, as far as we could tell there was a note included. We didn't check everything, but we didn't have any problem using the lists. THis is a great resource for movies and LA history and great fun for vacations. It's heavy though!

I envision E.J. Fleming huddled over a pc reviewing census information and entering data in a database and cross checking it against his formidable stacks of notebooks. E.J. is tired, tired, tired. He has worked day and night so I don't have to. Stop, I'm just kidding but this is an incredible collection of information. I am in total awe re: how someone could collect so much data, collate it, and present it in an easily accessible manner.
This directory is exactly what is implied. It is an enormous collection of addresses relating to celebrity homes, film locations, historical sites.......and here's the kicker.....the locations of scandals and crimes. That having been said, this is not a rolling narrative that relates a lot of juicy stories and histories. It presents the facts and it is up to the user to draw in the lines and reach his/her own conclusions.
So why did I drop $75 for this book. I was weary doing this type of research with only lukewarm results and a relatively miniscule database. This book has everything and I can let my fingers do the walking.
Now here is my warning. I reiterate don't buy this if you are expecting a lot of lurid stories as there really aren't any per se. However, buy this book if you want to know things like all the places Humphrey Bogart resided in LA, who cohabitated with Ramon Novarro, or where Laurel and Hardy filmed a lot of their classic shorts. Buy this book if you have a curious mind and the information provided has you asking other questions.
This is an impressive collection of information.

I am a tour guide in Hollywood - one of the very few that actually research our tours. I thought I knew a lot about Hollywood, but this book made my jaw hit the floor.

Mr. Fleming has published the BIBLE for Celebrity addresses. The most comprehensive book on stars homes I have ever poured through. I've even turned a few of my colleagues on to the book, who their own copies immediately.

You've made my job easier Mr. Fleming, and you have published a riveting and important document.

WOW !!!!!!
This is the best nancy drew mystery I have ever read

I totally loved this book! It was sooooo cool to read it because I live 1 minute away from where this whole book is taking place. Also if you live in San Fransico I reccomend that you read STRANGE MEMORIES (nancy drew files) it is in Frisco.

I've read just about everyone of the Nancy Drew books and this is the best yet!

In this book Nancy, Bess, and George try to find out who's trying to get back at Nancy's dad's friend, Terry and his daughter. On the way there are dangerous dogs, destoring Terry's artwork, and then a FIRE!!!!!!!

I'm almost finished reading this book and I must say that it is one of the best books about the Kennedy assassination. It has everything from the detailed history of the Zapruder film to a 16 page color section that includes the famous photos by Mary Moorman, James Altgens and Phil Willis, to over 100 black and white photos and diagrams of Zapruder frames and rarely seen photos and still frames from other movies made that day. I took the advice of another review on this board and bought the book with the DVD 'Image of an Assassination'. When the book references frames from the Zapruder film you can view the DVD to see exactly what it is the author is talking about. What else can be said about a book that comes in it's own wrapper. Probably a lot. A treasure.

Richard Trask's objectivity must be maddening to the conspiracy nuts since he clearly doesn't give credence to their silly theories, while at the same time he doesn't openly criticize their ideas. He isn't looking for a fight. He simply researches the objective photographic history and refuses to jump on the bandwagon of insanity currently awash in the country by those claiming the Zapruder film has been altered. I was glad that he did not spend a lot of time in this arena, it would have cheapened the high quality of work Trask is known for. ALong with "Pictures of the Pain" Trask must be ranked among the great photographic historians of this case. I highly recommend this work

I whole-heartedly agree with Mr. Von Pein's extremely comprehensive review. If you are into the photographic and film record of the Kennedy Assassination, as I am, than Mr. Trask's published works will satisfy your desire for an in-depth analysis of the major photos and films taken during the November 21st-November 22nd period of time. All three of his books are worth the investment for the wealth of photos they contain and the analysis of those photos.
As to NATIONAL NIGHTMARE, I liken it to that first cup of cold water after a long run. It is satisfying and quenches the thirst. Mr. Trask approaches the history of the film and his analysis of it with no agenda. He is not out to change anyone's mind as to "who dun it," unlike David R. Wrone, who does a good job of describing the history of the film in THE ZAPRUDER FILM: REFRAMING JFK'S ASSASSINATION, but then goes off into the wacky world of Zapruder film tampering by unknown conspirators. I consider myself a historian, an as such, am much more impressed with Mr. Trask's objective approach to his subject. One gets the impression that he discounts the conspiracy theories in favor of the Warren Commission findings, but it serves as an undercurrent, not as a presumptious raison d'etre for the existence of the book. Mr. Trask simply presents the photographic record in wonderful detail, leaving the theories for the reader to muddle over.
This is really an extaordinary book, and my hope is the Mr. Trask (I hope you're reading this, sir) publishes a book of all 400+ frames of the Zapruder film in the largest, clearest, most colorful format that technology can provide and takes a page to analyze each frame of the film. One frame per page accompanied by a page of analysis would amount to a holy grail of sorts for me and no doubt for all those who understand the importance of analyzing the history of November 22, 1963 through the numerous photographs and films taken on that day.

I love reading Richard Trask's books about the JFK assassination; and this one, published in late October 2005, is certainly no exception. It's very informative and definitely a worthy addition to anyone's collection of written materials surrounding the shocking murder of President John Kennedy in November of 1963.

"National Nightmare On Six Feet Of Film: Mr. Zapruder's Home Movie And The Murder Of President Kennedy" is a softcover volume containing 392 pages packed with just about every conceivable piece of information revolving around the infamous 26-second color motion-picture film taken by Dallas dress manufacturer Abraham Zapruder on November 22, 1963, which is a film which shows, in all its morbid detail, the assassination of an American President in broad daylight on a city street in Dallas, Texas.

Mr. Trask details the full history of the film and provides a good deal of background and biographical information on Mr. Zapruder, an ordinary Dallas businessman, born in Russia, who, by pure happenstance and coincidence, turned out to be the amateur filmmaker whose name will forever be associated with the death of JFK.

But, if it weren't for the prodding of his secretary, Lillian Rogers (who encouraged Zapruder to go back home and retrieve his 8mm Bell-&-Howell movie camera shortly before the President's motorcade arrived in Dealey Plaza), that brief and awful 26 seconds in history would probably have never been captured through Mr. Zapruder's lens.

Like Richard Trask's other books on the JFK assassination which focus attention on the photographic aspect of the tragedy, the text of "National Nightmare" is ever-readable, easily-understood, and refreshingly-non-biased when it comes to taking a "Conspiracy vs. No Conspiracy" position by the author. Mr. Trask lays out the facts and leaves it at that.

This book's endnotes/footnotes are all positioned at the back of the book in one separate section, so as to not clutter up the main text of the volume. (So keeping two bookmarks handy is recommended, because a lot of interesting info can be gleaned from some of these endnotes too.)

One big surprise to this writer when perusing this book was seeing a COLOR version of the Robert Croft photograph printed on Page 67 (within a 16-page spread of mostly all-color photos and Zapruder Film frames). I had never seen the Croft picture in color previously. And it's an excellent-quality print of that famous amateur photo that I found in this volume, too. The picture is needle-sharp and the color is virtually perfect.

The Croft photo, by the way, depicts the President's limousine on Elm Street, just after the car has made its sharp left turn from Houston Street in front of the Texas School Book Depository. It was taken at a point equivalent to Zapruder frame #161 (per this book's text and captions), which is just about the time the first gunshot was being fired in Dealey Plaza.

Other highly-recommended publications authored by Richard B. Trask (centering on the photography of President Kennedy's assassination) ..... "Pictures Of The Pain" (1994) and "That Day In Dallas" (1998). The latter is a condensed version of the former, focusing attention on just three of the photographers who took pictures in Dallas on the day JFK was killed (Cecil Stoughton, James Altgens, and Jim Murray).*

* = Although condensed into a smaller number of pages than that of its predecessor "POTP", "That Day In Dallas" does contain "revised and enlarged" material throughout its limited number of chapters. And the specific photographs represented within that volume are unrivaled in their clarity and quality of physical presentation, in this writer's personal opinion.

I truly enjoyed both of those books, and was very glad to see "That Day In Dallas" come out a few years after "POTP", because "That Day" provides a larger-print format for many excellent-quality assassination-related photographs, including several pictures you're not likely to see in any other book on the subject.

As a companion piece to "National Nightmare", I would also recommend highly the MPI Home Video DVD "Image Of An Assassination: A New Look At The Zapruder Film" (released in the summer of 1998), which contains four "digital" versions of the entire 26-second Zapruder Film in various formats, including "zoomed-in" variants and a previously-unseen "Widescreen" version of the movie, which includes the imagery between the "sprocket holes" from Mr. Zapruder's "camera original" film.

That DVD also contains some valuable and collectible "bonus" video programming, including interviews with Zapruder associates, as well as the March 1975 "Good Night America" program (hosted by Geraldo Rivera), during which U.S. audiences first saw the horrifying images of Mr. Zapruder's movie. The DVD also has a crystal-clear video copy of the Live interview that Abraham Zapruder gave on WFAA-TV just hours after he had filmed the assassination.

Many of the above-mentioned items from that "Image Of An Assassination" DVD are also referenced by Mr. Trask throughout the well-written pages of "National Nightmare".

---------------

In "National Nightmare On Six Feet Of Film", Richard Trask has admirably filled in yet another in a seemingly-never-ending series of pieces of subject matter that comprise the wide and varied fabric that form the mosaic of literature covering the topic of the John F. Kennedy assassination.

Nowhere can be found a more detailed and fact-based history of Abraham Zapruder's historic film than that which resides within these 392 pages.

I first read the book because I had seen a play based on it, and it (the play) had made no sense. However, the topic of the book sounded good, so I wanted to find out more. So I picked up one of the FUNNIEST books I have ever read. If anyone is interested in WWII, or any aspect of war, and want some comedy, this is the book for you.

You WILL laugh out loud. Will Stockdale vs. the U.S. Army. Not a fair fight in this hilarious book. Naive hillbilly, reduces military to shambles. Drafted into the army and meets up with foreign-to-him culture, this story chronicles the military's efforts to round him up, put him through boot camp, test him psychologically, send him on suicide mission, etc. He lives through hazing, bureaucratic bungling, bombs and many other riotous adventures. Much, much funnier than the movie.

I read this book while serving in the Air Force and while serving a temporary duty assignment in Saudi Arabia. On more than one occasion I was amused to see an NCO's reaction to the book I was reading.

Having been a member of the only military fighting force in the world that isn't too proud to make fun of itself, this book is easily one of the most memorable pieces of literature I had the pleasure of coming across during my enlistment. Will Stockdale, backwoods redneck/draftee, is the Huckleberry Finn (with a bit of Forrest Gump mixed in) of modern military fiction. One of the funniest dialogue exchanges occurs when Will and his pal Ben - a short bespectacled gent whose chief ambition (initially) is to bust into infantry - are talking about how horrible it would be if they got selected to go into the Air Force.

"...Will, do you know what they call men in the Air Force?"
"No, I don't think I heered say."
"They call 'em...airmen. By dog, Will, don't you see? How'd you like to be called an airman?"
"By God, I just don't think I'd stand for it..."

But Will and Ben's ambitions later tend to change when considering (among other things) the many decorations one may receive in the Air Force and how easily they can be acquired. It's especially humorous when Ben points out,

"I believe you stand just about as good a chance of getting [medals] in the Air Force as any place...Why, today, you can get a medal by just not doing anything wrong..."

It was at this point that I began to wonder in the other American military branches - or those of our allies - award their brave men and women the Good Conduct Medal (the recipient earns this by not getting demoted); the Longevity Medal (serve for a minimum of four years); and other awards and honors just for showing up. NO TIME FOR SERGEANTS - written by a former officer of the U.S. Army Air Corps - made it clear that some things in our military are just downright hilarious if you can look at them from the right perspective.

Even if you don't have the military experience, this short, lighthearted, and reader-friendly book is sure to please as it brings to mind reminders of FORREST GUMP, GOMER PYLE, and...oh yeah...NO TIME FOR SERGEANTS (starring Andy Griffith as Will Stockdale).

I don't remember when I first read this book, but I do remember laughing out loud during certain parts (something I rarely ever do!) If you've seen the movie starring Andy Griffith you have the basic idea as to what it's about, but the book adds a lot of little things which I found immensely amusing. Needless to say, it's not complimentary to the military, but it's more of an attack on the bureaucracy surrounding the armed forces than it is on anything else. A very funny book!