Movies Books

Enjoyed reading about the life of Clayton Moore, The Lone Ranger. Since receiving it I am now in my 3rd reading of it. It seems everytime I find someting new and interesting.

I wish he was alive so I could personally talk with him about his adventure doing The Lone Ranger. May his spirit always remain in the hearts of all Americans...

You can find out more information about Clayton Moore and The Lone Ranger fan club at www.lonerangerfanclub.com/jr

This man, Clayton Moore WAS the Lone Ranger. I can say no more.

Taylor Trade Publishing presents "I WAS THAT MASKED MAN" (Paperback) - by Clayton Moore and Frank Thompson --- Clayton Moore was an American actor best known for playing the fictional western character The Lone Ranger --- Moore was a circus acrobat as a boy, then later enjoyed a successful career as a John Robert Powers model. Moving to Hollywood in the late 1930s, he began working as a stunt man and bit player between modeling jobs --- He was an occasional player in B-Westerns and Republic Studio cliffhangers, ultimately starring in more such films than serial hero Buster Crabbe --- His big break came in 1949, when George Trendle spotted him in "Ghost of Zorro" --- As producer of the radio show and creator of "The Lone Ranger" character along with writer Fran Striker, Trendle was about to launch the masked man in the new medium of television --- Moore was cast on sight.

In keeping with the nature of the Ranger character, Moore chose to protect the Ranger's identity at all times and is perhaps the only actor whose full face is largely unknown to the public. It was never shown in the TV series, although occasionally he would don a disguise and affect an accent, revealing the upper half of his face in the process. However, there is no shortage of photos of Moore unmasked, including many in his autobiography. His many fans, however, could easily recognize him by his distinctive voice --- (From Wikipedia, the free encyclopedia)

TABLE OF CONTENTS: (Title and Page Numbers)
Foreword by Leonard Maltin - ix
Preface by Frank Thompson - xi
Introduction by Frank Thompson - 1
1. Birth of a Ranger - 13
2. A Cowboy Actor in the Big Apple- 35
3. Hollywood - 43
4. Republic Pictures - 61
5. In the Army Now - 71
6. King of the B's - 79
7. Hi Yo Silver, Awayy! - 111
8. Back to the Big Screen - 131
9. Jay Silverheels - 143
10.The Lone Ranger Rides Again! - 151
11.England and a New Daughter - 185
12.Adventures on Television - 195
13.You Don't Pull the Mask Off the Ol' Lone Ranger - 203
14.The Adventures of Clayton Moore - 221
15.Who is That Masked Man? - 231
appendix - 243
Index - 257

BIOS:
1. Clayton Moore
Date of Birth: 14 September 1914 - Chicago, Illinois
Date of Death: 28 December 1999 - Los Angeles, California

Moore often was quoted as saying he had "fallen in love with the Lone Ranger character" and strove in his personal life to take The Lone Ranger Creed to heart. This, coupled with his public fight to retain the right to wear the mask, ultimately elevated him in the public's eyes to an American folk icon --- In this regard, he was much like another cowboy star, William Boyd, who nurtured the Hopalong Cassidy character --- Moore was so identified with the masked man that he is the only person on the Hollywood Walk of Fame, as of 2006, to have his character's name along with his on the star, which reads, "Clayton Moore -- The Lone Ranger" --- He was inducted into the Stuntman's Hall of Fame in 1982 and in 1990 was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.

THE LONE RANGER CREED - I Believe that to have a friend, a man must be one --- That all men are created equal and that everyone has within himself the power to make this a better world -- That God put the firewood there but that every man must gather and light it himself in being prepared physically, mentally and morally to fight when necessary for that which is right --- That a man should make the most of what equipment he has --- That `This government of the people, by the people and for the people' shall live always --- That men should live by the rule of what is best for the greatest number --- That sooner or later .. somewhere .. somehow .. we must settle with the world and make payment for what we have taken --- That all things change but truth, and that truth alone, lives on forever --- In my Creator, my country, my fellow man.

Check out a new book from Empire Publishing - "GENE AUTRY WESTERNS" (Hardcover) - by author Boyd Magers, like no other book on Gene Autry --- all of Gene's Mascot, Republic and Columbia westerns included, as well as his half-hour TV Episodes --- each segment contains the release date on each film ... major production credits ... complete cast (including character played) ... all songs included, songwriter and who performed them in the film ... running time of each film ... dates of the filming ... bios on the cast and major players (Smiley, Pat Buttram, Cass County Boys, Herbert J. Yates, directors, leading ladies, songwriters and various heavies, etc.) ... locations that were used ... budgets and negative cost ... stunt people involved ... analysis and synopsis on each film ... notes and comments (including film and cast background info, salaries paid, working titles, etc) ... comments from Gene and many other cast members on each film ... theater exhibitors comments at the time of the films release ...this tribute was written from the heart and it shows.

Hats off and thanks to Les Adams (collector/guideslines for character identification), Chuck Anderson (Webmaster: The Old Corral/B-Westerns.Com), Boyd Magers (Western Clippings), Bobby J. Copeland (author of "Trail Talk"), Rhonda Lemons (Empire Publishing Inc) and Bob Nareau (author of "The Real Bob Steele") as they have rekindled my interest once again for B-Westerns and Serials --- More than just a tribute to the role Clayton Moore made famous, this book is Moore's personal memoir, told with condor and sincerity -- the engaging story of the life he strove to live according to the ideals he represented to millions of Americans, please stand up and take a bow --- all my heroes have been cowboys!

Total Pages: 280 ~ Taylor Trade Publishing ~ (4/25/1998)

I was a bigger fan of the Lone Ranger on radio than TV, but only because I was away in school most of the years it was on the tube and missed a great deal. That is something I am trying to make up as I collect DVDs and is why I bought this book. I have also known personally two who worked with Clayton Moore in the past, serial queen Kay Aldridge and former rodeo star Beverly McDermott. Everything they said about this man is echoed in the book. A very honest upright straight shooter. I am also impressed by his arguments as to why a star should set an example. So different in Hollyweird today. We need actors and actresses today who have the high moral standards this man has shown. May God bless him always, here and in Heaven.

An in depth history of Clayton Moore. A very informative perpective of a bye-gone age in Hollywood. I really enjoyed this book. A must read for Lone Ranger and TV western fans.

This was a terrific book and provided detailed information about the show that took a lot of research. It was equally as entertaining. I would highly recommend that Munster fans (young and old). Illustrations are wonderful.

WOW, what an incredible book. This is just everything you need and want to know about the Munsters TV show. It has it all and doesn't skip a beat. The things you will learn about the tv show is just awesome. Wanna know about the makeup? It's there. Wanna know about the cars? It's there. What the cast has and is doing? It's there. Get the point.

Let me also say what a fabulous job of how the book was designed. Color photos and behind the scene shots thru out the book. These are just some of the most spectacular photos on the tv show I have seen. Nice Rare stuff. You will love it.

What a remarkable update to Mr. Cox original book. This is definately a whole new book. Get one before you can never find one like this again.

A TRIP DOWN MOCKINGBIRD LANE is exactly that: a compilation of recollections from cast and crew that more or less leave a good feeling about the show and is akin to an album a family might collect in time for a reunion. There are no major revelations in this publication; stories are repeated throughout and must be fan favorites that folks enjoy being told again and again.

There are hints about Patrick Lily (better known as Butch Patrick) and his behavior on the set. There is mention of Fred and Al's constant bickering with the powers-that-were, but nothing concrete. Someday I would like to read a biography that would focus on Patrick's experience as a child actor. I do not believe he was born in 1953, he looks nine (at oldest) when the show first premiers. I think his age was lied about so he could get into makeup and be on the set longer than a younger child would have been allowed (I surmise this because he still looks no older than 12 in 1968 when he does "The Phantom Tollbooth"). Although I love "The Munsters" television series, and generally believe a good experience was had by all, I would be interested in reading Lily's story; I think we would find that his grandmother used acting as some use modern-day foster care.

As for this work, it is rare that a television series receive such a loving treatment: the color photos are vivid, the black and whites are brillaint, there are several trivia features that are fun, but would not have been thought of by a lesser biographer. It is a terrific keepsake for Munsters' fans and television adhearants in general.

Awesome, detailed book. Easy, flowing reading that you can't put down! What an insight inot the production and cast members of this classic show.

Having recently acquired this wonderful book by author Stephen Cox titled "The Munsters: A Trip Down Mockingbird Lane", as well as the recently released Two Seasons of the classic series on DVD, I once again never fail to marvel at this brilliant and totally original series that ran from 1964-66. Part domestic sitcom, part tribute to the Universal Monsters of old, and part satire on the "then", state of society as we perhaps knew it, "The Munsters" were really one of a kind, a sort of ghoul's version of "Father Knows Best". Produced in what I still firmly believe was the most creative decade on television, the swinging 1960's, "The Munsters", entry into the television schedule was perfectly timed and this most unusual of families slotted right in with the fantastic and totally "out of this world", programming of the time that featured beautiful suburban witches, talking horses, multi-millionaire hillbillies, bumbling spies, and sexy Genies.

Stephen Cox's loving tribute to this classic series makes first rate reading, chock full of terrific and highly informative information and dozens of truly stunning photos never before seen that will delight the heart of any reader. It truly is essential in the book collection of any devoted "Munster", fan like myself. In a similar vein to his other writing efforts that explored such much loved series from the 1960's as "The Beverly Hillbillies", and "Green Acres", Mr. Cox here explores everything to do with the show in a easily read format. Everything "Munster" is here from the original ideas that formed the basis for the eventual series, to information on the series' incredible cast and production crew, to a detailed look at the show's lavish attention to detail in terms of sets, costumes and makeup. Discussion is also given by Mr. Cox on the still mysterious reasons for the show's cancellation after only two years and then examines the amazing after life of "The Munsters", that continues on as strong as ever after 40 years when many of the more "realistic", sitcoms that replaced it are now only hazy memories. In short it's the perfect book for "Munster", lovers and anyone who has a real interest in how television was produced in that golden decade of the 1960's.

You don't have to be a kid 9-12 years old to giggle, shake your head in disbelief, and cry while you read this book--an adaptation of MARLEY AND ME. This is a testament to author Grogan's writing skill.

Grogan never underestimates his readers' vocabulary and comprehension of complex ideas. He doesn't "sugar coat" anything; kids and adults appreciate that. He relates his story through a full range of emotions--frustration over Marley's destructive behavior, worry when Marley is sick, and awe every time Marely does the un-doable.

I challenge newbie juvenile writers to craft their books as well as Grogan has.

Note: If you don't have time to read the longer MARLEY AND ME, read MARLEY: A DOG LIKE NO OTHER instead. You'll be glad you did.

Marley is a great book about a dog. He is crazy but still very cute. He is not obedient at all and when he's in public he is very naughty. This book goes from the beginning of Marley's life to when he gets really old. Marley is a golden retriever. He is so big that everyone is scared of him. When anyone walks into the house Marley dashes up to them and jumps up on them. This book is so good I couldn't put it down. These are some of the reasons I liked the book:

1. The book has to do with animals being treated fairly and I like that.
2. It taught me how much a dog can connect with its owner. It was touching.
3. The book was thick but I couldn't get enough!

There is just one thing that made me sad. I won't tell you what it was but I will say that it was so sad I actually cried. I hope this review helps you decide if this book is for you or not.

(Review written by Tysha)

This book is excellent for dog lovers. It spans the gambit from laughter to tears. A MUST READ!

In this condensed version of John Grogan's best-selling Marley & Me: Life and Love with the World's Worst Dog, the author has written an adapted version of his life and times with his Labrador Retriever, Marley, that's perfect for younger readers.

Having read and fully enjoyed Marley & Me: Life and Love with the World's Worst Dog when it was first released, I was a little anxious to see how Mr. Grogan would handle a shorter, easier-to-read version for the middle-grade set. Fortunately, MARLEY: A DOG LIKE NO OTHER is a fun, vibrant, and compelling read that even older elementary school students will enjoy.

When John and his wife, Jenny, first pick Marley out from a litter of pure-blood Labradors, they have no idea that their small bundle of fur with the big paws and blocky head will eventually turn into a 97-pound drool-machine full of nerves, excitement, and limitless energy. This short story (196 pages) is a testament to the trials, tribulations, and ultimate loyalty of a dog who ended up starring in a feature film.

Marley is the type of dog that you love, despite his flaws (and there are many!), and even the youngest of readers will be overjoyed to read about the trouble that he finds himself in on a daily basis. And, I admit, I shed a few tears towards the end of this book, but they were well worth it, because Marley was worth it.

One great benefit of this version of Marley's story are the numerous full-color photographs that the author has included. This addition alone makes MARLEY: A DOG LIKE NO OTHER an asset to your home library.

Reviewed by: Jennifer Wardrip, aka "The Genius"

Loved the book --it made me laugh, smile, cry. I bought three -- two were gifts and one for myself, which I also loaned to all my dog loving friends.

This is an excellant book by an author who best describes the feelings of this amazing film.
The book has a great mixture of photoes I have never seen before and also, a lot of interesting stories about the cast and and the making of the film.
I would certainly recommend this book to anyone who loves the film( Its a wonderfull life) and my praise to the author in writing something that I know both my family and myself will read and read again.
A great buy

If you love "It's a Wonderful Life" (and who doesn't?), then you'll LOVE this book! I was stunned to learn about what happened to the cast and where the Bailey kids are today and what they look like in more recent years. No other book offers the pure nostalgia factor like this one. The author gives us some amazing details about deleted scenes, as well as photographs that have surfaced showing these rare behind-the-scenes glimpses into scenes that never made the final cut. I loved the photo of Henry Travers (Clarence the Angel) in full color, not long before he died. What a treat this book is!! And the special message from Jimmy Stewart at the beginning of the book is pure magic! If you are a fan of this film, you won't be disappointed! This book is the perfect gift for any friends who love the movie, too. I've already ordered several and am giving them out this holiday!

Cox's "It's a Wonderful Life: A Memory Book" is an excellent addition to the movie buff's collection, and to fans of this exceptional film. The book is packed with stunning photographs (many never seen before), interesting tid-bits about the making-of, backstory on not only the fine performances of James Stewart, Donna Reed and Lionel Barrymore, but the character actors that helped make Capra's touching film so memorable and the holiday favorite it has become--almost 60 years later. It is well-researched and richly-written. This is a perfect gift year-round for any reason. It is one of Cox's best!

I have to admit that I wasn't much of an "It's a Wonderful Life" fan....until now. I had the pleasure of meeting Karolyn Grimes (little ZuZu Bailey) recently. She is such a warm and lovely person and spoke of IAWL with such passion that I bought the DVD the next night and watched it with new eyes. Now I'm hooked.

I was so delighted to find this book, to learn even more about this classic movie. After reading the book, I had to watch the DVD again.

Even if you're just a casual viewer of the movie, you'll still love this book. It's incredibly well-researched and jam-packed with beautiful photographs. Stephen Cox has a way with words. You feel like you're sitting with an old friend. His books are like comfort-food for the mind!

There are plenty of surprises in this book. You'll read what director Frank Capra and the players themselves have to say about making "It's a Wonderful Life," and you'll discover some interesting names among those who were almost cast. You'll also learn that some of the film's legends are true, while others are not. For example, while it is true that Carl Switzer (Alfalfa from the "Our Gang" comedies) was the rascal who opened the gym floor exposing the swimming pool beneath, it is NOT true that muppets Bert and Ernie were named as an homage to Bert the cop and Ernie the cab driver -- that's just a coincidence. In spite of the book's rather crowded layout and lackluster production, if you love "It's a Wonderful Life" and/or if you collect IAWL memorabilia, you'll want to have this book.

This is a treasure-trove of fantastic (and often quite grotesque!) drawings, paintings, digital artworks, and more from the creative people that made the "Pirates" movies. It's a hefty book and makes for a great conversation piece on the coffee table.

If you are a fan of the Pirates Movies this is a must have book! The art work in this book is amazing how they show them bringing the characters from conception art work to the big screen. Some truly amazing pictures in this book very vivid like you walked into the film. Love the Book and would highly recommend it.

This is a fantastic book! I can't say enough about how well this book was put together. It's oversided quite like the "Book of Codes" from the movie with splendid artwork throughout. Needless to say I am quite pleased. If you enjoy great production artwork this volume is for you.

This Product/ Purchase was very satisfactory. The book came on time as specified at the time of purchase. The descriptions at the time of purchase made the decision to buy this item very easy, as it assured me that this was what I was looking for. There were not only detailed descriptions of what was inside the book, there was also examples of some of the images inside the book, giving a preview of what to expect. The only suggestion/ concern I had with this purchase was that the packaging could have protected the book more than it did, as when it arrived there were a few slight mishaps when the book encountered the sides of the box on a rough delivery. Other than that I am happy with the purchase.

I bought this book, "The Art of Pirates of the Caribbean" for myself for Christmas, to add to my ever growing "Pirates of the Caribbean" collection. It's the perfect coffee table book; big, bold and loaded with beautiful photos of artistry and magic, and this book shows us "how" the magic was brewed to create what we know now as "The Pirates of the Caribbean Trilogy". Being an artist myself I can really appreciate the creative genius and the blood, sweat, and tears that this collective collaboration represents. Tons of work went into not only each character's development, but also that of the props, locations, etc., and you can see it all just by turning the book's pages. "The Art of Pirates of the Caribbean" book is magnificent addition to my collection and a proud representation of the hard work and talent of those who contributed to the movies...Bravo!

Christina Hamlett is a respected and well-known script consultant who has taken her knowledge of the industry and turned it into a thought-provoking look at the process of writing a script. While most how-to books on screenwriting give a reader the nuts and bolts of what makes a good screenplay, Ms. Hamlett does one better and walks her readers through HOW to make a good screenplay. Could It Be A Movie? is conversational and encouraging the whole way through and I especially like the hands on exercises that can be found in each chapter. They truly provide insight on what works for a story and what doesn't.

Ms. Hamlett begins by guiding her readers through deciding which format - movie, book, or stage play - best suits their particular story. She includes interviews and inside stories from some of the industries leading professionals who help explain what writing, and writing for Hollywood, is all about. She touches on everything a writer ever wanted to know about the screenwriting process - three-act story and it's proper structure, character and dialogue, adapting material from other mediums, rewrites, script consulting, more rewrites, and all about the business side of screenwriting - like protecting your work and querying an agent.

This book is one of the best on the market - as an aspiring screenwriter I've read many - and definitely belongs on the desk shelf right next to the likes of Syd Field, Linda Seger, and Dave Trottier. Ms. Hamlett's wonderful insights and straightforward writing style make it clear that she enjoys writing and helping other writers achieve their full potential. I can't say enough good things about this book, but I will say that Ms. Hamlett is a master at providing guidance to aspiring writers and she is a wonderful inspiration to us all!

Could it be a Movie gives great, detailed advice to aspiring screenwriters trying to come up with ideas and inspiration. But the book delivers so much more. This is a seriously good resource and I would highly recommend adding this book to your collection. From soup to nuts, Christina Hamlett keeps it real and discusses dialogue, agents, what producers do once they have your script and more. This is one of the best, most inclusive, humorous and spot-on books on screenwriting I have seen in some time. I just love Christina's voice. Reading her book is like having coffee with a dear friend.

Julie Gray
Founder, The Script Department
www.thescriptdepartment.com

"Could it Be a Movie?" tackles the title question with wit and a great sense of the craft and business of storytelling. Beyond that, it explores the fundamental question: Could I Be the Movie Writer? If that is a career you are considering, read this book first. Not only does it give solid information to help you make that decision, but it clues you in on the fundamental principles of the craft and business of writing for the movies. This remarkable book is loaded with resources from the library and from the internet. Could your idea be a movie? Just maybe, yes, with the aid of this invaluable resource.

There is only one reason a person writes - because they have to. And no one ever has to read what you write. But if you wish, pass copies out to your family and friends. I promise you they will gush and fawn. And you will realize the money you dropped on that script writing software was well spent. Then buy Christina's book. You'll find out that developing a script is not done by just sitting at a computer. Christina's too much of a lady to tell you in the book to do this, but here's what I did after reading COULD IT BE A MOVIE- I grabbed a couple note books, a bunch of sharp pencils, a bottle of scotch, found an empty table, and slashed my way into my soul. Christina helped me find places there I was proud to write about.

Just like Christina Hamlett's other reads, Could It Be a Movie? get's two pens up! This How-To book is your first step in determining whether or not your newly written script is fit for the big screen. Maybe it would be better as a book or maybe a stage play. Now, with this book as your guide, you will be able to make that determination on your own.
This book is chock full of great knowledge dug up from the wonderful mind of a successful theater director, script consultant and former actress. But what is great about the book is its easy to understand voice. Christina writes in a very conversational tone and combined with her wit and great sense of humor, it seems as though you are learning all this priceless information from across a table in a coffee shop. It's amazing how easily the information flows from the book to the brain. I even catch myself (who has no experience in this field) saying to myself, "Oh yeah! That totally makes sense!"
The book also relays great advice such as, "if you can strip away all the glitz and gizmos and your story still has something substantive to say to an audience, you've probably got yourself a solid plot." She instructs you to be familiar with the medium you are trying to emulate. "Don't be a playwright who has never seen a play, a novelist who has never read a book or an aspiring scriptwriter who never goes to the movies." And another brilliant point she makes is: "there are no short cuts in this business so you might as well start at square one."
Like Christina Hamlett's other book, Screenwriting for Teens, this book also has great mind-stimulating exercises to give a try. For instance, she asks the reader to list movies that are written in "bookend format" or what she aptly named the "maypole format." How about turning a commercial you are familiar with into a movie? All the while, she continues to drive home the importance of your story having a solid message. What does your script say to the audience?
There are so many important topics this book touches on that first timers may not already know. For example, she explains how to shorten a script by taking out lengthy stage directions. She advises leaving that to the directors. Or maybe you have never left Wisconsin but you want to write a believable book about a character in Los Angeles. With the invaluable resources she has included such as websites written to help novelist's research different kinds of people, jobs, cities and customs for anywhere in the world or anything you may be writing about, it's now possible. She delves into the legalities of copyrights and how to stay away from shady websites that promise you the world. Worried about how to find an agent? Could It Be a Movie? to the rescue! Yes, even that information is in there.
So start writing that first script because like in her waffle analogy, the first one always gets thrown out.

EXCELLENT!!! I love this book. I've been waching GH for years now but this book gave me the backstory to alot of plots. The pictures are great and seeing all the old charachters from years back is the best. I love it, love it,love it!

A wonderful compilation of memories from a once-great soap opera. It's a necessary memory tool for Classic GH fans to remember the show before it turned into the poorly produced, poorly written mockery it is today, courtesy of current misproducer Jill Farren Phelps (better known as Dull Darren Delps) and hack writer Bob Guza Jr. (a.k.a. Mob Luza Junior Writer).
It's a fine written tribute to the late, great producer Gloria Monty, who guided GH out of the doldrums in the late 1970s. Monty's best are on parade in the scrapbook --
The love triangle of Luke, Laura and Scott.
The love triangle of Alan, Monica and Rick.
The spy adventures of Luke teamed with Robert Scorpio opposite the wicked and domineering Cassadines.
The expansion of the WSB/spy stories through the characters of Sean Donely, Anna Devane and Frisco and Felicia Jones.
The enduring loving couples that put your faith back in human nature -- Drs. Rick and Lesley Webber, Lee and Gail Baldwin, Steve and Audrey Hardy, Edward and Lila Quartermaine -- are well presented.
The great villains -- Helena Cassadine, Cesar Faison, Grant Putnam, and Heather Webber -- are in the house.
There's also a neat section of GH vets who went on to bigger and better - singer Rick Springfield (GH's Dr. Noah Drake) and Demi Moore (the soap's erstwhile newspaper reporter Jackie Templeton).
Only thing that's needed is an update of the book. The current book only goes as far as 1995. Warner should bring it up to 2002, the year GH began its rapid decline.

Sincerely,
J. Mosher.
(a.k.a. doneleywannabe of ABC's GH Internet message board).

This is especially great for old time fans like myself, because it reminds us of some great old scenes. It's too bad a lot of the newer actors are not in this, but it's a few years old. I love seeing this on my book shelf, proclaiming my love for GH. A great gift for the fan.

Okay, this book goes back, way back, to the beginning. LOTS of great photos and it explains the storyline as well! So if you wonder what Jason used to be like or who's related to whom...this will explain it all!

I bought this book as a gift for a friend so I can't comment on the contents but she LOVED it and is a big GH fan so I'm assuming I did well! My experience was exceptional. Got my book within a few days in mint condition as promised!

This book I will cherish for all my life. I love looking back at the old GH to the present. It just shows you how awesome General hospital is. It has such great stories. Love stories like Brenda and Sonny, Robin and Stone, to break through stories like Allen drug addiction to Stone's AIDS Story. God this book will make you scream in glee or shead a few tears. To All- ENJOY!

In 1991, I had the privilege of being a student at the School of Advanced Military Studies at Fort Leavenworth under the direction of then Col James McDonough. A man of deep reflection, he was also passionate about soldiers and ensured that everything we did as students in teh study of warfare and campaign design kept them in mind.

Now I am a university professor offering courses in US military history. Part of what I do is to expose my students to leadership and battle at the small unit level. There is no better book for that purpose concerning Vietnam than McDonough.

Every student takes something different away from this book because, unlike many assigned books, they read it. The book captures you right from the beginning. You really can't put it down. And, it contains more lessons about life and leadership than I can express here.

Knowing the author personally in 1991-1992 is special, for I saw in him then the character that had developed from his time in Vietnam. He tells it like it is, he means what he says, and he stands by his word. His book is more than just a memoir, it is therapy for a man who must live with the past, both for better and for worse.

Platoon Leader was an excellent read, and one I would recommend for all those enjoy military reading. I would especially suggest it to all junior military leaders. Entertaining and well written, the author discusses at length his role as a leader, and what he views as good and bad leaders. The aspect of the book I enjoyed the most was it allowed the reader to see leadership, on a small-unit level, working in real-world combat conditions. Unlike many books leaders read for professional development, it shows how leadership works when employed and doesn't just philosophize about leadership principles.

James McDonough provides an in-depth look at infantry platoon operations in Vietnam. This is a must read for anyone who intends to pursue a military career. The book is very graphic, but also very succint and to the point. McDonough doesn't waste time with superfluous details, every word is well chosen and critical to the telling of the story. Once you begin reading, you will not want to stop. It is a quick read, and well worth the time it takes.

"Platoon Leader: A Memoir of Command in Combat," by James R. McDonough, chronicles the author's experiences as an officer in the Vietnam War from 1970-71. His platoon is charged with manning an outpost next to the village of Truong Lam.

This is a fascinating, well-written account. McDonough fills his narrative with vivid details that really made his story come alive in my mind. He doesn't flinch at describing the goriest and most horrific images of war. There are also moments of irony and bitter humor. Also noteworthy is the informative material about tactics used in Vietnam. And the author humanizes the story by touching on such "down-and-dirty" issues as the latrine his platoon used.

McDonough's story is populated with a compelling cast of characters. Particularly intriguing is his exploration of relationships among the various groups he encountered in the war zone--U.S. enlisted men, his fellow Army officers, Vietnamese military allies, enemy forces, and the many civilians caught up in the conflict.

While rich in scenes of combat, "Platoon Leader" goes beyond being just an action-packed war yarn. The book explores the ethics and morals of war. McDonough deals directly with the danger a soldier faces in becoming dehumanized by the brutality of war. He vividly portrays the struggle of a leader to remain wise and humane, yet also tough and resolute, under the most trying of circumstances. This book is both a profound meditation on wartime leadership and a powerful work of American literature.

As a junior officer I have an entire list of professional reading that I am trudging my way through, but so far McDonough has been by far the most enjoyable and has made the biggest impact on my own leadership style. Both Platoon Leader and Defense of Hill 781 are great books, but Platoon Leader is so far the best military memoir I have read. It has been over a year since I read this book, but the three things that have stuck with me are:
1. Do the right thing, at the right time, for the right reason.
2. Death in a combat zone is more about just being in the wrong place at the wrong time. Sooner or later your luck runs out, but you have the duty to your fellow soldiers to do everything in your power to protect them.
3. The stealing of a bottle of soda from a grandmother leads slowly but inevitable to the rape of her granddaughter. If you let your soldiers steal at all you are setting the stage for what atrocities they will commit later. You must always be vigilant in your discipline.

While I do not have combat experience, I am currently serving in Iraq and know second handedly that these concepts still hold true.

Other than the leadership aspect of the book, Mcdonough is just a great story teller and is able to make the book engaging and addicting.

My friend Mary Sue sent me Precious Bane when I was very ill, hoping it would get me reading again. She was right.

The time of the tale is not clear. It was written in 1926 but has a Hardy-like tone which would place it in the mid-to-late 19th century. The location is Shropshire, England. You can reference a Shropshire word list on the Internet, but after a while I preferred to let the dialect flow over me and learn some of the meanngs the way we first learn a language.

The premise is that it is customary in Shropshire to hire a sin-eater, usually someone poor, when someone dies, who will take over the sins of the dead person. The Sarn family is too poor even to do this when the father dies, so the son, Gideon, offers to be the sin-eater in return for taking ownership of the family farm. He works the farm with his sister Prue.

The second plot is a love story. Prue is a woman with a hare lip, a beautiful body and character above reproach, who is struck by lightning with love when she first sees Kester, an itinerant weaver.

Other scenes of interest take place during market which introduce various characters, reveal through gossip the attitudes about them and explain customs.

I read that Precious Bane is tobacco, but it seemed rather to refer to foxglove, which takes an important turn in the plot.

The writing is excellent. The characters are true. Some readers compared this book to Cold Comfort Farm. I have read Cold Comfort Farm, and although I enjoyed it didn't find it to be similar, as the heroine is a flapper in the 20's.

The only thing that might have perfected the book would be to liken Gideon's sins specifically(he had many) to the sins of his father, which she didn't do. The lack of detail didn't seem to detract much, as the point was explained at the beginning.



Thank you, Mary Sue.

This is one of those rare stories that seeps into your soul and leaves a lasting impression. The language itself, while a bit difficult at first becomes a song you want to sing and long to hear it spoken. The story, sometimes achingly sad and violent is ultimately triumphantly romantic - with a sequence of events that leaves the reader breathless and yearning for more. Shortly after reading Precious Bane, I was lucky enough to discover a small theatre group in Chicago performing the stage version. My husband and I were in a packed theatre of about 30 people, where I sat front and center with the actors not more than two feet in front of me. Knowing the story line as I did, I made a spectacle of myself sobbing through the second half of the play. I'm sure the actors were gratified that they had such a strong effect on their audience. Suffice it to say, no one who picks up this book will be disappointed, nor will they ever forget it.

The story is this: A young woman, Prudence Sarn, is born with a harelip, which makes her subject to superstition and ridicule from the small-minded country folk who surround her in early 20th-centry Shropshire, England. Because of her deformity, Prue is told again and again that she will never marry; her brother, Gideon, more or less conscripts Prue into serving him on the family farm, telling her that if she follows his plan that she will at least have money and respectability someday. Prue follows along with this plan, envisioning the day that she will have enough money to make herself "beautiful as a fairy" - a dream that takes on concentrated exigency in Prue's mind when she falls in love with the handsome weaver Kester Woodseaves. Prue thinks that no man could ever love her as she is, "cursed and hare-shotten," and when one tragedy after another strikes the Sarns, she wonders if true happiness will ever touch her life.

It's rare that a book moves me to tears, but in the course of reading this novel I grew so attached to Prue that I felt as if she were speaking to me as a sister. The delicate, simple distinctions of this story ring true in every word; it was as though the secrets, disappointments, and beauties of the English country were visible in the spaces between words on the page. At first the language, written in vernacular of the time, was hard to read, but once I grew accustomed to it I was transported to a remote and seemingly miraculous place where Prue discovered and treasured profound beauty in unlikely places. The same can be said of discovering Prue herself, whose compassion, wit, love, and faithfulness shine in everything she does. I would recommend this book to anyone and everyone - it is undoubtedly a story about love, but not in the conventional rom-com or Harlequin-paperback way that's so prevalent nowadays. This is a story about strength of spirit, about unconditional goodness in the face of cruelty, mockery, and calamity. If that's not a real "love story," I don't know what is.

Once in awhile, you run across a book that's like coming home, that places you in a persona and setting that is hazily familiar. Mary Webb's Precious Bane does that for me. Set in rural England in the early 19th century, it tells the story of Prudence Sarn, a young woman whose mother encountered a hare while she was pregnant with Prue. The baby was born with a harelip.
For those who knew her, it meant that Prue would never marry--what man, after all, would want to kiss her? For those who did not know her, it was an excuse to make up tales that she "roamed the country at night in the body of a hare" and that she could curse with a look. For Prue, it was reason to hide from the man she loved, the weaver Kester Woodseaves.
Prue worked like a slave for her brother Gideon's dream of wealth and power in exchange for his promise of money to have her affliction cured when they were rich. But Prue took moments to appreciate the lilies on the lake's edge, the molting of the dragonflies, and the heady scent of apples in the attic where she retreated to write in her diary.
Mary Webb (1881-1927) lived most of her life in Shropshire County, England, where she and her father wandered the hills and lanes, a pastime she continued after he died. Later, Webb--who was also a poet--enhanced her stories with the naturalism and mysticism she learned from her father and the land.
Shropshire English is heavily influenced by the Welsh language, creating a lively and colorful dialect that Webb has distilled in her novels. It takes some getting used to, but once you catch the rhythm, it's hard to let go. Webb's prose will sing in your mind days after the book is closed.
She also used local traditions such as telling the bees when someone has died, and the employment of a Sin Eater, who, for a fee, consumes the sins of the dead person in a glass of wine and a crust of bread. When Gideon's and Prue's father died, Gideon agreed to eat the sins of his father if his mother, who was upset because her husband "had died in his wrath, with all his sins upon him," turned the farm over to him.
But it was the people she met on her wanderings and trips to the market where she sold flowers and produce from her garden that proved Mary Webb's greatest resource. Her novels are enriched by minor characters like Isaiah in Seven for a Secret, who said little but "Ha!" That one syllable was enough to make him a wealthy farmer because people felt they had been found out and out of guilt gave him their best prices. Sarah, the housekeeper in The House in Dormer Forest, broke the favorite china and vases belonging to whomever she was angry with.
Mary Webb's protagonists make her novels shine. Hazel Woodus in Gone to Earth seems more animal than human; she is as wild as her beloved Foxy. Deborah Arden, in The Golden Arrow, loves deeply and totally with all her soul. Robert Rideout, in Seven for a Secret, composes music and poetry while he herds sheep. Prudence Sarn is Webb's greatest achievement as she brings the reader to care passionately about Prue .
The novelist was able to draw from within herself to create Prue Sarn because she suffered most of her life from the facial disfigurement brought on by Grave's Disease.
Precious Bane is a masterpiece. Mary Webb's other novels do not reach that pinnacle--they are too didactic and sometimes simplistic, but they are well worth reading as they poetically explore love, passion, and social norms.

This is an amazing book which should be read by all those who enjoy British literature. It is a touching, romantic story. The writing is sensual in that there are sounds, smells, sights, tastes and textures to be experienced in its textual descriptions. The natural setting almost becomes a "character" in and of itself because you could not take the story out of the beautiful, natural, country setting Webb creates.
Look at other reviews to understand the plot. However, it truly doesn't make sense to try to recount it. Be patient when waiting for the "hook", when you won't be able to put the book down, it will come. Also, allow yourself a bit of time to learn to read and hear in your mind the syntax and sound of the words. Mary Webb takes you to a different place and time and you come to understand what it would be like for a young woman with intelligence, family devotion, character and longings who happened to be born with an external defect.
May this book become one of your favorites as it has become one of mine. (If anyone knows how I might obtain a video/DVD of the Masterpiece Theatre version with Janet McTeer and Clive Owen, please let me know.)

This book is as convoluted as its author. It maintains a flow of semi-stream-of-consciousness from start to finish, and what emerges are the memoirs of a man whose love of seafaring and considerable self-deprecation ("self-loathing" is a little too strong a term) has brought him to a sea voyage to Tahiti with a pick-up crew and his four children in violation of a court order. Hayden's story is it's own animal, going from the coasts of Massachusetts and Maine, to the forests of Yugoslavia, to courtrooms and congressional chambers and movie sets and finally to the high seas and South Pacific islands with a strain of fatalism and regret throughout. It should make for a downer of a read; instead, I found myself staying up and turning the pages to see what happened next. A great book.

I would like to add something to the excellent and perceptive reviews above. What came through so strongly is that life is messy, yet Hayden's remarkable self awareness didn't seem to help him. This is a fascinating look inside a big life. I found it valuable.

I believe it was 1959 and I had just returned from a month's cruise to the Tuamotus and Marquesas islands on the copra schooner Charlotte Donald. I was sitting at a table on the quay in front of the Hotel Le Grand when the schooner first appeared off Papeete. It sailed in smartly, picked up the Pilot, and docked stern first, as was the custom, at the concrete quay. The name "Wanderer" was nicely affixed to her transom. I lived in District Punavia, kilometer thirteen, next to Paul Gauguin's old home by the Thompsons. Several weeks later I would board the Wanderer after meeting her skipper at a party to buy some of the 16mm color film he had for sale. He was courteous, the children were well mannered, the library below was impressive, and his ship was clean and appeared to be able to sail on a minute's notice. We chatted for some time and he recounted some stories of his trip. We knew the same haunts in coastal California. We met a couple of more times at functions on the island. He seemed to be a cheerful and courteous person. He was a large man and deep voiced and I knew he was an actor, but that's about all I knew. Not long ago I had written my autobiography and had made a small mentioned of the encounter and the film. A friend who read my book asked if I had read Hayden's biography, which I hadn't. He suggested I do so, and last month I ordered it from Amazon. The book was disheartening for me to read. While he and I had many similarities in our lives (I wasn't an actor) and had been to many of the same places, we came away with massively different reactions. Mr. Hayden is a good writer and tells, especially about his life at sea, in an authentic style that kept me reading. I don't know if I would have finished if there weren't the similarity of our experiences. The sparse interjection of the third person voice over his normal narrative of first person was effectively used. The book and his life stand on their own merits and I make no judgment. He was first and foremost a seafaring man of unusual talents, and I wish I had visited him in the States in our later years. Mr. Hayden, you steered the course you wanted in recounting the voyages of your life. That's about all most of us could ask for. Rest in peace.

PS:
Spike Africa, his mate, came as a surprise, or else I had forgotten. Skip ahead twenty years and I chartered the "Spike Africa", a 70 foot schooner out of Newport Beach California somewhere around 1979 for a company off-site (the exact thing Hayden despised ... sorry). Bob Sloan built and then christened the boat "Spike Africa". The California yachting community all knew of Spike Africa the man, as a legend in the Pacific ocean, although I never knew any details of the legend.

A griping story that reads like fiction. Hayden is a "one of a kind" spirit that lives life to the fullest. He wants good things for the world and lives up to his character of being an iconoclast. A great read for sailors or romantics who dream of being before the mast and finding lifes' meaning out on the sea.

Hayden was one of those force of nature types who, sadly don't exist in sufficient quantities to make the world a really interesting place. In this book, he tells his life story, while telling the story of his last voyage on the 100 foot schooner, Wanderer. His prose is lovely and has the rythm of the sea; like other great works of sea literature (like Moby Dick). I'll give a high point of his prose before I complain:

"What does a man need ---really need? A few pounds of food each day, heat and shelter, six feet to lie down in --and some form of working activity that will yield a sense of accomplishment. That's all --in the material sense. And we know it. But we are brainwashed by our economic system until we end up in a tomb beneath a pyramid of time payments, mortgages, preposterous gadgetry, playthings that divert our attention from the sheer idiocy of the charade. The years thunder by. The dreams of youth grow dim where they lie caked in dust on the shelves of patience. Before we know it, the tomb is sealed. Where then lies the answer? In choice. Which shall it be, bankruptcy of purse of bankrutpcy of life?"

Hayden was a child of the depression who worked his way out of bad circumstances by a combination of stubbornness, physique and leadership skill. He is eventually given a job a an actor, after being spotted by the media during a sailboat race in Glocester. He abandons this due to a love affair with an actress who fancies herself concerned with serious social issues. He joins the war and does OSS/CIA type operations in maritime support of partisans in Yugoslavia. He returns to his acting. Makes many movies. Marries an evil shrew. Divorces. Gets the kids. Chucks it all for a trip to Tahiti in his 100 foot yacht. All this is well and good, but the man reveals too much about himself. His self loathing isn't interesting. It is certainly not edifying, and though he seems to abundantly pity himself, I cannot feel sorry for him. The man had many fine opportunities. He had fine charachter qualities; I admire the fact that he chucked it all, just because he didn't like it. But he was not a fine man: he was petty and ugly -he couldn't even treat his own widowed mother decently, and though his ex wife was probably no better, I rather doubt as being around such a tormented spirit was good for his kids. In that way, he is a tragic figure; all the more tragic because he doesn't seem to realize it himself. It is no suprise he never did much with himself after he wrote the book. I don't know this to be true, but I suspect he drown himself and his self-loathing in booze.

Still, it is a beautifully written book. In a way, the book is his triumph over it all. It is doubtless a finer thing than any of the movies he made, and his great "the heck with it all" dramatic gesture is probably better than any he made on camera. I know I will read the book again. Perhaps when I am older I will think differently of Captain Hayden. Amusingly, a visit to Sausalito revealed that I had known Hayden as the demented General Jack D. Ripper in "Dr. Strangelove."