Movies Books

now that I have all the Last of the Jedi books, I can finally read them.

This is the eighth in a series of 10 that is actually one novel.
It is well written and moves well. I believe it is good reading for younger set and not bad for an adult. I have read every Star Wars novel with the exception of Invincible and this rank high on the list of all the stories.
While each story can stand alone it is better if read together book 1 to 10.
By the time you get to this book you want to get to the end that you don't want it to end.
Because of the period it is in there are a lot of threads that are left to be followed. Although a conclusion of a sorts is written it is not as satisfying as it could be.

I loved this series. Just sad to see it end. Jude Watson is a fantastic writer. I have her other 2 series . I hope she has another series of Star Wars soon. Marianne Shinmon Mshinmon@cox.net

These 10 novelettes could have been put together into one normal sized novel. Brilliant to sell them separately. They are all very well written and only get better as the series progressed, culminating with this volume (10). Wonderful story...EXTREMELY well written. I was honestly sad to see the series end. I came to like Ferris and the other Jedi immensely. This series could be made into a feature movie easily. hmmmmmm.

highly recommended.

Now . . . having read all 10 books of Last of the Jedi, I have come to the conclusion that THIS is the best work Jude Watson-san has ever done, really ! ( Um . . . my second favourite is Jedi Quest, by the way. )

Well . . . to be frank, I was already on the verge of tears when I was only half way through the story . . . and . . . I was really crying ( silently ) while I was reading the last 1/3 of it because I vaguely knew exactly what was coming which was inevitable ! *sniffles*

Hmm, I believe this "Reckoning" IS filled to the brim with unconditional love, friendship, hope, betrayal, sacrifice and TRULY unexpected turn of events ! *sobs, facedesky* And I couldn't help but read the very last chapter, playing Princess Leia's Theme in my head because they really do match.

Anyways, I really loved the ways Ferus chose to show his affection and love for Trever at the very end of the story and THAT made me cry some more and more until my nose got completely stuffy !! ; _ ;

Arigatoh SO MUCH for creating all these wonderful characters of LotJ, Watson-san !! *bows*

This is a beautiful and very informative book; I was very pleased with it. I really enjoyed all the behind-the-scenes pictures and the addition of the script is an added bonus.

If you're a Spider-Fan, you need this one. You will not be disappointed.

I think this book has excellent descriptive as well as graphic content which will help me with my coursework.

A comprehensive look at the making of the SPIDER-MAN legend, from comic-book to film. It's an excellent and interesting story to tell, although Behind The Mask didn't deliver in the graphics department. There just aren't enough illustrations, but there is enough to give the reader a feel of being on the set in the midst of the movie-making magic!

Mark Cotta Vaz is the best "Making Of" author in the world and Behind the Mask of Spider-Man: The Secrets of the Movie has everything a discerning film fan could ask for. Without the material entering the annoying world of overkill, this pleasing and informative book breezes along with its fascinating insights into how Spider-Man went from comic to silver screen. With enough inside info and graphic content to satisfy the most info-hungry geek, this is extremely satisfying and also is possibly one of the best film books ever written. It's that simple. Vaz has so many impressive book-writing credits under his belt already, but this is surely his best work. Containing info on the cast and crew, this never fails to interest and Vaz thankfully differs from other authors with a pre-determined un-pretentious standpoint. The early chapters focus on abandoned ideas about a team up of the Green Goblin and Doc Ock, and numerous costume changes for the first movie, where every little detail is spread out in a well-plotted format. Candid interviews with comic and film boys wraps up a nice package that keeps a very special place on my bookshelf. Highly Recommended.

BEHIND THE MASK OF SPIDER-MAN by: Mark Cotta Vaz is one of the best "making of" movie books I have ever read. Fair warning though, this book is so thorough that if you have not already seen Spider-Man then DO NOT READ THIS BOOK! Upon viewing some of the great color photos and reading the indepth information, you'll be completely robbed of any true movie surprises.

With that said...

In 205 pages, Vaz manages to provide tons of background on the characters, history, and production stages of Spider-Man. You'll find everything from pictures of original comic page art to step-by-step photos on the various concept sketches of both Spider-Man and the Green Goblin (Goblin in particuar is all over the place in the various designs). Vaz clearly did his homework as there are numerous interviews and sound bytes from everyone from Stan Lee to Sam Raimi to Willem Dafoe to producers, stunt people, and FX coordinators.

Rarely do "Behind the Scenes" books read as fast and as enjoyable as this one. Now granted, I am a HUGE Spider-Man fan, but I believe that anyone who enjoyed the movie will find lots of insight to be gained from this informative and entertaining book.

Un des livres sur le cinéma qui m'a le plus enthousiasmé. Une écriture très divertissante et des réflexions sur les films et leurs artisants qui captent notre intérêt au point de ne plus pouvoir arrêter notre lecture.

I can't say enough good things about this book. It has ended the difficult search for movies that please both the kids and the adults. It has inspired my family to get at least one pre-70s movie every week to watch together. It's been an education. Through this book, we've found a few movies that we all unequivocally adore, and others that we enjoy but have sparked some important deeper conversations. His ideas on why older movies are good for our children are very thoughtful.

My daughters are nearly the same age as his daughters were when he wrote the book (9 & 11), so the book is particularly on target for us. I love how Burr describes his daughters' and their friends' reactions to old movies. I am surprised by how much negativity about older movies he says has received from some of his children's friends and their parents, because my children and their friends have always been completely receptive to older and black & white movies. But we don't move in mainstream circles (we are secular homeschoolers), so I will take his word for it.

If you enjoy watching movies with your children, you need to own this book.

Excellent Book--I have given it to all of my grown up children. Just reading through it is a trip down memory lane.

Our family enjoyed this book--we got lots of ideas for movie nights, and we also got a kick out of reading the author's entries on movies we've already seen with our kids. It also kick-starts your memory for movies that Burr didn't write about--we were surprised that John Wayne's "True Grit" didn't make the cut for tween girls, and that the Julie Andrews' "Cinderella" wasn't mentioned in little girl musicals. Altogether, this is an engaging and fun book that I would also recommend for adults who are looking to educate themselves about classic cinema.

I came across this book in my local library, and after reading it, am going to purchase a copy for myself, and perhaps give it out as gifts for friends that have young children. This is an amazing movie resource. Ty Burr writes in such a familiar, easy-to-read style, and despite his motives [trying to get us to expand our young ones' movie viewing experiences through old movies/classics], never once comes across as condescending or snobbish.

The fact is that children these days are really being fed a steady, and not so healthy diet of the same type of movies that have spawned sequels, mass merchandising, and dare I say movies that don't really promote great role models [I have had enough of those tween movies with young Hollywood starlets in them]. Ty Burr provides great tips and ideas on overcoming this problems by suggesting old movies, or rather classics that will appeal to the toddler set[Meet Me in St Louis], the tween set[The African Queen], and also teenagers[Metropolis]. There are also old movies he doesn't recommend you watch with your children. The best part of the book is the comprehensive list of old movie titles in the different categories such as comedy, drama, musicals, action, adventure & westerns, horror, sci fi and fantasy, & foreign movies.

All in all, I'd highly recommend this book to readers who are interested in expanding the movie viewing experiences of the young children in their lives, and even for one's own viewing pleasure [there were titles in here that I had never come across and plan to check out!].

David Robinson has written the definitive biography of Charlie Chaplin. It is largely the basis for the movie "Chaplin" because it was authorized by the legend himself and thoroughly explores his life to a greater extent than his autobiography. It is truly a moving and informative work.

Robinson begins his chronology of Chaplin's life in his childhood. He was largely orphaned by his alcoholic father and was only allowed to spend time with his mother while she was mentally healthy. It was through a failed performance of his mother than he got his first taste of acting as a child. From this point, he would devote almost all of the rest of his 87 years to entertainment. In his youth, he specialized in the stage productions which entertained England. He got his first taste of America on one of these traveling tours. On a later tour, he was offered a contract by an American film company. Chaplin agreed to honor his stage contract before beginning his film career.

The book documents with reasonably precise details the process of each film he released in addition to one the public never saw and the final project he never started. Through this filmography, we see the development of "the tramp" character. With each film, the character moves closer to the final product we know.

Chaplin's personal life is well documented. Unlike the autobiography all four wives are addressed, even the one Chaplin was not very fond of discussing. The fact that his first two wives were young is not avoided. However, it must be put in perspective that people did marry and have babies a lot sooner in those days. It is only unique in Chaplin's case because the husband/father is famous and much older. Despite his work for America during war time and a professed love for the country, the slanderous allegations of McCarthyism, also known as the 1950's witch hunt for communists, forced him to finish his life away from the country he loved. Truly the red scare is made to be a more terrible embarrassment to America by this result.

Today's cinematic audience has little appreciation for the roots of the art form. Charlie Chaplin was a revolutionary and founding father in the film industry. Reading about his life is only a step in appreciating his brilliant work.

Robinson is the premier researcher on the life of Charles Chaplin, and this book is the result - a fact filled, balanced book that allows equal focus on Chaplins films and personal life. Most books tend to focus on WAY too much personal life and innuendo, but Robinson avoids this problem, and makes a good book that truly encompasses the entire life of Chaplin.

Robinson's book includes a well detailed filmography, scripts from several early Keystone films, excellent appendices, and many rare pictures. My only complaint is that many of the pictures could be printed much better, and larger too.

Superb reading!

David Robinson's book is the finest biography extant of this indispensable genius of movies. I first read this monumental book 22 years ago and it has remained an indelible part of my understanding of movies and of the life and work of this complex, infuriating, somewhat naive but always questing and humanistic comedian, whose movies are finally being issued on DVD in luminous copies of his own carefully preserved originals.

At the time of Robinson's book, and for a number of years after, Buster Keaton was the preferred choice in silent comics. To take nothing away from Keaton, whom I regard as sui generis ("The General" is a masterpiece, and "The Navigator" is the funniest movie I've ever seen) this may have been more a reflection of the then-current attitudes of "cool," reacting against Chaplin's perceived sentimentality, than an argument for Keaton as the greater artist. Chaplin has recently become of greater interest, and at present his star seems much more firmly fixed, due in large part I think to the recent availability of his work on DVD. Robinson himself, in tandem with the silent cinema scholar Kevin Brownlow, is partly responsible through his access to Chaplin's mint copies of his own movies, which resulted in the superb Thames documentary "The Unknown Chaplin." In any case, it's much easier now to see and to recognize Chaplin's innate (yet painstakingly arrived-at) genius for mixing uproarious physical comedy and subtle pathos; if there is a more moving finale in all of American movies than the last moments of "City Lights," I'm not aware of it.

Robinson's approach is both scholarly and eminently accessible. And he dispels a great many erroneous "facts" that have accrued to Chaplin over the decades, many of them directly attributable to Charlie's own myth-making. The author also refutes some aspects Chaplin's late (and appallingly egocentric) memoir "My Autobiography," whose appearance in the 1960s shocked and saddened many of his former creative collaborators, who found themselves conspicuously absent from Chaplin's over-stuffed tome. If this book is not definitive -- and who can say what future writers may produce in the fullness of time? -- it is at the very least the one fixed starting point for all serious Chaplin research.

There are only two books necessary for the true Chaplin fan; "My Autobiograpy", by Chaplin himself, and this book by Robinson. While there are scores of other books on the market concerning Chaplin's life, Robinson's is THE definitive work.

If Charlie had been around to read this work, he might have amended his famous phrase from "If you want to know me, see my movies," to "If you want to know me, see my movies and read this book".

This book, though thicker than brick, is a swift and fascinating read. You'll wish you'd known old Charlie, you really will. Robinson doesn't care for those who don't care for Chaplin, and that's a little too evident. It's hard to blame him. Overall, a stupendous piece of work.

Overall, and interesting account of the creation of the character and the movies in which he stars. Great for Indy fans and those intrigued with the process of filmmaking.

As a long time fan of the Indiana Jones series, this book is a real treasure to own. It goes through the whole film series from concept to reality and has great anecdotes from behind the scenes. Packed full of interesting behind the scenes photos and production notes etc. A must for any fan of Indiana Jones and film making in general.

I've bought a wide range of books over the years. Sometimes I've regretted the purchase. That is certainly not the case with this excellent book on the Indiana Jones films. I would highly recommend it - unlike some movie based books, there is a lot of substance - the fact that both George Lucas and Steven Spielburg have contributed prefaces goes to show how well respected this book is by the very people responsible for the movies. You only have to hold the book in your hands and feel its weight to know that a lot of research went in to creating it.

I thought the book would be good, and was pleasantly surprised to find it even better than expected. If you enjoy the Indiana Jones movies then this would be a good coffee table book for you.

Won't give any information away, but some of the ideas that didn't make it to the big screen are quite surprising. Thankfully Spielburg and Harrison Ford managed to curb Lucas's enthusiasm for sci-fi. I hope that they make one more movie - as long as it doesn't involve any more aliens or CGI based action scenes! Somehow I doubt that it will happen though. So you're pretty safe in buying this book as the 'complete' making of!

The book was a very interesting look, and brilliantly put together, but there could have been more about the the kingdom of the crystal skull. Most of the book heavenly takes you into the world of the first 3 movies.

For any fan of the "Indy" film series, this is the ultimate book... While it does contain information we all may have heard or seen in archival footage or interviews on the two recent DVD releases, it also contains an abundant amount of new insight and some really great photographs straight out of the Lucasfilm Archives!

If you hated the new film, you can skip the last chapter, but it is also an insightful read - It also shows, and explains, in great detail how virtually every BAD idea associated with the series can be attributed to Lucas... who miraculously seems to win arguments with Spielberg just by wearing him down over time. While the book is never critical of Lucas, it nevertheless paints a less than flattering picture of him... It's odd that he let certain things come to light.

Anyway. This is the ultimate book for any hardcore "Indy" fan - a must buy.

If there was going to be a Charmed movie, this is the story they should use.

I guess I'm just a huge fan no matter what, because I love ALL the Charmed books, and own them all! Each one has a great and unique story, I'm addicted to collecting AND reading them!

I watch the show every day, sometimes twice a day, every episode, haven't missed one yet, and don't plan on it, ever. I would love to get all the books on the series, especially shadow of the sphinx. That sounds so good. I give the series books 5 stars, cause its the best show on tv except for wwe raw and smackdown.

This book circles around the 3 new strangers who are close to each of the sisters, and each time they meet, something strange happens. Piper's emotions are unruly, Paige seems to be exhausted for nothing and Phoebe has short-term memory loss, and all 3 of their powers are getting weaker and weaker. Just like that. And the more times the sisters meet these "strangers", their sudden-weaknesses seem to be worsening (both magical and non-magical). At last, they discover that there is something sinister going on, and they have to pit against these strangers to defeat them AND get their powers back, as all the Ks (strangers) want in revenge, to what happened to their ancestors nearly 3000 years ago. Dark Vengeance indeed.

Find out what happens to this awesome story penned by Diana G. Gallagher. Definitely worth your money and your time to read it. Happy reading!!

this is my favourite charmed book!!! this is mainly because it gives each of the sisters an equal part bringing them all together at the end to kick but. although there are parts in this book that mirror the crimson spell this book has more levels plus a good twist at the end plus the charmed ones get a few good one liner jokes in. although the bad guys are pretty see through the ending is pretty solid.

overall this is a great book even if your not a mjor charmed fan and if you are it's better

i've read o lot of casefiles and this is one of the best!the hardys are at this space camp and start to investigate things like faulty equipment.they have a bomb put in their car!it's a cool book!

The Hardys have gone to space academy, but it ends up being less fun than they hoped. This is a good book for kids with plenty of action and a little education.

The Hardys go to Hawaii to see a total eclipse. But as soon as the sun is covered by the moon, a murder takes place. This is another average Hardy Boys book. Plenty of action, but nothing extraordinary.

I think that this book is great because it had action and detail. My best part is when the bugs are eating the loggers and Humphreys! I would like it better on tv.

It is the most exiting and thriling book I ever read. I love this series and I'm going to read more X-Files books. I really recomend this book to any person that loves mysteries.I bet you'll like it as much as I did.

It's Friday night, you're tired after a long work week, and you're wandering the aisles at Blockbuster looking for a good family film. No need to go through the brain damage of reading millions of obscure DVD sleeves when you have Michael Booth's fine book, which recommends some little-noticed but still-great films appropriate for the schoolkids in your house. Screenit.com is OK if you have a specific idea for a rentable movie, but Booth's book is much better when you need recommendations (and for the fun writing, too).

This book is both helpful and enjoyable to read. The commentary addresses its audience with insight and intelligence. Best Family Films has been really helpful - particularly with concerns on the wide range of whether PG-13 movies are more of a PG or an R rating. This book has taken away parental angst.

Booth has a great feel for which movies work for which audience/age group. His recommendations have been 100% when selecting movies for our family.

Michael Booth is the thinking person's alternative to that other Michael (Medved) who professes an interest in family films. Booth's reviews are informative, helpful, witty, and a real pleasure to read. Highly recommended!

This guide's succinct reviews are really useful. Every review is on one page, with an entertaining tidbit, age-appropriateness and run-time on the facing page. I found several of my all-time favorites, but what's better is that I found a few gems that weren't on my list yet.

I don't normally write reviews, however in this case I felt compelled to do so. If you're looking into the topic of family films, let me save you some time. Get this book. As others have noted, Mr. Booth's reviews are entertaining, informative and spot on. His selections include films off the beaten path. Good stuff!

Isaac Bashevis Singer was an idea novelist, in the way that Turgenev was. He fashioned his plots and characters around the questions he wanted to explore, and never let them get out of his control. But, like Turgenev, Singer was a great writer and never let his characters and plots become secondary. His writing is always entertaining as well as enlightening. Enemies, A Love Story is a case in point.

Herman Broder is a Jewish man living in New York City in the late 1940's, having survived the Holocaust in Poland hiding from the Nazis. Now the war is over, but Herman is no more at liberty than he was then. Believing his first wife died in a concentration camp, Herman has married again; he also has a mistress; to both women he lies about his work, and to his boss he lies about his women. Then his first wife shows up alive, and now he has to lie to her too. Herman is always on the verge of running, he must relentlessly cover his tracks in case he has to escape again. This sounds like a comedy of errors, and Singer finds the humor in Herman's plight, but he never loses sight of the tragedy which produced Herman's obsession with escape. This is a man so damaged that he can't really live anymore, and that's the question Singer is exploring with Enemies: is it possible to be whole again after going through the Holocaust? And if not, is it possible to live with the pieces that are left? Consider Vladek Spiegelman in Art Spiegelman's Maus, also a Holocaust survivor who only made it through sheer luck and a relentless hoarding and parceling out of otherwise mundane and unimportant items; now, though he's wealthy and free to do as he pleases, he can't stop hoarding, just in case.

Singer is asking, are the Jews who lived through Hitler's final solution dead, in their own way, like the victims who went into the ovens? What is there to do when you've lived through the unthinkable, and when so many people didn't? Enemies, A Love Story is a brilliant novel that grabs you by the mind as well as the heart.

In New York

The hotel staff

gave me the chair

that

Isaac B Singer

used to

lean his back against


years before he died




custom made


produced

out of gentle wings of butterflies


that circled his first wife's head


every day and night in Treblinka


before she finally

went

up in smoke




So

I went down at the front desk


A weird occurence

of

that strange and powerful thing

I certainly

wanted to bring to their attention



Of course they say


I. B. Singer

never stayed here

never had a first wife

nor she died in the concentration camp



But what's metter?



My back

feels better


way better



ever since

Isaac Bashevis Singer writes a novel of sheer absurdity and yet, page by page, he makes it very believable.

Herman Broder is a Jew who managed to escape the gas chambers of the Nazi Holocaust by living in a hayloft with his mother's servant Yadwiga from Poland for three years. His wife was not so lucky.....she and her children were all killed by the Nazis......at least that is what we (along with Herman) are led to believe early on. Herman manages to make it to the United States where he marries the peasant girl servant Yadwiga out of sheer gratitude for her saving his life, not out of any kind of a love or fondness for her. And while he is married to Yadwiga, he is carrying on an affair with Masha, who also went through her own camp horrors in Russia. Herman identifies more with her, not to mention the fact that an attraction also exists there, both physically and intellectually.

But just when you think the suspension of disbelief Singer creates cannot get any more bizarre, it does, when Tamara, his ex-wife, shows up in New York, after surviving the Nazis. Herman now has two and sometimes three women after him, and still he is unable to commit to any one of them. Singer creates a novel of absurd proportions, and then has the temerity to keep it growing! And the arrant brilliance in it is that it works on the reader to the very end.

Along the way the characters reveal thoughts which make one think more of a philosophical treatise than of a novel, a mark of a great writer and one of the reasons I could not put this book down:

"How peculiar that a panful of brains should be constantly wondering and not able to arrive at any conclusion! They were all silent: God, the stars, the dead. The creatures who did speak revealed nothing."
-Isaac Bashevis Singer, from the book "Enemies, A Love Story"

There are few writers such as Oscar Wilde to whom I can say they are unequivocally brilliant......Singer is certainly one of them.

How does one cope with such a thing? You know? The Holocaust.

It was the Holocaust that took Herman's parents, wife and two children. He manages to survive by hiding in a hayloft. For three long years, a former servant in his home, Yadwiga, a plain, uneducated but loving Polish woman, keeps him hidden and alive. After the war, we find Yadwiga and Herman married and living in Brooklyn. For other Holocaust survivors, Brooklyn represents opportunity, a sense of re-birth. All around him, new families are being formed out of what is left of old ones. Old customs are being renewed. The old prayers are said. Feasts are held. Traditions prevail. Life goes on. The future is hopeful, but not for Herman. Herman merely exists. He has a job as a ghost-writer for a famous rabbi. Herman is good at writing inspirational messages, messages of hope. But, Herman is not a believer. Not anymore. Not since the Holocaust. To Herman, God is either dead or an enemy. God is out to get him. Herman has a mistress, Masha, a camp survivor. His life is complicated. Then, as it turns out, his first wife who supposedly died in the camps, she's alive. Now Herman has two wives and a mistress. Complicated. They all want a piece of him. Emotionally, he retreats to the hayloft. But, emotionally, Herman is already dead, as dead as he would have been had he been found and sent to the camps, as dead as the rest of them, as dead as his faith in God. In the hayloft, minute by minute, day by dragging day, Herman was exterminated.

There are reasons that Isaac Bashevis Singer won the Nobel Prize for Literature, and all of these reasons are apparent in ENEMIES, A LOVE STORY.

Though he is not the only Jewish author to have won the Nobel, he is the only author whose primary writing was in Yiddish. Hence, the version of ENEMIES that I read was a translation.

Still, the simplicity of his prose shines through the novel. His storytelling skills are spellbinding.

Mr. Singer perfectly captures the undertone of desperation and doom connected with those who endured the Nazis and survived.

This novel will shock and it will sadden but it never will be less than writing at its finest.

Coach Grant Taylor's life seemed to be running in reverse. As a high school football coach, Grant had yet to have a winning season after 6 years. Angry parents were pushing for him to leave.
On the home front, things weren't much better. The Taylors' attempts to start a family had failed. They had financial problems,their house was in constant need of repair, and their old car left them stranded more often than not. After an encouraging conversation with an older man who had been praying for the school and the students, Grant decided to give it all over to God. I won't spoil the story for you by revealing what happened after that, but believe me, things did begin to happen!
I am not a big sports fan so I didn't know how much I would like "Facing The Giants". I didn't see the movie until after I read the book. Wow was I ever surprised! I LOVED this book! I laughed, I cried.....it is so much more than a sports story. It amazed me to see what really is put into motion when an individual,then a whole football team,gives their best to God and trusts Him for the outcome.

Eric Wilson is best know for suspense novels with historical backgrounds. With each novel he's shown growth and depth as an author and a man. His first four novels were very different and yet revealed trademarks of the Wilson signature.

Now with the release of Facing The Giants Eric stands everything you've known about him before on it's proverbial head and shows he's no one trick pony. Not only can he come up with imaginative plots and characters that are at once real and larger than life, but he can also take someone else's work and make it his own. This he's done with Facing the Giants.

Originally a grassroots successful film depicting the real life struggles of a high school football team, their coach and community, Eric Wilson's novelization takes that framework and builds his own story brick by brick. Yes, much of the book reflects the original movie, but Wilson adds depth and meaning where a film-goer might be left to wonder.

Admittedly, this isn't my kind of story and I've told Eric so. I much prefer suspense. However, it is a great read and a reminder of God's faithfulness even in the darkest night of your life. As always Eric brings characters and situations to life, raw with emotions, heart, courage and weaknesses.

Next up for Eric is the novelization of another film, Flywheel--coming in April. And then, in October, Eric will change everything again with the release of book one of the Jerusalem's Undead series. Book one is called Field of Blood. Think 1st century Jerusalem and vampires. How can you not want to read that?!

I loved reading this book. It even made me cry! The part where he makes the player crawl the entire field with the guy his back is incredible! I even loaned it to two of the boys I babysit who love football and the loved it! Great book! I would recommend it to anyone!

Herein lies the rest of the story.

These days every successful movie is either preceded by or followed by a companion novel, but many novelizations fail to stand on their own. Poor or lazy writing, failure to understand the onscreen characters, failure to add something new to the original--these errors and others weaken the majority of movies-turned-books. FACING THE GIANTS suffers none of these troubles and stands to widen the movie's already sizeable audience.

Wilson's novelization of Stephen & Alex Kendrick's screenplay is as enjoyable, moving, and inspirational as the original film, and it provides an excellent way for fans to re-experience FACING THE GIANTS for the first time and for first-timers to finally jump on the bandwagon. What's more, the book version not only expands a few scenes and adds a few others, but allows the reader to see inside the heads of several key characters--something even the best actors can't perfectly convey.

Just as Dan Reeves said about the movie (see front cover), this story is one that every Christian, athlete or otherwise, should experience in one media form or another.

It is all about the motive. It is all about the heart.

I received this book Saturday and read it all the way through today, after watching the movie again yesterday. I think the book and the movie make a great combination. I had seen the movie several times, and I think the book added some details that are not seen in the movie. While I was reading the book, I was able to visualize what took place in the movie. Eric Wilson did a wonderful job of putting the movie on paper. I will often return to the book, when I need encouragement, and probably later on watch the movie again.
I think it is important to understand the whole plot before jumping to conclusions. It's easy to think this is nothing more than a feel good Christian book/movie, but after a couple times, you start to get the message. I found myself actually identifying the emotions where I was hyped up at times (especially the game for the state title), but the extra details in the book really helped; for example when Larry Childers wheeled himself to the end zone and stood for his son when David was about to kick a field goal to win the state championship. From the book, I could see the encouragement a father provided for his son, and that gave David the encouragement to give it his best. I could say much more, but I was very happy to see this in print.