Movies Books

Kael's endorsement was good enough for me. The categories are so witty and ingenious, I wanted to solve all of them, but I'm just not maven enough. I hear S. Sondheim had no problem, though.

Really enjoyed this book! Challenging, great photos... even the scoring guide pays homage to cinema in a clever and humorous fashion.

If you're the kind of movie-lover who can reel off the entire Bette Davis filmography in your sleep, this is the book for you! DiLeo knows his stuff inside out, and the wicked complexity of his quizzes will keep even the most knowledgable reader happily amused for hours. The best movie trivia book I've ever seen.

And You Thought You Knew Classic Movies is extremely challenging for even the most accomplished movie buffs. The quizzes are fun! Most of the time I had to peek at the answers - I learned a lot about my favorite old movies. Thank you John!

Had so much fun doing the quizzes in this book flying across the Atlantic with my husband, I was in New York before I knew it. Had to buy it for my friends. It's fun anytime but especially now with the Academy Awards this month.

This book is a must for any Batmobile fan. It has lots of information and photographs about all the cars that George Barris has designed for famous people and for well known TV shows and films.

If you love cars like the 60's batmobile,fireball 500,munster's coach just to name a few then this book is for you.George Barris known for his modified cars and rods has put together a collection of photos and details of several cars.Not a comprehensive of all his cars but enough to please most people.

I had the opertunity to meet george barris at the Houston Autorama. He not only took time to autograph his book but to visit about custom cars. We visited for quite some time and he went to look at my custom car. I was impressed by his down to earth genuine interest in my projects. Movie cars built by Pegasus Motorcars he liked my designs and the wild wing on the back was his favorite. Thank you George Barris you are my Hero. Charlie Van Natter. .

I had the opertunity to meet george barris at the Houston Autorama. He not only took time to autograph his book but to visit about custom cars. We visited for quite some time and he went to look at my custom car. I was impressed by his down to earth genuine interest in my projects. Movie cars built by Pegasus Motorcars he liked my designs and the wild wing on the back was his favorite. Thank you George Barris you are my Hero. Charlie Van Natter. .

Great coverage of TV's Batmobile and the Munter's cars. Authors also remind you about cars you didn't know Barris did: The Beverly Hillbillies truck, the Flintstones (film of course) cars, updates of the Knight Rider Firebird, the Jurassic Park Explorers, and the infamous sitcom "My Mother the Car" (the butt of many Johnny Carson jokes). But also taking up space are forgotten cars from forgotton projects...the Bugaloos dune buggy and a TV special "Romp". Cars I would have liked to have seen but didn't make the cut include the Monkee Mobile, the Green Hornet's "Black Beauty" and the Stutz replicas made for the TV adventure series "Bearcats!". Overall a good book, but I have a hunch that only the surface of Barris' career has been scratched. How about a large format book with lots of color and details on the surviving movie cars and "Kustoms" that made Barris the legend he is?

Like a culinary masterpiece, I found Beatrice Beecham's Fearsome Feast to be extremely palatable indeed. The riddle-solving reminded me of the Three Investigators, while the exploration of secret passages was reminiscent of the Famous Five. And Aunt Maud's house, with its assortment of peculiar rooms, provided a pinch of Roald Dahl.

The story was exciting and certainly kept me gripped. I also greatly enjoyed the imaginary conversations that Beatrice had with Jamie Oliver and some of the other well-known British celebrity chefs. This is despite the fact that I'm not particularly into the cooking show genre or a big follower of any of those guys. The various plotlines (like the Fearsome Feast competition and the mystery of the Charlotte Elizabeth) were cleverly interweaved. Apart from the story, the characters are also engaging, especially Beatrice herself. The secondary characters are also quite well developed.

One of the few down sides for me was that the Epilogue was rather unsatisfactory and made the ending feel slightly untidy. On the whole, I prefer books to end with a sense of proper closure, although there should certainly be some scope for creating anticipation for the next book in a series. Speaking of which, I look forward to sampling Beatrice Beecham's Fete of Fate, which has just come out.

The other thing that bothered me was the somewhat high number of typos, which were a little bit distracting. But I'm sure a good copy-editor can fix that. ;-)

All in all, I found this book to be simply delicious and recommend that everyone put it on their reading menu! Pukka! :-)

This is a great book. Beatrice moves to the coast with her mom, dad, and little brother after her father loses his job. While there her mother's friend, Aunt Maud, gives her an old cookbook. From there the adventure begins. With her new found friends and her active imagination involving famous cooks, she sets off on a mystery that involves a past shipwreck, an interesting cooking contest, and many more twists and turns. This book is filled with colorful characters (you'll especially love Aunt Maud), a great adventure, and a surprise ending. I can't wait for more books from this author.

When 12-year-old Beatrice Beecham is given an old cookbook that completely comes apart when it falls off her bed, she finds hidden treasures that whisk her and her friends into a dangerous mystery. The oldest and richest family in Dorsal Finn has a murderous secret, and the most powerful people in town are helping them keep it. With the help of adventurous friends and a quick-thinking librarian, Beatrice develops a theory, but the only way to prove her suspicions is to enter the Fearsome Feast contest and win an overnight stay at the mansion.

Can she do it? Not without a bounty of close calls, perilous consequences, and finding the right time and place to use her cookbook treasures, clues from a desperate matriarch long dead.

Beatrice Beecham is delightful, scrappy, and the most exciting thing that has happened in Dorsal Finn for a long time. Dave Jeffery has created a tale that's intelligent and fun from start to finish, and full of surprises. This is one romping adventure!

Reviewed by Brianne Plach (age 9) for Reader Views (4/07)

Welcome to Dorsal Finn! This is a wonderful town where everyone knows everyone else's name. Beatrice Beechham is a 12 year old girl who moves to Dorsal Finn with her parents and younger brother Tom. They have been invited to live with one of Mrs. Beecham's closest friends Maud. Beatrice and Tom refer to her as Aunt Maud. Beatrice gets to meet some of the most interesting residents including the Newshounds. She makes a very good friend in Patience, which is a very good name in this town since Beatrice will need a lot of it living here. Lucas was able to figure out any clues as they came along.

They have moved to Dorsal Finn just in time for the annual fearsome feast contest. The contest involves cooking the most disgusting dish. In the last few years no one has been able to defeat Vladimir Karloff. Beatrice decides to enter the contest. The day of the contest is a part of the Masque, a very dressy occasion. Can Beatrice come up with a dish that will turn everyone's stomach?

Aunt Maud gives her a cookbook. Anyway, it looks like a cookbook but it is actually a bunch of clues so there is a mystery to solve too. Sometimes secrets are fun to figure out and sometimes secrets are better kept hidden.

I really liked "Beatrice Beecham's Fearsome Feast." It let me visit England, learn some of their Old English language, and their customs. I had a hard time laying this book down until I was finished with it. I was sad to see the book come to a close but I was happy with its ending. I hope Dave Jeffery writes more books like this.

What a wondrous beginning (after the dreadfully amateurish cover)! There's an exhilarating account of an ancient ship wreck, then we flash forward as an eccentric father who's lost his job, his wife, a younger brother absorbed in sci-fi technology and the brainy narrator who hears voices of--this is too brilliant for words--popular TV chefs make their way to the house of a strange aunt in the costal village of Dorsal Finn. This combination of traditional bedtime-story elements and contemporary references to cell phones, I-Pods, Star Wars and Harry Potter will make children (7 through early teens), their parents and even grandparents feel comfortably at home.

But there's adventure afoot: treasure with anagram clues, villains (including the notorious Chorley brothers), reenactment of an historic masque (shades of Edgar Allan Poe), a past murder uncovered and, last but not least, the "fearsome feast" in which entrants concoct hideous entrees (the one that can't be eaten by the notorious Vladimir Karlof wins). "A tale's not worth tellin' if it's not told right!" proclaims Aunt Maud. And this one abounds in treasures of its own. For example, the Aunt's little comments "...she's as reliable as a one handed alarm clock" and unobtrusive bits of psychological insight-- when Beatrice feels like a stranger in her new bedroom, Aunt Maud tells her about her own experience as a child in a strange bedroom when she was transported into the country during the bombing of London during World War II, "But I think the real reason I didn't want it to be mine. I was scared that if I accepted it then I would never see the world I knew ever again."

There are four very short surreal chapters from a second person point of view that may be confusing to young readers since we don't know who the "you" is and the cinematic ending seems unnecessarily complicated to me. But overall this is a great feast with course after course of satisfying dishes. It is the book as treasure hunt. Or like Aunt Maud would say, a story that "fills the coal scuttle."

Two people came together with nothing at all to offer each other except the probable opportunity to cause themselves pain and they didn't fear to love. (To love without the promise that there would be a tomorrow for them.) This is a good script and an incredible movie...Nice soundtrack unfortunately it is unavailable. Linklater is groovy!!

I was delighted by the movie, and immediately looked out for the book or anything related with it.

It's a subtle book, it shows in a very poetic way how communication can connect everyone. You can perceive it in every frame of the movie, is not casual that a location as Vienna has been choosen to develop the story.

Time, life, freedom, love, poetry, signs are important issues.

Before Sunrise is one of my favorite movies of all time, and I can't imagine a better book to accompany it. What makes this book so great is that it does not contain the actual script, because I think the shots and technical description would just ruin the magic of the dialogue, which is the best thing about the movie. The pictures are brilliant (for they're not only copies of the film's shots), and the poem at the end of the book is simply a touch of genius. I lost the book, though. So I was wondering if anyone could help me find a copy. All expenses will be paid. Thanks!

It is a great movie that we just can't miss it in our life. When a man meets a woman in the way like the movie goes, something is expected to happen. It is amazing that everything is so natual, so romantic.

The story makes me desiring a romantic love everytime I am in a journey...

It is pity that I miss the opening of the movie. I've tried to get the VCD of the picture but I can't make it in Hongkong. I can't find the book neither...

Anyone who was a fan of the movie "Before Sunrise" will want to have this book, which does *not* contain the actual script for the film, but does feature most of the wonderful dialogue along with a number of photos of Julie Delpy and Ethan Hawke and a forward by Richard Linklater and Kim Krizan.

Its not only readable but funny at the thought the wrestlers become crime fighting geniuses! Mr McMahons amazing touch is all over this!!! a definite buy for fans and critics alike!

I too was surprised at how good this book is. The story is actually well crafted and it moves along pretty quickly. I look forward to future installments!

In my life as an English Professor, I have had the joy of reading any of a lare selection of classic books, brilliant treatises on the human condition, and some of the most brilliantly revolutionary prose that hallmarked the great movements in human history. I feel, though, that my faith in literature has been increased to a level I truly did not feel possible after reading this book.

It is truly rare when a book changes your life in a fundamental way. For some, the Bible was their path to a new and better life. Others feel that Paine's Common Sense is a truly great piece of political propaganda that tries to raise humanity to a higher level. Others, on the other hand, are partial to Karl Marx's Communist Manifesto.

I say "A pox on ALL of these houses".

Like a very special episode of "Walker, Texas Ranger", WWE's "Big Apple Takedown" manages to simultaneously make one weep at the emotionally taut imagery, laugh at the rapier-sharp wit, and contemplate the deep, inner discussions of the soul that are the hallmark of sweaty guys with questionable drug habits.

And, honestly, the book is a little infuriating. Why IS the government wasting its money paying for a military with many nuclear missiles when ALL that is needed to save the world from evil and chaos are the occasional errant chair shot, a knee to the groinal region, followed by an overly elaborate finishing sequence?

The decision to use WWE superstars --- "wrestlers" does not remotely do legends like HHH justice, let's be frank --- to sniff out a drug cartel is the kind of inspired genius that makes lesser authors like Poe weep in their beer. You didn't see George Orwell use imagery as subtle as a glistening body of pure, pent-up, moderately eroticized squashing drug kingpins in 1984, did you?

I tell you, next to this book, Madame Bovary has as much plot as a 3rd grader's book of Mad Libs.

I, personally, enjoyed the discrete reference to another classic of American literature --- "Confessions of a Dangerous Mind", with a plot that, bluntly, ripped off this book's plot in the most diabolical and sinical of manners.

Kudos to you, WWE. You have clearly demonstrated that the dramatic masterpiece that is the average episode of RAW is not an accident. This is the book that makes one appreciate the subtlety of a good fart joke or an unexpected "puppies" reference. I can only hope they keep Mr. Josephs on the payroll to produce storyline that can even approach this level of inspiration.

I bought this book the other day with absolutely no expectations. I actually bought it hoping to find humor in how bad it would be. I wound up reading it cover to cover in 24 hours because that's how hooked I was. The book is absolutely full of suspense and I honestly would love to see a movie. Maybe if WWE had gone this route instead of the ill-fated "See No Evil" movie, they wouldn't be the laughing stock of the film industry. This book was surprisingly very gripping and for the price, I totally have to recommend it. If you are one of the many people who would have to be skeptical of the the WWE's forray into fictional novels, then check this out and be proven wrong. I must admit that I couldn't believe it, but the book is an addictive thrill ride, very well written.

I HAVENT FINISHED READING THIS BOOK YET BUT I AM CLOSE TO FINISHING IT. THIS BOOK IS ABOUT 6 WWE WRESTLERS(BATISTA,CHAVO GURREO,TORRE WILLSON,JOHN CENA,HHH,AND THE OWNER OF THE WWE VINCE MCMHAON) JOIN A SECRET AGENCY CALLED THE NSA. THERE MISSION IS TO TAKE DOWN A BIG DRUG RING AND THEY ALL GO UNDER COVER TO GET ENOUGH EVIDENCE TO ARREST THE PEOPLE IN THE DRUG RING AND THE PERSON IN CHARGE OF THE DRUG RING. THE BOOK IS GREAT AND IT HAS LOADS OF SUPENSE. AND I HEARD THE ENDING WILL SUPRISE YOU. IF YOUR A WWE FAN(LIKE ME) BUY IT. OR IF YOU ARE NOT A WWE FAN YOU SHOUD STILL BUY BECAUSE YOU WILL LOVE IT.

When I was in the 5th grade (way back in 1976-77), our teacher used to read to us after recess each day. He turned us onto several great books with fun and compelling stories. Of these, three books (Freaky Friday, A Billion For Boris and The Phantom Tollbooth)have become some of my all time favorite books. Books that I've read and re-read several times.

A Billion For Boris is by far the best and my personal favorite from the entire 'Andrews Family' series. I loved Freaky Friday and love A Billion For Boris even more. I couldn't get through Summer Switch. It just seemed like a complete retread of Freaky Friday but not nearly as engaging.

Who can forget when Anabell made her catastrophic, cataclismic boo-boo? Great line.

The story is just as described. Ape Face fixes an old TV of Boris's and then suddenly it shows programs from one day in the future. Anabell wants to use it to help mankind. Boris just wants to make money to improve his and his mother's life. So, they compromise. Then things start to get out of hand. The ending is charming, funny and quite sweet.

All in all, a really great book with lots of hilarious moments. I highly recomend it to everyone who loves just a good story.

This is a book that everyone ages 9-99 will enjoy. Its exploration of what happens when a couple of kids get ahold of a TV that plays tommorow's news is hillarious. Its a book that can be read over and over again and not lose its appeal. This is deffinitely a book that will stay on your shelf for the whole family to read. A winner!

A Billion for Boris' attention-span is good. It's a page-turner for ages 8-88. Ape Face tinkers with an old TV set so it shows tomorrow's news. Boris manages to get it back, and he and Ape Face's sister, Annabel, decide to us etheir new knowledge to help Boris' writer-mother get more money and refinish Boris' apartment. How? By betting on horses. A book which kept me reading until the last page. The sequel to Freaky Friday and the book before Summer Switch, it is ultimately one of Mary Rodgers' masterpieces.

I agree w/ the review below--this book is better than Freaky Friday. I've never forgotten how I wanted my own TV set that broadcast tomorrow's news today. This story has such charm, magic, and realism in it. Every child should read this book.

Since that Freaky Friday when Annabel Andrews switched bodies with her Mother, things have gotten much better. At least, in her opinion. I mean, at least she's not a kid in an adult's body anymore. But, now something new is going on. Annabel is still in love with Boris, and her younger brother, Ape Face, is still being a pest, but who planned for this? When Ape Face fixes a broken TV that Boris sells to him, something VERY strange happens. Suddenly, Ape Face is watching tomorrow's TV shows, today. Not only that, he's watching the news a day early. Annabel wants to use the TV for good, to help humanity, and Ape Face just wants to watch tomorrow's movies today, but Boris has some different plans of his own.

This is the sequel to the book FREAKY FRIDAY. In my opinion, I found this book to be even better than the previous. Rodgers has come up with a brilliant and entertaining plot, that all kids will enjoy reading about. Boris is a funny, and mischevious character, as is Ape Face, and Annabel is a fun, and kind character, who has matured greatly since FREAKY FRIDAY. A must-have book for all fans of the weird and unexpected.

Erika Sorocco

All of Bruce Henderon's books are worth a dozen times what he sells them for; flawless, stunning reproductions of great movie posters. Buy them ALL!

As previous reviewers stated, this is a marvelous book, & it does have far too many Disney & Popeye posters in it. Considering the wealth of other 'vintage' cartoon posters that are around (even just searching on the net), Im suprised they didnt have a better selection for us to look at. Otherwise, Im very happy to have this book, and I'd LOVE to see a volume 2 some day!!!

I'll be truthful: I received Bruce Hershenson's CARTOON MOVIE POSTERS as part of a "grab-bag" special he was throwing a couple of years back. My tastes lie in the somewhat more arcane area of Horror & Science Fiction posters. What would a guy like me who covets copies of posters like BEAST WITH 1,000,000 EYES want with...harmless, namby-pamby kid's stuff? Plenty, as I soon discovered once I opened this excellent book. First-the reason I had been so unaware of cartoon posters, especially ones from the seven minute variety, is that so many of them are practically extinct. Cartoons, being the VERY bottom of the bill, were treated as 4th-class citizens, and if the studios bothered to make a poster at all, there weren't very many of them and the vast majority of those were tossed. What a shame! This book, which contains close to 400 exqusitely printed images, is an absolute riot of color and imagination that easily rivals any of my beloved fantasy pieces. Starting from cartoon pioneer Windsor McCay in 1911 and ending with the X-rated FRITZ THE CAT in 1972,(and touching on all points in between), Bruce includes examples ranging from the obvious (Disney, Warner Bros, & Fleischer) to the wonderfully obscure (there are several pages of pictures from Ub Iwerks'fairy tale cartoons from the 30s that are gorgeous, more than a little strange, and as rare as hen's teeth.) If you have even a passing interest in movie posters, it is mandatory that you order at least a couple of Hershenson's poster volumes. If you are a rabid, hopeless poster fiend like myself, they are invaluable for both reference and entertainment. Everything about them is first-rate: the printing, the choice of posters (ah, those 30s & 40s Disney 1-sheets...!)the short, inobtrusive, well-written snippets regarding the history of various posters: it's very tough to find fault here. This is the perfect gift for hard-core poster geeks and casual film/cartoon aficonados alike. Five stars all the way, and...abbah-dee, abbah-dee, abbah-dee....That's All, Folks!

Everyone has their own favorite film genre (animation, action and adventure, science fiction, etc.). Next to crime/film noir films, animation is mine. The beautiful thing about this book is the unexpected. Rather than delve into the standard Disney fare (which is included in great detail nevertheless), this book includes artwork from posters from "lesser seen or only mildly popular" titles. Besides Disney, everything from Fleischer to Avery is represented, works of art that can only be bought for thousands of dollars today at many of America's high echelon auction houses. If you are the least bit interested in the jaw-dropping beauty of what has become a lost art -- the exercise of drawing images associated with the advertising of a Hollywood film -- this is the book to have. This book is part of movie poster maven Bruce Hershenson's exhaustive multi-volume series of books highlighting the history and beauty of what much of mainstream America has only in the last ten years begun to recognize. And that is movie posters are a "popular art" form that can stand proudly next to all other styles of art from gothic to modern, from expressionist to impressionist. Great film art borrows from all of these styles and this volume, which focuses only on posters associated with animated films, illustrates innumerable examples whereby despite the restrictive nature of the genre (cartoons), not all posters went in the same direction in terms of style and presentation. From Pinocchio to Popeye, Hershenson and Allen have built an incredible archive (and legacy) of images in all of his books, capturing a period (when all posters were drawn by hand and then printed, as opposed to today's method of using photographic stock and manipulating them digitally and printing them by the thousands) that would otherwise be lost forever. A fine book for any collector (get the hardcover edition if you can, it's harder to find; if Amazon doesn't have it, it's available from Mr. Hershenson directly at mail@brucehershenson.com).

This review can easily apply to any of the books in the Bruce Hershenson edited series of film poster history. Hershenson rightly treats film graphics not just as pop culture artifacts but true works of art. His books are filled with a curator's eye for superior choice and reproduction, each poster in striking color and with a clarity of printing that rivals most any coffee table art book. Somewhere between advertising and illustration, film posters, like book jackets and record covers, inhabit that imaginative and atmospheric zone where one art reflects another. It's not just the history of film or the history of film design, it's a history of twentieth century Saturday afternoons and Saturday nights. How often we would go into the dark theatre armed only with the ideas and ideals of the posters outside, and then return to them afterward, perhaps with nodding affirmation or smirking disillusionment, but still a vision of what could be. This series of books should be subtitiled: THE FINE ART OF ANTICIPATION, for no matter if expectation was filled or emptied by the films behind them, their posters kept on shining.

Absolutely stunning! Superb graphics of some of our favorite movie posters! Highly recommend.

How can crime be bad and yet so good! Look inside the cover of these pages for the answer. Not much reading required but plenty of illustrations. And what illustrations!! Cigarettes, dangling from shadowey faces, killer guns begging for victums, and behind every crime there's a "good" women to lead him on to both heaven or hell. These images can usually sum up the classic Crime Movie Poster. In cronological order the images take us from the birth of this gendre to it's present. This is no small feat, as the first poster is dated 1913! That's how many years? Page after page is loaded with poster art that grabs the eye and makes you want to view the film. Vivid coloring shows the excellent printing quality of this volume. One only needs to turn the pages to discover "the stuff dreams are made of".

How can crime be bad and yet so good! Look inside the cover of these pages for the answer. Not much reading required but plenty of illustrations. And what illustrations!! Cigarettes, dangling from shadowey faces, killer guns begging for victums, and behind every crime there's a "good" women to lead him on to both heaven or hell. These images can usually sum up the classic Crime Movie Poster. In cronological order the images take us from the birth of this gendre to it's present. This is no small feat, as the first poster is dated 1913! That's how many years? Page after page is loaded with poster art that grabs the eye and makes you want to view the film. Vivid coloring shows the excellent printing quality of this volume. One only needs to turn the pages to discover "the stuff dreams are made of".

Everyone has their own favorite film genre (animation, action and adventure, science fiction, etc.). This one is mine. If you are the least bit interested in the jaw-dropping beauty of what has become a lost art -- the exercise of drawing images associated with the advertising of a Hollywood film -- this is the book to have. No other genre, in my opinion, was more dark and foreboding and in turn experienced a burst of creativity than posters associated with the film-noir period of Hollywood, which roughly ran from the mid-1940s to the mid-1950s. This book is part of movie poster maven Bruce Hershenson's exhaustive multi-volume series of books highlighting the history and beauty of what much of mainstream America has only in the last ten years begun to recognize. And that is movie posters are a "popular art" form that can stand proudly next to all other styles of art from gothic to modern, from expressionist to impressionist. Great film art borrows from all of these styles and this volume, which focuses only on posters associated with crime and film-noir films, is my favorite. It illustrates innumerable examples of the ranges in style, despite the superficial expectation that all art from this genre was the same. It was not. From Gilda to This Gun For Hire, Hershenson and Allen have built an incredible archive of images in all of his books, capturing a period (when all posters were drawn by hand and then printed, as opposed to today's method of using a montage of photos and manipulating them digitally and printing them by the thousands) that would otherwise be lost forever. A fine book for any collector (get the hardcover edition if you can, it's harder to find; if Amazon doesn't have it, it's available from Mr. Hershenson directly at mail@brucehershenson.com.

Every last shot heard in the world of motion pictures is displayed here. From Pre-code films like LADIES THEY TALK ABOUT to the Code-in-your-face PULP FICTION, Bruce Hershenson captures the poster art of these films in splashy high quality color. A bonus is that Bruce always includes lobby card art, cherished by many a collector, but not displayed often.

This is a book that makes you think, the characters are not described within a few lines, divided into good and bad, like it's so often true in books selected for clubs across the country. Snip: (...)

This is a perfect book about what it means to be a father and what it means to be a son. The novel presents three generations of men who meet in a tragic moment when their wife, mother and grandmother had a heart attack. The main hero Jack had run away from America to France to follow his dream of becoming a painter but a message from his native California brings him back, to tend to his father who is clueless when his wife was taken to hospital. The two men estranged for years clumsily and slowly learn to live together and discover love they never managed or (as most men do) bothered to express.
This is an extremely personal book. William Wharton claims he could not publish it before the death of his parents. He wrote it to express his own feelings after his father's death. When the book was ready he invited his mother over. They met daily on the beach and he read the novel to her. When he finished they were both crying. You will be crying too.

Dad snuck up and bit me. I found it uneven. It is a book to be taken apart and studied in chunks. The sequence of the son caring for the parents was incredible; gritty and raw. So many questions raised: what IF you can't stand your own mother but you still have to live with her? What IF there is another and better dimension for your beleagured father? What do you do if you find your father has pooped his drawers? What if there is no nurse to bail you out? (The image of a middle aged man tranking out on pilched oxygen haunts me) Read this book and weep: this could be you and your life in a few years. Take what you have now and hug it tight. You will slowly but surely become your father. Wharton digs in and hands you the goods. No holds barred. I am a better though sadder person since I read his work.

This was a great book and i would recommend it to everyone. It's deeply upsetting, emotional but not whimsical or sloppy like other novls of this genre. This book steers clear of the protentious narrative [stuff]that we often find ourselves bombarded with. It's funny, sad and clever and should be read by all.

In 1987, I read what is still one of my all-time favorite books--DAD, by William Wharton. When first his mother, then his father, become ill, John tremont attempts to sort out their affairs and obtain the best care he can for them. But the book is about so much more than that; it's about the relationships between fathers and sons, about coming to terms with a parent's infirmity and mortality, about letting go, accepting new roles within the family, and realizing that, when all's said and done, your parents are just people with flaws like everyone else. but most of all, DAD is about the final days of Jack Tremont, John's father, and how much John, and everyone else, loved him. Jack was portrayed so well that I loved him too, and I could tell John loved him the way I loved my Grandpa. Grandpa was diagnosed with cancer around the same time I read DAD, and I really identified with John and his feelings of grief, frustration, anger, helplessness, and his incredible love for his dad. It was the kind of book I wished would never end. A real tear-jerker!

After reading The Witch's Daughter, I picked this up. WOAH! This one was really good, It was a very good addition to the series, I still don't understand why they cancelled this series after only 8 books!

i dont usualy read books but as soon as i read the blurb i couldnt put the book doun!it was amazing and it had wonderful diskriptions i felt like i was almost ther since i read the witches daughter i carnt get enouf of the files in fact it only took me 4 houers of one night to read!i hope there will be more books from cade merril because he is a wonderful writer and im shur many feel the same!!!!!!!!!!!!!!!

Cade Merrill is seventeen years old and the owner of a website, theblairwitchfiles.com. After his cousin Heather disappeared while filming a documentary on the Blair Witch, Cade has used his site as a means of gathering information on the unexplained events that take place in Blair Woods.

When Cade is contacted by photography student Laura Morely he initially dismisses her claim that she feels she has a bond with Heather. However, Cade finds himself drawn to her, and soon he has invited her to Burkittsville. At first, Laura comes across as enthusiastic, intense and determined, but Cade quickly discovers that lurking behind his initial impressions, there is something wrong with Laura. A trip to the ruined house of a serial killer causes her to experience strange visions of the owner's childhood. The photographs she takes prove to Cade that she is telling the truth, but Laura's behaviour rapidly becomes more erratic and out-of-control. As her visions reveal more about the dark secrets in the past of murderer Rustin Parr, Cade must discover the link between Laura and the serial killer before tragedy strikes again.

The fact that I haven't seen the movie itself didn't stop me from enjoying this book. The story is faced-paced and suspenseful. I recommend it as a great horror story for teens, but it probably wouldn't be suitable for any kids under twelve years old. ....

The Blair Witch Project leaves you wondering what really happened. This book does the same. What do you see, or is it all your imagination. The story is about a girl who does not understand why an old, recurring dream draws her to Burkittsville to go on a hike to Rustin Parr's house. A few good twists and an awesome look into the past events of Parr's life, if all of it is not just crazy hallucinations. Pick it up...!

I was unsure whether I was going to like The Blair Witch Files 2: The Dark Room because I hadn't read any previous books by author Cade Merill. But, as it turned out, I found this book to be simple to follow, its not like a sequel, just really one great book by itself. The writing is at times repetitive, but all elements of the story lead up to a well thought-out climax. All the characters have numerous sides to them, it gives you something to think about after reading a few chapters. And not to mention the freak factor! The Blair Witch Files 2: The Dark is probably the scariest book I have read in a long amount of time. You can see all the terror in your head after some chapters, but, like the characters, you're forced to keep going because it's the only way to find out the mystery.