Woody Allen Books
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A heavenly conclusion to Dante's towering masterpieceReview Date: 2004-11-17
The Closing Of The TrilogyReview Date: 2005-06-28
This book should only truly be read upon completing Inferno and Purgatorio as many of the asides and relationships were first developed there. Allen Mandelbaum does a wonderful job of translating the poem but of also providing the reader with numerous notes and explanations on certain phrases or objects within the Cantos. This version is by far the easiest and most complete and can be enjoyed by both the casual and experienced reader.
Paradiso is paradise!Review Date: 2001-04-26
Triumph of Style over StoryReview Date: 2007-12-13
In this case, as the story of our poet recedes and as Virgil is replaced by the ethereal Beatrice, the substance of the poem becomes the poetry. That is, the voice of Dante becomes paramount. If you read this in Italian, that's reward enough. I would guess that Paradiso is the canticle most often quoted in the original language.
In English however, this is tough sledding. The wily Ciardi didn't quite pull it off and all the earlier translations are hopeless. Then along comes Mandelbaum. The language is elevated without being unreachable. It is still not a volume that's impossible to put down, but it is a volume that you have to pick up again and again.
Lynn Hoffman, author of bang BANG: A Novel

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A Must Buy BookReview Date: 2004-07-13
Regardless of your experience with reading Paul Bowles, I personally recommend this book. The genealogy provides an easy to read and entertaining overview of several notable writers. In addition, the book presents a very interesting sample of magic and myths in North Africa. The movement through time and space that spans from the early writers, through the life of Paul Bowles, and ends with a letter to Bowles's spirit is beautifully done. The book's narrative, like its intriguing cover, is guaranteed to cast a magical spell on whoever reads it.
5 Stars Only if Hibbard Gets a Better Picture of Himself for the CreditsReview Date: 2006-06-24
What I really like about his analysis is that, though Mr. Hibbard may not know good fiction (and hence bad fiction) when he sees it, he is not afraid to portray Mr. Bowles as the sadistic little twit that he, in part, was. Hibbard's hyperbolic language aside, he effectively shows how Bowles' lifelong sadistic tendencies found fertile soil in the bizarre, superstitious world of Morocco, where Bowles became his own little evil dictator of sorts. Especially cruel was his luring of the innocent Alfred Chester from New York and then playing with him like a captured mouse. (Chester actually overdosed on drugs in Israel a few years later, his fragile psychology having been "finished off" by Bowles' manipulations.) Both charming and maniacal, Bowles cast a large, creepy shadow. Mr. Hibbard peers out knowingly at us from behind it.
But, the picture of Bowles and Mr. Hibbard at the back of the book has to go. Hibbard looks like Saturday Night Live's Will Ferrell (after some really bad acid.) Bowles grins self-satisfactorily behind his Carlo Ponti sunglasses and you have to wonder, what has he done to the poor boy? Then, there is this crazy picture of some Viennese guy (the illustrator) who looks like a cross between Santa Claus and a rabbi. The only illustration in my edition is the unsettling one on the cover, which qualifies as "outsider" (insane) art. The illustrator apparently has some avant-garde theater thing going in Prinzenhof (sic?).
Oh yes, and the actual book is tiny, possibly shrunk down during one of Mr. Hibbard's Bowlesian experiments. After reading this book, I think I've had my fill of Paul Bowles. Now, I'm looking at getting the anthology of Alfred Chester's work. (It's all Michele Green's fault, you know.)
An in-depth work of literary criticism Review Date: 2004-10-30
artfully, beautifully, sensually writtenReview Date: 2004-09-20

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Good BookReview Date: 2007-01-09
Peter PanReview Date: 2002-11-11
PETER PAN WHO ARE YOUReview Date: 1999-12-02
Exactly what you expect from a Walt Disney story!Review Date: 1999-10-03

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Distilled knowledge of what works for consultantsReview Date: 2005-02-15
Not all of the 142 secrets are earth-shattering, but there's more than 100 valuable ideas. The four authors compliment each other nicely. If I were to advise them before publishing I would have wanted only to read Bernard Zick's recommendations because he's such a whiz on marketing in this area. But surprisingly, I found the other authors to add significantly to the focus of the book as they had to face how to market themselves in their specialties.
This is a book that you will want to review at least annually, perhaps as you plan the next years activities. There are many unusual techniques or ideas in this book that I had not seen elsewhere.
John Dunbar
Sugar Land, TX
The Review: Power Marketing for ConsultantsReview Date: 2000-04-24
Brody, D'Angelo, et. al, Power Marketing For Consultants: 142 Insider Marketing Secrets Used By The Nation's Top Consultants, Archer-Ellison Publishing Company, Winter Park, FL September,1999
Kelly Hilgers
Selling Your Services, Selling YourselfReview Date: 2000-10-06
In this book, four of the world's top consultants/speakers/motivators share their 142 marketing secrets. Use this inside information to jump-start your consulting business to earn what you are worth--sooner. Read, evaluate and employ each of these advanced marketing ideas.
As a (self-employed) author of 113 books (including revisions and foreign-language editions) and over 500 magazine articles and a consultant to the publishing industry, I recommend this book to anyone who sells their advice. DanPoynter@ParaPublishing.com.
Power Marketing for Consultants ReviewReview Date: 2000-04-25
Brody, D'Angelo, et. al, Power Marketing For Consultants: 142 Insider Marketing Secrets Used By The Nation's Top Consultants, Archer-Ellison Publishing Company, Winter Park, FL September,1999

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Prostate Cancer by Centeno and OnikReview Date: 2005-03-31
As we get older, less testosterone is produced. The reduced
testosterone levels may cause the prostrate to shrink in mass.
Cryosurgery freezes tissue. The current state of prostate surgery
art is on "afud", "prostatecancerfoundation" and "urologyhealth"
coms. This work would be invaluable if you have prostrate problems and it will be necessary to choose an optimal treatment modality.
This volume is well worth the price charged for the information content alone. It is well-researched and the sources are authoritative.
Superb on cryosurgery for PC, plus coverage of all therapiesReview Date: 2004-10-18
The coverage of cryo ranges from advantages, disadvantages and limitations, details of the procedure, selection of a skilled cryo surgeon, promising results for this relatively new technology, side effects, ways of limiting recurrence, and excellent potential as a salvage technique. The book recommends the patient confirm with his doctor that certain techniques will be used, such as slow thawing and prevention of injury to the rectum by injection of saline solution in an intervening space. It notes that a special advantage over other therapies is that all types of prostate cancer cells respond, even aggressive cells (high Gleason scores). It also notes that follow-up data is still limited to about five to seven years, a disadvantage, though data at the outer boundary looks good.
A must read for any manReview Date: 2004-10-15
Clearly one of the most informative and understandable writings of our times. Compassionate in tone and sensative in presentation.
Comprehensive, patient friendlyReview Date: 2004-08-03
When I went back for my second visit after my diagnosis, my doctor and I discussed treatment options. He also answered some questions the book had brought to mind. Four months ago I had a nerve sparing radical prostatectomy, and I've been doing great since. I'd definitely recommend this book to other men with prostate cancer.

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for my motherReview Date: 2006-07-10
Important information, easy to readReview Date: 2006-06-06
Great book for people who fear going blind from AMDReview Date: 2006-05-23
The illustrations are clear and help with the understanding of this complex topic. The tone is conversational, making it easily read but never condescending. The type is large enough with lines far enough apart to be easily read by people whose vision is not optimal but is not as large as a large-print text.
I recommend this to any person who might be faced with AMD and has been told they can't do anything about it. Physicians, particularly those who see older patients, may also want to consider using this book as a waiting room book.
Excellent book for patients and health care providers!Review Date: 2006-05-23

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Great way to get to know yourself/othersReview Date: 2007-09-25
Fun and wacky!Review Date: 2006-08-17
If you want to know yourself better and your friendsReview Date: 2001-02-20
This was a great book with lots of cool quizzesReview Date: 1999-10-27
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Very worthwhile book to help develop a child's sense of awe, wonder and interest!Review Date: 2007-05-07
Guaranteed a quality hand-me-down.Review Date: 2004-03-15
Make that 6 starsReview Date: 2004-12-14
It's simple. This is a book you really ought to get.Review Date: 2002-08-03
The descriptions of each feature are factually excellent and well written. The photographs are all in color and excellent.
The maps supplied, in some, but not all, instances are clear and well drafted.
Your world will be much broader and more full once you obtain and read this excellent volume. Don't even try it all at once. Just leisurely peruse a few items each time, and your sense of wonder and beauty will grow each time you do. Very, very highly rated.

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A woderful book.Review Date: 2007-03-08
Masterful!Review Date: 2006-12-19
I was led into the thrown room of GodReview Date: 2007-01-20
Worshipping the God of GloryReview Date: 2007-10-24
Allen P. Ross, a professor at Beeson Divinity School, goes a long way in demonstrating the fallacies of this line of thinking in his important survey of Biblical worship Recalling the Hope of Glory. Working his way from Genesis to Revelation, Ross sheds light on just how much the Holy Scriptures tell us about worshipping the Lord God. Dividing the book into ten parts, each dealing with a phase of development, Ross outlines how God's plan for worship was progressively revealed just as His plan for our salvation was revealed. From the creation to the last trump, we are being led to our true end in the communion with the living God. It is absurd to think that there has not been revealed some level of understanding that is to assist us in moving us toward that final destination.
Ross begins by discussing the purpose of worship. We cannot understand the purpose of worship, the author contnends, until we see its link with the nature and atributes of God. The knowledge we have of God from the revelation of Him in Holy Scripture (i.e., God is holy, God is omnipresent, God is righteous, etc.) all play a role in our understanding the glory of God. Our response to being confronted with the glory of God is to be fear, adoration, confession, commitment, and finally the participation in ritual acts and religious observances that reflect upon God's glory. The observances of God's people have always centered upon sacrifice, proclamation, praise, prayer, and covenant renewal. Each of the ritual acts can be seen from an intellectual, aesthetic, corporate, and moral sense and each of these views satisfies a need of the human spirit. True worship can thus be seen as the celebration of being in a covenant fellowship with the triune God by means of praise, adoration, commitment, and ritual as we have faith that God's covenant promises will be fulfilled.
Ross then examines how the memory of paradise impacts worship. The construction of the Temple with its different levels of access to God symbolically reconstructs the world before the fall while emphasizing that access to God is no longer direct but requires a mediator. The effect both looks back to paradise but also looks forward to reconcilliation with God through the one true mediator Jesus Christ.
Pointing out how, at the time of Abraham, worship since the time of Noah had deteriorated into fertility cults governed by elite priests, Ross shows how God called Abraham and his descendents back to a true worship of Him. An important part of the worship was a sacrifice accompanied by a proclimation of faith in God at the altar. This proclimation was not only through words but also in ritual acts that demonstrated faith in the promises of God throughout the believer's life.
Ross then turns in successive sections on the details of how sacrifice and praise were integrated into the worship of Israel. The combination of prayer and ritual are not in opposition as commonly believed by many but are complementary in true worship. The author follows the development of Jewish worship from Sinai to the Temple and how the two formed a cohesive plan for the Jewish liturgical celebration.
Even with the establishment of worship ordained by God, the fallen nature of man still led yet again to corruption. The author covers how, on different occasions, Israel fell into pagan idolatry. Even when not turning to pagan beliefs, there was also the hypocrisy of those who claimed to be holy but bore bad fruits as injustice and immorality reigned. In such times, God chose prophets among His people to rebuke them and announce both punishment and eventual redemption.
Then turning to the New Testament, Ross shows how Jesus continues the prophetic call to Israel to turn from the hypocrisy of its religious leaders but also now institutes the New Covenant worship. New Testament worship is worship of Christ that is done in Christ as the believers are identified with as His Body. Worship was transformed by Jesus at the Last Supper where He identified His body with the bread of affliction and identified His blood as to be poured out as He pointed to His coming sacrifice on the cross. The institution of the Holy Communion serves is not a mere memorial in the modern Western sense but serves to keep alive the New Covenant promises for the believer.
The author then points out how the New Testament Church would build upon the existing Jewish liturgical tradition with this new ritual. Jewish concepts were reinterpreted through the New Covenant with Christ. All aspects of worship became Christocentric with both Word and Sacrament an indispensible focus of the liturgy.
Ross goes into much detail on the structure of the early Church liturgy, its reliance upon Jewish precedent, and its subsequent development to reflect the new Christian covenant. Many Evangelicals might be surprised and perhaps uneasy by the "Catholic" appearance of early Christian worship. It should be pointed out, however, that all Christian worship until recent centuries followed this basic form. The worship of Israel was always liturgical as was the early Church and all churches that can trace its history from before the Reformation. Among the Churches of the Reformation, the Lutherans, Anglicans, and many Reformed also retained the basic structure of the historic Christian liturgy.
One element that has until recently been downplayed is the eschatological ends of worship. As we come together to thank God and praise Him we should also be reminded of His faithfulness not only in our past and present but also in the future as His plan will be fulfilled. Ross shows how the views of Scripture about the end of days are brought into the liturgy and how elements of true worship point to the coming eschaton. Just as the liturgy and the structure of true woship has always pointed back to paradise, so it also gives us a glimpse of the coming day when we will experience the full presence of God in His glory.
Ross finishes with a list of principles for more glorious worship. These serve to transcend the "worship wars" that too often center on passing styles that are peculiar too a particular generation and places the focus squarely on Christ and how we may proclaim His glory. The implementation of these principles would call for a change among worshippers of the "megachurch" or "emerging church" movements but also among many Evangelicals whose liturgical outlook was formed by earlier "revival" movements that sought emotional experiences at the expense of losing a sense of God's transcendent glory.
Rarely has a book dealt so frankly and honestly with the issue of liturgy and its implications for Evangelical Protestantism. Allen P. Ross has given us a rich and powerful evaluation of the essential elements of true woship that is deeply rooted in the Holy Scriptures and communicates how the true worship of God has developed in response to the progressively revealed state of God's Word. Recalling the Hope of Glory is a challenging work that should be read by anyone concerned with the worship of the God of Glory.

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Very Good BookReview Date: 2008-04-22
Fantastic book on Iberian HorsesReview Date: 1997-05-12
Best English-Language Book on Iberian HorsesReview Date: 1997-10-25
Royal HorseReview Date: 2003-10-18
It has great information about story and carachteristics of Andalusians and Lusitanos.
I absolutely recomend this book for the ones interested in Iberian horses.
Related Subjects: Movies
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Unlike INFERNO and PURGATORY, however, PARADISE is rather narrower and specialized in its appeal. It is not merely that it assumes that the reader is a devout Catholic; one must be a devout Catholic of the early 14th century, sharing completely the view of the universe accepted at that time. I think I have an unusually complete understanding of the cosmological views of the late medieval period, but while this meant I was able to read this work with some familiarity of the details, it also guaranteed that much of my interest was merely academic.
There is an expression that "You do not judge Dante; Dante judges you." This is undoubtedly true, but it it definitely true that this final book is going to strain the interest of most readers, even if you know enough about the intellectual worldview behind his work. In fairness to Dante, the work was nearly impossible to pull off. That he managed to do so nonetheless is nothing short of a minor miracle. For one thing, most of what made the many remarkable characters of INFERNO so fascinating was the struggle that existed in their lives. But in PARADISE there is no conflict, no struggle, no "agon." Instead, it is a realm of perfect bliss, with few qualities apart from love, happiness, and praising God through singing and dancing. These are some pretty stiff limitations that any writer would struggle with. That Dante managed something remarkable despite this is fairly amazing.
Also, there is a major theological limitation placed upon the work. At this particular point in the history of Christian thought, the assumption was that after death humans would be without a body (though they would be reunited with their body at the final judgment). So all of the denizens of heaven were disembodied spirits (though Beatrice does seem to possess a body, but that is a detail that we'll pass over). Dante represents all of the souls he meets in heaven as brilliant shapes of light. In fact, everything in heaven is represented as brilliant shapes of light.
C. S. Lewis remarked that PARADISE was the first Sci-Fi novel, and while he intended this hyperbolically, there is nonetheless a great deal of truth in it. Dante's imaginative depiction of the physics of the superlunary realm is a truly enormous achievement. I won't go into all of the details of medieval physics, but given the assumptions of Aristotelian science, the way his body reacts in the heavens is not merely consistent with the science but pretty much necessitated by it. For instance, moving on the assumption that things above the orbit of the moon have an ineluctable attraction to God, whenever Beatrice wants to take Dante from one sphere to another she merely gazes upon the divine beauty and they are transported as quickly as, as Dante puts it, a bolt from a crossbow. It is a wonderful touch, only one among many found in the book.
What I love most about this work, however, is the way that it expands and completes the work as a whole. On one level, the COMEDY is essentially a tour of the entire known cosmos excluding the surface of the earth. He begins by descending into hell, travels all the way down through the circles of hell to the gravitational center of the earth where Satan is encased in ice, and then ascends literally up Satan's legs (which are on the opposite magnetic pole from his torso) to the Southern hemisphere (contrary to popular myth, all educated medievals were perfectly aware that the earth was round), to the base of the seven-storied Mount Purgatory, up it to its top and the Garden of Eden, and from thence to the various spheres of the heavens until he gazes directly upon God. No, PARADISE is not as fascinating to read as INFERNO, but the paradox is that the COMEDY as a whole is far more fascinating than INFERNO on its own. Therefore, anyone who fails to go on from INFERNO to read both PURGATORY and PARADISE is not only going to shortchange themselves: they are going to neglect completing one of the genuine masterpieces in the history of literature.
As with the first two volumes, Mandelbaum's translation is both remarkably faithful to the original and magnificently poetic. There are many excellent translations of this masterpiece, but I would probably recommend Mandelbaum's over any other complete translation to someone desiring to experience this masterpiece in translation.